The Symphonies

~ Release by Mahler; Chicago Symphony Orchestra, Sir Georg Solti (see all versions of this release, 1 available)

Tracklist

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▼ CD 1
#TitleArtistRatingLength
1Symphony No. 1 in D major: I. Langsam. Schleppend. Wie ein Naturlaut
engineer:
James Lock (engineer)
producer:
James Mallinson (producer)
orchestra:
Chicago Symphony Orchestra (in 1983-10)
conductor:
Sir Georg Solti (conductor) (in 1983-10)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1984)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1983-10)
recording of:
Symphony no. 1 in D major “Titan”: I. Langsam. Schleppend (in 1983-10)
composer:
Gustav Mahler (composer) (from 1884 until 1888)
part of:
Symphony no. 1 in D major “Titan”
Gustav Mahler15:52
2Symphony No. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell
engineer:
James Lock (engineer)
producer:
James Mallinson (producer)
orchestra:
Chicago Symphony Orchestra (in 1983-10)
conductor:
Sir Georg Solti (conductor) (in 1983-10)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1984)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1983-10)
recording of:
Symphony no. 1 in D major “Titan”: II. Kräftig bewegt (in 1983-10)
composer:
Gustav Mahler (composer) (from 1884 until 1888)
part of:
Symphony no. 1 in D major “Titan”
Gustav Mahler7:50
3Symphony No. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen
engineer:
James Lock (engineer)
producer:
James Mallinson (producer)
orchestra:
Chicago Symphony Orchestra (in 1983-10)
conductor:
Sir Georg Solti (conductor) (in 1983-10)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1984)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1983-10)
recording of:
Symphony no. 1 in D major “Titan”: III. Feierlich und gemessen, ohne zu schleppen (in 1983-10)
composer:
Gustav Mahler (composer) (from 1884 until 1888)
quotes music from:
Frère Jacques
part of:
Symphony no. 1 in D major “Titan”
Gustav Mahler11:40
4Symphony No. 1 in D major: IV. Stürmisch bewegt
engineer:
James Lock (engineer)
producer:
James Mallinson (producer)
orchestra:
Chicago Symphony Orchestra (in 1983-10)
conductor:
Sir Georg Solti (conductor) (in 1983-10)
recording of:
Symphony no. 1 in D major “Titan”: IV. Stürmisch bewegt (in 1983-10)
composer:
Gustav Mahler (composer) (from 1884 until 1888)
part of:
Symphony no. 1 in D major “Titan”
Gustav Mahler21:11
5Symphony No. 2 in C minor "Resurrection": I. Allegro maestoso
engineer:
John Dunkerley (engineer) and James Lock (engineer)
producer:
James Mallinson (producer)
orchestra:
Chicago Symphony Orchestra (in 1980-05)
conductor:
Sir Georg Solti (conductor) (in 1980-05)
recorded at:
Medinah Temple in Chicago, Illinois, United States (in 1980-05)
recording of:
Symphony no. 2 in C minor "Resurrection": I. Allegro maestoso (in 1980-05)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
premiered at:
[concert] (1895-03-04)
premiered at:
Philharmonie in Kreuzberg, Berlin, Germany (on 1895-03-04)
version of:
Totenfeier
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler20:53
▼ CD 2
#TitleArtistRatingLength
1Symphony No. 2 in C minor "Resurrection": II. Andante moderato
engineer:
John Dunkerley (engineer) and James Lock (engineer)
producer:
James Mallinson (producer)
orchestra:
Chicago Symphony Orchestra (in 1980-05)
conductor:
Sir Georg Solti (conductor) (in 1980-05)
recorded at:
Medinah Temple in Chicago, Illinois, United States (in 1980-05)
recording of:
Symphony no. 2 in C minor "Resurrection": II. Andante moderato (in 1980-05)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
premiered at:
[concert] (1895-03-04)
premiered at:
Philharmonie in Kreuzberg, Berlin, Germany (on 1895-03-04)
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler11:25
2Symphony No. 2 in C minor "Resurrection": III. In ruhig fliessender Bewegung
engineer:
John Dunkerley (engineer) and James Lock (engineer)
producer:
James Mallinson (producer)
orchestra:
Chicago Symphony Orchestra (in 1980-05)
conductor:
Sir Georg Solti (conductor) (in 1980-05)
recorded at:
Medinah Temple in Chicago, Illinois, United States (in 1980-05)
recording of:
Symphony no. 2 in C minor "Resurrection": III. In ruhig fließender Bewegung (in 1980-05)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
premiered at:
[concert] (1895-03-04)
premiered at:
Philharmonie in Kreuzberg, Berlin, Germany (on 1895-03-04)
is based on:
Des Knaben Wunderhorn: Des Antonius von Padua Fischpredigt
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler10:22
3Symphony No. 2 in C minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht
engineer:
John Dunkerley (engineer) and James Lock (engineer)
producer:
James Mallinson (producer)
contralto vocals:
Mira Zakai (Israeli contralto vocalist) (in 1980-05)
orchestra:
Chicago Symphony Orchestra (in 1980-05)
