Great Melodies of the Classics

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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▼ CD 1
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1Fanfare (Masterpiece Theatre Theme)
orchestra:
The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998)
conductor:
Simon Addison (probably an Alfred Scholz pseudonym)
recording of:
Suite de Symphonies no. 1: I. Rondeau
composer:
Jean‐Joseph Mouret (composer)
part of:
Suite de Symphonies no. 1
Jean‐Joseph Mouret1:44
2Air for the G String from Orchestral Suite No. 3 in D major, BWV 1068
orchestra:
The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym) and Philharmonic Orchestra London (Alfred Scholz pseudonym)
conductor:
Simon Addison (probably an Alfred Scholz pseudonym)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Air on the G string)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068
Johann Sebastian Bach3:20
3Canon in D major
orchestra:
Collegium Aureum, The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998) and London Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Simon Addison (probably an Alfred Scholz pseudonym)
recording of:
Canon and Gigue in D major, T. 377: I. Canon
composer:
Johann Pachelbel (composer)
part of:
Canon and Gigue in D major, T. 377
Johann Pachelbel4:50
4The Spring in E major, Op. 8, No. 1 from The Four Seasons / Allegro
violin:
Alexander Permovalsky (violinist, possibly a Scholz fake name)
orchestra:
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), I Musici di Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti), Musici di San Marco (an Alfred Scholz pseudonym), I Solisti Napoli (probably a pseudonym of Alfred Sholtz), Salzburger Kammerorchester, Slovak Chamber Orchestra and Südwest-Studioorchester (an Alfred Scholz pseudonym)
conductor:
Simon Addison (probably an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Heribert Münchner (conductor, pseudonym for Alfred Scholz), Alexander von Pitamic (Alfred Scholz pseudonym) and Bohdan Warchal (violinist, conductor)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”
Antonio Vivaldi13:27
5The Spring in E major, Op. 8, No. 1 from The Four Seasons / Largo e pianissimo sempre
violin:
Alexander Permovalsky (violinist, possibly a Scholz fake name)
orchestra:
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998) and Südwest-Studioorchester (an Alfred Scholz pseudonym)
conductor:
Simon Addison (probably an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Heribert Münchner (conductor, pseudonym for Alfred Scholz)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: II. Largo
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”
Antonio Vivaldi2:15
6The Spring in E major, Op. 8, No. 1 from The Four Seasons / Allegro: Rustic Dance
violin:
Alexander Permovalsky (violinist, possibly a Scholz fake name)
orchestra:
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998) and Südwest-Studioorchester (an Alfred Scholz pseudonym)
conductor:
Simon Addison (probably an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Heribert Münchner (conductor, pseudonym for Alfred Scholz)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: III. Allegro pastorale
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”
Antonio Vivaldi54:02
7Water Music Suite / Allegro
orchestra:
Slovak Philharmonic Orchestra (Slovak Philharmonic, Bratislava)
conductor:
Oliver von Dohnányi (conductor)
recorded at:
Concert Hall of the Slovak Philharmonic in Bratislava, Bratislavský kraj, Slovakia
recording of:
Wassermusik: Allegro
composer:
George Frideric Handel (German‐British baroque composer)
recording of:
Water Music, Suite no. 1 in F major, HWV 348: I. Overture. Largo - Allegro
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
part of:
Water Music Suite no. 1 in F major, HWV 348
