Something Worth Leaving Behind / I Hope You Dance

~ Release by Lee Ann Womack (see all versions of this release, 1 available)

Tracklist

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▼ HDCD 1: Something Worth Leaving Behind
#TitleRatingLength
1Something Worth Leaving Behind (single cut)
additional recording engineer:
Todd Gunnerson
assistant recording engineer:
Chad Brown (Recording engineer), David Bryant (US recording engineer), Brian Graben and Leslie Richter
recording engineer and mixer:
Greg Droman (American producer, mixing and audio engineer)
producer:
Lee Ann Womack and Mark Wright (country music producer & songwriter)
acoustic guitar:
B. James Lowry (session guitarist) and Randy Scruggs
banjo and mandolin:
Bryan Sutton
bass guitar:
Michael Rhodes
classical guitar [gut string guitar]:
Brent Mason
drums (drum set):
Shannon Forrest
electric guitar:
Kenny Greenberg, Brent Mason and Brent Rowan
fiddle:
Aubrey Haynie
Hammond organ [B-3] and synthesizer:
Steve Nathan
percussion:
Eric Darken
piano:
Chuck Leavell and Steve Nathan
steel guitar:
Paul Franklin (steel guitarist)
strings:
Nashville String Machine
tiple:
Brent Rowan
background vocals:
Bob Bailey (gospel singer), Lisa Cochran, Kim Fleming, Vicki Hampton, MaraBeth Jordan, Kim Keys, Gene Miller (US AOR singer, member of Fake I.D. & The LA Crew), Chris Rodriguez, Keith Sewell and Bergen White (American arranger, producer, conductor, musician, composer and singer)
strings arranger:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
additionally recorded at:
House of Gain Studios in Nashville, Tennessee, United States and Javelina Studios in Nashville, Tennessee, United States
recorded at and mixed at:
The Sound Kitchen Studios in Franklin, Tennessee, United States
recording of:
Something Worth Leaving Behind
writer:
Brett Beavers (American songwriter, producer, guitarist) and Tom Douglas
publisher:
Sony/ATV Songs LLC (from 2001 to present)
53:50
2I Saw Your Light
additional recording engineer:
Todd Gunnerson
assistant recording engineer:
Chad Brown (Recording engineer), David Bryant (US recording engineer), Brian Graben and Leslie Richter
recording engineer and mixer:
Greg Droman (American producer, mixing and audio engineer)
producer:
Lee Ann Womack and Mark Wright (country music producer & songwriter)
acoustic guitar:
B. James Lowry (session guitarist) and Randy Scruggs
banjo and mandolin:
Bryan Sutton
bass guitar:
Michael Rhodes
classical guitar [gut string guitar]:
Brent Mason
drums (drum set):
Shannon Forrest
electric guitar:
Kenny Greenberg, Brent Mason and Brent Rowan
fiddle:
Aubrey Haynie
Hammond organ [B-3] and synthesizer:
Steve Nathan
percussion:
Eric Darken
piano:
Chuck Leavell and Steve Nathan
steel guitar:
Paul Franklin (steel guitarist)
tiple:
Brent Rowan
background vocals:
Bob Bailey (gospel singer), Lisa Cochran, Kim Fleming, Vicki Hampton, MaraBeth Jordan, Kim Keys, Gene Miller (US AOR singer, member of Fake I.D. & The LA Crew), Chris Rodriguez, Keith Sewell and Bergen White (American arranger, producer, conductor, musician, composer and singer)
additionally recorded at:
House of Gain Studios in Nashville, Tennessee, United States and Javelina Studios in Nashville, Tennessee, United States
recorded at and mixed at:
The Sound Kitchen Studios in Franklin, Tennessee, United States
recording of:
I Saw Your Light
lyricist and composer:
Gretchen Peters
publisher:
Sony/ATV Tunes LLC (from 2002 to present)
6:03
3When Your Gonna Run to Me
additional recording engineer:
Todd Gunnerson
assistant recording engineer:
Chad Brown (Recording engineer), David Bryant (US recording engineer), Brian Graben and Leslie Richter
recording engineer and mixer:
Greg Droman (American producer, mixing and audio engineer)
producer:
Lee Ann Womack and Mark Wright (country music producer & songwriter)
acoustic guitar:
B. James Lowry (session guitarist) and Randy Scruggs
banjo and mandolin:
Bryan Sutton
bass guitar:
Michael Rhodes
classical guitar [gut string guitar]:
Brent Mason
drums (drum set):
Shannon Forrest
electric guitar:
Kenny Greenberg, Brent Mason and Brent Rowan
fiddle:
Aubrey Haynie
Hammond organ [B-3] and synthesizer:
Steve Nathan
percussion:
Eric Darken
piano:
Chuck Leavell and Steve Nathan
steel guitar:
Paul Franklin (steel guitarist)
strings:
Nashville String Machine
