Music of the Millenium

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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Digital Media 1
#TitleArtistRatingLength
1Viva la vida
Coldplay1:54
2Hung Up
recording engineer:
Stuart Price
producer:
Madonna (“Queen of Pop”) and Stuart Price
mixer:
Mark "Spike" Stent (producer, engineer)
lead vocals:
Madonna (“Queen of Pop”)
recorded at:
Shirland Road studios in Westminster, London (Greater London), England, United Kingdom
mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom and The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
samples:
Gimme! Gimme! Gimme! (A Man After Midnight) by ABBA (Swedish pop group)
recording of:
Hung Up
writer:
Benny Andersson (ABBA), Madonna Louise Veronica Ciccone (“Queen of Pop”), Stuart Price and Björn Ulvaeus
publisher:
EMI Grove Park Music, Inc., EMI Waterford Music, Union Songs Music and Webo Girl Publishing, Inc.
is based on:
Gimme! Gimme! Gimme! (A Man After Midnight)
Madonna4.15:36
3Relax (Take It Easy)
recording engineer:
Joe Chiccarelli
programming:
Fabian Waltman and Greg Wells
producer:
MIKA (Lebanese-born English pop singer) and Greg Wells
mixer:
Greg Wells
guitar:
Tim Pierce (US session guitarist)
piano:
MIKA (Lebanese-born English pop singer)
phonographic copyright (℗) by:
Universal Music Strategic Marketing (subsidiary of Universal Music GmbH) (from 2007 to present)
recorded at:
Sage and Sound Recording in Hollywood, Los Angeles, California, United States
mixed at:
Rocket Carousel Studio in Los Angeles, California, United States
samples:
(I Just) Died in Your Arms by Cutting Crew
music videos:
Relax, Take It Easy by MIKA (Lebanese-born English pop singer)
recording of:
Relax, Take It Easy
writer:
Nick Van Eede and MIKA (Lebanese-born English pop singer)
publisher:
MIKA Punch
MIKA2.53:40
4I Kissed a Girl
recording engineer:
Mike Caffrey (drum machine [drum])
miscellaneous support:
Gary "G" Silver (task: production coordinated)
programming:
benny blanco (producer Benjamin Levin) and Dr. Luke
engineer:
Nick Banns, Mike Caffrey, Aniela Gottwald, John Hanes (audio engineer, mixer), Sam Holland (sound engineer), Tina Kennedy and Emily Wright
additional producer:
benny blanco (producer Benjamin Levin) and Mike Caffrey (drum machine [drum])
producer:
Dr. Luke
assistant mixer:
Tim Roberts (engineer)
mixer:
Serban Ghenea
bass guitar [bass] and guitar [guitars]:
Dr. Luke
drums (drum set) [drums]:
benny blanco (producer Benjamin Levin) and Dr. Luke
drums (drum set) [live drums]:
Steven Wolf (drummer from USA)
background vocals:
Cathy Dennis
lead vocals:
Katy Perry
phonographic copyright (℗) by:
Capitol Music Group (in 2008)
produced for:
Kasz Money Productions, Inc.