Georg Friedrich Händel2:51
8Water Music Suite / Air
orchestra:
Slovak Philharmonic Orchestra (Slovak Philharmonic, Bratislava) and Südwest-Studioorchester (an Alfred Scholz pseudonym)
conductor:
Oliver von Dohnányi (conductor) and Heribert Münchner (conductor, pseudonym for Alfred Scholz)
recorded at:
Concert Hall of the Slovak Philharmonic in Bratislava, Bratislavský kraj, Slovakia
recording of:
Wassermusik: Air (Andante un poco Allegretto)
composer:
George Frideric Handel (German‐British baroque composer)
recording of:
Water Music, Suite no. 1 in F major, HWV 348: V. Air. Presto
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
part of:
Water Music Suite no. 1 in F major, HWV 348
Georg Friedrich Händel5:29
9Water Music Suite / Bouree
orchestra:
Slovak Philharmonic Orchestra (Slovak Philharmonic, Bratislava)
conductor:
Oliver von Dohnányi (conductor)
recorded at:
Concert Hall of the Slovak Philharmonic in Bratislava, Bratislavský kraj, Slovakia
recording of:
Wassermusik: Bourreé
composer:
George Frideric Handel (German‐British baroque composer)
recording of:
Water Music, Suite no. 1 in F major, HWV 348: VII. Bourrée. Presto
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
part of:
Water Music Suite no. 1 in F major, HWV 348
Georg Friedrich Händel0:48
10Water Music Suite / Hornpipe
orchestra:
Slovak Philharmonic Orchestra (Slovak Philharmonic, Bratislava)
conductor:
Oliver von Dohnányi (conductor)
recorded at:
Concert Hall of the Slovak Philharmonic in Bratislava, Bratislavský kraj, Slovakia
recording of:
Wassermusik: Hornpipe
composer:
George Frideric Handel (German‐British baroque composer)
recording of:
Water Music, Suite no. 1 in F major, HWV 348: VIII. Hornpipe
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
part of:
Water Music Suite no. 1 in F major, HWV 348
Georg Friedrich Händel0:56
11Water Music Suite / Andante espressivo
orchestra:
Slovak Philharmonic Orchestra (Slovak Philharmonic, Bratislava)
conductor:
Oliver von Dohnányi (conductor)
recorded at:
Concert Hall of the Slovak Philharmonic in Bratislava, Bratislavský kraj, Slovakia
recording of:
Wassermusik: Andante espressivo
composer:
George Frideric Handel (German‐British baroque composer)
recording of:
Water Music Suite: V. Andante espressivo (arr. Hamilton Harty)
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
arranger:
Sir Hamilton Harty
part of:
Water Music Suite (arr. Hamilton Harty)
Georg Friedrich Händel3:49
12Water Music Suite / Hornpipe 2
orchestra:
Bratislava Chamber Orchestra, Slovak Philharmonic Orchestra (Slovak Philharmonic, Bratislava) and Slovenský komorný orchester Bohdana Warchala
conductor:
Oliver Von Downanti (conductor)
recorded at:
Concert Hall of the Slovak Philharmonic in Bratislava, Bratislavský kraj, Slovakia
recording of:
Wassermusik: Hornpipe (Allegro)
composer:
George Frideric Handel (German‐British baroque composer)
recording of:
Water Music, Suite no. 2 in D major, HWV 349: 12. Alla hornpipe
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
part of:
Water Music Suite no. 2 in D major, HWV 349
Georg Friedrich Händel3:13
13Brandenburg Concerto No. 2 in F major, BWV 1047 / [Allegro]
violin:
J. Brezina (violinist)
orchestra:
Camerata Labacensis (Slovenian chamber orchestra), Camerata Romana (an Alfred Scholz pseudonym), Hamburger Symphoniker, Musici di San Marco (an Alfred Scholz pseudonym), Philharmonia Slavonia (Alfred Scholz pseudonym) and Südwest-Studioorchester (an Alfred Scholz pseudonym)
conductor:
Karel Brazda (an Alfred Scholz pseudonym), Eugen Duvier (conductor, an Alfred Scholz pseudonym), Francesco Macci (an Alfred Scholz pseudonym), Heribert Münchner (conductor, pseudonym for Alfred Scholz), Gabor Ötvös and Rudolf Pribil (pseudonym for Alfred Scholz)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: I.