conductor:
Sir Georg Solti (conductor) (in 1980-05)
recorded at:
Medinah Temple in Chicago, Illinois, United States (in 1980-05)
recording of:
Symphony no. 2 in C minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht (in 1980-05)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
librettist:
[anonymous] (special purpose artist)
arrangement of:
Des Knaben Wunderhorn: Urlicht
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler4:51
4Symphony No. 2 in C minor "Resurrection": V. In Tempo des Scherzo
engineer:
John Dunkerley (engineer) and James Lock (engineer)
producer:
James Mallinson (producer)
choir vocals:
Chicago Symphony Chorus (in 1980-05)
contralto vocals:
Mira Zakai (Israeli contralto vocalist) (in 1980-05)
soprano vocals:
Isobel Buchanan (soprano) (in 1980-05)
orchestra:
Chicago Symphony Orchestra (in 1980-05)
conductor:
Sir Georg Solti (conductor) (in 1980-05)
recorded at:
Medinah Temple in Chicago, Illinois, United States (in 1980-05)
recording of:
Symphony no. 2 in C minor "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend (in 1980-05)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
librettist:
Friedrich Gottlieb Klopstock and Gustav Mahler (composer) (from 1888 until 1894)
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler34:01
▼ CD 3
#TitleArtistRatingLength
1Symphony No. 3 in D minor: I. Kräftig - Entschieden
engineer:
James Lock (engineer)
producer:
James Mallinson (producer)
orchestra:
Chicago Symphony Orchestra (in 1982-11)
conductor:
Sir Georg Solti (conductor) (in 1982-11)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1982-11)
recording of:
Symphony no. 3 in D minor, Part I: I. Kräftig. Entschieden (in 1982-11)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
part of:
Symphony no. 3 in D minor
Gustav Mahler30:52
2Symphony No. 3 in D minor: II. Tempo di Menuetto. Sehr mässig
engineer:
James Lock (engineer)
producer:
James Mallinson (producer)
orchestra:
Chicago Symphony Orchestra (in 1982-11)
conductor:
Sir Georg Solti (conductor) (in 1982-11)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1982-11)
recording of:
Symphony no. 3 in D minor, Part II: II. Tempo di Menuetto (Sehr mäßig) (in 1982-11)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
premiered at:
[concert] (1897)
part of:
Symphony no. 3 in D minor
Gustav Mahler9:54
3Symphony No. 3 in D minor: III. Comodo. Scherzando. Ohne Hast
engineer:
James Lock (engineer)
producer:
James Mallinson (producer)
orchestra:
Chicago Symphony Orchestra (in 1982-11)
conductor:
Sir Georg Solti (conductor) (in 1982-11)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1982-11)
recording of:
Symphony no. 3 in D minor, Part II: III. Comodo. Scherzando (Ohne Hast) (in 1982-11)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
premiered at:
[concert] (1897)
is based on:
Lieder und Gesänge: XI. Ablösung im Sommer (for voice and piano)
part of:
Symphony no. 3 in D minor
Gustav Mahler16:53
4Symphony No. 3 in D minor: IV. Sehr langsam. Misterioso
engineer:
James Lock (engineer)
producer:
James Mallinson (producer)
soprano vocals:
Helga Dernesch (austrian soprano and mezzo-soprano) (in 1982-11)
orchestra:
Chicago Symphony Orchestra (in 1982-11)
conductor:
Sir Georg Solti (conductor) (in 1982-11)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1982-11)
recording of:
Symphony no. 3 in D minor, Part II: IV. Sehr langsam (Misterioso. Durchaus ppp) ('O Mensch! Gib acht!') (in 1982-11)
lyricist:
Friedrich Nietzsche
composer:
Gustav Mahler (composer) (from 1893 until 1896)
part of:
Symphony no. 3 in D minor
Gustav Mahler9:57
5Symphony No. 3 in D minor: V. Lustig im Tempo und keck im Ausdruck
engineer:
James Lock (engineer)
producer:
James Mallinson (producer)
choir vocals:
Chicago Symphony Orchestra Womens Chorus (in 1982-11) and Glen Ellyn Children’s Chorus (in 1982-11)
soprano vocals:
Helga Dernesch (austrian soprano and mezzo-soprano) (in 1982-11)
orchestra:
Chicago Symphony Orchestra (in 1982-11)
conductor:
Sir Georg Solti (conductor) (in 1982-11)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1982-11)
recording of:
Symphony no. 3 in D minor, Part II: V. Lustig im Tempo und keck im Ausdruck ('Es sungen drei Engel') (in 1982-11)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
arrangement of:
Des Knaben Wunderhorn: Es sungen drei Engel
is based on:
Es sungen drei Engel
part of:
Symphony no. 3 in D minor
Gustav Mahler4:24
▼ CD 4
#TitleArtistRatingLength
1Symphony No. 3 in D minor: VI. Langsam. Ruhevoll. Empfunden
engineer:
James Lock (engineer)
producer:
James Mallinson (producer)
orchestra:
Chicago Symphony Orchestra (in 1982-11)
conductor:
Sir Georg Solti (conductor) (in 1982-11)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1982-11)
recording of:
Symphony no. 3 in D minor, Part II: VI. Langsam. Ruhevoll. Empfunden (in 1982-11)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
premiered at:
[concert] (1897)
part of:
Symphony no. 3 in D minor
Gustav Mahler21:03
2Symphony No. 4 in G major: I. Bedächtig. Nicht eilen
sound engineer:
John Dunkerley (engineer) and James Lock (engineer)
producer:
James Mallinson (producer)
orchestra:
Chicago Symphony Orchestra (in 1983-04)
conductor:
Sir Georg Solti (conductor) (in 1983-04)
phonographic copyright (℗) by:
The Decca Record Co. Ltd. (for copyrights use only!) (in 1984)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1983-04)
recording of:
Symphonie Nr. 4 in G-Dur: I. Bedächtig. Nicht eilen - Recht gemächlich (in 1983-04)
composer:
Gustav Mahler (composer) (from 1899 until 1901)
part of:
Symphony no. 4 in G major
Gustav Mahler16:28
3Symphony No. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast
sound engineer:
John Dunkerley (engineer) and James Lock (engineer)
producer:
James Mallinson (producer)
orchestra:
Chicago Symphony Orchestra (in 1983-04)
conductor:
Sir Georg Solti (conductor) (in 1983-04)
phonographic copyright (℗) by:
The Decca Record Co. Ltd. (for copyrights use only!) (in 1984)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1983-04)
recording of:
Symphonie Nr. 4 in G-Dur: II. In gemächlicher Bewegung. Ohne Hast (in 1983-04)
composer:
Gustav Mahler (composer) (from 1899 until 1901)
part of:
Symphony no. 4 in G major
Gustav Mahler9:35
4Symphony No. 4 in G major: III. Ruhevoll
sound engineer:
John Dunkerley (engineer) and James Lock (engineer)
producer:
James Mallinson (producer)
orchestra:
Chicago Symphony Orchestra (in 1983-04)
conductor:
Sir Georg Solti (conductor) (in 1983-04)
phonographic copyright (℗) by:
The Decca Record Co. Ltd. (for copyrights use only!) (in 1984)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1983-04)
recording of:
Symphonie Nr. 4 in G-Dur: III. Ruhevoll. Poco adagio (in 1983-04)
composer:
Gustav Mahler (composer) (from 1899 until 1901)
part of:
Symphony no. 4 in G major
Gustav Mahler20:11
5Symphony No. 4 in G major: IV. Sehr behaglich
engineer:
John Dunkerley (engineer) and James Lock (engineer)
producer:
James Mallinson (producer)
soprano vocals:
Kiri Te Kanawa (soprano) (in 1983-03)
orchestra:
Chicago Symphony Orchestra (in 1983-03)
conductor:
Sir Georg Solti (conductor) (in 1983-03)
recording of:
Symphonie Nr. 4 in G-Dur: IV. Sehr behaglich. „Wir genießen die himmlischen Freuden“ (in 1983-03)
composer:
Gustav Mahler (composer) (from 1899 until 1901)
part of:
Symphony no. 4 in G major
Gustav Mahler8:40
▼ CD 5
#TitleArtistRatingLength
1Symphony No. 5: I. Trauermarsch
engineer:
Gordon Parry (engineer)
producer:
David Harvey (producer)
orchestra:
Chicago Symphony Orchestra (in 1970-04)
conductor:
Sir Georg Solti (conductor) (in 1970-04)
recorded at:
Medinah Temple in Chicago, Illinois, United States (in 1970-04)
recording of:
Symphony no. 5 in C-sharp minor: I. Trauermarsch (In gemessenem Schritt. Streng. Wie ein Kondukt) (in 1970-04)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
Gustav Mahler11:57
2Symphony No. 5: II. Stürmisch bewegt. Mit größter Vehemenz
engineer:
Gordon Parry (engineer)
producer:
David Harvey (producer)
orchestra:
Chicago Symphony Orchestra (in 1970-04)
conductor:
Sir Georg Solti (conductor) (in 1970-04)
recorded at:
Medinah Temple in Chicago, Illinois, United States (in 1970-04)
recording of:
Symphony no. 5 in C-sharp minor: II. Stürmisch bewegt. Mit größter Vehemenz (in 1970-04)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
Gustav Mahler13:58
3Symphony No. 5: III. Scherzo: Kräftig, nicht zu schnell
engineer:
Gordon Parry (engineer)
producer:
David Harvey (producer)
French horn:
Dale Clevenger (horn player) (in 1970-04)
orchestra:
Chicago Symphony Orchestra (in 1970-04)
conductor:
Sir Georg Solti (conductor) (in 1970-04)
recorded at:
Medinah Temple in Chicago, Illinois, United States (in 1970-04)
compilation of:
Symphony no. 5 in C-sharp minor: III. Scherzo: Kräftig, Nicht Zu Schnell by Chicago Symphony Orchestra, Sir Georg Solti (conductor) and Symphony no. 5 in C-sharp minor: III. Scherzo: Kräftig, Nicht Zu Schnell (Continuation) by Chicago Symphony Orchestra, Sir Georg Solti (conductor)
recording of:
Symphony no. 5 in C-sharp minor: III. Scherzo. Kräftig, nicht zu schnell (in 1970-04)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
Gustav Mahler16:43
4Symphony No. 5: IV. Adagietto: Sehr langsam
engineer:
Gordon Parry (engineer)
producer:
David Harvey (producer)
orchestra:
Chicago Symphony Orchestra (in 1970-04)
conductor:
Sir Georg Solti (conductor) (in 1970-04)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1970)
recorded at:
Medinah Temple in Chicago, Illinois, United States (in 1970-04)
recording of:
Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam (in 1970-04)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