recorded at:
Conway Recording Studio in Hollywood, Los Angeles, California, United States, Dr. Luke's in New York, New York, United States, Legacy Recording Studios (not to be confused with Legacy Studios, Canada) in Manhattan, New York, New York, United States and Monster Island in New York, New York, United States (drum machine [drum])
mixed at:
MixStar Studios in Virginia Beach, Virginia, United States
recording of:
I Kissed a Girl
writer:
Cathy Dennis, Lukasz Gottwald, Max Martin and Katy Perry
publisher:
EMI April Music Inc., EMI Music Publishing UK, Kasz Money Publishing (ASCAP), Maratone, MXM Music AB, Prescription Songs, Toxic Songs Ltd., WB Music Corp. (1929–2019) and When I’m Rich You’ll Be My Bitch
Katy Perry3.953:00
5Un autre mondeTéléphone4.54:32
6Karma Police
recorded in:
United Kingdom (from 1996-07 until 1997-03)
recording engineer and producer:
Nigel Godrich (English record producer) and Radiohead
programming:
Thom Yorke
assistant engineer:
Jon Bailey (engineer), Gerard Navarro (engineer) and Chris Scard
mixer and editor:
Nigel Godrich (English record producer)
bass guitar and bass synthesizer:
Colin Greenwood (from 1996-07 until 1997-03)
drums (drum set):
Philip Selway (from 1996-07 until 1997-03)
effects and background vocals:
Ed O’Brien (from 1996-07 until 1997-03)
glockenspiel, keyboard, mellotron and organ:
Jonny Greenwood (English musician and score composer) (from 1996-07 until 1997-03)
guitar:
Jonny Greenwood (English musician and score composer) (from 1996-07 until 1997-03), Ed O’Brien (from 1996-07 until 1997-03) and Thom Yorke (from 1996-07 until 1997-03)
percussion:
Colin Greenwood (from 1996-07 until 1997-03), Ed O’Brien (from 1996-07 until 1997-03) and Philip Selway (from 1996-07 until 1997-03)
piano:
Jonny Greenwood (English musician and score composer) (from 1996-07 until 1997-03) and Thom Yorke (from 1996-07 until 1997-03)
vocals:
Thom Yorke (from 1996-07 until 1997-03)
conductor:
Nick Ingman (from 1996-07 until 1997-03)
strings arranger:
Radiohead
phonographic copyright (℗) by:
XL Recordings Ltd. (not for release label use! use its imprint XL Recordings instead) (in 2017)
music videos:
Karma Police (music video) by Radiohead
part of:
Indie 88: Top 500 Indie Rock Songs (number: 10) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 279)
recording of:
Karma Police (from 1996-07 until 1997-03)
writer:
Colin Greenwood, Jonny Greenwood (English musician and score composer), Ed O’Brien, Philip Selway and Thom Yorke
Radiohead4.14:21
7Nightcall
producer:
Guy‐Manuel de Homem‐Christo and Kavinsky
mixer:
SebastiAn (French electro artist)
performer:
Kavinsky and Lovefoxxx
phonographic copyright (℗) by:
Record Makers (in 2010)
part of:
Stereogum: The 200 Best Songs of the 2010s (number: 157)
recording of:
Nightcall
lyricist and composer:
Guy‐Manuel de Homem‐Christo and Kavinsky
publisher:
Because Éditions, Daft Music and Imagem London Ltd.
Kavinsky3.254:17
8Heavy Cross
additional recording engineer:
Dana Nielsen
recording engineer and mixer:
Greg Fidelman
assistant engineer:
Sara Lyn Killion and Eric Lynn
producer:
Rick Rubin (US record producer, former co‐president of Columbia Records)
additional mixer:
Andrew Scheps
editor:
Jason Gossman and Dana Nielsen
recorded at and mixed at:
Shangri La Studios in Malibu, California, United States
recording of:
Heavy Cross
writer:
Hannah Blilie, Beth Ditto and Brace Paine
Gossip4.754:03
9Smile
recording of:
Smile
lyricist:
Lily Allen, Darren Lewis and Iyiola Babalola (drum n bass producer Iyiola Babalola)
additional writer:
Clement “Coxsone” Dodd
composer:
Jackie Mittoo
publisher:
Sparta Florida Music Group and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
sub-publisher:
シンコーミュージック・エンタテイメント, ミュージック・セールス (Japan, subsidiary of Shinko Music Entertainment) and ユニバーサル・ミュージック・パブリッシング Synch事業部
Lily Allen43:16
10Feel Good Inc
programming:
James Dring
mastering:
Howie Weinberg (mastering engineer)
engineer:
Jason Cox (UK production/engineer)
producer:
Jason Cox (UK production/engineer), Danger Mouse (Brian Burton), James Dring and Gorillaz (virtual band)
mixer:
Jason Cox (UK production/engineer), Danger Mouse (Brian Burton) and Gorillaz (virtual band)
additional guitar and guitar:
Simon Tong (The Verve)
lead vocals:
De La Soul
performer:
De La Soul
music videos:
Feel Good Inc. by Gorillaz (virtual band)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 40)
recording of:
Feel Good Inc.