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047
Johann Sebastian Bach45:37
14Brandenburg Concerto No. 2 in F major, BWV 1047 / Andante
violin:
J. Brezina (violinist)
orchestra:
Camerata Labacensis (Slovenian chamber orchestra), Camerata Romana (an Alfred Scholz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), Hamburger Symphoniker, Musici di San Marco (an Alfred Scholz pseudonym), Philharmonia Slavonia (Alfred Scholz pseudonym) and Südwest-Studioorchester (an Alfred Scholz pseudonym)
conductor:
Simon Addison (probably an Alfred Scholz pseudonym), Karel Brazda (an Alfred Scholz pseudonym), Eugen Duvier (conductor, an Alfred Scholz pseudonym), Francesco Macci (an Alfred Scholz pseudonym), Heribert Münchner (conductor, pseudonym for Alfred Scholz) and Gabor Ötvös
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: II. Andante
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047
Johann Sebastian Bach4:28
15Brandenburg Concerto No. 2 in F major, BWV 1047 / Allegro assai
trumpet:
Rolf Quinque (trumpet player)
violin:
J. Brezina (violinist)
orchestra:
Camerata Labacensis (Slovenian chamber orchestra), Camerata Rhenania (an Alfred Scholz pseudonym), Camerata Romana (an Alfred Scholz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), Hamburger Symphoniker, Musici di San Marco (an Alfred Scholz pseudonym), Philharmonia Slavonia (Alfred Scholz pseudonym) and Südwest-Studioorchester (an Alfred Scholz pseudonym)
conductor:
Simon Addison (probably an Alfred Scholz pseudonym), Karel Brazda (an Alfred Scholz pseudonym), Eugen Duvier (conductor, an Alfred Scholz pseudonym), Hanspeter Gmür (fictitious conductor, Alfred Scholz pseudonym), Francesco Macci (an Alfred Scholz pseudonym), Heribert Münchner (conductor, pseudonym for Alfred Scholz) and Gabor Ötvös
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: III. Allegro assai
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047
Johann Sebastian Bach3:27
16Table Music Overture
orchestra:
Camerata Academica of Salzburg (Alfred Scholz orchestra, not the same as Camerata Academia Salzburg) and Camerata Romana (an Alfred Scholz pseudonym)
conductor:
Eugen Duvier (conductor, an Alfred Scholz pseudonym)
recording of:
Ouverture-Suite in E minor, TWV 55:e1: I. Ouverture. Lentement - Vite - Lentement
composer:
Georg Philipp Telemann (composer)
part of:
Ouverture-Suite in E minor, TWV 55:e1 (TWV 55:e1 is **not** the same as TWV 55:E1)
Georg Philipp Telemann13:57
17Toccata and Fugue in D minor, BWV 565
organ:
Hans-Christoph Becker-Foss (organist and choir leader)
phonographic copyright (℗) by:
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (from 1982 to present)
recorded at:
Marktkirche St. Nicolai (Beckerath-Organ, Hameln) in Hamelin, Niedersachsen, Germany
recording of:
Toccata und Fuge d-Moll, BWV 565
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 565)
Johann Sebastian Bach48:06
▼ CD 2
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1Symphony No. 5 in C minor, Op. 67: I. Allegro con brio
recording of:
Symphony no. 5 in C minor, op. 67: I. Allegro con brio
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven7:23
2Eine kleine Nachtmusik, K. 525: I. Allegro
sound engineer:
Bernhard Mahne (Classical music producer) (from 1986-04-22 until 1986-04-24) and Lutz Wildner (from 1986-04-22 until 1986-04-24)
orchestra:
Camerata Academica (Austrian chamber orchestra), Camerata Academica Salzburg (Alfred Scholz orchestra, not the same as Camerata Academia Salzburg), Camerata Accademica Hamburg, Ljubljana Symphony Orchestra (RTV Slovenia Symphony Orchestra), Mainz Chamber Orchestra, Mozart Festival Orchestra (an Alfred Scholz pseudonym), The Northstar Orchestra, Philharmonia Slavonica (Alfred Scholz pseudonym), Philharmonic Orchestra London (Alfred Scholz pseudonym) and Camerata Labacensis (Slovenian chamber orchestra) (from 1986-04-22 until 1986-04-24)
conductor:
Günter Kehr (conductor and violinist), Francesco Macci (an Alfred Scholz pseudonym), Alfred Scholz and Alexander von Pitamic (Alfred Scholz pseudonym) (from 1986-04-22 until 1986-04-24)
recorded at:
Slovenian Philharmonic in Ljubljana, Ljubljana, Slovenia (from 1986-04-22 until 1986-04-24)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: I. Allegro (from 1986-04-22 until 1986-04-24)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart6:30
3Eine kleine Nachtmusik, K. 525: II. Romance. Andante
sound engineer:
Bernhard Mahne (Classical music producer) (from 1986-04-22 until 1986-04-24) and Lutz Wildner (from 1986-04-22 until 1986-04-24)
orchestra:
Camerata Academica of Salzburg (Alfred Scholz orchestra, not the same as Camerata Academia Salzburg), Camerata Accademica Hamburg, Ljubljana Symphony Orchestra (RTV Slovenia Symphony Orchestra), Mainz Chamber Orchestra, Philharmonia Slavonica (Alfred Scholz pseudonym), Philharmonic Orchestra London (Alfred Scholz pseudonym) and Camerata Labacensis (Slovenian chamber orchestra) (from 1986-04-22 until 1986-04-24)
conductor:
Günter Kehr (conductor and violinist), Francesco Macci (an Alfred Scholz pseudonym), Libor Pešek (conductor), Alfred Scholz and Alexander von Pitamic (Alfred Scholz pseudonym) (from 1986-04-22 until 1986-04-24)
recorded at:
Slovenian Philharmonic in Ljubljana, Ljubljana, Slovenia (from 1986-04-22 until 1986-04-24)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: II. Romance. Andante (from 1986-04-22 until 1986-04-24)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart6:44
4Eine kleine Nachtmusik, K. 525: III. Minuetto. Allegretto
sound engineer:
Bernhard Mahne (Classical music producer) (from 1986-04-22 until 1986-04-24) and Lutz Wildner (from 1986-04-22 until 1986-04-24)
orchestra:
Camerata Academia Salzburg (Austrian chamber orchestra), Camerata Academica of Salzburg (Alfred Scholz orchestra, not the same as Camerata Academia Salzburg), Camerata Accademica Hamburg, Ljubljana Symphony Orchestra (RTV Slovenia Symphony Orchestra), Mainz Chamber Orchestra, Philharmonic Orchestra London (Alfred Scholz pseudonym) and Camerata Labacensis (Slovenian chamber orchestra) (from 1986-04-22 until 1986-04-24)
conductor:
Günter Kehr (conductor and violinist), Francesco Macci (an Alfred Scholz pseudonym), Alfred Scholz and Alexander von Pitamic (Alfred Scholz pseudonym) (from 1986-04-22 until 1986-04-24)
recorded at:
Slovenian Philharmonic in Ljubljana, Ljubljana, Slovenia (from 1986-04-22 until 1986-04-24)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: III. Minuetto. Allegretto & Trio (from 1986-04-22 until 1986-04-24)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart2:19
5Eine kleine Nachtmusik, K. 525: IV. Rondo. Allegro
sound engineer:
Bernhard Mahne (Classical music producer) (from 1986-04-22 until 1986-04-24) and Lutz Wildner (from 1986-04-22 until 1986-04-24)
orchestra:
Camerata Academica (Alfred Scholz orchestra, not the same as Camerata Academia Salzburg), Camerata Academica of Salzburg (Austrian chamber orchestra), Camerata Accademica Hamburg, Ljubljana Symphony Orchestra (RTV Slovenia Symphony Orchestra), Mainz Chamber Orchestra, Mozart Festival Orchestra (an Alfred Scholz pseudonym), Philharmonic Orchestra London (Alfred Scholz pseudonym) and Camerata Labacensis (Slovenian chamber orchestra) (from 1986-04-22 until 1986-04-24)
conductor:
Günter Kehr (conductor and violinist), Francesco Macci (an Alfred Scholz pseudonym), Alfred Scholz and Alexander von Pitamic (Alfred Scholz pseudonym) (from 1986-04-22 until 1986-04-24)
recorded at:
Slovenian Philharmonic in Ljubljana, Ljubljana, Slovenia (from 1986-04-22 until 1986-04-24)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: IV. Rondo. Allegro (from 1986-04-22 until 1986-04-24)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart3:29
6Symphony No. 94 in G major, "Surprise": I. Adagio - Vivace assai
orchestra:
Musici di San Marco (an Alfred Scholz pseudonym), Philharmonic Orchestra (probably another Alfred Scholz pseudonym), Slovenská filharmónia (Slovak Philharmonic, Bratislava) and Wiener Kammerorchester
conductor:
Istvan Cohen (probably another Alfred Scholz), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Alfred Scholz
recording of:
Symphony no. 94 in G major, Hob. I:94 “Surprise”: I. Adagio cantabile. Vivace assai
composer:
Joseph Haydn (composer) (in 1791)
