Moonlight Recordings, Volume 05 (2004/05)

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Use Me
engineer:
Bob Hughes (engineer) and Phil Sheer
producer:
Benorce Blackmon (guitarist, producer, writer), Melvin Dunlap, James Gadson (American drummer), Ray Jackson (trombonist, pianist and arranger) and Bill Withers
acoustic guitar:
Benorce Blackmon (guitarist, producer, writer)
clavinet and Wurlitzer electric piano:
Ray Jackson (trombonist, pianist and arranger)
drums (drum set) and percussion:
James Gadson (American drummer)
electric bass guitar:
Melvin Dunlap
lead vocals:
Bill Withers
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1972)
recorded at:
Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
recording of:
Use Me
lyricist and composer:
Bill Withers
publisher:
Interior Music Corp. (in 1972)
Bill Withers4.353:44
2Too Young
recording of:
Too Young
writer:
Thomas Pablo Croquet, Christian Mazzalai, Laurent Mazzalai and Frederic Jean Joseph Moulin
Phoenix53:19
3Head Over Heals
recording of:
Head Over Heels
writer:
Roland Orzabal (UK musician, songwriter and producer) and Curt Smith
Tears for Fears4:16
4Let's Stay Together
producer:
Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
drums (drum set):
Howard Grimes and Al Jackson, Jr. (Booker T & The MGs drummer)
electric bass guitar:
Leroy Hodges
guitar family:
Mabon Hodges ("Teenie", soul guitarist)
organ and piano:
Charles Hodges (Soul Organist)
saxophone:
James Mitchell (US saxophonist/arranger)
tenor saxophone:
Ed Logan
trombone:
Jack Hale (trombone)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns)
background vocals:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer), Donna Rhodes and Sandra Rhodes
vocals:
Al Green (US soul singer, songwriter, pastor and record producer)
phonographic copyright (℗) by:
Cream Records (70s Los Angeles) (in 1971) and HI Records Inc. (in 1971)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 60) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 84)
recording of:
Let’s Stay Together
writer:
Al Jackson, Jr. (Booker T & The MGs drummer), Al Green (US soul singer, songwriter, pastor and record producer) and Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
publisher:
Al Green Music Inc. (BMI-affiliated), Al Jackson Jr. Music, Burlington Music Co., Ltd. and Irving Music, Inc.
Al Green4.553:17
5Dry the Rain
recording of:
Dry the Rain
writer:
Gordon Anderson (Lone Pigeon/The Aliens), Steve Duffield, Robin Jones (member of The Beta Band and The Aliens), John Maclean (former member of The Beta Band.) and Steve Mason (ex-Beta Band / King Biscuit Time / Black Affair)
The Beta Band4.46:07
6Island in the Sun
recording of:
Island in the Sun (Weezer)
lyricist and composer:
Rivers Cuomo (US singer, guitarist & songwriter of Weezer)
Weezer3:21
7Payback
recording engineer:
Lowell Dorn
producer:
James Brown (The Godfather of Soul)
mixer:
Bob Both
lead vocals:
James Brown (The Godfather of Soul)
performer:
Fred Wesley and The J.B.’s
arranger:
James Brown (The Godfather of Soul)
recorded at:
International Recording in United States
mixed at:
Advantage Sound in New York, New York, United States
recording of:
The Payback
lyricist and composer:
James Brown (The Godfather of Soul), John Starks and Fred Wesley
James Brown4.37:41
8Paid in Full
engineer:
Patrick Adams (US disco, soul, boogie songwriter and producer) and Elai Tubo
producer:
Eric B. and Rakim (William Michael Griffin Jr., American rapper)
phonographic copyright (℗) by:
Island Records, Inc. (US) (in 1987)
recorded at and mixed at:
Power Play Studios in New York, New York, United States
samples:
Ashley’s Roachclip by The Soul Searchers (70s US funk group) and Change the Beat (French Rap) by Beside
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 132)
recording of:
Paid in Full
writer:
Eric B. and Rakim (William Michael Griffin Jr., American rapper)
Eric B. & Rakim4.653:53
9#1 Crush
additional programming:
Marius de Vries
engineer:
Jim Abbiss
additional producer:
Nellee Hooper
producer:
Garbage (US rock band)
mixer:
Nellee Hooper
guest bass:
Daniel Shulman (bass guitarist)
remixer:
Nellee Hooper
recording of:
#1 Crush
writer:
Duke Erikson (member of Garbage), Shirley Manson, Steve Marker and Butch Vig
Garbage3.454:47
10Beautiful Day
EELS4:00
11The Stomp
The Hives1:56
12Oh Yeah
producer:
Yello (Swiss electronica duo)
guest drums (drum set):
Beat Ash
guest guitar:
Chico Hablas
phonographic copyright (℗) by:
Phonogram GmbH (in 1985)
recorded at:
Yello Studio in Zurich, Zürich, Switzerland
recording of:
Oh Yeah
lyricist:
Dieter Meier (member of Yello)
composer:
Boris Blank
publisher:
Datasound AG, TBU Music, Warner/Chappell Music, Inc. and Neue Welt (in 1985)
Yello43:07
13Don't You Forget About Me
producer:
Keith Forsey (drummer, producer and songwriter)
mixer:
Jez Coad
performer:
Simple Minds (Scottish rock band) (on 1984-07-10)
phonographic copyright (℗) by:
Simple Minds Ltd
part of:
Paste: The 50 Greatest One-Hit Wonders of All Time (number: 25)
recording of:
Don’t You (Forget About Me) (on 1984-07-10)
writer:
Keith Forsey (drummer, producer and songwriter) and Steve Schiff
publisher:
MCA Music Ltd.
