Signature

~ Release by Ann Hampton Callaway (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleRatingLength
1Tenderly
recording engineer:
Paul Wickliffe (from 2001-02-17 until 2001-02-19)
producer:
Danny Weiss (producer)
mixer and editor:
Paul Wickliffe
bass:
Ben Wolfe (from 2001-02-17 until 2001-02-19)
drums (drum set):
Lewis Nash (from 2001-02-17 until 2001-02-19)
piano:
Kenny Barron (from 2001-02-17 until 2001-02-19)
recorded at:
Kampo Studios in Manhattan, New York, New York, United States (from 2001-02-17 until 2001-02-19)
mixed at and edited at:
Horizon Sound in New Jersey, United States
cover recording of:
Tenderly (from 2001-02-17 until 2001-02-19)
lyricist:
Jack Lawrence (US songwriter) (in 1946)
composer:
Walter Gross (American composer) (in 1946)
publisher:
Chappell & Co., Chappell Morris Music, Chappell/Morris Ltd., Edwin Morris Music and Range Road Music
4:27
2You Turned the Tables on Me
recording engineer:
Paul Wickliffe (from 2001-02-17 until 2001-02-19)
producer:
Danny Weiss (producer)
mixer and editor:
Paul Wickliffe
bass:
Ben Wolfe (from 2001-02-17 until 2001-02-19)
drums (drum set):
Lewis Nash (from 2001-02-17 until 2001-02-19)
piano:
Kenny Barron (from 2001-02-17 until 2001-02-19)
recorded at:
Kampo Studios in Manhattan, New York, New York, United States (from 2001-02-17 until 2001-02-19)
mixed at and edited at:
Horizon Sound in New Jersey, United States
cover recording of:
You Turned the Tables on Me (from 2001-02-17 until 2001-02-19)
lyricist:
Sidney Mitchell
composer:
Louis Alter
publisher:
Sam Fox Publishing Company (publisher; do NOT use as release label) (in 1936)
3:36
3Route 66
recording engineer:
Paul Wickliffe (from 2001-02-17 until 2001-02-19)
producer:
Danny Weiss (producer)
mixer and editor:
Paul Wickliffe
bass:
Ben Wolfe (from 2001-02-17 until 2001-02-19)
drums (drum set):
Lewis Nash (from 2001-02-17 until 2001-02-19)
piano:
Kenny Barron (from 2001-02-17 until 2001-02-19)
vocals:
Peter Eldridge (from 2001-02-17 until 2001-02-19), Lauren Kinhan (from 2001-02-17 until 2001-02-19), Darmon Meader (from 2001-02-17 until 2001-02-19), Kim Nazarian (from 2001-02-17 until 2001-02-19) and New York Voices (from 2001-02-17 until 2001-02-19)
recorded at:
Kampo Studios in Manhattan, New York, New York, United States (from 2001-02-17 until 2001-02-19)
mixed at and edited at:
Horizon Sound in New Jersey, United States
cover recording of:
(Get Your Kicks on) Route 66 (from 2001-02-17 until 2001-02-19)
lyricist and composer:
Bobby Troup
publisher:
Chappell Morris Ltd., E. H. Morris, LondonTown Music, Inc., Troup-London, LLC, ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 and Burke-Van Heusen, Inc. (on 1946-04-22)
3:48
4A Kiss to Build a Dream On
recording engineer:
Paul Wickliffe (from 2001-02-17 until 2001-02-19)
producer:
Danny Weiss (producer)
mixer and editor:
Paul Wickliffe
bass:
Ben Wolfe (from 2001-02-17 until 2001-02-19)
drums (drum set):
Lewis Nash (from 2001-02-17 until 2001-02-19)
piano:
Kenny Barron (from 2001-02-17 until 2001-02-19)
recorded at:
Kampo Studios in Manhattan, New York, New York, United States (from 2001-02-17 until 2001-02-19)
mixed at and edited at:
Horizon Sound in New Jersey, United States
cover recording of:
A Kiss to Build a Dream On (from 2001-02-17 until 2001-02-19)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1935) and Bert Kalmar (in 1935)
composer:
Harry Ruby (in 1935)
publisher:
EMI Miller Catalog, Inc.
