Kuschel Jazz

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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▼ CD 1
#TitleArtistRatingLength
1Easy Living
Paul Desmond7:05
2What a Wonderful World
recorded in:
New York, United States (on 1967-08-16)
engineer:
Eddie Brackett and Bob Simpson (US jazz engineer/producer)
producer:
Bob Thiele (producer & songwriter)
alto saxophone:
Sam Marowitz (saxophonist and clarinetist) (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
baritone saxophone:
Raymond Stanfield (on 1967-08-16)
clarinet:
Sam Marowitz (saxophonist and clarinetist) (on 1967-08-16) and Jerome Richardson (on 1967-08-16)
double bass:
Russ Savakus (on 1967-08-16)
drums (drum set):
Grady Tate (on 1967-08-16)
flute:
Sam Marowitz (saxophonist and clarinetist) (on 1967-08-16), Jerome Richardson (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
guitar:
Allen Hanlon (jazz guitarist) (on 1967-08-16), Art Ryerson (on 1967-08-16) and Willard Suyker (on 1967-08-16)
percussion:
Warren Hard (on 1967-08-16)
piano:
Hank Jones (piano) (on 1967-08-16)
tenor saxophone:
Jerome Richardson (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
trombone:
Urbie Green (on 1967-08-16) and J.J. Johnson (jazz/bop trombonist/session leader) (on 1967-08-16)
trumpet:
Louis Armstrong (on 1967-08-16), Clark Terry (American swing trumpeter) (on 1967-08-16) and Joe Wilder (on 1967-08-16)
lead vocals:
Louis Armstrong (on 1967-08-16)
orchestra:
Louis Armstrong's Orchestra and Chorus (on 1967-08-16)
conductor and chorus master:
Tommy Goodman (pianist, arranger for Benny Goodman and Duke Ellington) (on 1967-08-16)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1968)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 171) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 283)
recording of:
What a Wonderful World (on 1967-08-16)
writer:
George Douglas (producer & songwriter) and George David Weiss
publisher:
Abilene Music Inc., Carlin Music Corp., Memory Lane Music (publishing company), Quartet Music Inc., Range Road Music Inc. and Valando Music, Inc.
sub-publisher:
BMC Publishing NV, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部, フジパシフィック音楽出版 (until 2014-12-31) and フジパシフィックミュージック (from 2015-01-01 to present)
part of:
12 Monkeys Soundtrack
part of:
Freaky Friday (2003)
Louis Armstrong3.92:17
3Summertime (from 'Porgy & Bess')
alto saxophone:
Cannonball Adderley (on 1958-08-18)
bass:
Paul Chambers (US jazz bassist) (on 1958-08-18)
bass clarinet:
Danny Bank (reeds) (on 1958-08-18)
bass trombone:
Dick Hixson (trombonist) (on 1958-08-18)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1958-08-18)
flugelhorn:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1958-08-18)
flute:
Romeo Penque (on 1958-08-18) and Jerome Richardson (on 1958-08-18)
French horn:
Willie Ruff (on 1958-08-18), Gunther Schuller (horn player, conductor, composer) (on 1958-08-18) and Julius Watkins (on 1958-08-18)
trombone:
Joe Bennett (trombonist) (on 1958-08-18), Jimmy Cleveland (US jazz trombonist) (on 1958-08-18) and Frank Rehak (US jazz trombonist) (on 1958-08-18)
trumpet:
Johnny Coles (US jazz trumpeter) (on 1958-08-18), Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1958-08-18), Bernie Glow (on 1958-08-18), Louis Mucci (trumpetist) (on 1958-08-18) and Ernie Royal (on 1958-08-18)
tuba:
Bill Barber (Jazz tuba player) (on 1958-08-18)
conductor:
Gil Evans (on 1958-08-18)
arranger:
Gil Evans
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1958-08-18)
instrumental cover recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (on 1958-08-18)
lyricist:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) and DuBose Heyward (in 1934)
composer:
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
Miles Davis & Gil Evans3:19
4What Is This Thing Called Love?