Simple Minds4.34:22
14You're Nobody Until Somebody Loves You
producer:
Lee Gillette
bass:
Joe Comfort (on 1960-05-10)
cello:
Jacques Gasselin (on 1960-05-10), Edgar Lustgarten (on 1960-05-10) and Eleanor Slatkin (Eleanor Aller Slatkin; American cellist (1917-1995)) (on 1960-05-10)
drums (drum set):
Alvin Stoller (on 1960-05-10)
guitar:
Al Hendrickson (on 1960-05-10)
piano:
Bill Miller (pianist) (on 1960-05-10)
saxophone:
Buddy Collette (on 1960-05-10), Plas Johnson (on 1960-05-10), Harry Klee (on 1960-05-10), Joe Koch (on 1960-05-10) and Wilbur Schwartz (on 1960-05-10)
trombone:
Russell Brown (Swing trombonist) (on 1960-05-10), Dick Noel (trombone) (on 1960-05-10), Tom Pederson (on 1960-05-10) and Thomas Shepard (on 1960-05-10)
trumpet:
Pete Candoli (on 1960-05-10), Conrad Gozzo (on 1960-05-10), Carroll Lewis (trumpeter) (on 1960-05-10) and Shorty Sherock (on 1960-05-10)
viola:
Alvin Dinkin (on 1960-05-10) and Paul Robyn (on 1960-05-10)
violin:
Victor Bay (on 1960-05-10), Alex Beller (on 1960-05-10), Dan Lube (on 1960-05-10), Felix Slatkin (on 1960-05-10), Marshall Sosson (on 1960-05-10) and Gerald Vinci (American violinist and strings conductor) (on 1960-05-10)
vocals:
Dean Martin (American singer/actor) (on 1960-05-10)
orchestra:
Nelson Riddle and His Orchestra (on 1960-05-10)
conductor:
Nelson Riddle (on 1960-05-10)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1960-05-10)
cover recording of:
You’re Nobody Till Somebody Loves You (on 1960-05-10)
writer:
James Cavanaugh, Russ Morgan (Big Band orchestra leader) and Larry Stock
publisher:
Capitol Records (imprint of Capitol Records, Inc.), Shapiro, Bernstein & Co., Inc. and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
part of:
The Real Book (compilation of jazz standards, Volume I)
Dean Martin4.352:15
15A Childs Claim to Fame
recording engineer:
Jim Messina (in 1967) and Brian Ross-Myring (on 1967-06-21)
producer:
Richie Furay
bass:
Bruce Palmer (from 1967-06-21 until 1967)
drums (drum set):
Dewey Martin (from 1967-06-21 until 1967)
guitar:
Richie Furay (from 1967-06-21 until 1967), Stephen Stills (from 1967-06-21 until 1967) and Neil Young (Canadian singer, songwriter & musician) (from 1967-06-21 until 1967)
resonator guitar [dobro]:
James Burton (guitarist) (from 1967-06-21 until 1967)
lead vocals:
Richie Furay (from 1967-06-21 until 1967)
vocals:
Stephen Stills (from 1967-06-21 until 1967) and Neil Young (Canadian singer, songwriter & musician) (from 1967-06-21 until 1967)
recorded at:
Sound Recorders, Hollywood (founded by Armin Steiner, 1965-1971) in Hollywood, Los Angeles, California, United States (in 1967) and Columbia Recording Studios in Hollywood, Los Angeles, California, United States (on 1967-06-21)
recording of:
A Child's Claim to Fame (from 1967-06-21 until 1967)
lyricist and composer:
Richie Furay
publisher:
Cotillion Music Inc. (BMI), Greene Knight Music (BMI), Richie Furay Music (BMI), Sound Harmonics (BMI), Springalo Toones (BMI) and Ten‐East Music (BMI)
Buffalo Springfield42:14
16Glory Box
recording of:
Glory Box
writer:
Geoff Barrow, Beth Gibbons and Adrian Utley
publisher:
Chrysalis Music Ltd. (music publisher), Chrysalis Songs and Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Portishead5:07
17Waiting in Line
producer and mixer:
Zero 7
compiler:
Aurore Leblanc
bass:
Pete Trotman
drums (drum set):
Jeremy Stacey
guitar:
Dedi Madden
vocals:
Sophie Barker (UK electronic vocalist)
phonographic copyright (℗) by:
Ultimate Dilemma Records (in 2001)
mixed at:
Shabang Studios
produced at:
Shabang Studios
music videos:
In the Waiting Line (Music video) by Zero 7
recording of:
In the Waiting Line
writer:
Sophie Barker (UK electronic vocalist), Henry Binns and Sam Hardaker
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Zero 754:34
18Somersault
Decoder Ring2:39