tiple:
Brent Rowan
background vocals:
Bob Bailey (gospel singer), Lisa Cochran, Kim Fleming, Vicki Hampton, MaraBeth Jordan, Kim Keys, Gene Miller (US AOR singer, member of Fake I.D. & The LA Crew), Chris Rodriguez, Keith Sewell and Bergen White (American arranger, producer, conductor, musician, composer and singer)
strings arranger:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
additionally recorded at:
House of Gain Studios in Nashville, Tennessee, United States and Javelina Studios in Nashville, Tennessee, United States
recorded at and mixed at:
The Sound Kitchen Studios in Franklin, Tennessee, United States
recording of:
When You Gonna Run to Me
writer:
Jimmy Lee Sloas, Monty Powell and Anna Wilson
publisher:
Curb Songs (from 2002 to present), Lanark Village Tunes (from 2002 to present), Pudge Champ Music (from 2002 to present), Tower II (from 2002 to present), Universal Music Corp. (USA, affiliated with ASCAP) (from 2002 to present) and WB Music Corp. (1929–2019) (from 2002 to present)
3:58
4Talk to Me
assistant recording engineer:
Chad Brown (Recording engineer), David Bryant (US recording engineer), Brian Graben and Leslie Richter
recording engineer and mixer:
Mike McCarthy (American record producer)
programming:
Jay Joyce
assistant engineer:
Tony High (engineer) and Darren Redfield
producer:
Frank Liddell (producer), Mike McCarthy (American record producer) and Lee Ann Womack
additional assistant mixer:
Jim Jordan (engineer) and Brian McConkey
editor:
James Lightman
acoustic guitar:
Kenny Greenberg, David Grissom, Jay Joyce and Colin Linden
bass guitar:
Spencer Campbell
drums (drum set):
Chris McHugh
electric guitar:
Kenny Greenberg, David Grissom, Jay Joyce and Jerry McPherson
keyboard and piano:
Jeff Roach (session keyboardist and producer)
strings:
Nashville String Machine
background vocals:
Dan Colehour, Kim Fleming, Vicki Hampton, Bobby Huff, Marcus Hummon, Fleming McWilliams, Buddy Miller (Nashville singer-songwriter, married to Julie Miller), Julie Miller (US country artist. Married to Buddy Miller) and Bruce Robison (US Country Music Singer/Songwriter)
instruments arranger:
John Mark Painter
additional arranger:
Kenny Greenberg and Jay Joyce
recorded at and mixed at:
Ocean Way Nashville in Nashville, Tennessee, United States
additionally mixed at:
Quad Studios in Nashville, Tennessee, United States and Starstruck Studios in Nashville, Tennessee, United States
engineered at:
New Reflections Studio in Nashville, Tennessee, United States and Tragedy/Tragedy Studio in Nashville, Tennessee, United States
recording of:
Talk to Me
writer:
David Grissom and Kevin Hunter (UK punk guitarist/bassist)
publisher:
Astroglide Music (from 1998 to present), David Grissom Music, Inc. (David Grissom Music) (from 1998 to present), Mosaic Music (publisher) (from 1998 to present) and Tilt a Whirl Music (from 1998 to present)
5:48
5Forever Everyday
additional recording engineer:
Todd Gunnerson
assistant recording engineer:
Chad Brown (Recording engineer), David Bryant (US recording engineer), Brian Graben and Leslie Richter
recording engineer and mixer:
Greg Droman (American producer, mixing and audio engineer)
producer:
Lee Ann Womack and Mark Wright (country music producer & songwriter)
acoustic guitar:
B. James Lowry (session guitarist) and Randy Scruggs
banjo and mandolin:
Bryan Sutton
bass guitar:
Michael Rhodes
classical guitar [gut string guitar]:
Brent Mason
drums (drum set):
Shannon Forrest
electric guitar:
Kenny Greenberg, Brent Mason and Brent Rowan
fiddle:
Aubrey Haynie
Hammond organ [B-3] and synthesizer:
Steve Nathan
percussion:
Eric Darken
piano:
Chuck Leavell and Steve Nathan
steel guitar:
Paul Franklin (steel guitarist)
tiple:
Brent Rowan
background vocals:
Bob Bailey (gospel singer), Lisa Cochran, Kim Fleming, Vicki Hampton, MaraBeth Jordan, Kim Keys, Gene Miller (US AOR singer, member of Fake I.D. & The LA Crew), Chris Rodriguez, Keith Sewell and Bergen White (American arranger, producer, conductor, musician, composer and singer)
additionally recorded at:
House of Gain Studios in Nashville, Tennessee, United States and Javelina Studios in Nashville, Tennessee, United States
recorded at and mixed at:
The Sound Kitchen Studios in Franklin, Tennessee, United States
recording of:
Forever Everyday
writer:
Devon O'Day and Kim Patton-Johnson
publisher:
Devon's Farm Music (from 2002 to present), Driversed Music (from 2002 to present), Sony/ATV Cross Keys Music (from 2002 to present) and Worley World Music (from 2002 to present)
3:51
6Orphain Train
additional recording engineer:
Todd Gunnerson
assistant recording engineer:
Chad Brown (Recording engineer), David Bryant (US recording engineer), Brian Graben and Leslie Richter
recording engineer and mixer:
Greg Droman (American producer, mixing and audio engineer)
producer:
Lee Ann Womack and Mark Wright (country music producer & songwriter)
acoustic guitar:
B. James Lowry (session guitarist) and Randy Scruggs
banjo and mandolin:
Bryan Sutton
bass guitar:
Michael Rhodes
classical guitar [gut string guitar]:
Brent Mason
drums (drum set):
Shannon Forrest
electric guitar:
Kenny Greenberg, Brent Mason and Brent Rowan
fiddle:
Aubrey Haynie
Hammond organ [B-3] and synthesizer:
Steve Nathan
percussion:
Eric Darken
piano:
Chuck Leavell and Steve Nathan
steel guitar:
Paul Franklin (steel guitarist)
strings:
Nashville String Machine
tiple:
Brent Rowan
background vocals:
Bob Bailey (gospel singer), Lisa Cochran, Kim Fleming, Vicki Hampton, MaraBeth Jordan, Kim Keys, Gene Miller (US AOR singer, member of Fake I.D. & The LA Crew), Chris Rodriguez, Keith Sewell and Bergen White (American arranger, producer, conductor, musician, composer and singer)
strings arranger:
Kristin Wilkinson (Nashville songwriter and viola player)
additionally recorded at:
House of Gain Studios in Nashville, Tennessee, United States and Javelina Studios in Nashville, Tennessee, United States
recorded at and mixed at:
The Sound Kitchen Studios in Franklin, Tennessee, United States
cover recording of:
Orphan Train
lyricist and composer:
Julie Miller (US country artist. Married to Buddy Miller)
publisher:
Bughouse (from 1999 to present), Martha Road Music (from 1999 to present) and Tinkie Tunes (from 1999 to present)
4:05
7I Need You
assistant recording engineer:
Chad Brown (Recording engineer), David Bryant (US recording engineer), Brian Graben and Leslie Richter
recording engineer and mixer:
Mike McCarthy (American record producer)
programming:
Jay Joyce
assistant engineer:
Tony High (engineer) and Darren Redfield
producer:
Frank Liddell (producer), Mike McCarthy (American record producer) and Lee Ann Womack
additional assistant mixer:
Jim Jordan (engineer) and Brian McConkey
acoustic guitar:
Kenny Greenberg, David Grissom, Jay Joyce and Colin Linden
bass guitar:
Spencer Campbell
drums (drum set):
Chris McHugh
electric guitar:
Kenny Greenberg, David Grissom, Jay Joyce and Jerry McPherson
keyboard and piano:
Jeff Roach (session keyboardist and producer)
background vocals:
Dan Colehour, Kim Fleming, Vicki Hampton, Bobby Huff, Marcus Hummon, Fleming McWilliams, Buddy Miller (Nashville singer-songwriter, married to Julie Miller), Julie Miller (US country artist. Married to Buddy Miller) and Bruce Robison (US Country Music Singer/Songwriter)
additional arranger:
Kenny Greenberg and Jay Joyce
recorded at and mixed at:
Ocean Way Nashville in Nashville, Tennessee, United States
additionally mixed at:
Quad Studios in Nashville, Tennessee, United States and Starstruck Studios in Nashville, Tennessee, United States
engineered at:
New Reflections Studio in Nashville, Tennessee, United States and Tragedy/Tragedy Studio in Nashville, Tennessee, United States
recording of:
I Need You
lyricist and composer:
Julie Miller (US country artist. Married to Buddy Miller)
publisher:
Bughouse (from 1999 to present), Martha Road Music (from 1999 to present) and Tinkie Tunes (from 1999 to present)
4:56
8You Should’ve Lied
additional recording engineer:
Todd Gunnerson
assistant recording engineer:
Chad Brown (Recording engineer), David Bryant (US recording engineer), Brian Graben and Leslie Richter
recording engineer and mixer:
Greg Droman (American producer, mixing and audio engineer)
producer:
Lee Ann Womack and Mark Wright (country music producer & songwriter)
acoustic guitar:
B. James Lowry (session guitarist) and Randy Scruggs
banjo and mandolin:
Bryan Sutton
bass guitar:
Michael Rhodes
classical guitar [gut string guitar]:
Brent Mason
drums (drum set):
Shannon Forrest
electric guitar:
Kenny Greenberg, Brent Mason and Brent Rowan
fiddle:
Aubrey Haynie
Hammond organ [B-3] and synthesizer:
Steve Nathan
horn:
Jeff Coffin, Jim Horn (saxophonist, hornist, flutist and oboist) and Denis Solee
percussion:
Eric Darken
piano:
Chuck Leavell and Steve Nathan
steel guitar:
Paul Franklin (steel guitarist)
strings:
Nashville String Machine
tiple:
Brent Rowan
background vocals:
Bob Bailey (gospel singer), Lisa Cochran, Kim Fleming, Vicki Hampton, MaraBeth Jordan, Kim Keys, Gene Miller (US AOR singer, member of Fake I.D. & The LA Crew), Chris Rodriguez, Keith Sewell and Bergen White (American arranger, producer, conductor, musician, composer and singer)
strings arranger:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
additionally recorded at:
House of Gain Studios in Nashville, Tennessee, United States and Javelina Studios in Nashville, Tennessee, United States
recorded at and mixed at:
The Sound Kitchen Studios in Franklin, Tennessee, United States
recording of:
You Should’ve Lied
writer:
Angelo and Matraca Berg
publisher:
Green Wagon Music (from 2002 to present), Hannaberg Music (from 2002 to present), Songs of Universal, Inc. (from 2002 to present) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (from 2002 to present)
4:44
9He’ll Be Back
additional recording engineer:
Todd Gunnerson
assistant recording engineer:
Chad Brown (Recording engineer), David Bryant (US recording engineer), Brian Graben and Leslie Richter
recording engineer and mixer:
Greg Droman (American producer, mixing and audio engineer)
producer:
Lee Ann Womack and Mark Wright (country music producer & songwriter)
acoustic guitar:
B. James Lowry (session guitarist) and Randy Scruggs
banjo and mandolin:
Bryan Sutton
bass guitar:
Michael Rhodes
classical guitar [gut string guitar]:
Brent Mason
drums (drum set):
Shannon Forrest
electric guitar:
Kenny Greenberg, Brent Mason and Brent Rowan
fiddle:
Aubrey Haynie
Hammond organ [B-3] and synthesizer:
Steve Nathan
percussion:
Eric Darken
piano:
Chuck Leavell and Steve Nathan
steel guitar:
Paul Franklin (steel guitarist)
strings:
Nashville String Machine
tiple:
Brent Rowan
background vocals:
Bob Bailey (gospel singer), Lisa Cochran, Kim Fleming, Vicki Hampton, MaraBeth Jordan, Kim Keys, Gene Miller (US AOR singer, member of Fake I.D. & The LA Crew), Chris Rodriguez, Keith Sewell and Bergen White (American arranger, producer, conductor, musician, composer and singer)
strings arranger:
Bergen White (American arranger, producer, conductor, musician, composer and singer)
additionally recorded at:
House of Gain Studios in Nashville, Tennessee, United States and Javelina Studios in Nashville, Tennessee, United States
recorded at and mixed at:
The Sound Kitchen Studios in Franklin, Tennessee, United States
recording of:
He’ll Be Back
writer:
Hank Cochran (Nashville singer and songwriter), Dale Dodson and Red Lane
publisher:
Sony/ATV Songs LLC (from 2002 to present) and Sony/ATV Tunes LLC (from 2002 to present)
2:48
10Surrender
assistant recording engineer:
Chad Brown (Recording engineer), David Bryant (US recording engineer), Brian Graben and Leslie Richter
recording engineer and mixer:
Mike McCarthy (American record producer)
programming:
Jay Joyce
assistant engineer:
Tony High (engineer) and Darren Redfield
producer:
Frank Liddell (producer), Mike McCarthy (American record producer) and Lee Ann Womack
additional assistant mixer:
Jim Jordan (engineer) and Brian McConkey
editor:
James Lightman
acoustic guitar:
Kenny Greenberg, David Grissom, Jay Joyce and Colin Linden
bass guitar:
Spencer Campbell
drums (drum set):
Chris McHugh
electric guitar:
Kenny Greenberg, David Grissom, Jay Joyce and Jerry McPherson
keyboard and piano:
Jeff Roach (session keyboardist and producer)
strings:
Nashville String Machine
background vocals:
Dan Colehour, Kim Fleming, Vicki Hampton, Bobby Huff, Marcus Hummon, Fleming McWilliams, Buddy Miller (Nashville singer-songwriter, married to Julie Miller), Julie Miller (US country artist. Married to Buddy Miller) and Bruce Robison (US Country Music Singer/Songwriter)
instruments arranger:
John Mark Painter
additional arranger:
Kenny Greenberg and Jay Joyce
recorded at and mixed at:
Ocean Way Nashville in Nashville, Tennessee, United States
additionally mixed at:
Quad Studios in Nashville, Tennessee, United States and Starstruck Studios in Nashville, Tennessee, United States