writer:
Damon Albarn, Brian Burton, Jamie Hewlett and Dave Jolicoeur (Plug 2 of De La Soul)
publisher:
80's Kid Music, Chrysalis Music Ltd. (music publisher), EMI Blackwood Music Inc. and Underground Animals
Gorillaz43:42
11Everybody’s Changing
programming and engineer:
Andy Green (producer, engineer)
producer:
Andy Green (producer, engineer) and Keane
assistant mixer:
David Treahern and Rob Haggett
mixer:
Mark “Spike” Stent (producer, engineer)
phonographic copyright (℗) by:
Universal Island Records Ltd. (not for release label use! company known by this name from 1999-03-29 to 2014-06-25) (in 2004)
recorded at:
Helioscentric Studios in Rye, East Sussex, England, United Kingdom
music videos:
Everybody’s Changing by Keane
recording of:
Everybody’s Changing
writer:
Tom Chaplin, Richard Hughes (Keane member) and Tim Rice‐Oxley
publisher:
BMG Music Publishing Ltd.
Keane3.93:36
12Somebody Told Me
recording engineer:
Jeff Saltzman (music attorney and record producer)
producer:
Jeff Saltzman (music attorney and record producer) and The Killers (American rock band)
mixer:
Alan Moulder (producer and engineer)
phonographic copyright (℗) by:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 2017)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 42)
recording of:
Somebody Told Me
writer:
Brandon Flowers, Dave Keuning, Ronnie Vannucci and Mark Stoermer
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
The Killers3.853:18
13CrazyGnarls Barkley4.152:57
14I’m Yours
assistant recording engineer:
Iain Hill (UK engineer)
recording engineer:
Dyre Gormsen
producer:
Martin Terefe
mixer:
Tony Maserati (engineer / mixer)
bass:
Martin Terefe
drums (drum set):
Kristoffer Sonne
guitar:
Jason Mraz
keyboard:
Nikolaj Torp Larsen
background vocals:
Toca Rivera
vocals:
Jason Mraz
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 2008) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2008)
recorded at:
Kensaltown Recording Studios in London (Greater London), England, United Kingdom
mixed at:
Canaan Road Studios in New York, New York, United States
recording of:
I’m Yours
lyricist and composer:
Jason Mraz
publisher:
Goo Eyed Music
Jason Mraz44:02
15Last Request
additional programming:
Matt Benbrook
additional engineer:
Richard Wilkinson (production music)
assistant engineer:
Darren Simpson (engineer)
engineer:
Mark Phythian
producer:
Matt Benbrook (strings) and Ken Nelson (UK record producer)
mixer:
Tom Elmhirst (mixing engineer)
acoustic guitar and background vocals:
Donny Little
bass guitar:
Mike Hunter (UK producer & engineer)
drums (drum set), keyboard and percussion:
Jim Duguid
guitar:
Eddie Harrison, Donny Little and Ken Nelson (UK record producer)
strings:
Matt Benbrook
lead vocals:
Paolo Nutini
recording of:
Last Request
writer:
Matt Benbrook, Jim Duguid and Paolo Nutini
Paolo Nutini3.353:40
16Rhythm Is Love
Keziah Jones3:34
17Love’s Divine
recording engineer:
Steve Price (UK recording engineer/producer/orchestrator/arranger)
assistant engineer:
Tim Lambert and Phil Tyreman
engineer and mixer:
Robert Orton and Tim Weidner
co-producer:
Mark Batson (American producer, songwriter, composer, arranger, and musician)
executive producer:
Seal (English-born singer and songwriter) and Jill Sinclair (British record company director, co-founded Sarm Studios and ZTT Records)
producer:
Trevor Horn
bass guitar [bass] and piano:
Mark Batson (American producer, songwriter, composer, arranger, and musician)
drums (drum set) [drums]:
Ian Thomas (drummer)
guitar:
Chris Bruce, Tim Cansfield and Gus Isidore
keyboard [keyboards]:
Jamie Muhoberac and Seal (English-born singer and songwriter)
percussion:
Luis Jardim
piano:
Pete Murray (pianist and keyboardist)
lead vocals:
Seal (English-born singer and songwriter)
conductor:
Gavin Wright (UK violinist)
strings arranger and choir vocals [choir] arranger:
Nick Ingman
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 2003), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2003, in 2009) and Warner Music Argentina S.A. (in 2009)
recorded at:
Angel Studios in Islington, London (Greater London), England, United Kingdom, Sarm Hook End (Sarm Hook End) in Checkendon, Oxfordshire, England, United Kingdom and Sarm West in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom
mixed at:
Sarm Hook End (Sarm Hook End) in Checkendon, Oxfordshire, England, United Kingdom and Sarm West in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom
recording of:
Love’s Divine
writer:
Mark Batson (American producer, songwriter, composer, arranger, and musician) and Seal (English-born singer and songwriter)
publisher:
Bat Future Music (BMI) and Perfect Songs (UK publisher, affiliated with BMI)
Seal4.54:36
18American Boy (no rap version)
vocals:
Estelle (British vocalist/MC Estelle Swaray)
recording of:
American Boy
writer:
Estelle Fanta Swaray (British vocalist/MC Estelle Swaray), John Stephens, Keith Harris (00s US producer & musician) and Ye (formerly Kanye West)
Estelle2.54:03
19Hey Ya!
recording of:
Hey Ya!
lyricist and composer:
André Benjamin
OutKast3:53
Digital Media 2
#TitleArtistRatingLength
1Imagine
producer:
John Lennon (The Beatles), Yoko Ono (Japanese-American musician and artist) and Phil Spector
bass:
Klaus Voormann
drums (drum set):
Alan White (Yes drummer)
piano:
John Lennon (The Beatles)
performer:
Flux Fiddlers and Plastic Ono Band
publisher:
Chappell Music (UK) (in 1971)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
music videos:
Imagine by John Lennon (The Beatles) and The Plastic Ono Band (with the Flux Fiddlers)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 3) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 19)
recording of:
Imagine
lyricist:
John Lennon (The Beatles) and Yoko Ono (Japanese-American musician and artist)
composer:
John Lennon (The Beatles)
publisher:
Downtown DMP Songs, EMI Music Publishing (do not use as a release label!) and Lenono Music
sub-publisher:
フジパシフィックミュージック 第2事業部
John Lennon4.43:03
2HallelujahJeff Buckley3.856:52
3Kiss
recording engineer:
Coke Johnson, David Leonard (US producer and engineer), Peggy McCreary, Susan Rogers (US sound engineer), David Tickle and David Z. (producer/engineer David Rivkin)
producer:
Prince (“The Artist Formerly Known as…”) and The Revolution (founded by Prince)
acoustic guitar, drum machine [Linn 9000], drum machine [Linn LM-1] and synthesizer [Yamaha DX7]:
David Z. (producer/engineer David Rivkin)
electric guitar and lead vocals:
Prince (“The Artist Formerly Known as…”)
background vocals:
Bruce DeShazer, Prince (“The Artist Formerly Known as…”) and Marr Starr
arranger:
David Z. (producer/engineer David Rivkin)
recorded at:
Paisley Park Studios in Chanhassen, Minnesota, United States and Sunset Sound in Hollywood, Los Angeles, California, United States
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 85) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 461)
recording of:
Kiss (from 1985-04-27 until 1986-02-10)
