| 24 Preludes, op. 34, no. 1: Moderato in C major | | | | | | | |
| 24 Preludes, op. 34, no. 2: Allegretto in A minor | | | | | | | |
| 24 Preludes, op. 34, no. 3: Andante in G major | | | | | | | |
| 24 Preludes, op. 34, no. 4: Moderato in E minor | | | | | | | |
| 24 Preludes, op. 34, no. 5: Allegro vivace in D major | | | | | | | |
| 24 Preludes, op. 34, no. 6: Allegretto in B minor | | | | | | | |
| 24 Preludes, op. 34, no. 7: Andante in A major | | | | | | | |
| 24 Preludes, op. 34, no. 8: Allegretto in F-sharp minor | | | | | | | |
| 24 Preludes, op. 34, no. 9: Presto in E major | | | | | | | |
| 24 Preludes, op. 34, no. 10: Moderato non troppo in C-sharp minor | | | | | | | |
| 24 Preludes, op. 34, no. 11: Allegretto in B major | | | | | | | |
| 24 Preludes, op. 34, no. 12: Allegro non troppo in G-sharp minor | | | | | | | |
| 24 Preludes, op. 34, no. 13: Moderato in F-sharp minor | | | | | | | |
| 24 Preludes, op. 34, no. 14: Adagio in E-flat minor | | | | | | | |
| 24 Preludes, op. 34, no. 15: Allegretto in D-flat major | | | | | | | |
| 24 Preludes, op. 34, no. 16: Andantino in B-flat minor | | | | | | | |
| 24 Preludes, op. 34, no. 17: Largo in A-flat major | | | | | | | |
| 24 Preludes, op. 34, no. 18: Allegretto in F minor | | | | | | | |
| 24 Preludes, op. 34, no. 19: Andantino in E-flat major | | | | | | | |
| 24 Preludes, op. 34, no. 20: Allegretto furioso in C minor | | | | | | | |
| 24 Preludes, op. 34, no. 21: Allegretto poco moderato in B-flat major | | | | | | | |
| 24 Preludes, op. 34, no. 22: Adagio in G minor | | | | | | | |
| 24 Preludes, op. 34, no. 23: Moderato in F major | | | | | | | |
| 24 Preludes, op. 34, no. 24: Allegretto in D minor | | | | | | | |
| Andante espressivo | | | | | | | |
| Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: I. Allegro | | | | | | | |
| Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: II. Adagio un poco mosso | | | | | | | |
| Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: III. Rondo. Allegro | | | | | | | |
| Concerto for Piano, Violin, Cello and Orchestra in C major, op. 56 “Triple Concerto”: I. Allegro | | - David Oistrakh, Sviatoslav Richter, Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan
- Mark Zeltser, Anne‐Sophie Mutter, Yo‐Yo Ma, Berliner Philharmoniker, Herbert von Karajan
- Géza Anda, Pierre Fournier, Wolfgang Schneiderhan, Deutsches Symphonie‐Orchester Berlin, Ferenc Fricsay
- Eugene Istomin, Leonard Rose, Isaac Stern, The Philadelphia Orchestra, Eugene Ormandy
- (show 67 more)
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| Concerto for Piano, Violin, Cello and Orchestra in C major, op. 56 “Triple Concerto”: II. Largo | | - David Oistrakh, Sviatoslav Richter, Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan
- Mark Zeltser, Anne‐Sophie Mutter, Yo‐Yo Ma, Berliner Philharmoniker, Herbert von Karajan
- [unknown]
- Géza Anda, Pierre Fournier, Wolfgang Schneiderhan, Deutsches Symphonie‐Orchester Berlin, Ferenc Fricsay
- (show 75 more)
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| Concerto for Piano, Violin, Cello and Orchestra in C major, op. 56 “Triple Concerto”: III. Rondo alla polacca | | - David Oistrakh, Sviatoslav Richter, Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan
- Yo‐Yo Ma, Anne‐Sophie Mutter, Mark Zeltser, Berliner Philharmoniker, Herbert von Karajan
- Géza Anda, Pierre Fournier, Wolfgang Schneiderhan, Deutsches Symphonie‐Orchester Berlin, Ferenc Fricsay
- Eugene Istomin, Leonard Rose, Isaac Stern, The Philadelphia Orchestra, Eugene Ormandy
- (show 69 more)
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| Klaviersonate Nr. 3 in f-Moll, op. 14: I. Allegro brillante | | | | | | | |