engineered at:
New Reflections Studio in Nashville, Tennessee, United States and Tragedy/Tragedy Studio in Nashville, Tennessee, United States
recording of:
Surrender
writer:
Sally Barris and Karyn Rochelle
publisher:
Glitterfish Music, Inc. (from 2002 to present) and Wrensong Publishing Corp. (from 2002 to present)
4:24
11Blame It on Me
recording engineer and mixer:
Mike McCarthy (American record producer)
programming:
Jay Joyce
assistant engineer:
Tony High (engineer) and Darren Redfield
producer:
Frank Liddell (producer), Mike McCarthy (American record producer) and Lee Ann Womack
additional assistant mixer:
Jim Jordan (engineer) and Brian McConkey
editor:
James Lightman
acoustic guitar:
Kenny Greenberg, David Grissom, Jay Joyce and Colin Linden
bass guitar:
Spencer Campbell
drums (drum set):
Chris McHugh
electric guitar:
Kenny Greenberg, David Grissom, Jay Joyce and Jerry McPherson
keyboard and piano:
Jeff Roach (session keyboardist and producer)
strings:
Nashville String Machine
background vocals:
Dan Colehour, Kim Fleming, Vicki Hampton, Bobby Huff, Marcus Hummon, Fleming McWilliams, Buddy Miller (Nashville singer-songwriter, married to Julie Miller), Julie Miller (US country artist. Married to Buddy Miller) and Bruce Robison (US Country Music Singer/Songwriter)
instruments arranger:
John Mark Painter
additional arranger:
Kenny Greenberg and Jay Joyce
recorded at and mixed at:
Ocean Way Nashville in Nashville, Tennessee, United States
additionally mixed at:
Quad Studios in Nashville, Tennessee, United States and Starstruck Studios in Nashville, Tennessee, United States
engineered at:
New Reflections Studio in Nashville, Tennessee, United States and Tragedy/Tragedy Studio in Nashville, Tennessee, United States
recording of:
Blame It on Me
lyricist and composer:
Bruce Robison (US Country Music Singer/Songwriter)
publisher:
Tilt a Whirl Music (from 2000 to present)
4:06
12Closing the Memory Down
additional recording engineer:
Todd Gunnerson
assistant recording engineer:
Chad Brown (Recording engineer), David Bryant (US recording engineer), Brian Graben and Leslie Richter
recording engineer and mixer:
Greg Droman (American producer, mixing and audio engineer)
producer:
Lee Ann Womack and Mark Wright (country music producer & songwriter)
acoustic guitar:
B. James Lowry (session guitarist) and Randy Scruggs
banjo and mandolin:
Bryan Sutton
bass guitar:
Michael Rhodes
classical guitar [gut string guitar]:
Brent Mason
drums (drum set):
Shannon Forrest
electric guitar:
Kenny Greenberg, Brent Mason and Brent Rowan
fiddle:
Aubrey Haynie
Hammond organ [B-3] and synthesizer:
Steve Nathan
percussion:
Eric Darken
piano:
Chuck Leavell and Steve Nathan
steel guitar:
Paul Franklin (steel guitarist)
strings:
Nashville String Machine
tiple:
Brent Rowan
background vocals:
Bob Bailey (gospel singer), Lisa Cochran, Kim Fleming, Vicki Hampton, MaraBeth Jordan, Kim Keys, Gene Miller (US AOR singer, member of Fake I.D. & The LA Crew), Chris Rodriguez, Keith Sewell and Bergen White (American arranger, producer, conductor, musician, composer and singer)
strings arranger:
Bergen White (American arranger, producer, conductor, musician, composer and singer)
additionally recorded at:
House of Gain Studios in Nashville, Tennessee, United States and Javelina Studios in Nashville, Tennessee, United States
recorded at and mixed at:
The Sound Kitchen Studios in Franklin, Tennessee, United States
recording of:
Closing This Memory Down
writer:
John Bettis and Dave Loggins
publisher:
Big Red Tractor Music (from 2002 to present), Hay Wagon Music (from 2002 to present) and Think Well Music (from 2002 to present)
4:08
13Something Worth Leaving Behind (album cut)
assistant recording engineer:
Jesse Gorman, Jimmy Hoyson (strings), Toshi Kasai, Leslie Richter and Kevin Szymanski
recording engineer:
Noel Golden (producer and engineer) and Noel Golden (producer and engineer) (strings)
miscellaneous support:
Shari Sutcliffe (task: orchestra contractor)
producer:
Matt Serletic
assistant mixer:
Jay Goin
mixer:
David Thoener
editor:
Stewart Whitmore
bass guitar:
Leland Sklar (bassist, session musician)
drums (drum set):
Kenny Aronoff
fiddle:
Gabe Witcher
guitar:
Heitor Pereira and Tim Pierce (US session guitarist)
keyboard:
Jim Cox (US keyboard player, composer) and Jon Gilutin
percussion:
Brad Dutz
steel guitar:
Greg Leisz
background vocals:
Tommy Funderburk, Maxi Anderson (70s US funk/soul artist Maxi Anderson), Maxine Waters and Oren Waters
conductor:
Pete Anthony
arranger:
Matt Serletic
guitar technician:
Craig Poole (guitar tech)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (strings), Conway Studios in Hollywood, Los Angeles, California, United States, Hook Studios in North Hollywood, Los Angeles, California, United States, Ocean Way Nashville in Nashville, Tennessee, United States and Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States
mixed at:
Record Plant Recording Studios (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
recording of:
Something Worth Leaving Behind
writer:
Brett Beavers (American songwriter, producer, guitarist) and Tom Douglas
publisher:
Sony/ATV Songs LLC (from 2001 to present)
4:35
▼ HDCD 2: I Hope You Dance
#TitleArtistRatingLength
1The Healing Kind
producer:
Mark Wright (country music producer & songwriter)
mixer:
Greg Droman (American producer, mixing and audio engineer)
acoustic guitar:
Pat Flynn (US bluegrass/country guitarist) and Dan Tyminski
double bass [bass]:
Mark Fain (US bluegrass/country bassist)
drums (drum set):
Chad Cromwell
fiddle and mandolin:
Larry Franklin (US fiddler, mandolin and guitar player, and composer)
percussion:
Eric Darken
resonator guitar [dobro]:
Paul Franklin (steel guitarist)
background vocals [harmony vocals]:
Ricky Skaggs
mixed at:
The Sound Kitchen in Franklin, Tennessee, United States
cover recording of:
The Healing Kind
writer:
Ronnie Bowman and Greg Luck (US bluegrass multi-instrumentalist and singer)
publisher:
Heart Rhythm Music (from 1994 to present)
Lee Ann Womack3:02
2I Hope You Dance
producer:
Mark Wright (country music producer & songwriter)
mixer:
Greg Droman (American producer, mixing and audio engineer)
accordion:
Michael Omartian
acoustic guitar:
Mark Casstevens and Pat Flynn (US bluegrass/country guitarist)
bass guitar:
Michael Rhodes
drums (drum set):
Chad Cromwell
electric guitar:
Brent Mason
keyboard:
Steve Nathan
percussion:
Eric Darken
steel guitar:
Paul Franklin (steel guitarist)
strings:
Nashville String Machine
background vocals:
Lisa Cochran, Lisa Silver and Bergen White (American arranger, producer, conductor, musician, composer and singer)
conductor:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
guest performer:
Sons of the Desert (US country band)
strings arranger:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
mixed at:
The Sound Kitchen in Franklin, Tennessee, United States
part of:
Rolling Stone: The 200 Greatest Country Songs of All Time (number: 75)
recording of:
I Hope You Dance
writer:
Mark D. Sanders (American Country Music songwriter) and Tia Sillers
publisher:
Choice is Tragic Music (from 2000 to present), Ensign Music Corporation (from 2000 to present), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (from 2000 to present) and Soda Creek Songs (from 2000 to present)
Lee Ann Womack special guest appearance Sons of the Desert4.654:54
3After I Fall
producer:
Mark Wright (country music producer & songwriter)
mixer:
Greg Droman (American producer, mixing and audio engineer)
acoustic guitar:
Mark Casstevens and Pat Flynn (US bluegrass/country guitarist)
bass guitar:
Michael Rhodes
drums (drum set):
Chad Cromwell
electric guitar:
Brent Mason
Hammond organ [B-3]:
Steve Nathan
percussion:
Eric Darken
steel guitar:
Paul Franklin (steel guitarist)
background vocals:
Lisa Cochran and Gene Miller (US AOR singer, member of Fake I.D. & The LA Crew)
mixed at:
The Sound Kitchen in Franklin, Tennessee, United States
recording of:
After I Fall
writer:
Bill Kenner, Ronnie Rogers (American country singer and songwriter) and Mark Wright (country music producer & songwriter)
publisher:
EMI Blackwood Music Inc. (from 1999 to present), Kenner Bilt Music (from 1999 to present), Marketwright Music (from 1999 to present), Route Six Music (from 1999 to present), Songs of Jasper, Inc. (from 1999 to present), Songs of Universal, Inc. (from 1999 to present) and Sony/ATV Songs LLC (from 1999 to present)
Lee Ann Womack3:03
4Stronger Than I Am
producer:
Mark Wright (country music producer & songwriter)
mixer:
Greg Droman (American producer, mixing and audio engineer)
