Aida

~ Release by Giuseppe Verdi (see all versions of this release, 4 available)

Annotation

Oliviero de Fabritiis/Maria Callas/Oralia Dominguez/Mario del Monaco/Roberto Silva/Giuseppe Taddei

Annotation last modified on 2016-06-25 19:41 UTC.

Tracklist

| |
▼ CD 1
#TitleRatingLength
1Aida: Prelude
orchestra:
Orquesta del Palacio de Las Bellas Artes (on 1951-07-03)
conductor:
Oliviero de Fabritiis (conductor and composer) (on 1951-07-03)
recording of:
Aida: Preludio (standard opening to the opera, ~4min) (on 1951-07-03)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Aida
part of:
Aida (German lyrics)
3:22
2Aida: Si, corre voce
bass vocals [Ramfis]:
Roberto Silva (operatic bass) (on 1951-07-03)
tenor vocals [Radamès]:
Mario Del Monaco (tenor) (on 1951-07-03)
orchestra:
Orquesta del Palacio de Las Bellas Artes (on 1951-07-03)
conductor:
Oliviero de Fabritiis (conductor and composer) (on 1951-07-03)
recording of:
Aida: Atto I, scena 1. Introduzione e scena “Sì, corre voce che l’Etiope ardisca” (Ramfis, Radamès) (on 1951-07-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
1:40
3Aida: Se quel guerrier io fossi. . . Celeste Aida
tenor vocals [Radamès]:
Mario Del Monaco (tenor) (on 1951-07-03)
orchestra:
Orquesta del Palacio de Las Bellas Artes (on 1951-07-03)
conductor:
Oliviero de Fabritiis (conductor and composer) (on 1951-07-03)
recording of:
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès) (on 1951-07-03)
composer:
Giuseppe Verdi (Italian opera composer) (in 1871)
librettist:
Antonio Ghislanzoni (in 1870)
part of:
Aida: Atto I
16:08
4Aida: Ritorna vincitor!
soprano vocals [Aida]:
Maria Callas (soprano) (on 1951-07-03)
orchestra:
Orquesta del Palacio de Las Bellas Artes (on 1951-07-03)
conductor:
Oliviero de Fabritiis (conductor and composer) (on 1951-07-03)
live recording of:
Aida: Atto I, scena 1. Scena: “Ritorna vincitor!” – “E l’amor mio …” – “I sacri nomi di padre, d’amante” (Aida) (on 1951-07-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
6:51
5Aida: Immenso Fhta!
bass vocals [Ramfis]:
Roberto Silva (operatic bass) (on 1951-07-03)
choir vocals:
Coro del Palacio de las Bellas Artes (on 1951-07-03)
orchestra:
Orquesta del Palacio de Las Bellas Artes (on 1951-07-03)
conductor:
Oliviero de Fabritiis (conductor and composer) (on 1951-07-03)
recording of:
Aida: Atto I, scena 2. Danza sacra delle Sacerdotesse: “Immenso Fthà!…” / “Mortal, diletto ai Numi” (Sacerdotesse, Ramfis, Sacerdoti) (on 1951-07-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
6:34
6Aida: Nume, custode e vindice
bass vocals [Ramfis]:
Roberto Silva (operatic bass) (on 1951-07-03)
choir vocals:
Coro del Palacio de las Bellas Artes (on 1951-07-03)
tenor vocals [Radamès]:
Mario Del Monaco (tenor) (on 1951-07-03)
orchestra:
Orquesta del Palacio de Las Bellas Artes (on 1951-07-03)
conductor:
Oliviero de Fabritiis (conductor and composer) (on 1951-07-03)
recording of:
Aida: Atto I, scena 2. Finale I “Nume, custode e vindice” (Ramfis, Radamès, Sacerdoti, Sacerdotesse, Sacerdotessa) (on 1951-07-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
4:01
7Aida: Chi mai fra gl'inni e i plausi
choir vocals:
Coro del Palacio de las Bellas Artes (on 1951-07-03)
mezzo-soprano vocals [Amneris]:
Oralia Dominguez (mezzo soprano) (on 1951-07-03)
orchestra:
Orquesta del Palacio de Las Bellas Artes (on 1951-07-03)
conductor:
Oliviero de Fabritiis (conductor and composer) (on 1951-07-03)
recording of:
Aida: Atto II, scena 1. Introduzione, scena e coro di donne: “Chi mai fra gl’inni e i plausi” (Schiave, Amneris) (on 1951-07-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
live recording of:
Aida: Atto II, scena 1. Introduzione, scena e coro di donne: “Chi mai fra gl’inni e i plausi” (Schiave, Amneris)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
5:54
8Aida: Fu la sorte dell'armi a'tuoi funesta
mezzo-soprano vocals [Amneris]:
Oralia Dominguez (mezzo soprano) (on 1951-07-03)
soprano vocals [Aida]:
Maria Callas (soprano) (on 1951-07-03)
orchestra:
Orquesta del Palacio de Las Bellas Artes (on 1951-07-03)
conductor:
Oliviero de Fabritiis (conductor and composer) (on 1951-07-03)
recording of:
Aida: Atto II, scena 1. Scena e duetto: “Silenzio! Aida verso noi s'avanza” – “Fu la sorte dell’armi a'tuoi funesta” – “Ebben, qual nuovo fremito t'assal, gentile Aida?” (Amneris, Aida) (on 1951-07-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
21:18
9Aida: Salvator della patria