Gustav Mahler9:51
5Symphony No. 5: V. Rondo-Finale: Allegro
engineer:
Gordon Parry (engineer)
producer:
David Harvey (producer)
orchestra:
Chicago Symphony Orchestra (in 1970-04)
conductor:
Sir Georg Solti (conductor) (in 1970-04)
recorded at:
Medinah Temple in Chicago, Illinois, United States (in 1970-04)
recording of:
Symphony no. 5 in C-sharp minor: V. Rondo-Finale. Allegro - Allegro giocoso. Frisch (in 1970-04)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
Gustav Mahler13:39
▼ CD 6
#TitleArtistRatingLength
1Symphony No. 6 in A minor: I. Allegro energico, ma non troppo
engineer:
Gordon Parry (engineer)
producer:
David Harvey (producer)
orchestra:
Chicago Symphony Orchestra (from 1970-03 until 1970-04)
conductor:
Georg Solti (conductor) (from 1970-03 until 1970-04)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1970)
recorded at:
Medinah Temple in Chicago, Illinois, United States (from 1970-03 until 1970-04)
recording of:
Symphonie Nr. 6 in a-Moll: I. Allegro energico, ma non troppo. Heftig, aber markig (from 1970-03 until 1970-04)
composer:
Gustav Mahler (composer) (from 1903 until 1904-08)
part of:
Symphonie Nr. 6 in a-Moll
Gustav Mahler21:09
2Symphony No. 6 in A minor: II. Scherzo: Wuchtig
engineer:
Gordon Parry (engineer)
producer:
David Harvey (producer)
orchestra:
Chicago Symphony Orchestra (from 1970-03 until 1970-04)
conductor:
Georg Solti (conductor) (from 1970-03 until 1970-04)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1970)
recorded at:
Medinah Temple in Chicago, Illinois, United States (from 1970-03 until 1970-04)
recording of:
Symphonie Nr. 6 in a-Moll: III. Scherzo. Wuchtig (sometimes II.) (from 1970-03 until 1970-04)
composer:
Gustav Mahler (composer) (in 1903)
part of:
Symphonie Nr. 6 in a-Moll
Gustav Mahler12:35
3Symphony No. 6 in A minor: III. Andante
engineer:
Gordon Parry (engineer)
producer:
David Harvey (producer)
orchestra:
Chicago Symphony Orchestra (from 1970-03 until 1970-04)
conductor:
Georg Solti (conductor) (from 1970-03 until 1970-04)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1970)
recorded at:
Medinah Temple in Chicago, Illinois, United States (from 1970-03 until 1970-04)
recording of:
Symphonie Nr. 6 in a-Moll: II. Andante moderato (sometimes III.) (from 1970-03 until 1970-04)
composer:
Gustav Mahler (composer) (in 1903)
part of:
Symphonie Nr. 6 in a-Moll
Gustav Mahler15:32
4Symphony No. 6 in A minor: IV. Finale: Allegro moderato
engineer:
Gordon Parry (engineer)
producer:
David Harvey (producer)
orchestra:
Chicago Symphony Orchestra (from 1970-03 until 1970-04)
conductor:
Georg Solti (conductor) (from 1970-03 until 1970-04)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1970)
recorded at:
Medinah Temple in Chicago, Illinois, United States (from 1970-03 until 1970-04)
recording of:
Symphonie Nr. 6 in a-Moll: IV. Finale. Allegro moderato (from 1970-03 until 1970-04)
composer:
Gustav Mahler (composer) (from 1903 until 1904-08)
part of:
Symphonie Nr. 6 in a-Moll
Gustav Mahler27:40
▼ CD 7
#TitleArtistRatingLength
1Symphony No. 7: I. Langsam - Allegro
engineer:
Gordon Parry (engineer), Peter Biene (engineer) and Kenneth Wilkinson (engineer)
producer:
David Harvey (producer)
orchestra:
Chicago Symphony Orchestra (in 1971-05)
conductor:
Sir Georg Solti (conductor) (in 1971-05)
recorded at:
Krannert Centre in Urbana, Illinois, United States (in 1971-05)
recording of:
Symphony no. 7 in E minor “Lied der Nacht”: I. Langsam – Allegro risoluto, ma non troppo (in 1971-05)
composer:
Gustav Mahler (composer) (from 1904 until 1905)
part of:
Symphony no. 7 in E minor “Lied der Nacht”
Gustav Mahler21:40
2Symphony No. 7: II. Nachtmusik I: Allegro moderato
engineer:
Gordon Parry (engineer), Peter Biene (engineer) and Kenneth Wilkinson (engineer)
producer:
David Harvey (producer)
orchestra:
Chicago Symphony Orchestra (in 1971-05)
conductor:
Sir Georg Solti (conductor) (in 1971-05)
recorded at:
Krannert Centre in Urbana, Illinois, United States (in 1971-05)
recording of:
Symphony no. 7 in E minor “Lied der Nacht”: II. Nachtmusik I. Allegro moderato (in 1971-05)
composer:
Gustav Mahler (composer) (from 1904 until 1905)
part of:
Symphony no. 7 in E minor “Lied der Nacht”
Gustav Mahler15:49
3Symphony No. 7: III. Scherzo
engineer:
Gordon Parry (engineer), Peter Biene (engineer) and Kenneth Wilkinson (engineer)
producer:
David Harvey (producer)
orchestra:
Chicago Symphony Orchestra (in 1971-05)
conductor:
Sir Georg Solti (conductor) (in 1971-05)
recorded at:
Krannert Centre in Urbana, Illinois, United States (in 1971-05)
recording of:
Symphony no. 7 in E minor “Lied der Nacht”: III. Scherzo: Schattenhaft – Trio (in 1971-05)
composer:
Gustav Mahler (composer) (from 1904 until 1905)
part of:
Symphony no. 7 in E minor “Lied der Nacht”