lyricist and composer:
Prince (“The Artist Formerly Known as…”)
publisher:
Controversy Music
Prince & The Revolution3.53:47
4Come Away With Me
assistant engineer:
Dick Kondas
engineer:
Jay Newland
producer:
Arif Mardin
mixer:
Arif Mardin and Jay Newland
acoustic guitar:
Jesse Harris
bass guitar:
Lee Alexander (US bassist, songwriter & producer)
drums (drum set):
Dan Rieser
electric guitar:
Adam Levy (jazz guitarist)
piano and lead vocals:
Norah Jones
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2002)
recorded at:
Allaire Studios in Bearsville, New York, United States and Sorcerer Sound in New York, New York, United States
mixed at:
Sear Sound in New York, New York, United States
recording of:
Come Away With Me
lyricist and composer:
Norah Jones
Norah Jones3.83:19
5Je dis aime
‐M‐3:56
6Mistral gagnant
recording of:
Mistral gagnant (in 1985)
lyricist and composer:
Renaud Séchan (French singer Renaud Séchan)
Renaud52:46
7The Best
engineer:
Chris Lord‐Alge
producer:
Dan Hartman and Tina Turner
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1989)
music videos:
The Best by Tina Turner
cover recording of:
The Best
writer:
Holly Knight and Michael Chapman (Australian producer and songwriter)
publisher:
Island Music Ltd., Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd. and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Tina Turner3.94:10
8Nothing Compares 2 U
vocals:
Sinéad O’Connor (Irish singer-songwriter)
phonographic copyright (℗) by:
Chrysalis Records Limited (not for release label use! company behind the Chrysalis imprint) (in 1990)
cover recording of:
Nothing Compares 2 U
lyricist and composer:
Prince (“The Artist Formerly Known as…”)
publisher:
NPG Publishing and Warner Chappell
sub-publisher:
シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
Sinéad O’Connor34:40
9Girls and Boys
producer:
Stephen Street (famous producer, songwriter)
recording of:
Girls & Boys
lyricist:
Damon Albarn
composer:
Damon Albarn, Graham Coxon, Alex James (UK bassist for Blur/Fat Les) and Dave Rowntree
publisher:
MCA Music Ltd.
Blur3.74:19
10Fit but You Know It
The Streets3:07
11Teardrop
producer:
Neil Davidge and Massive Attack
mixer:
Mark “Spike” Stent (producer, engineer)
guest lead vocals and guest vocals:
Elizabeth Fraser (Cocteau Twins)
arranger:
Neil Davidge and Massive Attack
samples:
Sometimes I Cry by Les McCann
music videos:
Teardrop (music video) by Massive Attack and Teardrop by Massive Attack directed by Walter Stern
part of:
Indie 88: Top 500 Indie Rock Songs (number: 330)
recording of:
Teardrop
writer:
Robert Del Naja, Elizabeth Fraser (Cocteau Twins), Grant Marshall and Andrew Vowles
Massive Attack4.155:27
12Sexy Boy
recording engineer:
Stéphane Briat, Jean-Benoît Dunckel and Nicolas Godin
mixer:
Stéphane Briat
recording of:
Sexy Boy
writer:
Jean-Benoît Dunckel and Nicolas Godin
publisher:
Delabel Éditions (publisher; do NOT use as release label), Painted Desert Music Corporation and Revolvair
Air1.33:54
13Blue Monday
producer:
New Order (UK synth pop band)
phonographic copyright (℗) by:
Factory Communications Ltd. (holding company - file no releases here!) (in 1987)
samples:
Uran by Kraftwerk
part of:
Indie 88: Top 500 Indie Rock Songs (number: 61) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 235)
recording of:
Blue Monday
writer:
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) and Bernard Sumner
publisher:
Fractured Music (publisher) and Zomba Music Publishing Ltd.