| Klaviersonate Nr. 3 in f-Moll, op. 14: II. Scherzo. Molto comodo | | | | | | | |
| Klaviersonate Nr. 3 in f-Moll, op. 14: III. Quasi Variazioni. Andantino de Clara Wieck | | | | | | | |
| Klaviersonate Nr. 3 in f-Moll, op. 14: IV. Finale. Prestissimo possibile | | | | | | | |
| Piano Quintet in E-flat major, op. 44: I. Allegro brillante | | | | | | | |
| Piano Quintet in E-flat major, op. 44: II. In modo d'una marcia. Un poco largamente | | | | | | | |
| Piano Quintet in E-flat major, op. 44: III. Scherzo. Molto vivace | | | | | | | |
| Piano Quintet in E-flat major, op. 44: IV. Allegro, ma non troppo | | | | | | | |
| Quintet for Piano and Strings in G minor, op. 57: I. Prelude. Lento | | - Vladimir Ashkenazy, Ioan Davies, Alan George, Christopher Rowland, Jonathan Sparey
- Martha Argerich, Renaud Capuçon, Lyda Chen, Mischa Maisky, Alissa Margulis
- Yefim Bronfman, Juilliard String Quartet
- Elisabeth Leonskaja, Borodin Quartet
- (show 38 more)
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| Quintet for Piano and Strings in G minor, op. 57: II. Fugue. Adagio | | - Vladimir Ashkenazy, Ioan Davies, Alan George, Christopher Rowland, Jonathan Sparey
- Martha Argerich, Renaud Capuçon, Lyda Chen, Mischa Maisky, Alissa Margulis
- Yefim Bronfman, Juilliard String Quartet
- Elisabeth Leonskaja, Borodin Quartet
- (show 38 more)
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| Quintet for Piano and Strings in G minor, op. 57: III. Scherzo. Allegretto | | - Martha Argerich, Renaud Capuçon, Lyda Chen, Mischa Maisky, Alissa Margulis
- Vladimir Ashkenazy, Ioan Davies, Alan George, Christopher Rowland, Jonathan Sparey
- Yefim Bronfman, Juilliard String Quartet
- Elisabeth Leonskaja, Borodin Quartet
- (show 38 more)
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| Quintet for Piano and Strings in G minor, op. 57: IV. Intermezzo. Lento | | - Vladimir Ashkenazy, Ioan Davies, Alan George, Christopher Rowland, Jonathan Sparey
- Yefim Bronfman, Juilliard String Quartet
- Martha Argerich, Renaud Capuçon, Lyda Chen, Mischa Maisky, Alissa Margulis
- Borodin Quartet, Sviatoslav Richter
- (show 36 more)
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| Quintet for Piano and Strings in G minor, op. 57: V. Finale. Allegretto | | - Vladimir Ashkenazy, Ioan Davies, Alan George, Christopher Rowland, Jonathan Sparey
- Martha Argerich, Renaud Capuçon, Lyda Chen, Mischa Maisky, Alissa Margulis
- Yefim Bronfman, Juilliard String Quartet
- Elisabeth Leonskaja, Borodin Quartet
- (show 37 more)
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| Sonata for Cello and Piano in A major: I. Allegretto | | | | | | | |
| Sonata for Cello and Piano in A major: II. Allegro | | | | | | | |
| Sonata for Cello and Piano in A major: III. Recititavo – Fantasia | | | | | | | |
| Sonata for Cello and Piano in A major: IV. Allegretto poco mosso | | | | | | | |
| Sonate pour violoncelle et piano, op. 143 : I. Allegro - Tempo di marcia | | | | | | | |
| Sonate pour violoncelle et piano, op. 143 : II. Cavatine | | | | | | | |
| Sonate pour violoncelle et piano, op. 143 : III. Ballabile | | | | | | | |
| Sonate pour violoncelle et piano, op. 143 : IV. Finale | | | | | | | |
| Souvenirs | | | | | | | |
| Titus et Bérénice, grande sonate dramatique pour violoncelle et piano: I. Allegro moderato | | | | | | | |
| Titus et Bérénice, grande sonate dramatique pour violoncelle et piano: II. Vivace - Molto movimento | | | | | | | |
| Titus et Bérénice, grande sonate dramatique pour violoncelle et piano: III. Lento, tristamente | | | | | | | |
| Titus et Bérénice, grande sonate dramatique pour violoncelle et piano: IV. Allegro molto movimento | | | | | | | |