Gustav Mahler9:19
4Symphony No. 7: IV. Nachtmusik II: Andante amoroso
engineer:
Gordon Parry (engineer), Peter Biene (engineer) and Kenneth Wilkinson (engineer)
producer:
David Harvey (producer)
orchestra:
Chicago Symphony Orchestra (in 1971-05)
conductor:
Sir Georg Solti (conductor) (in 1971-05)
recorded at:
Krannert Centre in Urbana, Illinois, United States (in 1971-05)
recording of:
Symphony no. 7 in E minor “Lied der Nacht”: IV. Nachtmusik II. Andante amoroso (in 1971-05)
composer:
Gustav Mahler (composer) (from 1904 until 1905)
part of:
Symphony no. 7 in E minor “Lied der Nacht”
Gustav Mahler14:41
▼ CD 8
#TitleArtistRatingLength
1Symphony No. 7: V. Rondo-Finale
engineer:
Gordon Parry (engineer), Peter Biene (engineer) and Kenneth Wilkinson (engineer)
producer:
David Harvey (producer)
orchestra:
Chicago Symphony Orchestra (in 1971-05)
conductor:
Sir Georg Solti (conductor) (in 1971-05)
recorded at:
Krannert Centre in Urbana, Illinois, United States (in 1971-05)
recording of:
Symphony no. 7 in E minor “Lied der Nacht”: V. Rondo - Finale (in 1971-05)
composer:
Gustav Mahler (composer) (from 1904 until 1905)
part of:
Symphony no. 7 in E minor “Lied der Nacht”
Gustav Mahler16:42
2Symphony No. 9: I. Andante comodo
recording engineer:
James Lock (engineer)
producer:
James Mallinson (producer)
orchestra:
Chicago Symphony Orchestra (in 1982-05)
conductor:
Sir Georg Solti (conductor) (in 1982-05)
balance engineer:
James Lock (engineer) (in 1982-05)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1983)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1982-05)
recording of:
Symphony no. 9 in D major: I. Andante comodo (in 1982-05)
composer:
Gustav Mahler (composer) (from 1908 until 1909)
part of:
Symphony no. 9 in D major
Gustav Mahler30:23
3Symphony No. 9: II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb
recording engineer:
James Lock (engineer)
producer:
James Mallinson (producer)
orchestra:
Chicago Symphony Orchestra (in 1982-05)
conductor:
Sir Georg Solti (conductor) (in 1982-05)
balance engineer:
James Lock (engineer) (in 1982-05)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1983)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1982-05)
recording of:
Symphony no. 9 in D major: II. Im Tempo eines gemächlichen Landlers. Etwas täppisch und sehr derb (in 1982-05)
composer:
Gustav Mahler (composer) (from 1908 until 1909)
part of:
Symphony no. 9 in D major
Gustav Mahler18:00
▼ CD 9
#TitleArtistRatingLength
1Symphony No. 9: III. Rondo-Burleske. Allegro assai. Sehr trotzig
recording engineer:
James Lock (engineer)
producer:
James Mallinson (producer)
orchestra:
Chicago Symphony Orchestra (in 1982-05)
conductor:
Sir Georg Solti (conductor) (in 1982-05)
balance engineer:
James Lock (engineer) (in 1982-05)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1983)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1982-05)
recording of:
Symphony no. 9 in D major: III. Rondo: Burleske. Allegro assai. Sehr trotzig (in 1982-05)
composer:
Gustav Mahler (composer) (from 1908 until 1909)
part of:
Symphony no. 9 in D major
Gustav Mahler12:37
2Symphony No. 9: IV. Adagio. Sehr langsam und noch zurückhaltend
recording engineer:
James Lock (engineer)
producer:
James Mallinson (producer)
orchestra:
Chicago Symphony Orchestra (in 1982-05)
conductor:
Sir Georg Solti (conductor) (in 1982-05)
balance engineer:
James Lock (engineer) (in 1982-05)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1983)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1982-05)
recording of:
Symphony no. 9 in D major: IV. Adagio. Sehr langsam und noch zurückhaltend (in 1982-05)
composer:
Gustav Mahler (composer) (from 1908 until 1909)
part of:
Symphony no. 9 in D major
Gustav Mahler24:56
3Symphony No. 8 in E-flat major, Part I: Hymnus: Veni, Creator Spiritus: Veni, Creator Spiritus
engineer:
Gordon Parry (engineer) (from 1971-08 until 1971-09) and Kenneth Wilkinson (engineer) (from 1971-08 until 1971-09)
producer:
David Harvey (producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1971-09) and Wiener Singverein (in 1971-09)
orchestra:
Chicago Symphony Orchestra (from 1971-08 until 1971-09)
conductor:
Sir Georg Solti (conductor) (from 1971-08 until 1971-09)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1971-08 until 1971-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: a. Veni creator spiritus (Chor) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”
Gustav Mahler1:30
4Symphony No. 8 in E-flat major, Part I: Hymnus: Veni, Creator Spiritus: Imple superna gratia
engineer:
Gordon Parry (engineer) (from 1971-08 until 1971-09) and Kenneth Wilkinson (engineer) (from 1971-08 until 1971-09)
producer:
David Harvey (producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1971-09) and Wiener Singverein (in 1971-09)
solo baritone vocals:
John Shirley‐Quirk (operatic bass / baritone) (in 1971-09)
solo bass vocals:
Martti Talvela (operatic bass) (in 1971-09)
solo contralto vocals [Alto I]:
Yvonne Minton (mezzo-soprano) (in 1971-09)
solo contralto vocals [Alto II]:
Helen Watts (contralto) (in 1971-09)
solo soprano vocals [Soprano I]:
Heather Harper (soprano) (in 1971-09)
solo soprano vocals [Soprano II]:
Lucia Popp (soprano) (in 1971-09)
solo tenor vocals:
René Kollo (tenor) (in 1971-09)
orchestra:
Chicago Symphony Orchestra (from 1971-08 until 1971-09)
conductor:
Sir Georg Solti (conductor) (from 1971-08 until 1971-09)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1971-08 until 1971-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: b. Imple superna gratia (7 Soli, Chor) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”
Gustav Mahler4:26
5Symphony No. 8 in E-flat major, Part I: Hymnus: Veni, Creator Spiritus: Infirma nostri corporis
engineer:
Gordon Parry (engineer) (from 1971-08 until 1971-09) and Kenneth Wilkinson (engineer) (from 1971-08 until 1971-09)
producer:
David Harvey (producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1971-09) and Wiener Singverein (in 1971-09)
solo baritone vocals:
John Shirley‐Quirk (operatic bass / baritone) (in 1971-09)
solo bass vocals:
Martti Talvela (operatic bass) (in 1971-09)
solo contralto vocals [Alto I]:
Yvonne Minton (mezzo-soprano) (in 1971-09)
solo contralto vocals [Alto II]:
Helen Watts (contralto) (in 1971-09)
solo soprano vocals [Soprano I]:
Heather Harper (soprano) (in 1971-09)
solo soprano vocals [Soprano II]:
Lucia Popp (soprano) (in 1971-09)
solo tenor vocals:
René Kollo (tenor) (in 1971-09)
orchestra:
Chicago Symphony Orchestra (from 1971-08 until 1971-09)
conductor:
Sir Georg Solti (conductor) (from 1971-08 until 1971-09)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1971-08 until 1971-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: c. Infirma nostri corporis (7 Soli, Chor) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”
Gustav Mahler6:20
6Symphony No. 8 in E-flat major, Part I: Hymnus: Veni, Creator Spiritus: Accende lumen sensibus
engineer:
Gordon Parry (engineer) (from 1971-08 until 1971-09) and Kenneth Wilkinson (engineer) (from 1971-08 until 1971-09)
producer:
David Harvey (producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1971-09), Wiener Sängerknaben (in 1971-09) and Wiener Singverein (in 1971-09)
solo baritone vocals:
John Shirley‐Quirk (operatic bass / baritone) (in 1971-09)
solo bass vocals:
Martti Talvela (operatic bass) (in 1971-09)
solo contralto vocals [Alto I]:
Yvonne Minton (mezzo-soprano) (in 1971-09)
solo contralto vocals [Alto II]:
Helen Watts (contralto) (in 1971-09)
solo soprano vocals [Soprano I]:
Heather Harper (soprano) (in 1971-09)
solo soprano vocals [Soprano II]:
Lucia Popp (soprano) (in 1971-09)
solo tenor vocals:
René Kollo (tenor) (in 1971-09)
orchestra:
Chicago Symphony Orchestra (from 1971-08 until 1971-09)
conductor:
Sir Georg Solti (conductor) (from 1971-08 until 1971-09)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1971-08 until 1971-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: f. Accende lumen sensibus, infunde amorem cordibus (7 Soli, Chor, Knaben Chor) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”
Gustav Mahler4:44
7Symphony No. 8 in E-flat major, Part I: Hymnus: Veni, Creator Spiritus: [Veni, Creator Spiritus]
engineer:
Gordon Parry (engineer) (from 1971-08 until 1971-09) and Kenneth Wilkinson (engineer) (from 1971-08 until 1971-09)
producer:
David Harvey (producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1971-09), Wiener Sängerknaben (in 1971-09) and Wiener Singverein (in 1971-09)
solo baritone vocals:
John Shirley‐Quirk (operatic bass / baritone) (in 1971-09)
solo bass vocals:
Martti Talvela (operatic bass) (in 1971-09)
solo contralto vocals [Alto I]:
Yvonne Minton (mezzo-soprano) (in 1971-09)
solo contralto vocals [Alto II]:
Helen Watts (contralto) (in 1971-09)
solo soprano vocals [Soprano I]:
Heather Harper (soprano) (in 1971-09)
solo soprano vocals [Soprano II]:
Lucia Popp (soprano) (in 1971-09)
solo tenor vocals:
René Kollo (tenor) (in 1971-09)
orchestra:
Chicago Symphony Orchestra (from 1971-08 until 1971-09)
conductor:
Sir Georg Solti (conductor) (from 1971-08 until 1971-09)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1971-08 until 1971-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: g. Veni creator spiritus (reprise) (7 Soli, Chor, Knaben Chor) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”
Gustav Mahler3:49
8Symphony No. 8 in E-flat major, Part I: Hymnus: Veni, Creator Spiritus: Gloria Patri Domino
engineer:
Gordon Parry (engineer) (from 1971-08 until 1971-09) and Kenneth Wilkinson (engineer) (from 1971-08 until 1971-09)
producer:
David Harvey (producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1971-09), Wiener Sängerknaben (in 1971-09) and Wiener Singverein (in 1971-09)
solo baritone vocals:
John Shirley‐Quirk (operatic bass / baritone) (in 1971-09)
solo bass vocals:
Martti Talvela (operatic bass) (in 1971-09)
solo contralto vocals [Alto I]:
Yvonne Minton (mezzo-soprano) (in 1971-09)
solo contralto vocals [Alto II]:
Helen Watts (contralto) (in 1971-09)
solo soprano vocals [Soprano I]:
Heather Harper (soprano) (in 1971-09)
solo soprano vocals [Soprano II]:
Lucia Popp (soprano) (in 1971-09)
solo tenor vocals:
René Kollo (tenor) (in 1971-09)
orchestra:
Chicago Symphony Orchestra (from 1971-08 until 1971-09)
conductor:
Sir Georg Solti (conductor) (from 1971-08 until 1971-09)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1971-08 until 1971-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: h. Gloria sit Patri Domino (7 Soli, Chor, Knaben Chor) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”
Gustav Mahler2:37
▼ CD 10
#TitleArtistRatingLength
1Symphony No. 8 in E-flat major, Part II: Final scene from Goethe's Faust Part II: Poco adagio: Waldung, sie schwankt heran
engineer:
Gordon Parry (engineer) (from 1971-08 until 1971-09) and Kenneth Wilkinson (engineer) (from 1971-08 until 1971-09)
producer:
David Harvey (producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1971-09) and Wiener Singverein (in 1971-09)
orchestra:
Chicago Symphony Orchestra (from 1971-08 until 1971-09)
conductor:
Sir Georg Solti (conductor) (from 1971-08 until 1971-09)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1971-08 until 1971-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: a. Poco adagio (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: b. Più mosso (Allegro moderato) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: c. "Waldung, sie schwankt heran" (Chor und Echo) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
Gustav Mahler14:14
2Symphony No. 8 in E-flat major, Part II: Final scene from Goethe's Faust Part II: Ewiger Wonnebrand
engineer:
Gordon Parry (engineer) (from 1971-08 until 1971-09) and Kenneth Wilkinson (engineer) (from 1971-08 until 1971-09)
producer:
David Harvey (producer)
solo baritone vocals [Pater Ecstaticus]:
John Shirley‐Quirk (operatic bass / baritone) (in 1971-09)
orchestra:
Chicago Symphony Orchestra (from 1971-08 until 1971-09)
conductor:
Sir Georg Solti (conductor) (from 1971-08 until 1971-09)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1971-08 until 1971-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: d. Ewiger Wonnebrand (Pater Ecstaticus) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
Gustav Mahler1:35
3Symphony No. 8 in E-flat major, Part II: Final scene from Goethe's Faust Part II: Wie Felsenabgrund mir zu Füßen
engineer:
Gordon Parry (engineer) (from 1971-08 until 1971-09) and Kenneth Wilkinson (engineer) (from 1971-08 until 1971-09)
producer:
David Harvey (producer)
solo bass vocals [Pater Profundus]:
Martti Talvela (operatic bass) (in 1971-09)
orchestra:
Chicago Symphony Orchestra (from 1971-08 until 1971-09)
conductor:
Sir Georg Solti (conductor) (from 1971-08 until 1971-09)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1971-08 until 1971-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: e. Wie Felsenabgrund mir zu Füssen (Pater Profundus) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
Gustav Mahler4:44
4Symphony No. 8 in E-flat major, Part II: Final scene from Goethe's Faust Part II: Gerettet ist das edle Glied
engineer:
Gordon Parry (engineer) (from 1971-08 until 1971-09) and Kenneth Wilkinson (engineer) (from 1971-08 until 1971-09)
producer:
David Harvey (producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1971-09), Wiener Sängerknaben (in 1971-09) and Wiener Singverein (in 1971-09)
orchestra:
Chicago Symphony Orchestra (from 1971-08 until 1971-09)
conductor:
Sir Georg Solti (conductor) (from 1971-08 until 1971-09)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1971-08 until 1971-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: f. "Gerettet ist das edle Glied" (Engel - Chor und Knaben Chor)) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
Gustav Mahler3:00
5Symphony No. 8 in E-flat major, Part II: Final scene from Goethe's Faust Part II: Uns bleibt ein Erdenrest / Hier ist die Aussicht frei
engineer:
Gordon Parry (engineer) (from 1971-08 until 1971-09) and Kenneth Wilkinson (engineer) (from 1971-08 until 1971-09)
producer:
David Harvey (producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1971-09), Wiener Sängerknaben (in 1971-09) and Wiener Singverein (in 1971-09)
solo alto vocals:
Yvonne Minton (mezzo-soprano) (in 1971-09)
orchestra:
Chicago Symphony Orchestra (from 1971-08 until 1971-09)
conductor:
Sir Georg Solti (conductor) (from 1971-08 until 1971-09)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1971-08 until 1971-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: g2. "Uns bleibt ein Erdenrest" (Engel - Chor mit Alto solo)) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: h1. "Ich spür' soeben" (Die jüngeren Engel - Knaben Chor)) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
Gustav Mahler2:59
6Symphony No. 8 in E-flat major, Part II: Final scene from Goethe's Faust Part II: Höchste Herrscherin der Welt / Dir, der Unberührbaren
engineer:
Gordon Parry (engineer) (from 1971-08 until 1971-09) and Kenneth Wilkinson (engineer) (from 1971-08 until 1971-09)
producer:
David Harvey (producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1971-09) and Wiener Singverein (in 1971-09)
solo soprano vocals [Una Poenitentium]:
Lucia Popp (soprano) (in 1971-09)
solo tenor vocals [Doctor Marianus]:
René Kollo (tenor) (in 1971-09)
orchestra:
Chicago Symphony Orchestra (from 1971-08 until 1971-09)
conductor:
Sir Georg Solti (conductor) (from 1971-08 until 1971-09)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1971-08 until 1971-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: i. "Höchste Herrscherin der Welt" (Doctor Marianus, Chor) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: j. "Dir, der Unberührbaren" (Chor, Una Poenitentium)) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
Gustav Mahler8:08
7Symphony No. 8 in E-flat major, Part II: Final scene from Goethe's Faust Part II: Bei der Liebe, die den Füßen
engineer:
Gordon Parry (engineer) (from 1971-08 until 1971-09) and Kenneth Wilkinson (engineer) (from 1971-08 until 1971-09)
producer:
David Harvey (producer)
solo contralto vocals [Maria Aegyptiaca]:
Helen Watts (contralto) (in 1971-09)
solo contralto vocals [Mulier Samaritana]:
Yvonne Minton (mezzo-soprano) (in 1971-09)
solo soprano vocals [Magna Peccatrix]:
Heather Harper (soprano) (in 1971-09)
orchestra:
Chicago Symphony Orchestra (from 1971-08 until 1971-09)
conductor:
Sir Georg Solti (conductor) (from 1971-08 until 1971-09)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1971-08 until 1971-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: k. Bei der Liebe, die den Füssen (Magna Peccatrix, Mulier Samaritana, Maria Aegyptiaca) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
Gustav Mahler4:54
8Symphony No. 8 in E-flat major, Part II: Final scene from Goethe's Faust Part II: Neige, neige, Du Ohnegleiche
engineer:
Gordon Parry (engineer) (from 1971-08 until 1971-09) and Kenneth Wilkinson (engineer) (from 1971-08 until 1971-09)
producer:
David Harvey (producer)
choir vocals:
Wiener Sängerknaben (in 1971-09) and Wiener Singverein (in 1971-09)
solo soprano vocals [Una Poenitentium]:
Lucia Popp (soprano) (in 1971-09)
orchestra:
Chicago Symphony Orchestra (from 1971-08 until 1971-09)
conductor:
Sir Georg Solti (conductor) (from 1971-08 until 1971-09)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1971-08 until 1971-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: l. "Neige, Neige, du Ohnegleiche" (Una Poenitentium) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
Gustav Mahler5:18
9Symphony No. 8 in E-flat major, Part II: Final scene from Goethe's Faust Part II: Blicket auf zum Retterblick
engineer:
Gordon Parry (engineer) and Kenneth Wilkinson (engineer)
producer:
David Harvey (producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1971-09), Wiener Sängerknaben (in 1971-09) and Wiener Singverein (in 1971-09)
tenor vocals:
René Kollo (tenor) (in 1971-09)
orchestra:
Chicago Symphony Orchestra (in 1971-09)
conductor:
Sir Georg Solti (conductor) (in 1971-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: o. "Blicket auf zum Retterblick" (Doctor Marianus, Chor und Knaben Chor) (in 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
Gustav Mahler6:01
10Symphony No. 8 in E-flat major, Part II: Final scene from Goethe's Faust Part II: Alles Vergängliche
engineer:
Gordon Parry (engineer) and Kenneth Wilkinson (engineer)
producer:
David Harvey (producer)
baritone vocals:
John Shirley‐Quirk (operatic bass / baritone) (in 1971-09)
bass vocals:
Martti Talvela (operatic bass) (in 1971-09)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1971-09), Vienna Singverein (in 1971-09) and Wiener Sängerknaben (in 1971-09)
contralto vocals:
Helen Watts (contralto) (in 1971-09)
mezzo-soprano vocals:
Yvonne Minton (mezzo-soprano) (in 1971-09)
soprano vocals:
Heather Harper (soprano) (in 1971-09) and Lucia Popp (soprano) (in 1971-09)
tenor vocals:
René Kollo (tenor) (in 1971-09)
orchestra:
Chicago Symphony Orchestra (in 1971-09)
conductor:
Sir Georg Solti (conductor) (in 1971-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists) (in 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
Gustav Mahler5:28