bass vocals [Il re]:
Ignacio Ruffino (operatic bass) (on 1951-07-03)
bass vocals [Ramfis]:
Roberto Silva (operatic bass) (on 1951-07-03)
choir vocals:
Coro del Palacio de las Bellas Artes (on 1951-07-03)
tenor vocals [Radamès]:
Mario Del Monaco (tenor) (on 1951-07-03)
orchestra:
Orquesta del Palacio de Las Bellas Artes (on 1951-07-03)
conductor:
Oliviero de Fabritiis (conductor and composer) (on 1951-07-03)
recording of:
Aida: Atto II, scena 2. “Salvator della patria” – “Concedi in pria” (Il Re, Radamès, Ramfis, Sacerdoti) (on 1951-07-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
8:09
▼ CD 2
#TitleRatingLength
1Aida: O Re: pei sacri Numi
bass vocals [Ramfis]:
Roberto Silva (operatic bass) (on 1951-07-03)
choir vocals:
Coro del Palacio de las Bellas Artes (on 1951-07-03)
mezzo-soprano vocals [Amneris]:
Oralia Dominguez (mezzo soprano) (on 1951-07-03)
soprano vocals [Aida]:
Maria Callas (soprano) (on 1951-07-03)
tenor vocals [Radamès]:
Mario Del Monaco (tenor) (on 1951-07-03)
orchestra:
Orquesta del Palacio de Las Bellas Artes (on 1951-07-03)
conductor:
Oliviero de Fabritiis (conductor and composer) (on 1951-07-03)
recording of:
Aida: Atto II, scena 2. “O Re, pei sacri Numi” / “Gloria all’Egitto” (Tutti) (on 1951-07-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
5:18
2Aida: O tu che sei d'Osiride
bass vocals [Ramfis]:
Roberto Silva (operatic bass) (on 1951-07-03)
choir vocals:
Coro del Palacio de las Bellas Artes (on 1951-07-03)
mezzo-soprano vocals [Amneris]:
Oralia Dominguez (mezzo soprano) (on 1951-07-03)
orchestra:
Orquesta del Palacio de Las Bellas Artes (on 1951-07-03)
conductor:
Oliviero de Fabritiis (conductor and composer) (on 1951-07-03)
recording of:
Aida: Atto III: Introduzione; Preghiera “O tu che sei d’Osiride” (Sancerdotesse, Sacerdoti, Ramfis, Amneris) (on 1951-07-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
19:38
3Aida: Pur ti riveggo, mia dolce Aida
soprano vocals [Aida]:
Maria Callas (soprano) (on 1951-07-03)
tenor vocals [Radamès]:
Mario Del Monaco (tenor) (on 1951-07-03)
orchestra:
Orquesta del Palacio de Las Bellas Artes (on 1951-07-03)
conductor:
Oliviero de Fabritiis (conductor and composer) (on 1951-07-03)
recording of:
Aida: Atto III. Duetto “Pur ti riveggo, mia dolce Aida…” (Radamès, Aida) (on 1951-07-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
13:13
4Aida: L'aborrita rival a me sfuggia
mezzo-soprano vocals [Amneris]:
Oralia Dominguez (mezzo soprano) (on 1951-07-03)
orchestra:
Orquesta del Palacio de Las Bellas Artes (on 1951-07-03)
conductor:
Oliviero de Fabritiis (conductor and composer) (on 1951-07-03)
recording of:
Aida: Atto IV, scena 1: Scena: “L’abborrita rivale a me sfuggia” … “Io l'amo, io l'amo sempre” (Amneris) (on 1951-07-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
10:29
5Aida: Ohimè!... morir me sento... La fatal pietra... O terra addio
choir vocals:
Coro del Palacio de las Bellas Artes (on 1951-07-03)
mezzo-soprano vocals [Amneris]:
Oralia Dominguez (mezzo soprano) (on 1951-07-03)
soprano vocals [Aida]:
Maria Callas (soprano) (on 1951-07-03)
tenor vocals [Radamès]:
Mario Del Monaco (tenor) (on 1951-07-03)
orchestra:
Orquesta del Palacio de Las Bellas Artes (on 1951-07-03)
conductor:
Oliviero de Fabritiis (conductor and composer) (on 1951-07-03)
recording of:
Aida: Atto IV, scena 1: Scena del giudizio: “Ohimè! morir mi sento!” (Amneris) (on 1951-07-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
recording of:
Aida: Atto IV, scena 2: Finale Ultimo: “O terra addio” (Aida, Radamès, coro, Amneris) (on 1951-07-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
recording of:
Aida: Atto IV, scena 2: Scena e duetto: “La fatal pietra sovra me si chiuse” – “Presago il core della tua condanna” – “Morir si pura e bella” – “Vedi?... di morte l'angelo” (Radamès, Aida) (on 1951-07-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
recording of:
Aida: Atto IV, scena 1: Scena del giudizio: “Ohimè! morir mi sento!” (Amneris)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
recording of:
Aida: Atto IV, scena 2: Finale Ultimo: “O terra addio” (Aida, Radamès, coro, Amneris)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
recording of:
Aida: Atto IV, scena 2: Scena e duetto: “La fatal pietra sovra me si chiuse” – “Presago il core della tua condanna” – “Morir si pura e bella” – “Vedi?... di morte l'angelo” (Radamès, Aida)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
23:14