The Duke Box 2

~ Release by Duke Ellington & His Orchestra (see all versions of this release, 1 available)

Tracklist

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▼ CD 1
#TitleRatingLength
1Take the "A" Train
recorded at:
Birdland (NYC, 1949–1965) in Manhattan, New York, New York, United States (on 1952-11-20)
live recording of:
Take the “A” Train (version with lyrics by Sherrill)
lyricist:
Joya Sherrill (in 1944)
composer:
Billy Strayhorn (in 1939)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
version of:
Take the “A” Train (original instrumental version)
1:16
2The Mooche
recorded at:
Birdland (NYC, 1949–1965) in Manhattan, New York, New York, United States (on 1952-11-20)
live recording of:
The Mooche
composer:
Duke Ellington (US composer, pianist & jazz bandleader) and Irving Mills
5:31
3How High the Moon
recorded at:
Birdland (NYC, 1949–1965) in Manhattan, New York, New York, United States (on 1952-11-20)
live recording of:
How High the Moon
lyricist:
Nancy Hamilton (in 1940)
composer:
Morgan Lewis (in 1940)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
5:38
4The Tatooed Bride
recorded at:
Birdland (NYC, 1949–1965) in Manhattan, New York, New York, United States (on 1952-11-20)
live recording of:
The Tattooed Bride
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
6:25
5Solitude/Lullaby of Birdland
vocals:
Jimmy Grissom
recorded at:
Birdland (NYC, 1949–1965) in Manhattan, New York, New York, United States (on 1952-11-20)
live medley including a recording of:
(In My) Solitude
lyricist:
Eddie DeLange (in 1934) and Irving Mills (in 1934)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1934)
publisher:
American Academy of Music, Inc., De Lange Music Co., EMI Mills Music Inc. (ASCAP-affiliated) and J. R. Lafleur & Son Ltd.
live medley including a instrumental recording of:
Lullaby of Birdland (George Shearing/George David Weiss (as B. Y. Forster) jazz standard)
lyricist:
B. Y. Forster (pseudonym of George David Weiss)
composer:
George Shearing (British jazz pianist)
publisher:
EMI Longitude Music, Good Music Limited and Planetary Nom (London) Ltd.
5:34
6Take the "A" Train
recorded at:
Birdland (NYC, 1949–1965) in Manhattan, New York, New York, United States (on 1952-11-20)
live recording of:
Take the “A” Train (version with lyrics by Sherrill)
lyricist:
Joya Sherrill (in 1944)
composer:
Billy Strayhorn (in 1939)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
version of:
Take the “A” Train (original instrumental version)
1:03
7Lullaby of Birdland
recorded at:
Birdland (NYC, 1949–1965) in Manhattan, New York, New York, United States (on 1952-11-20)
live recording of:
Lullaby of Birdland (George Shearing/George David Weiss (as B. Y. Forster) jazz standard)
lyricist:
B. Y. Forster (pseudonym of George David Weiss)
composer:
George Shearing (British jazz pianist)
publisher:
EMI Longitude Music, Good Music Limited and Planetary Nom (London) Ltd.
3:13
8Take the A Train
vocals:
Betty Roché
recorded at:
Birdland (NYC, 1949–1965) in Manhattan, New York, New York, United States (on 1952-11-20)
live recording of:
Take the “A” Train (version with lyrics by Sherrill)
lyricist:
Joya Sherrill (in 1944)
composer:
Billy Strayhorn (in 1939)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
version of:
Take the “A” Train (original instrumental version)
3:23
9Perdido
recorded at:
Birdland (NYC, 1949–1965) in Manhattan, New York, New York, United States (on 1952-11-20)
live recording of:
Perdido (original instrumental version)
composer:
Juan Tizol
5:06
10Leonard Feather (intro)
recorded at:
Birdland (NYC, 1949–1965) in Manhattan, New York, New York, United States (on 1952-11-20)
1:17
11Monologue
recorded at:
Birdland (NYC, 1949–1965) in Manhattan, New York, New York, United States (on 1952-11-20)
3:16
12Things Ain't What They Used to Be
recorded at:
Birdland (NYC, 1949–1965) in Manhattan, New York, New York, United States (on 1952-11-20)
live recording of:
Things Ain’t What They Used to Be
lyricist:
Ted Persons
composer:
Mercer Ellington (in 1942)
publisher:
Tempo Music, Inc. (Duke Ellington’s music publishing company)
7:09
13Take the "A" Train
recorded at:
Birdland (NYC, 1949–1965) in Manhattan, New York, New York, United States (on 1952-11-24)
live recording of:
Take the “A” Train (version with lyrics by Sherrill)
lyricist:
Joya Sherrill (in 1944)
composer:
Billy Strayhorn (in 1939)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
version of:
Take the “A” Train (original instrumental version)
1:45
14Caravan
recorded at:
Birdland (NYC, 1949–1965) in Manhattan, New York, New York, United States (on 1952-11-24)
live recording of:
Caravan
lyricist:
Irving Mills (in 1937)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1937) and Juan Tizol (in 1937)
publisher:
American Academy of Music, Inc., Duke Ellington Music, EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Mills Music, Inc., Sony/ATV Harmony and Lafleur Music Ltd. (from 1995-12-12 to present)
3:43
15Do Nothin' Till You Hear From Me
recorded at:
Birdland (NYC, 1949–1965) in Manhattan, New York, New York, United States (on 1952-11-24)
live recording of:
Do Nothin’ Till You Hear From Me
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1943)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1943)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) and Sony/ATV Harmony
version of:
Concerto for Cootie
2:10
16C Jam Blues
recorded at:
Birdland (NYC, 1949–1965) in Manhattan, New York, New York, United States (on 1952-11-24)
live recording of:
“C” Jam Blues
composer:
Barney Bigard and Duke Ellington (US composer, pianist & jazz bandleader) (in 1942)
4:34
17Creole Love Call
recorded at:
Birdland (NYC, 1949–1965) in Manhattan, New York, New York, United States (on 1952-11-24)
live recording of:
Creole Love Call
lyricist and composer:
Duke Ellington (US composer, pianist & jazz bandleader)
3:48
18Just Squeeze Me
recorded at:
Birdland (NYC, 1949–1965) in Manhattan, New York, New York, United States (on 1952-11-24)
live recording of:
Just Squeeze Me (but Don’t Tease Me)
lyricist:
Lee Gaines (in 1941)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
3:47
19Take the "A" Train
recorded at:
Birdland (NYC, 1949–1965) in Manhattan, New York, New York, United States (on 1952-11-24)
live recording of:
Take the “A” Train (version with lyrics by Sherrill)
lyricist:
Joya Sherrill (in 1944)
composer:
Billy Strayhorn (in 1939)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
version of:
Take the “A” Train (original instrumental version)
3:27
20Lullaby of Birdland
recorded at:
Birdland (NYC, 1949–1965) in Manhattan, New York, New York, United States (on 1952-11-24)
live recording of:
Lullaby of Birdland (George Shearing/George David Weiss (as B. Y. Forster) jazz standard)
lyricist:
B. Y. Forster (pseudonym of George David Weiss)
composer:
George Shearing (British jazz pianist)
publisher:
EMI Longitude Music, Good Music Limited and Planetary Nom (London) Ltd.
