Magic Moments

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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CD 1
#TitleArtistRatingLength
1Islands in the Stream
vocals:
Dolly Parton and Kenny Rogers (US country singer, songwriter, actor, record producer & entrepreneur)
phonographic copyright (℗) by:
Sony Music Entertainment (not for release label use! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1983)
recording of:
Islands in the Stream
writer:
Barry Gibb, Maurice Gibb and Robin Gibb
publisher:
BMG Music, Careers Music, Inc., Careers‐BMG Music Publishing, Inc., Crompton Songs, Gibb Brothers Music, Screen Gems–EMI Music, Summerhill Songs, Universal Music Publishing International MGB Ltd., シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
Kenny Rogers & Dolly Parton4.354:09
2This Old Heart of Mine
producer:
Bernard Edwards and Trevor Horn
additional lead vocals:
Ronald Isley (a.k.a. Mr. Biggs)
cover recording of:
This Old Heart of Mine (Is Weak for You)
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
composer:
Lamont Dozier, Brian Holland (Motown producer & songwriter) and Sylvia Moy
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Jobete Music and Stone Agate Music Division
Rod Stewart feat. Ronald Isley4:13
3How Sweet It Is (to Be Loved by You)
engineer and mixer:
Lee Herschberg
producer:
Russ Titelman and Lenny Waronker
bass:
Lee Sklar (bassist, session musician)
drums (drum set) [drums]:
Jim Keltner and Russ Kunkel
electric guitar:
Danny Kortchmar
piano and Rhodes piano [Fender Rhodes]:
Clarence McDonald
tambourine:
Russ Kunkel
background vocals [vocal harmonies]:
Carly Simon
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1975)
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
cover recording of:
How Sweet It Is (to Be Loved by You)
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), EMI Music Publishing Ltd. (PRS‐affiliated), Stone Agate Music, Stone Agate Music Division and ソニー・ミュージックパブリッシング フジパシフィック事業部
James Taylor43:36
4I Don’t Want to Live Without You
remix of:
I Don’t Want to Live Without You by Foreigner (British/American rock band)
recording of:
I Don’t Want to Live Without You
lyricist and composer:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Somerset Songs Publishing Inc.
Foreigner3:58
5Keep On Loving You
assistant engineer:
Tom Cummings (engineer) and Jeff Eccles
engineer:
Kevin Beamish
co-producer:
Alan Gratzer
producer:
Kevin Beamish, Kevin Cronin and Gary Richrath
acoustic guitar:
Kevin Cronin
bass:
Bruce Hall (US bassist for REO Speedwagon)
drums (drum set):
Alan Gratzer
guitar:
Gary Richrath
Hammond organ:
Neal Doughty
background vocals:
Kevin Cronin, Tom Kelly (songwriter) and Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
arranger:
Kevin Cronin
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1980)
recording of:
Keep On Loving You
lyricist and composer:
Kevin Cronin
publisher:
Fate Music
sub-publisher:
Taiyō Music
REO Speedwagon3.73:24
6A Groovy Kind of Love
engineer:
Steve Chase
producer:
Phil Collins (of Genesis) and Anne Dudley (English score composer)
drums (drum set), keyboard and lead vocals:
Phil Collins (of Genesis)
conductor:
Anne Dudley (English score composer)
cover recording of:
A Groovy Kind of Love
writer:
Carole Bayer Sager and Toni Wine
publisher:
EMI Music Publishing Germany GmbH (2008–today), Screen Gems-EMI (USA, affiliated with BMI), Screen Gems–Columbia Music, Inc. and Screen Gems-EMI Music (in 1966)
is based on:
Sonatina in G major, op. 36 no. 5: III. Rondo. Allegro di molto