New Order3.87:29
14Love Will Tear Us ApartJoy Division4.453:26
15There Is a Light That Never Goes Out
engineer:
Stephen Street (famous producer, songwriter)
producer:
Johnny Marr and Morrissey (English singer / songwriter)
bass guitar:
Andy Rourke
drums (drum set):
Mike Joyce (UK drummer)
guitar:
Johnny Marr
lead vocals:
Morrissey (English singer / songwriter)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 2017)
part of:
NME: Greatest “Indie” Anthems Ever: 2007 (number: 4), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 86), Indie 88: Top 500 Indie Rock Songs (number: 159) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 226)
recording of:
There Is a Light That Never Goes Out (in 1985)
lyricist:
Morrissey (English singer / songwriter)
composer:
Johnny Marr
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
The Smiths4.454:03
16I Wanna Be Your Dog
producer:
John Cale (Velvet Underground founder)
bass guitar:
Dave Alexander (bassist for The Stooges)
drums (drum set):
Scott Asheton
electric guitar:
Ron Asheton
lead vocals:
Iggy Stooge
part of:
NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (number: 37), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 314) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 438)
recording of:
I Wanna Be Your Dog
writer:
Dave Alexander (bassist for The Stooges), Ron Asheton, Scott Asheton and Iggy Pop
publisher:
Productions et Éditions Cinématographiques Françaises, Stooge Staffel Music, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Japan, Synch division, Yamaha Music Publishing (until 2017-03-31) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (from 2017-04-01 to present)
The Stooges3.553:08
17Heart of Glass
assistant engineer:
Grey Russell
engineer:
Peter Coleman (British engineer & producer)
assistant producer:
Peter Coleman (British engineer & producer)
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison
drums (drum set):
Clem Burke
guitar:
Frank Infante and Chris Stein
keyboard:
Jimmy Destri
vocals:
Deborah Harry
phonographic copyright (℗) by:
Chrysalis (in 1978) and Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1978)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1978-06 until 1978-07)
part of:
TV Cream: Real 100 Best Singles Ever (number: 2), Indie 88: Top 500 Indie Rock Songs (number: 138), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 138) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 255)
recording of:
Heart of Glass
writer:
Deborah Harry and Chris Stein
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Monster Island Music Publishing Corporation and Rare Blue Music Inc (in 1978)
sub-publisher:
フジパシフィックミュージック
version of:
Once I Had a Love
Blondie4.53:54
18Beggin
Frankie Valli & The Four Seasons3:31
19(Sittin’ on) the Dock of the Bay
producer:
Jerry Bruckheimer, Steve Cropper and Don Simpson (American film producer, screenwriter, and actor)
bass guitar:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (from 1967-11-22 until 1967-12-07)
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer) (from 1967-11-22 until 1967-12-07)
guitar:
Steve Cropper (from 1967-11-22 until 1967-12-07)
keyboard:
Isaac Hayes (from 1967-11-22 until 1967-12-07) and Booker T. Jones (from 1967-11-22 until 1967-12-07)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (from 1967-11-22 until 1967-12-07)
vocals:
Otis Redding (from 1967-11-22 until 1967-12-07)
whistling:
Otis Redding (from 1967-11-22 until 1967-12-07)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 26), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 38) and Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 45)
recording of:
(Sittin’ on) the Dock of the Bay (from 1967-11-22 until 1967-12-07)
writer:
Steve Cropper and Otis Redding
publisher:
East Publishing Inc., East/Memphis Music Corp., Irving Music (BMI), Irving Music, Inc., Universal Music Publishing, Synch Division, Warner Bros. (holding: File NO Releases), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner/Chappell Music Japan, Synch division, Yamaha Music EH(CM) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Otis Redding4.52:42
20RespectAretha Franklin2:02

Credits