1:20
▼ CD 2
#TitleRatingLength
1Take the 'a' Train
alto saxophone:
Johnny Hodges (on 1958-11-14)
bass:
Jimmy Woode (on 1958-11-14)
brass:
Clark Terry (American swing trumpeter) (on 1958-11-14)
drums (drum set):
Sam Woodyard (on 1958-11-14)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1958-11-14)
reeds:
Harry Carney (on 1958-11-14), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1958-11-14) and Russell Procope (on 1958-11-14)
tenor saxophone:
Paul Gonsalves (on 1958-11-14)
trombone:
Quentin Jackson (on 1958-11-14) and Britt Woodman (on 1958-11-14)
trumpet:
Harold "Shorty" Baker (on 1958-11-14) and Cat Anderson (on 1958-11-14)
valve trombone:
John Sanders (US jazz trombonist) (on 1958-11-14)
phonographic copyright (℗) by:
Storyville Records (Danish jazz and blues label)
recorded at:
Kongressaal, Deutches Museum in München, Bayern, Germany (on 1958-11-14)
live recording of:
Take the “A” Train (version with lyrics by Sherrill)
lyricist:
Joya Sherrill (in 1944)
composer:
Billy Strayhorn (in 1939)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
version of:
Take the “A” Train (original instrumental version)
3:38
2Medley: Black and Tan Fantasy / Creole Love Call / The Mooche
alto saxophone:
Johnny Hodges (on 1958-11-14)
bass:
Jimmy Woode (on 1958-11-14)
brass:
Clark Terry (American swing trumpeter) (on 1958-11-14)
drums (drum set):
Sam Woodyard (on 1958-11-14)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1958-11-14)
reeds:
Harry Carney (on 1958-11-14), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1958-11-14) and Russell Procope (on 1958-11-14)
tenor saxophone:
Paul Gonsalves (on 1958-11-14)
trombone:
Quentin Jackson (on 1958-11-14) and Britt Woodman (on 1958-11-14)
trumpet:
Harold "Shorty" Baker (on 1958-11-14) and Cat Anderson (on 1958-11-14)
valve trombone:
John Sanders (US jazz trombonist) (on 1958-11-14)
phonographic copyright (℗) by:
Storyville Records (Danish jazz and blues label)
recorded at:
Kongressaal, Deutches Museum in München, Bayern, Germany (on 1958-11-14)
9:27
3Newport Up
alto saxophone:
Johnny Hodges (on 1958-11-14)
bass:
Jimmy Woode (on 1958-11-14)
brass:
Clark Terry (American swing trumpeter) (on 1958-11-14)
drums (drum set):
Sam Woodyard (on 1958-11-14)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1958-11-14)
reeds:
Harry Carney (on 1958-11-14), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1958-11-14) and Russell Procope (on 1958-11-14)
tenor saxophone:
Paul Gonsalves (on 1958-11-14)
trombone:
Quentin Jackson (on 1958-11-14) and Britt Woodman (on 1958-11-14)
trumpet:
Harold "Shorty" Baker (on 1958-11-14) and Cat Anderson (on 1958-11-14)
valve trombone:
John Sanders (US jazz trombonist) (on 1958-11-14)
phonographic copyright (℗) by:
Storyville Records (Danish jazz and blues label)
recorded at:
Kongressaal, Deutches Museum in München, Bayern, Germany (on 1958-11-14)
5:26
4Sophisticated Lady
alto saxophone:
Johnny Hodges (on 1958-11-14)
bass:
Jimmy Woode (on 1958-11-14)
brass:
Clark Terry (American swing trumpeter) (on 1958-11-14)
drums (drum set):
Sam Woodyard (on 1958-11-14)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1958-11-14)
reeds:
Harry Carney (on 1958-11-14), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1958-11-14) and Russell Procope (on 1958-11-14)
tenor saxophone:
Paul Gonsalves (on 1958-11-14)
trombone:
Quentin Jackson (on 1958-11-14) and Britt Woodman (on 1958-11-14)
trumpet:
Harold "Shorty" Baker (on 1958-11-14) and Cat Anderson (on 1958-11-14)
valve trombone:
John Sanders (US jazz trombonist) (on 1958-11-14)
phonographic copyright (℗) by:
Storyville Records (Danish jazz and blues label)
recorded at:
Kongressaal, Deutches Museum in München, Bayern, Germany (on 1958-11-14)
recording of:
Sophisticated Lady
lyricist:
Mitchell Parish and Irving Mills (in 1932)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1932)
publisher:
Duke Ellington Music (ended), Mills Music, Inc. (ended), EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (until 2007-05) and Sony/ATV Harmony (from 2007-05 to present)
part of:
Sophisticated Ladies (1981 musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
3:55
5Sonnet to Hank Cinq
alto saxophone:
Johnny Hodges (on 1958-11-14)
bass:
Jimmy Woode (on 1958-11-14)
brass:
Clark Terry (American swing trumpeter) (on 1958-11-14)
drums (drum set):
Sam Woodyard (on 1958-11-14)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1958-11-14)
reeds:
Harry Carney (on 1958-11-14), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1958-11-14) and Russell Procope (on 1958-11-14)
tenor saxophone:
Paul Gonsalves (on 1958-11-14)
trombone:
Quentin Jackson (on 1958-11-14) and Britt Woodman (on 1958-11-14)
trumpet:
Harold "Shorty" Baker (on 1958-11-14) and Cat Anderson (on 1958-11-14)
valve trombone:
John Sanders (US jazz trombonist) (on 1958-11-14)
phonographic copyright (℗) by:
Storyville Records (Danish jazz and blues label)
recorded at:
Kongressaal, Deutches Museum in München, Bayern, Germany (on 1958-11-14)
2:06
6What Else Can You Do With a Drum
alto saxophone:
Johnny Hodges (on 1958-11-14)
bass:
Jimmy Woode (on 1958-11-14)
brass:
Clark Terry (American swing trumpeter) (on 1958-11-14)
drums (drum set):
Sam Woodyard (on 1958-11-14)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1958-11-14)
reeds:
Harry Carney (on 1958-11-14), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1958-11-14) and Russell Procope (on 1958-11-14)
tenor saxophone:
Paul Gonsalves (on 1958-11-14)
trombone:
Quentin Jackson (on 1958-11-14) and Britt Woodman (on 1958-11-14)
trumpet:
Harold "Shorty" Baker (on 1958-11-14) and Cat Anderson (on 1958-11-14)
valve trombone:
John Sanders (US jazz trombonist) (on 1958-11-14)
phonographic copyright (℗) by:
Storyville Records (Danish jazz and blues label)
recorded at:
Kongressaal, Deutches Museum in München, Bayern, Germany (on 1958-11-14)
2:23
7Do Nothin' Till You Hear From Me
alto saxophone:
Johnny Hodges (on 1958-11-14)
bass:
Jimmy Woode (on 1958-11-14)
brass:
Clark Terry (American swing trumpeter) (on 1958-11-14)
drums (drum set):
Sam Woodyard (on 1958-11-14)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1958-11-14)
reeds:
Harry Carney (on 1958-11-14), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1958-11-14) and Russell Procope (on 1958-11-14)