Phil Collins43:32
7If
phonographic copyright (℗) by:
Elektra Records (not for release label use! please use its imprint "Elektra" instead) (in 1971)
recording of:
If
lyricist and composer:
David Gates (singer/songwriter, lead singer of Bread)
publisher:
Colgems-EMI Music Inc., Laetrec Music, S. Gems Col. Inc, Screen Gems–Columbia Music, Inc., Sony/ATV Tunes LLC and ソニー・ミュージックパブリッシング A事業部
Bread52:35
8Lost in Love
engineer and mixer:
William Wittman
producer:
Rick Chertoff, Charles Fisher (Australian producer) and Robie Porter
bass guitar:
Criston Barker
drums (drum set):
Ralph Cooper (drummer)
guitar [lead guitar]:
David Moyse
guitar [rhythm guitar]:
Graham Russell (Air Supply)
keyboard:
Frank Esler‐Smith and Sam McNally
background vocals:
Criston Barker and David Moyse
lead vocals:
Russell Hitchcock
vocals:
Graham Russell (Air Supply)
arranger:
Air Supply and Robie Porter
orchestrator:
Frank Esler‐Smith and Robie Porter
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1980) and Wizard Records Pty. Ltd. (holding company - file no releases here!) (in 1980)
recorded at:
Trafalgar Studios in Annandale, Sydney, New South Wales, Australia
mixed at:
Soundmixers in Midtown Manhattan, New York, New York, United States
part of:
The Downloader’s Music Source Book (number: 295)
recording of:
Lost in Love
lyricist and composer:
Graham Russell (Air Supply)
publisher:
Nottsongs and Universal Music Careers
sub-publisher:
シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
Air Supply53:54
9AfricaToto4:26
10Endless Love
recording engineer:
Reggie Dozier
producer:
Lionel Richie
mixer:
Guy Costa
additional guest performer:
Diana Ross
arranger:
Gene Page
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1981)
recording of:
Endless Love
lyricist and composer:
Lionel Richie
publisher:
Brockman Music, Café Americana Inc., PGP Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music Publishing and Warner/Chappell North America
part of:
The 54th Academy Award for Best Original Song (number: 2)
Diana Ross & Lionel Richie3.54:27
11What’s Love Got to Do With It
engineer and mixer:
John Hudson (producer, recording and mixing engineer)
producer:
Terry Britten
drums (drum set):
Graham Jarvis (UK session drummer)
guitar:
Terry Britten
keyboard:
Nick Glennie‐Smith and Billy Livsey
percussion:
Simon Morton
background vocals:
Terry Britten and Tessa Niles
lead vocals:
Tina Turner
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 2004)
recorded at:
Mayfair Studios (England) in London (Greater London), England, United Kingdom
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 134) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 309)
recording of:
What’s Love Got to Do With It
writer:
Graham Lyle and Terence Ernest Britten
publisher:
Hornall Brothers Music Ltd. (limited company), Kobalt Music Publishing America, Inc., Warner/Chappell Music Ltd. (1996–2019), Goodsingle Limited (publisher) (in 1984), Irving Music, Inc. (in 1984), Rondor Music (London) Ltd. (in 1984), WB Music Corp. (1929–2019) (from 1984 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
Tina Turner4.153:51
12Just the Two of Us
recording of:
Just the Two of Us (Bill Withers song)
writer:
Ralph MacDonald, William Salter and Bill Withers
Bill Withers & Grover Washington, Jr.3:32
13It Might Be You
producer:
Dave Grusin (American pianist and score composer)
bass guitar:
Abraham Laboriel
drums (drum set):
Carlos Vega
guitar:
George Doering, Mitch Holder (guitarist) and Paul Jackson, Jr.