acoustic guitar:
Pat Flynn (US bluegrass/country guitarist)
bass guitar:
Glenn Worf
drums (drum set):
Lonnie Wilson (drummer, songwriter, and producer)
electric guitar:
Brent Mason
fiddle:
Larry Franklin (US fiddler, mandolin and guitar player, and composer)
guitar [gut string guitar]:
Mark Casstevens
keyboard:
Steve Nathan
steel guitar:
Paul Franklin (steel guitarist)
strings:
Nashville String Machine
background vocals:
Lisa Cochran, Lisa Silver and Bergen White (American arranger, producer, conductor, musician, composer and singer)
background vocals [harmony vocals]:
Liana Manis
conductor:
Bergen White (American arranger, producer, conductor, musician, composer and singer)
strings arranger:
Bergen White (American arranger, producer, conductor, musician, composer and singer)
mixed at:
The Sound Kitchen in Franklin, Tennessee, United States
recording of:
Stronger Than I Am
lyricist and composer:
Bobbie Cryner
publisher:
Beach Lizard Music (from 2000 to present)
Lee Ann Womack3:38
5I Know Why the River Runs
producer:
Frank Liddell (producer)
assistant mixer:
Daniel Kresco
mixer:
Mike McCarthy (American record producer)
bass guitar:
Glenn Worf
drums (drum set):
Chad Cromwell
electric guitar:
Richard Bennett (American guitarist) and Kenny Greenberg
fiddle:
Larry Franklin (US fiddler, mandolin and guitar player, and composer)
percussion:
Sam Bacco
steel guitar:
Paul Franklin (steel guitarist)
synthesizer:
Jeff Roach (session keyboardist and producer)
background vocals [harmony vocals]:
Liana Manis and Kevin Montgomery (singer-songwriter)
mixed at:
Starstruck Studios in Nashville, Tennessee, United States
recording of:
I Know Why the River Runs
lyricist and composer:
Julie Miller (US country artist. Married to Buddy Miller)
publisher:
Martha Road Music (from 2000 to present) and Tinkie Tunes (from 2000 to present)
Lee Ann Womack4:58
6Why They Call It Falling
producer:
Mark Wright (country music producer & songwriter)
mixer:
Greg Droman (American producer, mixing and audio engineer)
acoustic guitar:
Mark Casstevens and Pat Flynn (US bluegrass/country guitarist)
bass guitar:
Glenn Worf
drums (drum set):
Lonnie Wilson (drummer, songwriter, and producer)
electric guitar:
Brent Mason
keyboard:
Steve Nathan
mandolin:
Larry Franklin (US fiddler, mandolin and guitar player, and composer)
slide guitar:
Paul Franklin (steel guitarist)
strings:
Nashville String Machine
background vocals [harmony vocals]:
Jason Sellers and Lee Ann Womack
conductor:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
strings arranger:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
mixed at:
The Sound Kitchen in Franklin, Tennessee, United States
recording of:
Why They Call It Falling
writer:
Roxie Dean and Don Schlitz
publisher:
Maverick Music Co. (from 2000 to present), New Don Songs (from 2000 to present), New Hayes Music (from 2000 to present) and WB Music Corp. (1929–2019) (from 2000 to present)
Lee Ann Womack3:35
7Ashes by Now
producer:
Mark Wright (country music producer & songwriter)
mixer:
Greg Droman (American producer, mixing and audio engineer)
acoustic guitar:
Mark Casstevens and Pat Flynn (US bluegrass/country guitarist)
bass guitar:
Glenn Worf
drums (drum set):
Lonnie Wilson (drummer, songwriter, and producer)
electric guitar:
Brent Mason
fiddle:
Larry Franklin (US fiddler, mandolin and guitar player, and composer)
keyboard:
Steve Nathan
percussion:
Eric Darken
steel guitar:
Paul Franklin (steel guitarist)
background vocals:
Bekka Bramlett (American singer), Lisa Cochran, Tabitha Fair and MaraBeth Jordan
mixed at:
The Sound Kitchen in Franklin, Tennessee, United States
cover recording of:
Ashes By Now
lyricist and composer:
Rodney Crowell
publisher:
Tessa Publishing Company (from 1976 to present) and Jolly Cheeks Music (publisher) (from 1981 to present)
Lee Ann Womack4:11
8Thinkin’ With My Heart Again
producer:
Mark Wright (country music producer & songwriter)
mixer:
Greg Droman (American producer, mixing and audio engineer)
acoustic guitar:
Mark Casstevens and Pat Flynn (US bluegrass/country guitarist)
bass guitar:
Michael Rhodes
drums (drum set):
Chad Cromwell
electric guitar:
Brent Mason
fiddle:
Larry Franklin (US fiddler, mandolin and guitar player, and composer)
steel guitar:
Paul Franklin (steel guitarist)
synthesizer:
Steve Nathan