tenor saxophone:
Paul Gonsalves (on 1958-11-14)
trombone:
Quentin Jackson (on 1958-11-14) and Britt Woodman (on 1958-11-14)
trumpet:
Harold "Shorty" Baker (on 1958-11-14) and Cat Anderson (on 1958-11-14)
valve trombone:
John Sanders (US jazz trombonist) (on 1958-11-14)
phonographic copyright (℗) by:
Storyville Records (Danish jazz and blues label)
recorded at:
Kongressaal, Deutches Museum in München, Bayern, Germany (on 1958-11-14)
recording of:
Do Nothin’ Till You Hear From Me
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1943)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1943)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) and Sony/ATV Harmony
version of:
Concerto for Cootie
2:22
8Jeep's Blues
alto saxophone:
Johnny Hodges
bass:
Jimmy Woode
brass:
Clark Terry (American swing trumpeter)
drums (drum set):
Sam Woodyard
piano:
Duke Ellington (US composer, pianist & jazz bandleader)
reeds:
Harry Carney, Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) and Russell Procope
tenor saxophone:
Paul Gonsalves
trombone:
Quentin Jackson and Britt Woodman
trumpet:
Harold "Shorty" Baker and Cat Anderson
valve trombone:
John Sanders (US jazz trombonist)
phonographic copyright (℗) by:
Storyville Records (Danish jazz and blues label)
recorded at:
Kongressaal, Deutches Museum in München, Bayern, Germany
live recording of:
Jeep’s Blues
composer:
Duke Ellington (US composer, pianist & jazz bandleader) and Johnny Hodges
4:04
9Take the 'a' Train (Fragment)
phonographic copyright (℗) by:
Storyville Records (Danish jazz and blues label)
recorded at:
Kongressaal, Deutches Museum in München, Bayern, Germany (on 1958-11-14)
live recording of:
Take the “A” Train (version with lyrics by Sherrill)
lyricist:
Joya Sherrill (in 1944)
composer:
Billy Strayhorn (in 1939)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
version of:
Take the “A” Train (original instrumental version)
0:24
10Hi fi Fo Fum
alto saxophone:
Johnny Hodges (on 1958-11-14)
bass:
Jimmy Woode (on 1958-11-14)
brass:
Clark Terry (American swing trumpeter) (on 1958-11-14)
drums (drum set):
Sam Woodyard (on 1958-11-14)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1958-11-14)
reeds:
Harry Carney (on 1958-11-14), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1958-11-14) and Russell Procope (on 1958-11-14)
tenor saxophone:
Paul Gonsalves (on 1958-11-14)
trombone:
Quentin Jackson (on 1958-11-14) and Britt Woodman (on 1958-11-14)
trumpet:
Harold "Shorty" Baker (on 1958-11-14) and Cat Anderson (on 1958-11-14)
valve trombone:
John Sanders (US jazz trombonist) (on 1958-11-14)
phonographic copyright (℗) by:
Storyville Records (Danish jazz and blues label)
recorded at:
Kongressaal, Deutches Museum in München, Bayern, Germany (on 1958-11-14)
8:03
11Don't Get Around Much Anymore
alto saxophone:
Johnny Hodges (on 1958-11-14)
bass:
Jimmy Woode (on 1958-11-14)
brass:
Clark Terry (American swing trumpeter) (on 1958-11-14)
drums (drum set):
Sam Woodyard (on 1958-11-14)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1958-11-14)
reeds:
Harry Carney (on 1958-11-14), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1958-11-14) and Russell Procope (on 1958-11-14)
tenor saxophone:
Paul Gonsalves (on 1958-11-14)
trombone:
Quentin Jackson (on 1958-11-14) and Britt Woodman (on 1958-11-14)
trumpet:
Harold "Shorty" Baker (on 1958-11-14) and Cat Anderson (on 1958-11-14)
valve trombone:
John Sanders (US jazz trombonist) (on 1958-11-14)
phonographic copyright (℗) by:
Storyville Records (Danish jazz and blues label)
recorded at:
Kongressaal, Deutches Museum in München, Bayern, Germany (on 1958-11-14)
live recording of:
Don’t Get Around Much Anymore
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1942)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1940)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Robbins Catalog Inc. (ASCAP), Harrison Music Corp. and Sony/ATV Harmony
sub-publisher:
フジパシフィックミュージック SBK事業部 and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label)
version of:
Never No Lament
1:19
12Do Nothin' Till You Hear From Me #2
phonographic copyright (℗) by:
Storyville Records (Danish jazz and blues label)
recorded at:
Kongressaal, Deutches Museum in München, Bayern, Germany (on 1958-11-14)
recording of:
Do Nothin’ Till You Hear From Me
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1943)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1943)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) and Sony/ATV Harmony
version of:
Concerto for Cootie
0:17
13In a Sentimental Mood
phonographic copyright (℗) by:
Storyville Records (Danish jazz and blues label)
recorded at:
Kongressaal, Deutches Museum in München, Bayern, Germany (on 1958-11-14)
recording of:
In a Sentimental Mood
lyricist:
Manny Kurtz and Irving Mills
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1935)
publisher:
American Academy of Music, Inc., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), J. R. Lafleur & Son Ltd., Lafleur Music Ltd., Mills Music and Sony/ATV Harmony
0:18
14Mood Indigo
phonographic copyright (℗) by:
Storyville Records (Danish jazz and blues label)
recorded at:
Kongressaal, Deutches Museum in München, Bayern, Germany (on 1958-11-14)
recording of:
Mood Indigo (1930 jazz composition and song)
lyricist:
Irving Mills (in 1930)
composer:
Barney Bigard (in 1930) and Duke Ellington (US composer, pianist & jazz bandleader) (in 1930)
publisher:
Duke Ellington Music, Indigo Mood Music, EMI Mills Music Inc. (ASCAP-affiliated) (in 1930), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1930) and Lawrence Wright Music Co., Ltd. (in 1930)
part of:
The Real Book (compilation of jazz standards, Volume I)
0:56
15I'm Beginning to See the Light
phonographic copyright (℗) by:
Storyville Records (Danish jazz and blues label)
recorded at:
Kongressaal, Deutches Museum in München, Bayern, Germany (on 1958-11-14)
recording of:
I’m Beginning to See the Light
lyricist:
Don George (US songwriter/composer, 1909–1987) (in 1944)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1944), Johnny Hodges (in 1944) and Harry James (US big band leader, trumpeter & actor) (in 1944)
publisher:
Anne-Rachel Music Corp.