part of:
Symphony no. 94 in G major, Hob. I:94 “Surprise”
Joseph Haydn9:03
7Symphony No. 94 in G major, "Surprise": II. Andante
orchestra:
Musici di San Marco (an Alfred Scholz pseudonym), Philharmonic Orchestra (probably another Alfred Scholz pseudonym), Slovenská filharmónia (Slovak Philharmonic, Bratislava), Slovenský komorný orchester Bohdana Warchala and Wiener Kammerorchester
conductor:
Istvan Cohen (probably another Alfred Scholz), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Alfred Scholz
recording of:
Symphony no. 94 in G major, Hob. I:94 “Surprise”: II. Andante
composer:
Joseph Haydn (composer) (in 1791)
part of:
Symphony no. 94 in G major, Hob. I:94 “Surprise”
Joseph Haydn5:55
8Symphony No. 94 in G major, "Surprise": III. Menuet. Allegro Molto
orchestra:
Musici di San Marco (an Alfred Scholz pseudonym), Philharmonic Orchestra (probably another Alfred Scholz pseudonym), Slovenská filharmónia (Slovak Philharmonic, Bratislava) and Wiener Kammerorchester
conductor:
Istvan Cohen (probably another Alfred Scholz), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Alfred Scholz
recording of:
Symphony no. 94 in G major, Hob. I:94 “Surprise”: III. Menuet. Allegro molto – Trio – Menuet
composer:
Joseph Haydn (composer) (in 1791)
part of:
Symphony no. 94 in G major, Hob. I:94 “Surprise”
Joseph Haydn5:07
9Symphony No. 94 in G major, "Surprise": IV. Finale. Allegro di molto
orchestra:
Musici di San Marco (an Alfred Scholz pseudonym), Philharmonic Orchestra (probably another Alfred Scholz pseudonym), Slovenská filharmónia (Slovak Philharmonic, Bratislava) and Wiener Kammerorchester
conductor:
Istvan Cohen (probably another Alfred Scholz), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Alfred Scholz
recording of:
Symphony no. 94 in G major, Hob. I:94 “Surprise”: IV. Finale. Allegro di molto
composer:
Joseph Haydn (composer) (in 1791)
part of:
Symphony no. 94 in G major, Hob. I:94 “Surprise”
Joseph Haydn4:11
10Symphony No. 5 in B-flat major: Allegro vivace
recording of:
Symphony no. 5 in B-flat major, D. 485: IV. Allegro vivace
composer:
Franz Schubert (composer) (in 1816)
part of:
Symphony no. 5 in B-flat major, D. 485
Franz Schubert5:44
11Piano Concerto No. 21 in C major, K. 467 "Elvira Madigan": II. Andante
piano:
Vilmos Fischer (pianist, an Alfred Scholz pseudonym) and Svetlana Stanceva (pianist, an Alfred Scholz pseudonym)
orchestra:
Mozart Festival Orchestra (an Alfred Scholz pseudonym) and Vienna Mozart Ensemble (an Alfred Scholz pseudonym)
conductor:
Herbert Kraus (conductor, an Alfred Scholz pseudonym) and Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Concerto for Piano no. 21 in C major, K. 467: II. Andante
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1785-03-09)
part of:
Concerto for Piano no. 21 in C major, K. 467
Wolfgang Amadeus Mozart35:39
12Symphony No. 6 in F major, Op. 68 "Pastorale": I. Allegro ma non troppo
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym), Münchner Philharmoniker, Munich Symphony Orchestra (an Alfred Scholz pseudonym, not the former Symphonie-Orchester Graunke), Philharmonia Slavonica (Alfred Scholz pseudonym), Slowakische Philharmonie (Slovak Philharmonic, Bratislava) and Süddeutsche Philharmonica (an Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Hans Swarowski (conductor, used as Alfred Scholz pseudonym), Bystrík Režucha (conductor), Alfred Scholz and Hans Swarowsky (conductor)
recording of:
Symphony no. 6 in F major, op. 68 “Pastorale”: I. Allegro ma non troppo “Awakening of cheerful feelings upon arrival in the country”
composer:
Ludwig van Beethoven (German composer) (in 1808)
part of:
Symphony no. 6 in F major, op. 68 “Pastorale”
Ludwig van Beethoven10:27
▼ CD 3
#TitleArtistRatingLength
1Light Cavalry Overture
recording of:
Leichte Kavallerie: Ouvertüre
composer:
Franz von Suppè (composer)
part of:
Leichte Kavallerie
Franz von Suppé6:45
2Symphony No. 5 in E minor, Op. 64: III. Valse. Allegro moderato
recording of:
Symphony no. 5 in E minor, op. 64: III. Valse. Allegro moderato
composer:
Пётр Ильич Чайковский (Russian romantic composer) (from 1888-05 until 1888-08)
part of:
Symphony no. 5 in E minor, op. 64
Пётр Ильич Чайковский6:00
3Overture to William Tell
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym), New Philharmonia Orchestra London (name used on budget releases, not the London Philharmonic, the Philharmonia or the New Philharmonia) and Philharmonic Orchestra London (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia)
conductor:
Alfred Scholz
phonographic copyright (℗) by:
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (in 1989)
recording of:
Guillaume Tell : Ouverture
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
part of:
Guglielmo Tell (italian version by Calisto Bassi)
part of:
Guillaume Tell
Gioachino Rossini12:10
4Bolero
piano:
Mee Chou Lee (pianist)
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym), Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra) and Symphony Orchestra Ljubljana (name used by Alfred Scholz, may be incorrect)
conductor:
Samo Hubad (conductor), Anton Nanut (Alfred Scholz pseudonym) and Laurence Siegel (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Boléro
composer:
Maurice Ravel (classical composer) (in 1928)
publisher:
Ed. Durand & Cie (1909–1947) and Soc. Arima (rights society?)
premiered at:
Palais Garnier in Paris, Île-de-France, France (on 1928-11-22)
part of:
Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 81)
Maurice Ravel13:49
5Overture To ''Die Fledermaus'' (''The Bat'')
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym) and Orchester der Wiener Volksoper (Alfred Scholz pseudonym; also Vienna Strauss Orchestra)
conductor:
Igor Gogol (conductor, probably a pseudonym for Alfred Scholz) and Alfred Scholz
recording of:
Die Fledermaus: Ouvertüre
composer:
Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus (English version, lyrics by Mandel/Sachs)
part of:
Die Fledermaus (english; unknown version)
part of:
Die Fledermaus (English version, lyrics by Dietz)
part of:
Die Fledermaus
Johann Strauss II8:19
6A Midsummer Night's Dream Suite: Overture
orchestra:
Bamberger Symphoniker, Münchner Symphoniker (an Alfred Scholz pseudonym, not the former Symphonie-Orchester Graunke) and Süddeutsche Philharmonie (an Alfred Scholz pseudonym)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Alexander von Pitamic (Alfred Scholz pseudonym)
recording of:
Ein Sommernachtstraum, op. 21 (op. 61 no. 1): Ouvertüre
composer:
Felix Mendelssohn (composer) (in 1826)
part of:
Works of Felix Mendelssohn by opus number (number: op. 21) and Felix Mendelssohn Bartholdy: Thematisch-systematisches Verzeichnis der musikalischen Werke (MWV) (number: MWV P 3)
part of:
Ein Sommernachtstraum, op. 61
Felix Mendelssohn12:17
7A Midsummer Night's Dream Suite: Scherzo
orchestra:
Münchner Symphoniker (an Alfred Scholz pseudonym, not the former Symphonie-Orchester Graunke) and Süddeutsche Philharmonie (an Alfred Scholz pseudonym)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Alexander von Pitamic (Alfred Scholz pseudonym)
recording of:
Ein Sommernachtstraum, op. 61: 1. Scherzo. Allegro vivace
composer:
Felix Mendelssohn (composer) (in 1842)
part of:
Ein Sommernachtstraum, op. 61
Felix Mendelssohn5:00
8A Midsummer Night's Dream Suite: Nocturne
orchestra:
Münchner Symphoniker (an Alfred Scholz pseudonym, not the former Symphonie-Orchester Graunke) and Süddeutsche Philharmonie (an Alfred Scholz pseudonym)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Alexander von Pitamic (Alfred Scholz pseudonym)
recording of:
Ein Sommernachtstraum, op. 61: 7. Notturno. Con moto tranquillo
composer:
Felix Mendelssohn (composer) (in 1842)
part of:
Ein Sommernachtstraum, op. 61
Felix Mendelssohn6:41
9A Midsummer Night's Dream Suite: Wedding March
orchestra:
Münchner Symphoniker (an Alfred Scholz pseudonym, not the former Symphonie-Orchester Graunke) and Süddeutsche Philharmonie (an Alfred Scholz pseudonym)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Alexander von Pitamic (Alfred Scholz pseudonym)
recording of:
Ein Sommernachtstraum, op. 61: 9. Hochzeitsmarsch. Allegro vivace
composer:
Felix Mendelssohn (composer) (in 1842)
part of:
Ein Sommernachtstraum, op. 61
Felix Mendelssohn5:24