background vocals [harmony vocals]:
Liana Manis
mixed at:
The Sound Kitchen in Franklin, Tennessee, United States
recording of:
Thinkin’ with My Heart Again
writer:
Dean Dillon, Donny Kees (American singer, songwriter, artist manager) and Sanger D. Shafer
publisher:
Acuff-Rose Music, Inc. (BMI) (from 1998 to present)
Lee Ann Womack2:54
9I Feel Like I’m Forgetting Something
producer:
Mark Wright (country music producer & songwriter)
mixer:
Greg Droman (American producer, mixing and audio engineer)
acoustic guitar:
Mark Casstevens and Pat Flynn (US bluegrass/country guitarist)
bass guitar:
Glenn Worf
drums (drum set):
Lonnie Wilson (drummer, songwriter, and producer)
electric guitar:
Joe Manual and Brent Mason
fiddle:
Larry Franklin (US fiddler, mandolin and guitar player, and composer)
keyboard:
Steve Nathan
steel guitar:
Paul Franklin (steel guitarist)
background vocals [harmony vocals]:
Jason Sellers and Lee Ann Womack
mixed at:
The Sound Kitchen in Franklin, Tennessee, United States
recording of:
I Feel Like I’m Forgetting Something
writer:
Jason Sellers, Wynn Varble and Lee Ann Womack
publisher:
Sony/ATV Songs LLC (from 1997 to present), Starstruck Angel Music Inc. (from 1997 to present) and Starstruck Writers Group, Inc. (from 1997 to present)
Lee Ann Womack3:30
10Lonely Too
producer:
Frank Liddell (producer)
assistant mixer:
Daniel Kresco
mixer:
Mike McCarthy (American record producer)
acoustic guitar:
Richard Bennett (American guitarist)
bass guitar:
Glenn Worf
drums (drum set):
Chad Cromwell
electric guitar:
Kenny Greenberg
fiddle:
Larry Franklin (US fiddler, mandolin and guitar player, and composer) and Aubrey Haynie
percussion:
Sam Bacco
steel guitar:
Paul Franklin (steel guitarist)
background vocals [harmony vocals]:
Jon Randall (US country singer, guitarist, and songwriter) and Lee Ann Womack
mixed at:
Starstruck Studios in Nashville, Tennessee, United States
cover recording of:
Lonely Too
lyricist and composer:
Bruce Robison (US Country Music Singer/Songwriter)
publisher:
Bruce Robison Music (from 2000 to present) and Tiltawhirl Music (from 2000 to present)
Lee Ann Womack3:28
11Does My Ring Burn Your Finger
producer:
Frank Liddell (producer)
assistant mixer:
Daniel Kresco
mixer:
Mike McCarthy (American record producer)
bass guitar:
Glenn Worf
bouzouki:
Richard Bennett (American guitarist)
drums (drum set):
Chad Cromwell
electric guitar:
Kenny Greenberg
fiddle:
Larry Franklin (US fiddler, mandolin and guitar player, and composer)
percussion:
Sam Bacco
steel guitar:
Paul Franklin (steel guitarist)
Wurlitzer electric piano [Wurlitzer]:
Jeff Roach (session keyboardist and producer)
background vocals [harmony vocals]:
Buddy Miller (Nashville singer-songwriter, married to Julie Miller) and Julie Miller (US country artist. Married to Buddy Miller)
mixed at:
Starstruck Studios in Nashville, Tennessee, United States
cover recording of:
Does My Ring Burn Your Finger
writer:
Buddy Miller (Nashville singer-songwriter, married to Julie Miller) and Julie Miller (US country artist. Married to Buddy Miller)
publisher:
Martha Road Music (from 1999 to present) and Tinkie Tunes (from 1999 to present)
Lee Ann Womack3:29
12Lord I Hope This Day Is Good
producer:
Mark Wright (country music producer & songwriter)
mixer:
Greg Droman (American producer, mixing and audio engineer)
acoustic guitar:
Joe Manual
bass guitar:
Brett Beavers (American songwriter, producer, guitarist)
drums (drum set):
Dave Dunseath
mandolin:
John Johanson (guitar player)
percussion:
Eric Darken
resonator guitar [dobro]:
Rusty Danmyer
background vocals [harmony vocals]:
Ronnie Bowman and Dan Tyminski
mixed at:
The Sound Kitchen in Franklin, Tennessee, United States
cover recording of:
Lord I Hope This Day Is Good
lyricist and composer:
David Hanner
publisher:
Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) and Universal-Sable Music (from 1981 to present)
Lee Ann Womack2:56
13I Hope You Dance (The Rawling mix)
recording of:
I Hope You Dance
writer:
Mark D. Sanders (American Country Music songwriter) and Tia Sillers
publisher:
Choice is Tragic Music (from 2000 to present), Ensign Music Corporation (from 2000 to present), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (from 2000 to present) and Soda Creek Songs (from 2000 to present)
Lee Ann Womack7:09