Dave Brubeck6:15
5Solo el fin (For All We Know)
engineer:
Rudy van Gelder (on 1971-02-01)
producer:
Creed Taylor
bass:
Russell George (bassist/violinist) (on 1971-02-01)
cello:
George Ricci (on 1971-02-01)
double bass [bass]:
George Russell (jazz pianist) (on 1971-02-01)
drums (drum set):
Dennis Seiwell (US drummer) (on 1971-02-01)
electric guitar:
Bob Mann (US session guitarist) (on 1971-02-01)
electric piano:
Eumir Deodato (on 1971-02-01)
guitar:
Gene Bertoncini (guitar player) (on 1971-02-01)
viola:
Harold Coletta (on 1971-02-01)
violin:
Paul Gershman (on 1971-02-01), Emanuel Green (on 1971-02-01), Julie Held (on 1971-02-01), Harry Katzman (on 1971-02-01), Joe Malin (on 1971-02-01) and Gene Orloff (on 1971-02-01)
vocals:
Astrud Gilberto (on 1971-02-01)
conductor:
Eumir Deodato (on 1971-02-01)
arranger:
Eumir Deodato
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1971-02-01)
recording of:
Solo el fin
lyricist:
James Griffin (soft rock singer/songwriter/guitarist) and Robb Wilson
composer:
Fred Karlin
translator:
Kathleen Freed
translated version of:
For All We Know (Lovers and Other Strangers, 1970)
Astrud Gilberto with Stanley Turrentine3:14
6Bluesette
Toots Thielemans4:35
7Autumn Leaves
Coleman Hawkins and Others2:47
8These Foolish Things
Nat King Cole3:46
9Round Midnight
recording engineer:
Ray Moore (engineer, 1957–1995) (on 1956-09-10)
producer:
George Avakian (US 1940-90s record producer)
double bass:
Paul Chambers (US jazz bassist) (on 1956-09-10)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1956-09-10)
piano:
Red Garland (on 1956-09-10)
tenor saxophone:
John Coltrane (on 1956-09-10)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1956-09-10)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1956-09-10)
instrumental cover recording of:
’Round Midnight (on 1956-09-10)
lyricist:
Bernie Hanighen
composer:
Thelonious Monk and Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (publisher, affiliated to BMI), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
is based on:
I Need You So
Miles Davis3.655:53
10Misty
Stan Getz5:24
11Quiet Nights of Quiet Stars (Corcovado)
cover recording of:
Quiet Nights of Quiet Stars (version #3, lyrics credited to Buddy Kaye & Gene Lees)
lyricist:
Buddy Kaye and Gene Lees
composer:
Antônio Carlos Jobim
publisher:
Duchess Music Corporation (BMI-affiliated)
translated version of:
Corcovado
Tony Bennett3:16
12Blue Boy
Gerry Mulligan4:35
13Satin Doll
Lionel Hampton with Reeds & Rhythm2:42
14Mad About the Boy
recorded in:
Chicago, Illinois, United States (on 1961-12-04)
piano:
Jack Wilson (jazz pianist) (on 1961-12-04)
trombone:
Billy Byers (on 1961-12-04)
trumpet:
Joe Newman (US jazz trumpeter) (on 1961-12-04)
vocals:
Dinah Washington
orchestra:
Quincy Jones and His Orchestra (on 1961-12-04)
arranger:
Quincy Jones (on 1961-12-04)
cover recording of:
Mad About the Boy (in 1961)
lyricist and composer:
Noël Coward
publisher:
Chappell & Co. and Chappell Music Ltd.
part of:
Words and Music
Dinah Washington52:48
15What’ll I Do
recording of:
What’ll I Do?
lyricist and composer:
Irving Berlin (in 1923)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp., Wilhelm Hansen and Williamson Music Company
Chet Baker3:48
16Mood Indigo
recording of:
Mood Indigo (1930 jazz composition and song)
lyricist:
Irving Mills (in 1930)
composer:
Barney Bigard (in 1930) and Duke Ellington (US composer, pianist & jazz bandleader) (in 1930)
publisher:
Duke Ellington Music, Indigo Mood Music, EMI Mills Music Inc. (ASCAP-affiliated) (in 1930), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1930) and Lawrence Wright Music Co., Ltd. (in 1930)
sub-publisher:
ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label)
part of:
The Real Book (compilation of jazz standards, Volume I)
Duke Ellington & His Orchestra3:05
17It Ain’t Necessarily So
bass:
Ray Brown (jazz bassist) (from 1959-07-14 until 1959-08-09)
drums (drum set):
Ed Thigpen (from 1959-07-14 until 1959-08-09)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1959-07-14 until 1959-08-09)
recorded at:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, United States (from 1959-07-14 until 1959-08-09)
instrumental recording of:
It Ain’t Necessarily So (jazz standard originally from Porgy and Bess; catch-all for unspecified pop and jazz arrangements) (from 1959-07-14 until 1959-08-09)
lyricist:
Ira Gershwin, Dorothy Heyward (playwright) and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell Music (ASCAP), Gershwin Publishing Corp and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
was commissioned by:
Gershwin Publishing Corp (in 1935)
version of:
Porgy and Bess: Act II, Scene II. “It ain’t necessarily so”
recording of:
It Ain’t Necessarily So (jazz standard originally from Porgy and Bess; catch-all for unspecified pop and jazz arrangements)
lyricist:
Ira Gershwin, Dorothy Heyward (playwright) and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell Music (ASCAP), Gershwin Publishing Corp and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
was commissioned by:
Gershwin Publishing Corp (in 1935)
version of:
Porgy and Bess: Act II, Scene II. “It ain’t necessarily so”
Oscar Peterson2:47
18Everything I Have Is Yours/Dedicated to You
assistant engineer:
Larry McGee
engineer:
Cookie Marenco
producer:
Larry Clothier and Roy Hargrove
bass:
Rodney Whitaker (Bass)
flugelhorn and trumpet:
Roy Hargrove
membranophone:
Gregory Hutchinson
piano:
Marc Cary
saxophone:
Ron Blake (woodwinds player)
trumpet:
Roy Hargrove (in 1993)
mixed at:
Clinton Recording Studios (NYC 10th Ave til 2010) in New York, New York, United States
instrumental cover recording of:
Everything I Have Is Yours (in 1993)
lyricist:
Harold Adamson
composer:
Burton Lane
Roy Hargrove Quintet4:49
▼ CD 2
#TitleArtistRatingLength
1Wave
engineer:
Rudy van Gelder (from 1974-09-24 until 1974-09-26)
producer:
Creed Taylor
mixer:
Mark Wilder (US recording/mastering engineer)
double bass [bass]:
Ron Carter (US jazz double-bassist) (from 1974-09-24 until 1974-09-26)
drums (drum set):
Connie Kay (from 1974-09-24 until 1974-09-26)
electric guitar [guitar]:
Ed Bickert (from 1974-09-24 until 1974-09-26)
conductor:
Don Sebesky (from 1974-09-24 until 1974-09-26)
arranger:
Don Sebesky
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (from 1974-09-24 until 1974-09-26)
mixed at:
Sony Music Studios (NYC, closed 2007) in Hell's Kitchen, New York, New York, United States
instrumental cover recording of:
Wave (original instrumental) (from 1974-09-24 until 1974-09-26)
composer:
Antônio Carlos Jobim
publisher:
Corcovado Music Corp.
Paul Desmond6:17
2Tereza My Love
recording of:
Tereza My Love
Antonio Carlos Jobim4:22
3Forest Eyes
Stan Getz3:21
4Born to Be Blue
Mel Tormé with Hal Mooney & His Orchestra2:52
5Stardust
Ben Webster3:49
6Night and Day
cover recording of:
Night and Day (Cole Porter; from “The Gay Divorce”)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell, WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
Ella Fitzgerald & Orchestra Buddy Bregman3:05
7Manha De Carnival (Where Did I Go)
Carmen McRae3:00
8Quiet Evenings
Toots Thielemans3:47
9In a Mellow Tone
Marcus Roberts7:17
10At Last
cover recording of:
At Last
writer:
Mack Gordon and Harry Warren (US composer and lyricist)
publisher:
Twentieth Century Fox Music Corp., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
Arthur Prysock5:08
11When You Wish Upon a Star
recorded in:
Los Angeles, California, United States (on 1957-10-24)
producer:
George Avakian (US 1940-90s record producer) and Nedra Olds‐Neal
alto saxophone:
Paul Desmond (on 1957-10-24)
bass:
Norm Bates (jazz double-bass player) (on 1957-10-24)
drums (drum set):
Joe Morello (on 1957-10-24)
piano:
Dave Brubeck (on 1957-10-24)
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1957)
instrumental recording of:
When You Wish Upon a Star (Pinocchio, 1940 film) (on 1957-10-24)
lyricist:
Ned Washington
composer:
Leigh Harline
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Chappell Music Ltd.
part of:
The 13th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 13)
medley of:
Little Wooden Head (Pinocchio, 1940 film, music cue)
medley of:
When You Wish Upon a Star (Pinocchio, 1940 film, music cue)
medley of:
When You Wish Upon a Star (Pinocchio, 1940 film, music cue)
part of:
Celebrate the Future Hand in Hand
part of:
Pinocchio (1940 Disney film soundtrack)
The Dave Brubeck Quartet4:51
12Like Someone in Love
recording engineer:
Rudy van Gelder (on 1957-08-16)
double bass:
Earl May (on 1957-08-16)
drums (drum set):
Art Taylor (on 1957-08-16)
tenor saxophone:
John Coltrane (on 1957-08-16)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-08-16)
instrumental cover recording of:
Like Someone in Love (on 1957-08-16)
lyricist:
Johnny Burke (American lyricist, 1908-1964) (in 1944)
composer:
Jimmy Van Heusen (in 1944)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Chappell Morris Ltd., Dorsey Brothers Music and Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
John Coltrane4:57
13She Was Too Good to Me
recording of:
He Was Too Good to Me
lyricist:
Lorenz Hart (in 1930)
composer:
Richard Rodgers (composer)
publisher:
Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Williamson Music Company, ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
Simple Simon
Chet Baker4:41
14I Got It Bad (And That Ain’t Good)
Ben Webster4:58
15You’ve Changed
recording of:
You’ve Changed
lyricist:
Bill Carey (US songwriter)
composer:
Carl T. Fischer (Native American jazz pianist and composer)
publisher:
Peer International (BMI; Peer Int'l or Peer-International) and Southern Music Publishing Company
Billie Holiday & Ray Ellis and His Orchestra3:19
16When I Fall in Love
Bill Evans, Konitz & Marsh3:03
17Detour Ahead
Terence Blanchard4:32

Credits