0:59
16Sophisticated Lady #2
phonographic copyright (℗) by:
Storyville Records (Danish jazz and blues label)
recorded at:
Kongressaal, Deutches Museum in München, Bayern, Germany (on 1958-11-14)
recording of:
Sophisticated Lady
lyricist:
Mitchell Parish and Irving Mills (in 1932)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1932)
publisher:
Duke Ellington Music (ended), Mills Music, Inc. (ended), EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (until 2007-05) and Sony/ATV Harmony (from 2007-05 to present)
part of:
Sophisticated Ladies (1981 musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
0:14
17Caravan
phonographic copyright (℗) by:
Storyville Records (Danish jazz and blues label)
recorded at:
Kongressaal, Deutches Museum in München, Bayern, Germany (on 1958-11-14)
live recording of:
Caravan
lyricist:
Irving Mills (in 1937)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1937) and Juan Tizol (in 1937)
publisher:
American Academy of Music, Inc., Duke Ellington Music, EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Mills Music, Inc., Sony/ATV Harmony and Lafleur Music Ltd. (from 1995-12-12 to present)
0:55
18I Got It Bad (And That Ain't Good)
alto saxophone:
Johnny Hodges (on 1958-11-14)
bass:
Jimmy Woode (on 1958-11-14)
brass:
Clark Terry (American swing trumpeter) (on 1958-11-14)
drums (drum set):
Sam Woodyard (on 1958-11-14)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1958-11-14)
reeds:
Harry Carney (on 1958-11-14), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1958-11-14) and Russell Procope (on 1958-11-14)
tenor saxophone:
Paul Gonsalves (on 1958-11-14)
trombone:
Quentin Jackson (on 1958-11-14) and Britt Woodman (on 1958-11-14)
trumpet:
Harold "Shorty" Baker (on 1958-11-14) and Cat Anderson (on 1958-11-14)
valve trombone:
John Sanders (US jazz trombonist) (on 1958-11-14)
phonographic copyright (℗) by:
Storyville Records (Danish jazz and blues label)
recorded at:
Kongressaal, Deutches Museum in München, Bayern, Germany (on 1958-11-14)
1:18
19Just Squeeze Me
alto saxophone:
Johnny Hodges (on 1958-11-14)
bass:
Jimmy Woode (on 1958-11-14)
brass:
Clark Terry (American swing trumpeter) (on 1958-11-14)
drums (drum set):
Sam Woodyard (on 1958-11-14)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1958-11-14)
reeds:
Harry Carney (on 1958-11-14), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1958-11-14) and Russell Procope (on 1958-11-14)
tenor saxophone:
Paul Gonsalves (on 1958-11-14)
trombone:
Quentin Jackson (on 1958-11-14) and Britt Woodman (on 1958-11-14)
trumpet:
Harold "Shorty" Baker (on 1958-11-14) and Cat Anderson (on 1958-11-14)
valve trombone:
John Sanders (US jazz trombonist) (on 1958-11-14)
phonographic copyright (℗) by:
Storyville Records (Danish jazz and blues label)
recorded at:
Kongressaal, Deutches Museum in München, Bayern, Germany (on 1958-11-14)
1:29
20It Don't Mean a Thing If It Ain't Got That Swing
alto saxophone:
Johnny Hodges (on 1958-11-14)
bass:
Jimmy Woode (on 1958-11-14)
brass:
Clark Terry (American swing trumpeter) (on 1958-11-14)
drums (drum set):
Sam Woodyard (on 1958-11-14)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1958-11-14)
reeds:
Harry Carney (on 1958-11-14), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1958-11-14) and Russell Procope (on 1958-11-14)
tenor saxophone:
Paul Gonsalves (on 1958-11-14)
trombone:
Quentin Jackson (on 1958-11-14) and Britt Woodman (on 1958-11-14)
trumpet:
Harold "Shorty" Baker (on 1958-11-14) and Cat Anderson (on 1958-11-14)
valve trombone:
John Sanders (US jazz trombonist) (on 1958-11-14)
phonographic copyright (℗) by:
Storyville Records (Danish jazz and blues label)
recorded at:
Kongressaal, Deutches Museum in München, Bayern, Germany (on 1958-11-14)
live recording of:
It Don’t Mean a Thing (If It Ain’t Got That Swing)
lyricist:
Irving Mills (in 1931)
composer:
Edward Kennedy “Duke” Ellington (US composer, pianist & jazz bandleader) (in 1931-08)
publisher:
Duke Ellington Music and EMI Mills Music (ASCAP-affiliated)
part of:
The Real Book (compilation of jazz standards, Volume I)
1:45
21Satin Doll
alto saxophone:
Johnny Hodges (on 1958-11-14)
bass:
Jimmy Woode (on 1958-11-14)
brass:
Clark Terry (American swing trumpeter) (on 1958-11-14)
drums (drum set):
Sam Woodyard (on 1958-11-14)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1958-11-14)
reeds:
Harry Carney (on 1958-11-14), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1958-11-14) and Russell Procope (on 1958-11-14)
tenor saxophone:
Paul Gonsalves (on 1958-11-14)
trombone:
Quentin Jackson (on 1958-11-14) and Britt Woodman (on 1958-11-14)
trumpet:
Harold "Shorty" Baker (on 1958-11-14) and Cat Anderson (on 1958-11-14)
valve trombone:
John Sanders (US jazz trombonist) (on 1958-11-14)
phonographic copyright (℗) by:
Storyville Records (Danish jazz and blues label)
recorded at:
Kongressaal, Deutches Museum in München, Bayern, Germany (on 1958-11-14)
recording of:
Satin Doll
lyricist:
Johnny Mercer (in 1953)
additional composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1953)
composer:
Billy Strayhorn (in 1953)
publisher:
Campbell Connelly & Co. Ltd., Duke Ellington Music, Tempo Music, Inc. (Duke Ellington’s music publishing company) and WB Music Corp. (1929–2019)
3:49
22Solitude
alto saxophone:
Johnny Hodges (on 1958-11-14)
bass:
Jimmy Woode (on 1958-11-14)
brass:
Clark Terry (American swing trumpeter) (on 1958-11-14)
drums (drum set):
Sam Woodyard (on 1958-11-14)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1958-11-14)
reeds:
Harry Carney (on 1958-11-14), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1958-11-14) and Russell Procope (on 1958-11-14)
tenor saxophone:
Paul Gonsalves (on 1958-11-14)
trombone:
Quentin Jackson (on 1958-11-14) and Britt Woodman (on 1958-11-14)
trumpet:
Harold "Shorty" Baker (on 1958-11-14) and Cat Anderson (on 1958-11-14)
valve trombone:
John Sanders (US jazz trombonist) (on 1958-11-14)
phonographic copyright (℗) by:
Storyville Records (Danish jazz and blues label)
recorded at:
Kongressaal, Deutches Museum in München, Bayern, Germany (on 1958-11-14)
recording of:
(In My) Solitude
lyricist:
Eddie DeLange (in 1934) and Irving Mills (in 1934)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1934)
publisher:
American Academy of Music, Inc., De Lange Music Co., EMI Mills Music Inc. (ASCAP-affiliated) and J. R. Lafleur & Son Ltd.
2:23
23I Let a Song Go Out of My Heart / Don't Get Around Much Anymore
alto saxophone:
Johnny Hodges (on 1958-11-14)
bass:
Jimmy Woode (on 1958-11-14)
brass:
Clark Terry (American swing trumpeter) (on 1958-11-14)
drums (drum set):
Sam Woodyard (on 1958-11-14)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1958-11-14)
reeds:
Harry Carney (on 1958-11-14), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1958-11-14) and Russell Procope (on 1958-11-14)
tenor saxophone:
Paul Gonsalves (on 1958-11-14)
trombone:
Quentin Jackson (on 1958-11-14) and Britt Woodman (on 1958-11-14)
trumpet:
Harold "Shorty" Baker (on 1958-11-14) and Cat Anderson (on 1958-11-14)
valve trombone:
John Sanders (US jazz trombonist) (on 1958-11-14)
phonographic copyright (℗) by:
Storyville Records (Danish jazz and blues label)
recorded at:
Kongressaal, Deutches Museum in München, Bayern, Germany (on 1958-11-14)
3:42
24Diminuendo in Blue / Wailing Interval
alto saxophone:
Johnny Hodges (on 1958-11-14)
bass:
Jimmy Woode (on 1958-11-14)
brass:
Clark Terry (American swing trumpeter) (on 1958-11-14)
drums (drum set):
Sam Woodyard (on 1958-11-14)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1958-11-14)
reeds:
Harry Carney (on 1958-11-14), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1958-11-14) and Russell Procope (on 1958-11-14)
tenor saxophone:
Paul Gonsalves (on 1958-11-14)
trombone:
Quentin Jackson (on 1958-11-14) and Britt Woodman (on 1958-11-14)
trumpet:
Harold "Shorty" Baker (on 1958-11-14) and Cat Anderson (on 1958-11-14)
valve trombone:
John Sanders (US jazz trombonist) (on 1958-11-14)
phonographic copyright (℗) by:
Storyville Records (Danish jazz and blues label)
recorded at:
Kongressaal, Deutches Museum in München, Bayern, Germany (on 1958-11-14)
live medley including a recording of:
Diminuendo in Blue (on 1958-11-14)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
live medley including a recording of:
Wailing Interval (Blow by Blow) (on 1958-11-14)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
5:00
▼ CD 3
#TitleRatingLength
1Take the "A" Train
recorded at:
Gröna Lund Tivoli in Stockholm, Stockholms län, Sweden (on 1963-06-06)
live recording of:
Take the “A” Train (version with lyrics by Sherrill)
lyricist:
Joya Sherrill (in 1944)
composer:
Billy Strayhorn (in 1939)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
version of:
Take the “A” Train (original instrumental version)
1:50
2Afro Bossa
recorded at:
Gröna Lund Tivoli in Stockholm, Stockholms län, Sweden (on 1963-06-06)
live recording of:
Afro-Bossa (Bula)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
5:15
3Perdido (medley)
recorded at:
Gröna Lund Tivoli in Stockholm, Stockholms län, Sweden (on 1963-06-06)
live recording of:
Perdido (original instrumental version)
composer:
Juan Tizol
5:22
4Duke Announcement
recorded at:
Gröna Lund Tivoli in Stockholm, Stockholms län, Sweden (on 1963-06-06)
0:59
5Satin Doll
recorded at:
Gröna Lund Tivoli in Stockholm, Stockholms län, Sweden (on 1963-06-06)
live recording of:
Satin Doll
lyricist:
Johnny Mercer (in 1953)
additional composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1953)
composer:
Billy Strayhorn (in 1953)
publisher:
Campbell Connelly & Co. Ltd., Duke Ellington Music, Tempo Music, Inc. (Duke Ellington’s music publishing company) and WB Music Corp. (1929–2019)
1:23
6Solitude
recorded at:
Gröna Lund Tivoli in Stockholm, Stockholms län, Sweden (on 1963-06-06)
live recording of:
(In My) Solitude
lyricist:
Eddie DeLange (in 1934) and Irving Mills (in 1934)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1934)
publisher:
American Academy of Music, Inc., De Lange Music Co., EMI Mills Music Inc. (ASCAP-affiliated) and J. R. Lafleur & Son Ltd.