10A Midsummer Night's Dream Suite: Puck's Dance
orchestra:
Münchner Symphoniker (an Alfred Scholz pseudonym, not the former Symphonie-Orchester Graunke) and Süddeutsche Philharmonie (an Alfred Scholz pseudonym)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Alexander von Pitamic (Alfred Scholz pseudonym)
recording of:
Ein Sommernachtstraum, op. 61: 11. Ein Tanz von Rüpeln (Bergamasca). Allegro di molto
composer:
Felix Mendelssohn (composer) (in 1842)
part of:
Ein Sommernachtstraum, op. 61
recording of:
Ein Sommernachtstraum, op. 61: Finale. Allegro di molto
composer:
Felix Mendelssohn (composer) (in 1842)
part of:
Ein Sommernachtstraum, op. 61
Felix Mendelssohn1:41
▼ CD 4
#TitleArtistRatingLength
1The Valkyrie: Ride of the Valkyries
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym)
recording of:
Excerpt from Die Walküre, WWV 86B: Akt III, Scene I, Walkürenritt
composer:
Richard Wagner (composer) (from 1854 until 1856)
publisher:
Schott Music International (publisher; do not use as label)
part of:
Die Walküre, WWV 86B: Akt III, Scene I "Hojotoho! Hojotoho!"
Richard Wagner4:49
2Peer Gynt Suite No. 1, Op. 46: I. Morning Mood
orchestra:
Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), Bratislava Radio Symphony Orchestra (Slovak Radio Symphony Orchestra), London Festival Orchestra (Alfred Scholz pseudonym), Orchestre Philharmonique de la Slovaquie (Slovak State Philharmonic, Košice), Slowakische Staatsphilharmonie (Slovak Philharmonic, Bratislava) and Slowakisches Philharmonisches Orchester (Alfred Scholz pseudonym)
conductor:
Sven Bengtson (conductor, an Alfred Scholz pseudonym), Libor Pesek (conductor), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Róbert Stankovský and Peter Stern (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Peer Gynt Suite no. 1, op. 46: I. Morgenstemning
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1888)
version of:
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning
part of:
Peer Gynt Suite no. 1, op. 46
Edvard Grieg3:56
3Peer Gynt Suite No. 1, Op. 46: II. Aase's Death
orchestra:
Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Philharmonic Ensemble Pro Musica (Alfred Scholz related), Slowakische Staatsphilharmonie (Slovak Philharmonic, Bratislava), Slowakische Staatsphilharmonie and Slowakisches Philharmonisches Orchester (Alfred Scholz pseudonym)
conductor:
Sven Bengtson (conductor, an Alfred Scholz pseudonym), Herbert Fleischmann, Libor Pešek (conductor) and Peter Stern (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Peer Gynt Suite no. 1, op. 46: II. Åses død
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1888)
version of:
Peer Gynt, op. 23: 3. akt: Åses død
part of:
Peer Gynt Suite no. 1, op. 46
Edvard Grieg4:38
4Peer Gynt Suite No. 1, Op. 46: III. Anitra's Dance
orchestra:
Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Slowakische Philharmonie (Slovak Philharmonic, Bratislava) and Slowakisches Philharmonisches Orchester (Alfred Scholz pseudonym)
conductor:
Sven Bengtson (conductor, an Alfred Scholz pseudonym), Alfred Gehardt (conductor), Libor Pesek (conductor) and Peter Stern (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Peer Gynt Suite no. 1, op. 46: III. Anitras dans
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1888)
version of:
Peer Gynt, op. 23: 4. akt: Anitras dans
part of:
Peer Gynt Suite no. 1, op. 46
Edvard Grieg43:34
5Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King
orchestra:
Slowakische Philharmonie (Slovak Philharmonic, Bratislava), Slowakische Philharmonie (Ljubljana, Slovenia) and Southwest Studio Orchestra (an Alfred Scholz pseudonym)
conductor:
Libor Pesek (conductor)
recording of:
Peer Gynt Suite no. 1, op. 46: IV. I Dovregubbens hall
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1888)
version of:
Peer Gynt, op. 23: 2. akt: I Dovregubbens hall
part of:
Peer Gynt Suite no. 1, op. 46
Edvard Grieg2:19
6Les Préludes, S.97
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym)
Franz Liszt16:49
7Orpheus in the Underworld: Overture
orchestra:
Royal Philharmonic Orchestra
conductor:
Norman Sattler (Alfred Scholz related ?)