part of:
The 24th Academy Award for Best Original Song (number: 2)
part of:
The Strip (1951 film)
3:06
5The Best Is Yet to Come
recording engineer:
Paul Wickliffe (from 2001-02-17 until 2001-02-19)
producer:
Danny Weiss (producer)
mixer and editor:
Paul Wickliffe
bass:
Ben Wolfe (from 2001-02-17 until 2001-02-19)
drums (drum set):
Lewis Nash (from 2001-02-17 until 2001-02-19)
piano:
Kenny Barron (from 2001-02-17 until 2001-02-19)
recorded at:
Kampo Studios in Manhattan, New York, New York, United States (from 2001-02-17 until 2001-02-19)
mixed at and edited at:
Horizon Sound in New Jersey, United States
cover recording of:
The Best Is Yet to Come (from 2001-02-17 until 2001-02-19)
lyricist:
Carolyn Leigh (in 1959)
composer:
Cy Coleman (in 1959)
publisher:
Carwin Music, Inc., EMI U Catalog Inc. (publisher; do NOT use as release label), Notable Music, Notable Music Co., Inc. and WB Music Corp. (1929–2019)
4:09
6For All We Know
recording engineer:
Paul Wickliffe (from 2001-02-17 until 2001-02-19)
producer:
Danny Weiss (producer)
mixer and editor:
Paul Wickliffe
bass:
Ben Wolfe (from 2001-02-17 until 2001-02-19)
drums (drum set):
Lewis Nash (from 2001-02-17 until 2001-02-19)
piano:
Kenny Barron (from 2001-02-17 until 2001-02-19)
guest vocals:
Freddy Cole (from 2001-02-17 until 2001-02-19)
recorded at:
Kampo Studios in Manhattan, New York, New York, United States (from 2001-02-17 until 2001-02-19)
mixed at and edited at:
Horizon Sound in New Jersey, United States
cover recording of:
For All We Know (Lovers and Other Strangers, 1970) (from 2001-02-17 until 2001-02-19)
lyricist:
Arthur James (soft rock singer/songwriter/guitarist) and Robb Wilson
composer:
Fred Karlin
publisher:
MCA Music Ltd. (ended), Pamco Music Inc. (ended), EMI Al Gallico Music Corp., Songs of Universal, Inc. and Universal Music Corp. (USA, affiliated with ASCAP)
part of:
The 43rd Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 43)
5:06
7Mr. Paganini
recording engineer:
Paul Wickliffe (from 2001-02-17 until 2001-02-19)
producer:
Danny Weiss (producer)
mixer and editor:
Paul Wickliffe
bass:
Ben Wolfe (from 2001-02-17 until 2001-02-19)
drums (drum set):
Lewis Nash (from 2001-02-17 until 2001-02-19)
piano:
Kenny Barron (from 2001-02-17 until 2001-02-19)
recorded at:
Kampo Studios in Manhattan, New York, New York, United States (from 2001-02-17 until 2001-02-19)
mixed at and edited at:
Horizon Sound in New Jersey, United States
cover recording of:
You'll Have to Swing It (Mr Paganini) (from 2001-02-17 until 2001-02-19)
writer:
Sam Coslow
3:50
8In the Wee Small Hours of the Morning
recording engineer:
Paul Wickliffe (from 2001-02-17 until 2001-02-19)
producer:
Danny Weiss (producer)
mixer and editor:
Paul Wickliffe
bass:
Ben Wolfe (from 2001-02-17 until 2001-02-19)
drums (drum set):
Lewis Nash (from 2001-02-17 until 2001-02-19)
piano:
Kenny Barron (from 2001-02-17 until 2001-02-19)
recorded at:
Kampo Studios in Manhattan, New York, New York, United States (from 2001-02-17 until 2001-02-19)
mixed at and edited at:
Horizon Sound in New Jersey, United States
cover recording of:
In the Wee Small Hours of the Morning (from 2001-02-17 until 2001-02-19)
lyricist:
Bob Hilliard
composer:
David Mann (American songwriter)
publisher:
Better Half Music Company, Bourne Co. (not for release label use, this is a music publisher), Bourne Music Ltd., Redd Evans Music Company and Rytvoc, Inc. (ASCAP)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックEH(CM) and 日音 Synch事業部
part of:
The Real Book (compilation of jazz standards, Volume I)
4:18
9Is That All There Is?