1:14
7Don't Get Around Much Anymore
recorded at:
Gröna Lund Tivoli in Stockholm, Stockholms län, Sweden (on 1963-06-06)
live recording of:
Don’t Get Around Much Anymore
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1942)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1940)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Robbins Catalog Inc. (ASCAP), Harrison Music Corp. and Sony/ATV Harmony
sub-publisher:
フジパシフィックミュージック SBK事業部 and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label)
version of:
Never No Lament
0:41
8Mood Indigo
recorded at:
Gröna Lund Tivoli in Stockholm, Stockholms län, Sweden (on 1963-06-06)
live recording of:
Mood Indigo (1930 jazz composition and song)
lyricist:
Irving Mills (in 1930)
composer:
Barney Bigard (in 1930) and Duke Ellington (US composer, pianist & jazz bandleader) (in 1930)
publisher:
Duke Ellington Music, Indigo Mood Music, EMI Mills Music Inc. (ASCAP-affiliated) (in 1930), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1930) and Lawrence Wright Music Co., Ltd. (in 1930)
part of:
The Real Book (compilation of jazz standards, Volume I)
1:35
9I'm Beginning to See the Light
recorded at:
Gröna Lund Tivoli in Stockholm, Stockholms län, Sweden (on 1963-06-06)
live recording of:
I’m Beginning to See the Light
lyricist:
Don George (US songwriter/composer, 1909–1987) (in 1944)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1944), Johnny Hodges (in 1944) and Harry James (US big band leader, trumpeter & actor) (in 1944)
publisher:
Anne-Rachel Music Corp.
0:50
10Sophisticated Lady
recorded at:
Gröna Lund Tivoli in Stockholm, Stockholms län, Sweden (on 1963-06-06)
live recording of:
Sophisticated Lady
lyricist:
Mitchell Parish and Irving Mills (in 1932)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1932)
publisher:
Duke Ellington Music (ended), Mills Music, Inc. (ended), EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (until 2007-05) and Sony/ATV Harmony (from 2007-05 to present)
part of:
Sophisticated Ladies (1981 musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
2:35
11Caravan
recorded at:
Gröna Lund Tivoli in Stockholm, Stockholms län, Sweden (on 1963-06-06)
live recording of:
Caravan
lyricist:
Irving Mills (in 1937)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1937) and Juan Tizol (in 1937)
publisher:
American Academy of Music, Inc., Duke Ellington Music, EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Mills Music, Inc., Sony/ATV Harmony and Lafleur Music Ltd. (from 1995-12-12 to present)
1:17
12Do Nothin' Till You Hear From Me
recorded at:
Gröna Lund Tivoli in Stockholm, Stockholms län, Sweden (on 1963-06-06)
live recording of:
Do Nothin’ Till You Hear From Me
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1943)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1943)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) and Sony/ATV Harmony
version of:
Concerto for Cootie
1:44
13I Got It Bad and That Ain't Good
recorded at:
Gröna Lund Tivoli in Stockholm, Stockholms län, Sweden (on 1963-06-06)
live recording of:
I Got It Bad (and That Ain’t Good)
lyricist:
Paul Francis Webster (in 1941)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Sony/ATV Harmony and Webster Music Co.
part of:
The Real Book (compilation of jazz standards, Volume I)
2:31
14Just Squeeze Me
recorded at:
Gröna Lund Tivoli in Stockholm, Stockholms län, Sweden (on 1963-06-06)
live recording of:
Just Squeeze Me (but Don’t Tease Me)
lyricist:
Lee Gaines (in 1941)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
1:31
15It Don't Mean a Thing If It Ain't Got That Swing
recorded at:
Gröna Lund Tivoli in Stockholm, Stockholms län, Sweden (on 1963-06-06)
live recording of:
It Don’t Mean a Thing (If It Ain’t Got That Swing)
lyricist:
Irving Mills (in 1931)
composer:
Edward Kennedy “Duke” Ellington (US composer, pianist & jazz bandleader) (in 1931-08)
publisher:
Duke Ellington Music and EMI Mills Music (ASCAP-affiliated)
part of:
The Real Book (compilation of jazz standards, Volume I)
1:39
16I Let a Song Go Out of My Heart / Don't Get Around Much Anymore
recorded at:
Gröna Lund Tivoli in Stockholm, Stockholms län, Sweden (on 1963-06-06)
live medley including a recording of:
Don’t Get Around Much Anymore
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1942)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1940)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Robbins Catalog Inc. (ASCAP), Harrison Music Corp. and Sony/ATV Harmony
sub-publisher:
フジパシフィックミュージック SBK事業部 and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label)
version of:
Never No Lament
live medley including a recording of:
I Let a Song Go Out of My Heart
lyricist:
Irving Mills (in 1938), Henry Nemo (in 1938) and John Redmond (House vocalist) (in 1938)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1938)
part of:
The Real Book (compilation of jazz standards, Volume I)
2:30
17Satin Doll
recorded at:
Gröna Lund Tivoli in Stockholm, Stockholms län, Sweden (on 1963-06-06)
live recording of:
Satin Doll
lyricist:
Johnny Mercer (in 1953)
additional composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1953)
composer:
Billy Strayhorn (in 1953)
publisher:
Campbell Connelly & Co. Ltd., Duke Ellington Music, Tempo Music, Inc. (Duke Ellington’s music publishing company) and WB Music Corp. (1929–2019)
0:39
▼ CD 4
#TitleRatingLength
1Meditation #1
recording of:
Meditation
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
live recording of:
Meditation
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
5:17
2Single Petal of a Rose
recording of:
The Single Petal of a Rose (The Queen’s Suite)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
part of:
The Queen's Suite
2:56
3Blues #1
2:37
4Nagoya
8:10
5Unidentified Title / Little African Flower
1:31
6Meditation #2
recording of:
Meditation
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
4:48
7T.G.T.T. / Little Purple Flower
6:39
8The River -- The Spring
3:20
9The River -- A the Run
2:46
10The River -- The Meander
2:36
11The River -- Grap (The Giggling Rapids)
2:48
12The River -- The Lake
3:38
13Stud (The Neo-Hip-Hot Cool Kiddies Community)
2:27
14Riddle
7:03
15Blues #2
6:49
16Blues #3
4:04
▼ CD 5
#TitleRatingLength
1The Shepherd
producer:
Bjarne Busk and Anders Stefansen (jazz producer)
alto saxophone:
Johnny Hodges (on 1967-06-23)
bass:
John Lamb (bass) (on 1967-06-23)
bass trombone:
Chuck Connors (trombonist) (on 1967-06-23)
drums (drum set):
