Have a Little Faith

~ Release by Bill Frisell (see all versions of this release, 3 available)

Annotation

Recorded March 1992 at RPM Studios, NYC

Annotation last modified on 2009-04-29 02:58 UTC.

Tracklist

CD 1
#TitleRatingLength
1Billy the Kid: The Open Prairie
assistant engineer:
Robert Smith (engineer)
engineer:
Joe Ferla
assistant mixer:
Sam Hofstedt
phonographic copyright (℗) by:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1993)
recorded at:
RPM Studios in New York, New York, United States (in 1992-03)
mixed at:
Bad Animals Studio in Seattle, Washington, United States
recording of:
Billy the Kid: The Open Prairie (Bill Frisell arr.) (in 1992-03)
composer:
Aaron Copland (composer)
arranger:
Bill Frisell
arrangement of:
Billy the Kid: I. Introduction: The Open Prairie
part of:
Billy the Kid (Bill Frisell arr.)
3:12
2Billy the Kid: Street Scene in a Frontier Town
assistant engineer:
Robert Smith (engineer)
engineer:
Joe Ferla
assistant mixer:
Sam Hofstedt
phonographic copyright (℗) by:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1993)
recorded at:
RPM Studios in New York, New York, United States (in 1992-03)
mixed at:
Bad Animals Studio in Seattle, Washington, United States
recording of:
Billy the Kid: Street Scene in a Frontier Town (Bill Frisell arr.) (in 1992-03)
composer:
Aaron Copland (composer)
arranger:
Bill Frisell
arrangement of:
Billy the Kid: II. Street in a Frontier Town
part of:
Billy the Kid (Bill Frisell arr.)
1:45
3Billy the Kid: Mexican Dance and Finale
assistant engineer:
Robert Smith (engineer)
engineer:
Joe Ferla
assistant mixer:
Sam Hofstedt
phonographic copyright (℗) by:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1993)
recorded at:
RPM Studios in New York, New York, United States (in 1992-03)
mixed at:
Bad Animals Studio in Seattle, Washington, United States
recording of:
Billy the Kid: Mexican Dance and Finale (Bill Frisell arr.) (in 1992-03)
composer:
Aaron Copland (composer)
arranger:
Bill Frisell
arrangement of:
Billy the Kid: III. Mexican Dance and Finale
part of:
Billy the Kid (Bill Frisell arr.)
3:45
4Billy the Kid: Prairie Night (Card Game at Night) / Gun Battle
assistant engineer:
Robert Smith (engineer)
engineer:
Joe Ferla
assistant mixer:
Sam Hofstedt
phonographic copyright (℗) by:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1993)
recorded at:
RPM Studios in New York, New York, United States (in 1992-03)
mixed at:
Bad Animals Studio in Seattle, Washington, United States
recording of:
Billy the Kid: Gun Battle (Bill Frisell arr.) (in 1992-03)
composer:
Aaron Copland (composer)
arranger:
Bill Frisell
arrangement of:
Billy the Kid: V. Gun Battle
part of:
Billy the Kid (Bill Frisell arr.)
recording of:
Billy the Kid: Prairie Night (Card Game at Night) (Bill Frisell arr.) (in 1992-03)
composer:
Aaron Copland (composer)
arranger:
Bill Frisell
arrangement of:
Billy the Kid: IV. Prairie Night (Card Game at Night)
part of:
Billy the Kid (Bill Frisell arr.)
5:03
5Billy the Kid: Celebration After Billy’s Capture
assistant engineer:
Robert Smith (engineer)
engineer:
Joe Ferla
assistant mixer:
Sam Hofstedt
phonographic copyright (℗) by:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1993)
recorded at:
RPM Studios in New York, New York, United States (in 1992-03)
mixed at:
Bad Animals Studio in Seattle, Washington, United States
recording of:
Billy the Kid: Celebration After Billy’s Capture (Bill Frisell arr.) (in 1992-03)
composer:
Aaron Copland (composer)
arranger:
Bill Frisell
arrangement of:
Billy the Kid: VI. Celebration (After Billy’s Capture)
part of:
Billy the Kid (Bill Frisell arr.)
2:17
6Billy the Kid: Billy in Prison
assistant engineer:
Robert Smith (engineer)
engineer:
Joe Ferla
assistant mixer:
Sam Hofstedt
phonographic copyright (℗) by:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1993)
recorded at:
RPM Studios in New York, New York, United States (in 1992-03)
mixed at:
Bad Animals Studio in Seattle, Washington, United States
recording of:
Billy the Kid: Billy in Prison (Bill Frisell arr.) (in 1992-03)
composer:
Aaron Copland (composer)
arranger:
Bill Frisell
arrangement of:
Billy the Kid: Billy in Prison
part of:
Billy the Kid (Bill Frisell arr.)
1:34
7Billy the Kid: The Open Prairie Again
assistant engineer:
Robert Smith (engineer)
engineer:
Joe Ferla
assistant mixer:
Sam Hofstedt
phonographic copyright (℗) by:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1993)
recorded at:
RPM Studios in New York, New York, United States (in 1992-03)
mixed at:
Bad Animals Studio in Seattle, Washington, United States
recording of:
Billy the Kid: The Open Prairie Again (Bill Frisell arr.) (in 1992-03)
composer:
Aaron Copland (composer)
arranger:
Bill Frisell
arrangement of:
Billy the Kid: VIII. The Open Prairie Again
part of:
Billy the Kid (Bill Frisell arr.)
2:35
8The “Saint-Gaudens” in Boston Common (excerpt #1)
assistant engineer:
Robert Smith (engineer)
engineer:
Joe Ferla
assistant mixer:
Sam Hofstedt
phonographic copyright (℗) by:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1993)
recorded at:
RPM Studios in New York, New York, United States (in 1992-03)
mixed at:
Bad Animals Studio in Seattle, Washington, United States
partial recording of:
The “Saint-Gaudens” in Boston Common (Bill Frisell arr.) (in 1992-03)
composer:
Charles Ives (composer)
arranger:
Bill Frisell
arrangement of:
Orchestral Set No. 1, S. 7 "Three Places in New England": I. The "St. Gaudens" in Boston Common
0:43
9Just Like a Woman
assistant engineer:
Robert Smith (engineer)
engineer:
Joe Ferla
assistant mixer:
Sam Hofstedt
phonographic copyright (℗) by:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1993)
recorded at:
RPM Studios in New York, New York, United States (in 1992-03)
mixed at:
Bad Animals Studio in Seattle, Washington, United States
recording of:
Just Like a Woman (Bill Frisell arr.) (in 1992-03)
composer:
Bob Dylan
arranger:
Bill Frisell
arrangement of:
Just Like a Woman
4:49
10I Can’t Be Satisfied
assistant engineer:
Robert Smith (engineer)
engineer:
Joe Ferla
assistant mixer:
Sam Hofstedt
phonographic copyright (℗) by:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1993)
recorded at:
RPM Studios in New York, New York, United States (in 1992-03)
mixed at:
Bad Animals Studio in Seattle, Washington, United States
recording of:
I Can’t Be Satisfied (Bill Frisell arr.) (in 1992-03)
composer:
McKinley Morganfield (blues musician)
arranger:
Bill Frisell
arrangement of:
I Can’t Be Satisfied
3:01
11Live to Tell
assistant engineer:
Robert Smith (engineer)
engineer:
Joe Ferla
assistant mixer:
Sam Hofstedt
phonographic copyright (℗) by:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1993)
recorded at:
RPM Studios in New York, New York, United States (in 1992-03)
mixed at:
Bad Animals Studio in Seattle, Washington, United States
recording of:
Live to Tell (Bill Frisell arr.) (in 1992-03)
composer:
Patrick Leonard (american producer, songwriter and pianist) and Madonna (“Queen of Pop”)
arranger:
Bill Frisell
arrangement of:
Live to Tell
10:10
12The “Saint-Gaudens” in Boston Common (excerpt #2)
assistant engineer:
Robert Smith (engineer)
engineer:
Joe Ferla
assistant mixer:
Sam Hofstedt
phonographic copyright (℗) by:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1993)
recorded at:
RPM Studios in New York, New York, United States (in 1992-03)
mixed at:
Bad Animals Studio in Seattle, Washington, United States
partial recording of:
The “Saint-Gaudens” in Boston Common (Bill Frisell arr.) (in 1992-03)
composer:
Charles Ives (composer)
arranger:
Bill Frisell
arrangement of:
Orchestral Set No. 1, S. 7 "Three Places in New England": I. The "St. Gaudens" in Boston Common
3:06
13No Moe
assistant engineer:
Robert Smith (engineer)
engineer:
Joe Ferla
assistant mixer:
Sam Hofstedt
phonographic copyright (℗) by:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1993)
recorded at:
RPM Studios in New York, New York, United States (in 1992-03)
mixed at:
Bad Animals Studio in Seattle, Washington, United States