recording engineer:
Paul Wickliffe (from 2001-02-17 until 2001-02-19)
producer:
Danny Weiss (producer)
mixer and editor:
Paul Wickliffe
bass:
Ben Wolfe (from 2001-02-17 until 2001-02-19)
drums (drum set):
Lewis Nash (from 2001-02-17 until 2001-02-19)
piano:
Kenny Barron (from 2001-02-17 until 2001-02-19)
recorded at:
Kampo Studios in Manhattan, New York, New York, United States (from 2001-02-17 until 2001-02-19)
mixed at and edited at:
Horizon Sound in New Jersey, United States
recording of:
Is That All There Is? (from 2001-02-17 until 2001-02-19)
lyricist:
Jerry Leiber
composer:
Mike Stoller
publisher:
Sony/ATV Songs LLC
4:17
10Twisted
recording engineer:
Paul Wickliffe (from 2001-02-17 until 2001-02-19)
producer:
Danny Weiss (producer)
mixer and editor:
Paul Wickliffe
bass:
Ben Wolfe (from 2001-02-17 until 2001-02-19)
drums (drum set):
Neil Smith (drums) (from 2001-02-17 until 2001-02-19)
piano:
Kenny Barron (from 2001-02-17 until 2001-02-19)
vocals:
Peter Eldridge (from 2001-02-17 until 2001-02-19), Lauren Kinhan (from 2001-02-17 until 2001-02-19), Darmon Meader (from 2001-02-17 until 2001-02-19), Kim Nazarian (from 2001-02-17 until 2001-02-19) and New York Voices (from 2001-02-17 until 2001-02-19)
recorded at:
Kampo Studios in Manhattan, New York, New York, United States (from 2001-02-17 until 2001-02-19)
mixed at and edited at:
Horizon Sound in New Jersey, United States
cover recording of:
Twisted (from 2001-02-17 until 2001-02-19)
lyricist:
Annie Ross
composer:
Wardell Gray
publisher:
Prestige Music Co. (US, affiliated with BMI), Raybird Music, Second Floor Music and Sony Music Publishing (Japan) Inc. (song publisher, never a release label)
3:26
11Good Morning Heartache
recording engineer:
Paul Wickliffe (from 2001-02-17 until 2001-02-19)
producer:
Danny Weiss (producer)
mixer and editor:
Paul Wickliffe
bass:
Ben Wolfe (from 2001-02-17 until 2001-02-19)
drums (drum set):
Lewis Nash (from 2001-02-17 until 2001-02-19)
piano:
Kenny Barron (from 2001-02-17 until 2001-02-19)
recorded at:
Kampo Studios in Manhattan, New York, New York, United States (from 2001-02-17 until 2001-02-19)
mixed at and edited at:
Horizon Sound in New Jersey, United States
cover recording of:
Good Morning Heartache (from 2001-02-17 until 2001-02-19)
lyricist:
Ervin Drake (Songwriter)
composer:
Dan Fisher and Irene Higginbotham
publisher:
Fisher Music Corp., Lindabet Music, Inc. and Universal/MCA Music (music publisher; do not use as release label!)
6:16
12Pick Yourself Up
recording engineer:
Paul Wickliffe (from 2001-02-17 until 2001-02-19)
producer:
Danny Weiss (producer)
mixer and editor:
Paul Wickliffe
bass:
Ben Wolfe (from 2001-02-17 until 2001-02-19)
drums (drum set):
Neil Smith (drums) (from 2001-02-17 until 2001-02-19)
piano:
Kenny Barron (from 2001-02-17 until 2001-02-19)
recorded at:
Kampo Studios in Manhattan, New York, New York, United States (from 2001-02-17 until 2001-02-19)
mixed at and edited at:
Horizon Sound in New Jersey, United States
cover recording of:
Pick Yourself Up (from “Swing Time”) (from 2001-02-17 until 2001-02-19)
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jerome Kern
part of:
Swing Time (film)
4:09