Chris Columbo (on 1967-06-23)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1967-06-23)
reeds:
Harry Carney (on 1967-06-23), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1967-06-23) and Russell Procope (on 1967-06-23)
tenor saxophone:
Paul Gonsalves (on 1967-06-23)
trombone:
Lawrence Brown (jazz trombonist) (on 1967-06-23) and Buster Cooper (on 1967-06-23)
trumpet:
Cat Anderson (on 1967-06-23), Mercer Ellington (on 1967-06-23), Herbie Jones (on 1967-06-23) and Cootie Williams (on 1967-06-23)
recorded at:
RCA Studios in Hollywood, Los Angeles, California, United States (on 1967-06-23)
6:29
2Up Jump
producer:
Bjarne Busk and Anders Stefansen (jazz producer)
alto saxophone:
Johnny Hodges (on 1967-06-23)
bass:
John Lamb (bass) (on 1967-06-23)
bass trombone:
Chuck Connors (trombonist) (on 1967-06-23)
drums (drum set):
Chris Columbo (on 1967-06-23)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1967-06-23)
reeds:
Harry Carney (on 1967-06-23), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1967-06-23) and Russell Procope (on 1967-06-23)
tenor saxophone:
Paul Gonsalves (on 1967-06-23)
trombone:
Lawrence Brown (jazz trombonist) (on 1967-06-23) and Buster Cooper (on 1967-06-23)
trumpet:
Cat Anderson (on 1967-06-23), Mercer Ellington (on 1967-06-23), Herbie Jones (on 1967-06-23) and Cootie Williams (on 1967-06-23)
recorded at:
RCA Studios in Hollywood, Los Angeles, California, United States (on 1967-06-23)
3:06
3Rue Bleu
producer:
Bjarne Busk and Anders Stefansen (jazz producer)
alto saxophone:
Johnny Hodges (on 1967-06-23)
bass:
John Lamb (bass) (on 1967-06-23)
bass trombone:
Chuck Connors (trombonist) (on 1967-06-23)
drums (drum set):
Chris Columbo (on 1967-06-23)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1967-06-23)
reeds:
Harry Carney (on 1967-06-23), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1967-06-23) and Russell Procope (on 1967-06-23)
tenor saxophone:
Paul Gonsalves (on 1967-06-23)
trombone:
Lawrence Brown (jazz trombonist) (on 1967-06-23) and Buster Cooper (on 1967-06-23)
trumpet:
Cat Anderson (on 1967-06-23), Mercer Ellington (on 1967-06-23), Herbie Jones (on 1967-06-23) and Cootie Williams (on 1967-06-23)
recorded at:
RCA Studios in Hollywood, Los Angeles, California, United States (on 1967-06-23)
recording of:
Rue Bleue
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
3:02
4Chromatic Love Affair
producer:
Bjarne Busk and Anders Stefansen (jazz producer)
alto saxophone:
Johnny Hodges (on 1967-06-23)
bass:
John Lamb (bass) (on 1967-06-23)
bass trombone:
Chuck Connors (trombonist) (on 1967-06-23)
drums (drum set):
Chris Columbo (on 1967-06-23)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1967-06-23)
reeds:
Harry Carney (on 1967-06-23), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1967-06-23) and Russell Procope (on 1967-06-23)
tenor saxophone:
Paul Gonsalves (on 1967-06-23)
trombone:
Lawrence Brown (jazz trombonist) (on 1967-06-23) and Buster Cooper (on 1967-06-23)
trumpet:
Cat Anderson (on 1967-06-23), Mercer Ellington (on 1967-06-23), Herbie Jones (on 1967-06-23) and Cootie Williams (on 1967-06-23)
recorded at:
RCA Studios in Hollywood, Los Angeles, California, United States (on 1967-06-23)
live recording of:
Chromatic Love Affair
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
publisher:
Tempo Music, Inc. (Duke Ellington’s music publishing company)
4:02
5Salome
producer:
Bjarne Busk and Anders Stefansen (jazz producer)
alto saxophone:
Johnny Hodges (on 1967-06-23)
bass:
John Lamb (bass) (on 1967-06-23)
bass trombone:
Chuck Connors (trombonist) (on 1967-06-23)
drums (drum set):
Chris Columbo (on 1967-06-23)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1967-06-23)
reeds:
Harry Carney (on 1967-06-23), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1967-06-23) and Russell Procope (on 1967-06-23)
tenor saxophone:
Paul Gonsalves (on 1967-06-23)
trombone:
Lawrence Brown (jazz trombonist) (on 1967-06-23) and Buster Cooper (on 1967-06-23)
trumpet:
Cat Anderson (on 1967-06-23), Mercer Ellington (on 1967-06-23), Herbie Jones (on 1967-06-23) and Cootie Williams (on 1967-06-23)
recorded at:
RCA Studios in Hollywood, Los Angeles, California, United States (on 1967-06-23)
4:14
6Blood Count
producer:
Bjarne Busk and Anders Stefansen (jazz producer)
alto saxophone:
Johnny Hodges (on 1967-06-23)
bass:
John Lamb (bass) (on 1967-06-23)
bass trombone:
Chuck Connors (trombonist) (on 1967-06-23)
drums (drum set):
Chris Columbo (on 1967-06-23)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1967-06-23)
reeds:
Harry Carney (on 1967-06-23), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1967-06-23) and Russell Procope (on 1967-06-23)
tenor saxophone:
Paul Gonsalves (on 1967-06-23)
trombone:
Lawrence Brown (jazz trombonist) (on 1967-06-23) and Buster Cooper (on 1967-06-23)
trumpet:
Cat Anderson (on 1967-06-23), Mercer Ellington (on 1967-06-23), Herbie Jones (on 1967-06-23) and Cootie Williams (on 1967-06-23)
recorded at:
RCA Studios in Hollywood, Los Angeles, California, United States (on 1967-06-23)
recording of:
Blood Count
composer:
Billy Strayhorn (in 1967)
3:50
7El Viti
producer:
Bjarne Busk and Anders Stefansen (jazz producer)
alto saxophone:
Johnny Hodges (on 1966-03-29)
bass:
John Lamb (bass) (on 1966-03-29)
bass trombone:
Chuck Connors (trombonist) (on 1966-03-29)
drums (drum set):
Sam Woodyard (on 1966-03-29)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1966-03-29)
reeds:
Harry Carney (on 1966-03-29), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1966-03-29) and Russell Procope (on 1966-03-29)
tenor saxophone:
Paul Gonsalves (on 1966-03-29)
trombone:
Lawrence Brown (jazz trombonist) (on 1966-03-29) and Buster Cooper (on 1966-03-29)
trumpet:
Cat Anderson (on 1966-03-29), Mercer Ellington (on 1966-03-29), Herbie Jones (on 1966-03-29) and Cootie Williams (on 1966-03-29)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1966-03-29)
3:27
8Kixx
producer:
Bjarne Busk and Anders Stefansen (jazz producer)
alto saxophone:
Johnny Hodges (on 1967-04-04)
bass:
John Lamb (bass) (on 1967-04-04)
bass trombone:
Chuck Connors (trombonist) (on 1967-04-04)
drums (drum set):
Chris Columbo (on 1967-04-04)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1967-04-04)
reeds:
Harry Carney (on 1967-04-04), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1967-04-04) and Russell Procope (on 1967-04-04)
tenor saxophone:
Paul Gonsalves (on 1967-04-04)
trombone:
Lawrence Brown (jazz trombonist) (on 1967-04-04) and Buster Cooper (on 1967-04-04)
