Amadeus (original soundtrack recording)

~ Release by Wolfgang Amadeus Mozart; Academy of St. Martin‐in‐the‐Fields, Neville Marriner (see all versions of this release, 12 available)

Tracklist

▶ CD 1
▼ CD 2
#TitleArtistRatingLength
1Concerto for Piano no. 22 in E-flat major, K. 482: III. Allegro
grand piano:
Ivan Moravec (pianist) (in 1984)
orchestra:
Academy of St Martin in the Fields (in 1984)
conductor:
Sir Neville Marriner (conductor) (in 1984)
recording of:
Concerto for Piano no. 22 in E-flat major, K. 482: III. Allegro (in 1984)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1785-12)
part of:
Concerto for Piano no. 22 in E-flat major, K. 482
Wolfgang Amadeus Mozart11:13
2Le nozze di Figaro, K. 492: Act IV, Scenes XII-XIV. no. 23 Finale "Ecco la marcia, Andiamo" (Barbarina, Coro)
vocals:
Isabel Buchanan (soprano), Felicity Lott (soprano), Samuel Ramey (bass-baritone), Richard Stilwell (baritone) and Willard White (bass-baritone)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scenas XII-XIV. (no. 23) Finale “Ecco la marcia, Andiamo” (Barbarina, Coro)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III
Wolfgang Amadeus Mozart2:30
3Le nozze di Figaro, KV 492: Act IV. "Ah tutti contenti"
vocals:
Anne Howells (operatic mezzo-soprano), Robin Leggate (operatic tenor), Felicity Lott (soprano), Alexander Oliver (tenor), Patricia Payne (mezzo-soprano, alto), Samuel Ramey (bass-baritone), Deborah Rees, Richard Stilwell (baritone), John Tomlinson (English operatic bass) and Willard White (bass-baritone)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Le nozze di Figaro, KV 492: Atto IV. “Ah tutti contenti”
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto IV
Wolfgang Amadeus Mozart2:40
4Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XV. no. 24 Finale "Don Giovanni, a cenar teco" (Il Commendatore, Don Giovanni, Leporello)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
vocals:
Richard Stilwell (baritone), John Tomlinson (English operatic bass) and Willard White (bass-baritone)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
chorus master:
László Heltay (British/Hungarian conductor and composer) and John McCarthy (British choral conductor, scholar, composer and arranger)
recording of:
Don Giovanni: Atto II. “Don Giovanni, a cenar teco” … “Da qual tremore insolito” (Il Commendatore, Don Giovanni, Leporello)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart7:01
5Zaïde, K. 336b/344 (fragment): Act I. no. 3 Aria "Ruhe sanft, mein holdes Leben" (Zaïde)
soprano vocals:
Felicity Lott (soprano)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Zaide, K. 336b/344 (fragment): Akt I. No. 3 Arie "Ruhe sanft, mein holdes Leben" (Zaide)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Johann Andreas Schachtner (Librettist)
part of:
Zaide, K. 336b/344: Akt I
Wolfgang Amadeus Mozart6:29
6Requiem in D minor, K. 626 (Süßmayr completion): I. Introitus: "Requiem aeternam" / II. "Kyrie eleison" / IIIa. Sequenz: "Dies irae" / IIIc. Sequenz: "Rex tremendae" / IIIe. Sequenz: "Confutatis" / IIIf. Sequenz: "Lacrimosa"
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
orchestra:
Academy of St Martin in the Fields
chorus master:
László Heltay (British/Hungarian conductor and composer)
compilation of:
Requiem in D minor, K. 626 (Süßmayr completion): I. Introitus: "Requiem aeternam" / II. "Kyrie eleison" by László Heltay (British/Hungarian conductor and composer), The Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Academy of St Martin in the Fields, Sir Neville Marriner (conductor), Requiem in D minor, K. 626 (Süßmayr completion): IIIa. Sequenz: "Dies irae" by László Heltay (British/Hungarian conductor and composer), The Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Academy of St Martin in the Fields, Sir Neville Marriner (conductor), Requiem in D minor, K. 626 (Süßmayr completion): IIIc. Sequenz: "Rex tremendae" by László Heltay (British/Hungarian conductor and composer), The Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Academy of St Martin in the Fields, Sir Neville Marriner (conductor), Requiem in D minor, K. 626 (Süßmayr completion): IIIe. Sequenz: "Confutatis" by László Heltay (British/Hungarian conductor and composer), The Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Academy of St Martin in the Fields, Sir Neville Marriner (conductor) and Requiem in D minor, K. 626 (Süßmayr completion): IIIf. Sequenz: "Lacrimosa" by László Heltay (British/Hungarian conductor and composer), The Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Academy of St Martin in the Fields, Sir Neville Marriner (conductor)
recording of:
Requiem in D minor, K. 626: I. Introitus: Requiem aeternam (Süßmayr Edition; choir and soprano solo)
orchestrator:
Franz Jakob Freystädtler, Wolfgang Amadeus Mozart (classical composer) and Franz Xaver Süßmayr
additional composer:
Franz Xaver Süßmayr
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
is based on:
Requiem in D minor, K. 626: I. Introitus: Requiem aeternam (original version)
part of:
Requiem in D minor, K. 626 (Süßmayr edition)
recording of:
Requiem in D minor, K. 626: II. Kyrie eleison (Süßmayr Edition; choir)
orchestrator:
Franz Jakob Freystädtler, Wolfgang Amadeus Mozart (classical composer) and Franz Xaver Süßmayr
additional composer:
Franz Xaver Süßmayr
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626 (Süßmayr edition)
recording of:
Requiem in D minor, K. 626: III. Sequenz: a. Dies irae (Süßmayr Edition; choir)
orchestrator:
Franz Xaver Süßmayr
additional composer:
Joseph Leopold Eybler
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Süßmayr Edition)
recording of:
Requiem in D minor, K. 626: III. Sequenz: c. Rex tremendae majestatis (Süßmayr Edition; choir)
orchestrator:
Franz Xaver Süßmayr
additional composer:
Joseph Leopold Eybler
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Süßmayr Edition)
recording of:
Requiem in D minor, K. 626: III. Sequenz: e. Confutatis maledictis (Süßmayr Edition; choir)
orchestrator:
Franz Xaver Süßmayr
additional composer:
Joseph Leopold Eybler and Franz Xaver Süßmayr
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Süßmayr Edition)
recording of:
Requiem in D minor, K. 626: III. Sequenz: f. Lacrimosa dies illa (Süßmayr Edition; choir)
orchestrator:
Franz Xaver Süßmayr
additional composer:
Joseph Leopold Eybler and Franz Xaver Süßmayr (from 1791 until 1792)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Süßmayr Edition)
Wolfgang Amadeus Mozart511:08
7Concerto for Piano no. 20 in D minor, K. 466: II. Romanze
grand piano:
Imogen Cooper (pianist)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Concerto for Piano no. 20 in D minor, K. 466: II. Romanze
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1785)
part of:
Concerto for Piano no. 20 in D minor, K. 466
Wolfgang Amadeus Mozart9:53

Credits

Release

mixer:Dixon Van Winkle
producer:Erik Smith (British producer, pianist and harpsichordist)
ASIN:US: B000000XBT [info]