percussion:
Steve Forman (US percussionist)
synthesizer:
Dave Grusin (American pianist and score composer)
background vocals and lead vocals:
Stephen Bishop (American singer-songwriter)
vocals:
Stephen Bishop (American singer-songwriter)
arranger:
Dave Grusin (American pianist and score composer)
recording of:
It Might Be You (theme from Tootsie)
lyricist:
Alan Bergman (American lyricist) and Marilyn Bergman
writer and composer:
Dave Grusin (American pianist and score composer)
publisher:
EMI Gold Horizon Music Corp., EMI Golden Torch Music Corp., Roaring Fork Music, Spirit Two Music Inc., ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
part of:
The 55th Academy Award for Best Original Song (number: 2)
Stephen Bishop4:16
14Arthur’s Theme (Best That You Can Do)
additional engineer:
John Guess, Lee Herschberg, Mark Linett and Richard Mullen
assistant engineer:
Stuart Gitlin and Margaret Gwynne (engineer)
producer:
Michael Omartian
mixer:
Chet Himes
lead vocals:
Christopher Cross (US singer‐songwriter)
conductor:
Michael Omartian
strings arranger:
Michael Omartian
arranger:
Christopher Cross (US singer‐songwriter), Rob Meurer and Michael Omartian
concertmaster:
Assa Drori
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1983)
recorded at and mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
Arthur’s Theme (Best That You Can Do)
writer:
Peter Allen (Australian singer‐songwriter), Burt Bacharach, Carole Bayer Sager and Christopher Cross (US singer‐songwriter)
publisher:
Begonia Melodies Inc., New Hidden Valley Music Co., Universal Music–MGB Songs, Warner Chappell Music Publishing, Warner Olive Music LLC, Warner-Barham Music LLC, Warner/Chappell North America, Woolnough Music, ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ユニバーサル・ミュージック・パブリッシング Synch事業部
part of:
The 54th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 54)
Christopher Cross53:56
15Unchained Melody
engineer:
Larry Levine
producer:
Phil Spector
vocals:
Bobby Hatfield and Bill Medley
arranger:
Jack Nitzsche (American musician and score composer)
phonographic copyright (℗) by:
Spectrum Music (Universal Music Group budget label), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1965) and Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1966)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (in 1965-03)
part of:
The Co-Op: Top 10 British Funeral Songs (number: 8), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 269) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 366)
cover recording of:
Unchained Melody (in 1965-03)
publisher:
Hy Zaret
lyricist:
Hy Zaret
composer:
Alex North (US composer)
publisher:
Frank Music Corp. (ended), HZUM Publishing, MPL Communication Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL Musik Verlags GmbH, North Melody Publishing and Unchained Melody Publishing, LLC
sub-publisher:
日音 Synch事業部
part of:
The 28th Academy Award for Best Original Song (number: 2)
The Righteous Brothers33:38
16All My Life
mixer:
George Massenburg
bass guitar [bass]:
Leland Sklar (bassist, session musician)
guest vocals:
Aaron Neville
vocals and performer:
Linda Ronstadt
cover recording of:
All My Life
lyricist and composer:
Karla Bonoff
publisher:
Seagrape Music and 大洋音楽
Linda Ronstadt & Aaron Neville3:30
17Looks Like We Made It
recording engineer:
Michael Delugg
producer:
Ron Dante and Barry Manilow
bass guitar [bass]:
Steven Donaghey
drums (drum set):
Lee Gurst
guitar:
Richard Resnicoff
keyboard:
Alan Axelrod
piano and lead vocals:
Barry Manilow
background vocals:
Ron Dante and Barry Manilow
brass [horns] arranger and strings arranger:
Gerald Alters
arranger:
Barry Manilow
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1976)
recorded at and mixed at:
Mediasound Studios in New York, New York, United States
recording of:
Looks Like We Made It (in 1976)
lyricist:
Will Jennings
composer:
Richard Kerr
publisher:
Concord Songs Ltd., Irving Music (BMI) and Irving Music, Inc.
sub-publisher:
ヤマハミュージックEH(CM) and ユニバーサル・ミュージック・パブリッシング Synch事業部
Barry Manilow43:36
18The Lady in Red
recording of:
The Lady in Red
lyricist and composer:
Chris de Burgh (British-Irish singer-songwriter and instrumentalist)
publisher:
Hornall Brothers Music (limited company) and Rondor Music (London) Ltd. (in 1986)
Chris de Burgh4:19
19Lead Me On
recording of:
Lead Me On (I have often heard you say you love me as a friend...)