recording of:
Orphée aux enfers : Ouverture
additional composer:
Carl Binder (in 1860)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux enfers (opéra féerie in four acts, 1874)
part of:
Orphée aux Enfers (opéra bouffe in two acts, 1858)
part of:
Orpheus in der Unterwelt (opéra-féerie in 4 Akten, 1871)
part of:
Orpheus in the Underworld
Jacques Offenbach10:16
8The Moldau
orchestra:
Philharmonisches Staatsorchester Hamburg (aka Philharmoniker Hamburg), London Festival Orchestra (Alfred Scholz pseudonym), London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO), Philharmonia Slavonica (Alfred Scholz pseudonym), The Vienna Symphony Orchestra (Alfred Scholz related) and Wiener Symphoniker
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Pietro di la Corona (fictitious conductor, Alfred Scholz pseudonym), Alfred Scholz, George Ralph Warren and Yuri Ahronovich (conductor)
recording of:
Má vlast: II. Vltava, JB 1:112/2 (Die Moldau)
composer:
Bedřich Smetana (composer) (from 1874-11-20 until 1874-12-08)
part of:
B. number catalogue by František Bartoš (number: B. 111)
is based on:
La Mantovana
part of:
Má vlast, JB 1:112 (My Country / My Fatherland)
Bedřich Smetana12:55
9Prelude to the Afternoon of a Faun
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym)
recording of:
Prélude à l’après‐midi d’un faune, L. 86, CD 87 (original version for orchestra)
composer:
Claude Debussy (composer) (from 1891 until 1894-09)
dedicated to:
Raymond Bonheur (composer, 1861-1939)
premiered at:
[concert] (1894-12-22)
publisher:
Eugène Fromont (in 1895-10)
part of:
Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 86) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 87)
Claude Debussy10:26
10Carmen: Toreador Song
orchestra:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Nemzeti Filharmonikus zenekar (Hungarian National Philharmonic Orchestra), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) and Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect)
conductor:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), Emil Edlinger, János Sándor and Alfred Scholz
recording of:
Carmen Suite no. 1: VI. Les Toréadors. Allegro giocoso (theme from Carmen: Prelude to Act I and Carmen: Act IV. « Les voici ! Voici la quadrille ! »)
composer:
Georges Bizet (composer)
is based on:
Carmen : Acte IV. No. 26 « Les voici ! Voici la quadrille ! » (Chœur, les gamins, Escamillo, Carmen, Frasquita, Mercédès)
is based on:
Carmen : Prélude
part of:
Carmen Suite no. 1
Georges Bizet2:15
11Carmen: Habanera
orchestra:
Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand), Symfonický orchester Slovenského rozhlasu (Slovak Radio Symphony Orchestra) and Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect)
conductor:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), Zdeněk Košler (conductor), János Sándor, Alfred Scholz and Peter Stern (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Carmen Suite no. 2: II. Habanera
composer:
Georges Bizet (composer)
is based on:
Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur)
part of:
Carmen Suite no. 2
Georges Bizet42:08
12Carmen: March of the Smugglers
orchestra:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) and Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect)
conductor:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor and Alfred Scholz
recording of:
Carmen Suite no. 2: I. Marche des contrebandiers
composer:
Georges Bizet (composer)
is based on:
Carmen : Acte III, No. 19. Sextuor et Chœur « Écoute, écoute, compagnon, écoute » (Les contrebandiers, Le Dancaïre, Le Remendado, Don José, Carmen, Mercédès, Frasquita) (Chœur des contrebandiers)
part of:
Carmen Suite no. 2
Georges Bizet3:53

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ASIN:US: B0002PYSU6 [info]