trumpet:
Cat Anderson (on 1967-04-04), Mercer Ellington (on 1967-04-04), Herbie Jones (on 1967-04-04) and Cootie Williams (on 1967-04-04)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1967-04-04)
live recording of:
Kixx
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
3:55
9Eggo
producer:
Bjarne Busk and Anders Stefansen (jazz producer)
alto saxophone:
Johnny Hodges (on 1967-04-04)
bass:
John Lamb (bass) (on 1967-04-04)
bass trombone:
Chuck Connors (trombonist) (on 1967-04-04)
drums (drum set):
Chris Columbo (on 1967-04-04)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1967-04-04)
reeds:
Harry Carney (on 1967-04-04), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1967-04-04) and Russell Procope (on 1967-04-04)
tenor saxophone:
Paul Gonsalves (on 1967-04-04)
trombone:
Lawrence Brown (jazz trombonist) (on 1967-04-04) and Buster Cooper (on 1967-04-04)
trumpet:
Cat Anderson (on 1967-04-04), Mercer Ellington (on 1967-04-04), Herbie Jones (on 1967-04-04) and Cootie Williams (on 1967-04-04)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1967-04-04)
5:37
10I'm Hip Too
producer:
Bjarne Busk and Anders Stefansen (jazz producer)
alto saxophone:
Johnny Hodges (on 1967-04-04)
bass:
John Lamb (bass) (on 1967-04-04)
bass trombone:
Chuck Connors (trombonist) (on 1967-04-04)
drums (drum set):
Chris Columbo (on 1967-04-04)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1967-04-04)
reeds:
Harry Carney (on 1967-04-04), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1967-04-04) and Russell Procope (on 1967-04-04)
tenor saxophone:
Paul Gonsalves (on 1967-04-04)
trombone:
Lawrence Brown (jazz trombonist) (on 1967-04-04) and Buster Cooper (on 1967-04-04)
trumpet:
Cat Anderson (on 1967-04-04), Mercer Ellington (on 1967-04-04), Herbie Jones (on 1967-04-04) and Cootie Williams (on 1967-04-04)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1967-04-04)
0:36
11Amita
producer:
Bjarne Busk and Anders Stefansen (jazz producer)
alto saxophone:
Johnny Hodges (on 1967-04-04)
bass:
John Lamb (bass) (on 1967-04-04)
bass trombone:
Chuck Connors (trombonist) (on 1967-04-04)
drums (drum set):
Chris Columbo (on 1967-04-04)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1967-04-04)
reeds:
Harry Carney (on 1967-04-04), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1967-04-04) and Russell Procope (on 1967-04-04)
tenor saxophone:
Paul Gonsalves (on 1967-04-04)
trombone:
Lawrence Brown (jazz trombonist) (on 1967-04-04) and Buster Cooper (on 1967-04-04)
trumpet:
Cat Anderson (on 1967-04-04), Mercer Ellington (on 1967-04-04), Herbie Jones (on 1967-04-04) and Cootie Williams (on 1967-04-04)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1967-04-04)
2:51
12Warr
producer:
Bjarne Busk and Anders Stefansen (jazz producer)
alto saxophone:
Johnny Hodges (on 1967-04-04)
bass:
John Lamb (bass) (on 1967-04-04)
bass trombone:
Chuck Connors (trombonist) (on 1967-04-04)
drums (drum set):
Chris Columbo (on 1967-04-04)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1967-04-04)
reeds:
Harry Carney (on 1967-04-04), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1967-04-04) and Russell Procope (on 1967-04-04)
tenor saxophone:
Paul Gonsalves (on 1967-04-04)
trombone:
Lawrence Brown (jazz trombonist) (on 1967-04-04) and Buster Cooper (on 1967-04-04)
trumpet:
Cat Anderson (on 1967-04-04), Mercer Ellington (on 1967-04-04), Herbie Jones (on 1967-04-04) and Cootie Williams (on 1967-04-04)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1967-04-04)
4:23
13Little Purple Flower
producer:
Bjarne Busk and Anders Stefansen (jazz producer)
alto saxophone:
Johnny Hodges (on 1967-04-04)
bass:
John Lamb (bass) (on 1967-04-04)
bass trombone:
Chuck Connors (trombonist) (on 1967-04-04)
drums (drum set):
Chris Columbo (on 1967-04-04)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1967-04-04)
reeds:
Harry Carney (on 1967-04-04), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1967-04-04) and Russell Procope (on 1967-04-04)
tenor saxophone:
Paul Gonsalves (on 1967-04-04)
trombone:
Lawrence Brown (jazz trombonist) (on 1967-04-04) and Buster Cooper (on 1967-04-04)
trumpet:
Cat Anderson (on 1967-04-04), Mercer Ellington (on 1967-04-04), Herbie Jones (on 1967-04-04) and Cootie Williams (on 1967-04-04)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1967-04-04)
4:32
14Traffic Cop
producer:
Bjarne Busk and Anders Stefansen (jazz producer)
alto saxophone:
Johnny Hodges (on 1967-03-23)
bass:
John Lamb (bass) (on 1967-03-23)
bass trombone:
Chuck Connors (trombonist) (on 1967-03-23)
congas:
Emmanuel Abdul Rahim (on 1967-03-23)
drums (drum set):
Bobby Durham (on 1967-03-23)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1967-03-23)
reeds:
Harry Carney (on 1967-03-23), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1967-03-23) and Russell Procope (on 1967-03-23)
tenor saxophone:
Paul Gonsalves (on 1967-03-23)
trombone:
Lawrence Brown (jazz trombonist) (on 1967-03-23) and Buster Cooper (on 1967-03-23)
trumpet:
Cat Anderson (on 1967-03-23), Mercer Ellington (on 1967-03-23), Herbie Jones (on 1967-03-23) and Cootie Williams (on 1967-03-23)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1967-03-23)
3:50
15Untitled Blues
producer:
Bjarne Busk and Anders Stefansen (jazz producer)
alto saxophone:
Johnny Hodges (on 1967-03-23)
bass:
John Lamb (bass) (on 1967-03-23)
bass trombone:
Chuck Connors (trombonist) (on 1967-03-23)
congas:
Emmanuel Abdul Rahim (on 1967-03-23)
drums (drum set):
Bobby Durham (on 1967-03-23)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1967-03-23)
reeds:
Harry Carney (on 1967-03-23), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1967-03-23) and Russell Procope (on 1967-03-23)
tenor saxophone:
Paul Gonsalves (on 1967-03-23)
trombone:
Lawrence Brown (jazz trombonist) (on 1967-03-23) and Buster Cooper (on 1967-03-23)
trumpet:
Cat Anderson (on 1967-03-23), Mercer Ellington (on 1967-03-23), Herbie Jones (on 1967-03-23) and Cootie Williams (on 1967-03-23)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1967-03-23)
4:52
16Policia
producer:
Bjarne Busk and Anders Stefansen (jazz producer)
alto saxophone:
Johnny Hodges (on 1967-03-23)
bass:
John Lamb (bass) (on 1967-03-23)
bass trombone:
Chuck Connors (trombonist) (on 1967-03-23)
congas:
Emmanuel Abdul Rahim (on 1967-03-23)
drums (drum set):
Bobby Durham (on 1967-03-23)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1967-03-23)
reeds:
Harry Carney (on 1967-03-23), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1967-03-23) and Russell Procope (on 1967-03-23)
tenor saxophone:
Paul Gonsalves (on 1967-03-23)
trombone:
Lawrence Brown (jazz trombonist) (on 1967-03-23) and Buster Cooper (on 1967-03-23)
trumpet:
Cat Anderson (on 1967-03-23), Mercer Ellington (on 1967-03-23), Herbie Jones (on 1967-03-23) and Cootie Williams (on 1967-03-23)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1967-03-23)
1:42
17The B.O. of Traffic
producer:
Bjarne Busk and Anders Stefansen (jazz producer)
alto saxophone:
Johnny Hodges (on 1967-03-23)
bass:
John Lamb (bass) (on 1967-03-23)
bass trombone:
Chuck Connors (trombonist) (on 1967-03-23)
congas:
Emmanuel Abdul Rahim (on 1967-03-23)
drums (drum set):
Bobby Durham (on 1967-03-23)
piano:
Duke Ellington (US composer, pianist & jazz bandleader)
reeds:
Harry Carney (on 1967-03-23), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1967-03-23) and Russell Procope (on 1967-03-23)
tenor saxophone:
Paul Gonsalves (on 1967-03-23)
trombone:
Lawrence Brown (jazz trombonist) (on 1967-03-23) and Buster Cooper (on 1967-03-23)
trumpet:
Cat Anderson (on 1967-03-23), Mercer Ellington (on 1967-03-23), Herbie Jones (on 1967-03-23) and Cootie Williams (on 1967-03-23)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1967-03-23)
0:43
18Mac
producer:
Bjarne Busk and Anders Stefansen (jazz producer)
alto saxophone:
Johnny Hodges (on 1967-03-23)
bass:
John Lamb (bass) (on 1967-03-23)
bass trombone:
Chuck Connors (trombonist) (on 1967-03-23)
congas:
Emmanuel Abdul Rahim (on 1967-03-23)
drums (drum set):
Bobby Durham (on 1967-03-23)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1967-03-23)
reeds:
Harry Carney (on 1967-03-23), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1967-03-23) and Russell Procope (on 1967-03-23)
tenor saxophone:
Paul Gonsalves (on 1967-03-23)
trombone:
Lawrence Brown (jazz trombonist) (on 1967-03-23) and Buster Cooper (on 1967-03-23)
trumpet:
Cat Anderson (on 1967-03-23), Mercer Ellington (on 1967-03-23), Herbie Jones (on 1967-03-23) and Cootie Williams (on 1967-03-23)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1967-03-23)
2:37
19Traffic Extension
producer:
Bjarne Busk and Anders Stefansen (jazz producer)
alto saxophone:
Johnny Hodges (on 1967-03-23)
bass:
John Lamb (bass) (on 1967-03-23)
bass trombone:
Chuck Connors (trombonist) (on 1967-03-23)
congas:
Emmanuel Abdul Rahim (on 1967-03-23)
drums (drum set):
Bobby Durham (on 1967-03-23)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1967-03-23)
reeds:
Harry Carney (on 1967-03-23), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1967-03-23) and Russell Procope (on 1967-03-23)
tenor saxophone:
Paul Gonsalves (on 1967-03-23)
trombone:
Lawrence Brown (jazz trombonist) (on 1967-03-23) and Buster Cooper (on 1967-03-23)
trumpet:
Cat Anderson (on 1967-03-23), Mercer Ellington (on 1967-03-23), Herbie Jones (on 1967-03-23) and Cootie Williams (on 1967-03-23)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1967-03-23)
5:37
20Star
producer:
Bjarne Busk and Anders Stefansen (jazz producer)
alto saxophone:
Johnny Hodges (on 1967-03-23)
bass:
John Lamb (bass) (on 1967-03-23)
bass trombone:
Chuck Connors (trombonist) (on 1967-03-23)
congas:
Emmanuel Abdul Rahim (on 1967-03-23)
drums (drum set):
Bobby Durham (on 1967-03-23)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1967-03-23)
reeds:
Harry Carney (on 1967-03-23), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1967-03-23) and Russell Procope (on 1967-03-23)
tenor saxophone:
Paul Gonsalves (on 1967-03-23)
trombone:
Lawrence Brown (jazz trombonist) (on 1967-03-23) and Buster Cooper (on 1967-03-23)
trumpet:
Cat Anderson (on 1967-03-23), Mercer Ellington (on 1967-03-23), Herbie Jones (on 1967-03-23) and Cootie Williams (on 1967-03-23)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1967-03-23)
0:54
21Cross Climax
producer:
Bjarne Busk and Anders Stefansen (jazz producer)
alto saxophone:
Johnny Hodges (on 1967-03-23)
bass:
John Lamb (bass) (on 1967-03-23)
bass trombone:
Chuck Connors (trombonist) (on 1967-03-23)
congas:
Emmanuel Abdul Rahim (on 1967-03-23)
drums (drum set):
Bobby Durham (on 1967-03-23)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1967-03-23)
reeds:
Harry Carney (on 1967-03-23), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1967-03-23) and Russell Procope (on 1967-03-23)
tenor saxophone:
Paul Gonsalves (on 1967-03-23)
trombone:
Lawrence Brown (jazz trombonist) (on 1967-03-23) and Buster Cooper (on 1967-03-23)
trumpet:
Cat Anderson (on 1967-03-23), Mercer Ellington (on 1967-03-23), Herbie Jones (on 1967-03-23) and Cootie Williams (on 1967-03-23)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1967-03-23)
0:27
22B.O. Man
producer:
Bjarne Busk and Anders Stefansen (jazz producer)
alto saxophone:
Johnny Hodges (on 1967-03-23)
bass:
John Lamb (bass) (on 1967-03-23)
bass trombone:
Chuck Connors (trombonist) (on 1967-03-23)
congas:
Emmanuel Abdul Rahim (on 1967-03-23)
drums (drum set):
Bobby Durham (on 1967-03-23)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1967-03-23)
reeds:
Harry Carney (on 1967-03-23), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1967-03-23) and Russell Procope (on 1967-03-23)
tenor saxophone:
Paul Gonsalves (on 1967-03-23)
trombone:
Lawrence Brown (jazz trombonist) (on 1967-03-23) and Buster Cooper (on 1967-03-23)
trumpet:
Cat Anderson (on 1967-03-23), Mercer Ellington (on 1967-03-23), Herbie Jones (on 1967-03-23) and Cootie Williams (on 1967-03-23)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1967-03-23)
3:11
23Tin Soldier
producer:
Bjarne Busk and Anders Stefansen (jazz producer)
alto saxophone:
Johnny Hodges (on 1966-08-18)
bass:
John Lamb (bass) (on 1966-08-18)
bass trombone:
Chuck Connors (trombonist) (on 1966-08-18)
congas:
Emmanuel Abdul Rahim (on 1966-08-18)
drums (drum set):
Rufus Jones (drums, aka Speedy Jones) (on 1966-08-18)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1966-08-18)
reeds:
Harry Carney (on 1966-08-18), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1966-08-18) and Russell Procope (on 1966-08-18)
tenor saxophone:
Paul Gonsalves (on 1966-08-18)
trombone:
Lawrence Brown (jazz trombonist) (on 1966-08-18) and Buster Cooper (on 1966-08-18)
trumpet:
Cat Anderson (on 1966-08-18), Mercer Ellington (on 1966-08-18), Herbie Jones (on 1966-08-18) and Cootie Williams (on 1966-08-18)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1966-08-18)
2:24
▶ CD 6
▶ CD 7
▶ DVD-Video 8