writer:
David Lasley and Allee Willis
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Irving Music, Inc., Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), ヤマハミュージックパブリッシング (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) (from 2017-04-01 to present)
Maxine Nightingale2:51
20Eternal Flame
recording engineer:
John Beverly Jones
additional engineer:
Ken Felton
producer:
Davitt Sigerson
mixer:
Frank Filipetti
drums (drum set):
Debbi Peterson (drummer for The Bangles)
electric bass guitar [bass]:
Michael Steele (American bassist, guitarist, songwriter, and singer)
guitar [lead guitar]:
Vicki Peterson
guitar [rhythm guitar]:
Susanna Hoffs
phonographic copyright (℗) by:
Sony BMG Music Entertainment Inc. (in 1988)
mixed at:
Studio 55 in Los Angeles, California, United States
music videos:
Eternal Flame by Bangles
recording of:
Eternal Flame
writer:
Susanna Hoffs, Tom Kelly (songwriter) and Billy Steinberg
publisher:
Bangophile Music, Billy Steinberg Music, Denise Barry Music, Songs of Universal, Inc. and Sony/ATV Tunes LLC
sub-publisher:
EMI Songs Ltd., Shinko Music Entertainment Co., Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Music Publishing Ltd., Universal Music Publishing Group Japan (work publisher – do NOT use as a release label) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Bangles3.753:55
CD 2
#TitleArtistRatingLength
1Release MeWilson Phillips3:52
2Kiss You All Over
edit of:
Kiss You All Over by Exile (American country band)
recording of:
Kiss You All Over
writer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
publisher:
BMG (the former Bertelsmann Music Group, defunct since 2004-08-05; for releases dated 2008 and later, see annotation), Downtown DLJ Songs, Universal Music–MGB Songs, シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
Exile53:30
3I Need You
engineer:
Ken Scott (UK record producer & engineer)
additional producer:
America (US folk/soft rock band) and Jeff Dexter
producer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician) and Ian Samwell
12 string guitar:
Dan Peek
acoustic guitar:
Dewey Bunnell
bass guitar and piano and lead vocals:
Gerry Beckley
drums (drum set):
Dave Atwood
remixer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972) and Rhino Entertainment Company (not for release label use!) (in 2011)
recorded at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, United Kingdom
recording of:
I Need You
lyricist and composer:
Gerry Beckley
America3.553:08
4Let Me Love You Tonight
assistant engineer:
Doug Pakes
engineer:
Bill Drescher (Producer and sound engineer)
producer:
John Ryan (producer a/k/a “The Chicago Kid”)
recorded at:
Sound City Studios in Van Nuys, California, United States
Pure Prairie League52:45
5Biggest Part of Me
edit of:
Biggest Part of Me by Ambrosia (L.A. prog rock band)
recording of:
Biggest Part of Me
lyricist and composer:
David Pack
publisher:
David Pack Music, EMI Longitude Music, Spirit One Music, イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
Ambrosia54:12
6Wicked Game
producer:
Erik Jacobsen
recording of:
Wicked Game
lyricist and composer:
Chris Isaak
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
Chris Isaak4:07
7You’re in My Heart (The Final Acclaim)
producer:
Tom Dowd
acoustic guitar:
Fred Tackett
bass guitar:
Phil Chen (Chinese-Jamaican bassist)
drums (drum set):
Carmine Appice
guitar:
Jim Cregan (producer & member of Family)
piano:
John Jarvis
synthesizer:
Nicky Hopkins (pianist and organist)
violin:
Richard Greene (US fiddler)
background vocals:
Carmine Appice and Jim Cregan (producer & member of Family)
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 37)
recording of:
You’re in My Heart (The Final Acclaim)
lyricist and composer:
Rod Stewart
Rod Stewart3.84:31
8You’re the Inspiration
engineer and mixer:
Humberto Gatica
producer:
David Foster (Canadian music producer, arranger and composer)
assistant mixer:
Larry Fergusson
instruments arranger:
Jeremy Lubbock
arranger:
Peter Cetera and David Foster (Canadian music producer, arranger and composer)
phonographic copyright (℗) by:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across) and Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1984, in 2010)
recorded at:
Sunset Sound in Hollywood, Los Angeles, California, United States (in 1984), The Lighthouse (studio located in N. Hollywood, California) in North Hollywood, Los Angeles, California, United States (in 1984) and The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (in 1984)
mixed at:
Lion Share Recording Studios in Los Angeles, California, United States
recording of:
You’re the Inspiration (in 1984)
writer:
Peter Cetera (in 1984) and David Foster (Canadian music producer, arranger and composer) (in 1984)
publisher:
BMG Music Publishing Ltd., Universal Music Publishing MGB Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Double Virgo Music (in 1984) and Foster Frees Music Inc. (in 1984)
Chicago3:49
9Misty Blue
producer:
Tommy Couch (US producer, songwriter, engineer & studio owner), Wolf Stephenson and James Cary Stroud
cover recording of:
Misty Blue
lyricist and composer:
Bob Montgomery
publisher:
Reservoir One America and Talmont Music (publisher) (from 1966 to present)
Dorothy Moore43:38
10Fire and Rain
engineer:
Bill Lazerus (in 1969-12)
producer:
Peter Asher (in 1969-12)
acoustic guitar and lead vocals:
James Taylor (singer-songwriter and guitarist) (in 1969-12)
double bass:
Bobby ‘Wild, Wild’ West (in 1969-12)
drums (drum set):
Russ Kunkel (in 1969-12)
piano:
Carole King (in 1969-12)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1969)
recorded at:
Sunset Sound in Hollywood, Los Angeles, California, United States (in 1969-12)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 146) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 227)
recording of:
Fire and Rain (in 1969-12)
lyricist and composer:
James Taylor (singer-songwriter and guitarist)
publisher:
Country Road Music, Inc. (ASCAP-affiliated) (ended), EMI Blackwood Music Inc. and フジパシフィックミュージック SBK事業部
James Taylor4.353:19
11Sara
recording of:
Sara (in 1985)
writer:
Ina Wolf and Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
Starship54:25
12Eye in the Sky
recording of:
Eye in the Sky
writer and composer:
Alan Parsons (of The Alan Parsons Project) and Eric Woolfson
publisher:
Careers Music, Inc. and Woolfsongs Ltd.
The Alan Parsons Project53:48
13We’ll Never Have to Say Goodbye AgainEngland Dan & John Ford Coley2:51
14FallingLeBlanc and Carr3:14
15I Go Crazy
producer:
Phil Benton and Paul Davis (American singer)
vocals:
Paul Davis (American singer)
phonographic copyright (℗) by:
Bang Records (US disco) (in 1977)
recording of:
I Go Crazy
lyricist and composer:
Paul Davis (American singer)
publisher:
Paul and Jonathan Songs, Sony/ATV Songs LLC and Web IV Music Inc.
sub-publisher:
ソニー・ミュージックパブリッシング A事業部
Paul Davis53:55
16Love Will Lead You Back
recording of:
Love Will Lead You Back
writer:
Diane Warren (US songwriter)
Taylor Dayne4:39
17Make Me Lose ControlEric Carmen4:28
18Second Chance
engineer, producer and mixer:
Rodney Mills
phonographic copyright (℗) by:
A&M Records, Inc. (in 1988)
recording of:
Second Chance
writer:
Cal Curtis, Jeff Carlisi and Max Carl
publisher:
Cal Curtis Publishing, Rocknocker Music Co., SBK Blackwood Music Inc. (1987-12-30–1989-07-14) and Too Tall Tunes
.38 Special4:37
19Muskrat Love
cover recording of:
Muskrat Love
lyricist and composer:
Willis Alan Ramsey
publisher:
WB Music Corp. (1929–2019) and Wishbone Music (American publisher)
Captain & Tennille3:26
20Just a Song Before I Go
recording of:
Just a Song Before I Go
lyricist and composer:
Graham Nash
Crosby, Stills & Nash2:09