recording of:
No Moe (Bill Frisell arr.) (in 1992-03)
composer:
Sonny Rollins
arranger:
Bill Frisell
arrangement of:
No Moe
2:37
14Washington Post March
assistant engineer:
Robert Smith (engineer)
engineer:
Joe Ferla
assistant mixer:
Sam Hofstedt
phonographic copyright (℗) by:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1993)
recorded at:
RPM Studios in New York, New York, United States (in 1992-03)
mixed at:
Bad Animals Studio in Seattle, Washington, United States
recording of:
Washington Post March (Bill Frisell arr.) (in 1992-03)
composer:
John Philip Sousa (conductor and composer)
arranger:
Bill Frisell
arrangement of:
The Washington Post
2:05
15When I Fall in Love
assistant engineer:
Robert Smith (engineer)
engineer:
Joe Ferla
assistant mixer:
Sam Hofstedt
phonographic copyright (℗) by:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1993)
recorded at:
RPM Studios in New York, New York, United States (in 1992-03)
mixed at:
Bad Animals Studio in Seattle, Washington, United States
recording of:
When I Fall in Love (Bill Frisell arr.) (in 1992-03)
composer:
Edward Heyman and Victor Young (American composer, arranger, violinist & conductor)
arranger:
Bill Frisell
arrangement of:
When I Fall in Love
3:26
16Little Jenny Dow
assistant engineer:
Robert Smith (engineer)
engineer:
Joe Ferla
assistant mixer:
Sam Hofstedt
phonographic copyright (℗) by:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1993)
recorded at:
RPM Studios in New York, New York, United States (in 1992-03)
mixed at:
Bad Animals Studio in Seattle, Washington, United States
recording of:
Little Jenny Dow (Bill Frisell arr.) (in 1992-03)
composer:
Stephen Foster (composer)
arranger:
Bill Frisell
arrangement of:
Little Jenny Dow
3:31
17Have a Little Faith in Me
recording engineer, engineer and mixer:
Joe Ferla
assistant engineer:
Robert Smith (engineer)
assistant mixer:
Sam Hofstedt
phonographic copyright (℗) by:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1993)
recorded at:
RPM Studios in New York, New York, United States (in 1992-03)
mixed at:
Bad Animals Studio in Seattle, Washington, United States
recording of:
Have a Little Faith in Me (Bill Frisell arr.) (in 1992-03)
composer:
John Hiatt (guitarist, pianist and singer-songwriter)
arranger:
Bill Frisell
arrangement of:
Have a Little Faith in Me
5:43
18Billy Boy
assistant engineer:
Robert Smith (engineer)
engineer:
Joe Ferla
assistant mixer:
Sam Hofstedt
phonographic copyright (℗) by:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1993)
recorded at:
RPM Studios in New York, New York, United States (in 1992-03)
mixed at:
Bad Animals Studio in Seattle, Washington, United States
recording of:
Billy Boy (in 1992-03)
composer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
recording of:
Billy Boy (Bill Frisell arr.) (in 1992-03)
composer:
[traditional] (special purpose artist)
arranger:
Bill Frisell
arrangement of:
Billy Boy
1:35

Credits

Release

photography:Deborah Feingold (photographer) (task: band photograph)
Walker Evans (photographer) (in 1935-12: task: inside back cover)
Russell Lee (photographer) (on 1941-07-04: task: cover photograph)
John Heiden (in 1976: task: inside front cover)
engineer:Joe Ferla (in 1992-03)
executive producer:Robert Hurwitz (in 1992-03)
producer:Wayne Horvitz (in 1992-03)
mastering:Greg Calbi (American mastering engineer) (in 1992-03)
accordion:Guy Klucevsek (in 1992-03)
bass:Kermit Driscoll (in 1992-03)
bass clarinet and clarinet:Don Byron (in 1992-03)
drums (drum set):Joey Baron (American jazz drummer) (in 1992-03)
guitar:Bill Frisell (in 1992-03)
design:John Heiden
artwork:Monica Frisell (photographer, vocalist) (task: handlettering)
copyrighted (©) by:Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1993)
mastered at:Sterling Sound (original NYC studio; split/relocated to Nashville and Edgewater in 2018) in Chelsea, New York, New York, United States
Discogs:https://www.discogs.com/release/797712 [info]
ASIN:US: B000005J1S [info]