Magnificat / Cantata no.10

~ Release by Johann Sebastian Bach, Wiener Akademie-Chor, Stuttgarter Hymnus-Chorknaben, Hymnuschor Stuttgart, Karl Münchinger (see all versions of this release, 1 available)

Annotation

Copyright: © 2011 Decca Music Group Limited
This Compilation ℗ 2011 Decca Music Group Limited

Annotation last modified on 2025-02-12 11:53 UTC.

Tracklist

▼ Digital Media 1
#TitleArtistRatingLength
1Magnificat in D major, BWV 243: Chorus "Magnificat"
choir vocals:
Vienna Academy Chorus (in 1968-05)
orchestra:
Stuttgarter Kammerorchester (in 1968-05)
conductor:
Karl Münchinger (German conductor) (in 1968-05)
recording of:
Magnificat D-Dur, BWV 243: I. Coro "Magnificat anima mea" (in 1968-05)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach3:21
2Magnificat in D major, BWV 243: Aria "Et exsultavit spiritus meus"
soprano vocals:
Hanneke van Bork (soprano) (in 1968-05)
orchestra:
Stuttgarter Kammerorchester (in 1968-05)
conductor:
Karl Münchinger (German conductor) (in 1968-05)
recording of:
Magnificat D-Dur, BWV 243: II. Aria (Sopran II) "Et exsultavit spiritus meus" (in 1966-09)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
recording of:
Magnificat, op. 26: II. Et exultavit
composer:
Urmas Sisask (in 1990)
part of:
Magnificat, op. 26
Johann Sebastian Bach2:32
3Magnificat in D major, BWV 243: Aria "Quia respexit humilitatem"
choir vocals:
Vienna Academy Chorus (in 1968-05)
contralto vocals:
Helen Watts (contralto) (in 1968-05)
soprano vocals:
Elly Ameling (soprano) (in 1968-05)
orchestra:
Stuttgarter Kammerorchester (in 1968-05)
conductor:
Karl Münchinger (German conductor) (in 1968-05)
recording of:
Magnificat D-Dur, BWV 243: III. Aria (Sopran I) "Quia respexit" (in 1968-05)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
recording of:
Magnificat D-Dur, BWV 243: IV. Coro "Omnes generationes" (in 1968-05)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach4:21
4Magnificat in D major, BWV 243: Aria "Quia fecit mihi magna"
baritone vocals:
Tom Krause (bass-baritone) (in 1968-05)
orchestra:
Stuttgarter Kammerorchester (in 1968-05)
conductor:
Karl Münchinger (German conductor) (in 1968-05)
recording of:
Magnificat D-Dur, BWV 243: V. Aria (Bass) "Quia fecit mihi magna" (in 1968-05)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:20
5Magnificat in D major, BWV 243: Aria (Duet) "Et misericordia"
tenor vocals:
Werner Krenn (tenor) (in 1968-05)
orchestra:
Stuttgarter Kammerorchester (in 1968-05)
conductor:
Karl Münchinger (German conductor) (in 1968-05)
recording of:
Magnificat D-Dur, BWV 243: VI. Aria (Alt, Tenor) "Et misericordia" (in 1968-05)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach4:18
6Magnificat in D major, BWV 243: Chorus "Fecit potentiam"
choir vocals:
Vienna Academy Chorus (in 1968-05)
orchestra:
Stuttgarter Kammerorchester (in 1968-05)
conductor:
Karl Münchinger (German conductor) (in 1968-05)
recording of:
Magnificat D-Dur, BWV 243: VII. Coro "Fecit potentiam" (in 1968-05)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:02
7Magnificat in D major, BWV 243: Aria "Deposuit potentes"
tenor vocals:
Werner Krenn (tenor) (in 1968-05)
orchestra:
Stuttgarter Kammerorchester (in 1968-05)
conductor:
Karl Münchinger (German conductor) (in 1968-05)
recording of:
Magnificat D-Dur, BWV 243: VIII. Aria (Tenor) "Deposuit potentes" (in 1968-05)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:07
8Magnificat in D major, BWV 243: Aria "Esurientes implevit bonis"
contralto vocals:
Helen Watts (contralto) (in 1968-05)
orchestra:
Stuttgarter Kammerorchester (in 1968-05)
conductor:
Karl Münchinger (German conductor) (in 1968-05)
recording of:
Magnificat D-Dur, BWV 243: IX. Aria (Alt) "Esurientes implevit bonis" (in 1968-05)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
recording of:
Magnificat D-Dur, BWV 243: IX. Aria "Esurientes implevit bonis" (catch-all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Andreas N. Tarkmann
arrangement of:
Magnificat D-Dur, BWV 243: IX. Aria (Alt) "Esurientes implevit bonis"
Johann Sebastian Bach3:11
9Magnificat in D major, BWV 243: Aria (Terzetto) "Suscepit Israel"
contralto vocals:
Helen Watts (contralto) (in 1968-05)
soprano vocals:
Elly Ameling (soprano) (in 1968-05) and Hanneke van Bork (soprano) (in 1968-05)
orchestra:
Stuttgarter Kammerorchester (in 1968-05)
conductor:
Karl Münchinger (German conductor) (in 1968-05)
recording of:
Magnificat D-Dur, BWV 243: X. Aria (Sopran I, Sopran II, Alt) "Suscepit Israel" (in 1968-05)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:12
10Magnificat in D major, BWV 243: Chorus "Sicut locutus est"
orchestra:
Stuttgarter Kammerorchester (in 1968-05)
conductor:
Karl Münchinger (German conductor) (in 1968-05)
recording of:
Magnificat D-Dur, BWV 243: XI. Coro "Sicut locutus est" (in 1968-05)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:02
11Magnificat in D major, BWV 243: Chorus "Gloria Patri"
orchestra:
Stuttgarter Kammerorchester (in 1968-05)
conductor:
Karl Münchinger (German conductor) (in 1968-05)
recording of:
Magnificat D-Dur, BWV 243: XII. Coro "Gloria Patri" (in 1968-05)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:30
12Meine Seel erhebt den Herren, Cantata, BWV 10: I. Chorus "Meine Seel' erhebt den Herren"
recording engineer:
Martin Fouqué
choir vocals:
Wiener Akademie-Chor (in 1968-05)
orchestra:
Stuttgarter Kammerorchester (in 1968-05)
conductor:
Karl Münchinger (German conductor) (in 1968-05)
recording of:
Kantate, BWV 10 "Meine Seel erhebt den Herren": I. Coro "Meine Seel erhebt den Herren" (in 1968-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
Johann Sebastian Bach4:12
13Meine Seel erhebt den Herren, Cantata, BWV 10: II. Aria "Herr, Herr, Herr, der du stark und mächtig bist"
recording engineer:
Martin Fouqué
soprano vocals:
Elly Ameling (soprano) (in 1968-05)
orchestra:
Stuttgarter Kammerorchester (in 1968-05)
conductor:
Karl Münchinger (German conductor) (in 1968-05)
recording of:
Kantate, BWV 10 "Meine Seel erhebt den Herren": II. Aria (Soprano) "Herr, der du stark und mächtig bist" (in 1968-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
Johann Sebastian Bach7:04
14Meine Seel erhebt den Herren, Cantata, BWV 10: III. Recit "Des Höchsten Güt ' und Treu' wird alle Morgen ne"
recording engineer:
Martin Fouqué
tenor vocals:
Werner Krenn (tenor) (in 1968-05)
orchestra:
Stuttgarter Kammerorchester (in 1968-05)
conductor:
Karl Münchinger (German conductor) (in 1968-05)
recording of:
Kantate, BWV 10 "Meine Seel erhebt den Herren": III. Recitativo (Tenore) "Des Höchsten Güt und Treu" (in 1968-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
Johann Sebastian Bach1:25
15Meine Seel erhebt den Herren, Cantata, BWV 10: IV. Aria "Gewaltige stösst Gott vom Stuhl"
recording engineer:
Martin Fouqué
bass vocals:
Tom Krause (bass-baritone) (in 1968-05)
orchestra:
Stuttgarter Kammerorchester (in 1968-05)
conductor:
Karl Münchinger (German conductor) (in 1968-05)
recording of:
Kantate, BWV 10 "Meine Seel erhebt den Herren": IV. Aria (Basso) "Gewaltige stößt Gott vom Stuhl" (in 1968-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
Johann Sebastian Bach3:26
16Meine Seel erhebt den Herren, Cantata, BWV 10: V. Duet "Er denket der Barmherzigkeit"
recording engineer:
Martin Fouqué
alto vocals:
Helen Watts (contralto) (in 1968-05)
choir vocals:
Wiener Akademie-Chor (in 1968-05)
tenor vocals:
Werner Krenn (tenor) (in 1968-05)
orchestra:
Stuttgarter Kammerorchester (in 1968-05)
conductor:
Karl Münchinger (German conductor) (in 1968-05)
recording of:
Kantate, BWV 10 "Meine Seel erhebt den Herren": V. Duetto e Choral (Alto, tenore) "Er denket der Barmherzigkeit" (in 1968-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
Johann Sebastian Bach2:03
17Meine Seel erhebt den Herren, Cantata, BWV 10: VI. Recit "Was Gott den Vätern alter Zeiten"
recording engineer:
Martin Fouqué
tenor vocals:
Werner Krenn (tenor) (in 1968-05)
orchestra:
Stuttgarter Kammerorchester (in 1968-05)
conductor:
Karl Münchinger (German conductor) (in 1968-05)
recording of:
Kantate, BWV 10 "Meine Seel erhebt den Herren": VI. Recitativo (Tenore) "Was Gott den Vätern alter Zeiten" (in 1968-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
Johann Sebastian Bach2:25
18Meine Seel erhebt den Herren, Cantata, BWV 10: VII. Chorale "Lob und Preis"
recording engineer:
Martin Fouqué
choir vocals:
Wiener Akademie-Chor (in 1968-05)
orchestra:
Stuttgarter Kammerorchester (in 1968-05)
conductor:
Karl Münchinger (German conductor) (in 1968-05)
recording of:
Kantate, BWV 10 "Meine Seel erhebt den Herren": VII. Choral "Lob und Preis sei Gott dem Vater und dem Sohn" (in 1968-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 122)
part of:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
Johann Sebastian Bach1:18
19"Wachet auf, ruft uns die Stimme" Cantata, BWV 140: 1. "Wachet auf, ruft uns die Stimme"
choir vocals:
Stuttgarter Hymnus-Chorknaben (in 1984-02)
orchestra:
Stuttgarter Kammerorchester (in 1984-02)
conductor:
Karl Münchinger (German conductor) (in 1984-02)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (in 1984-02)
recording of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": I. Coro "Wachet auf, ruft uns die Stimme" (from 1984-02-01 until 1984-02-04)
premiered in:
Leipzig, Sachsen, Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
Johann Sebastian Bach6:14
20"Wachet auf, ruft uns die Stimme" Cantata, BWV 140: 2. "Er kommt, er kommt, der Bräutigam kommt!"
tenor vocals:
Gösta Winbergh (tenor) (in 1984-02)
orchestra:
Stuttgarter Kammerorchester (in 1984-02)
conductor:
Karl Münchinger (German conductor) (in 1984-02)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (in 1984-02)
recording of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": II. Recitativo (Tenor) "Er kommt, er kommt, der Bräutgam kommt!" (from 1984-02-01 until 1984-02-04)
premiered in:
Leipzig, Sachsen, Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
Johann Sebastian Bach1:14
21"Wachet auf, ruft uns die Stimme" Cantata, BWV 140: 3. "Wann kommst du, mein Heil?"
bass vocals:
Tom Krause (bass-baritone) (in 1984-02)
soprano vocals:
Gabriele Fontana (soprano) (in 1984-02)
orchestra:
Stuttgarter Kammerorchester (in 1984-02)
conductor:
Karl Münchinger (German conductor) (in 1984-02)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (in 1984-02)
recording of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": III. Aria (Sop, Bass) "Wann kömmst du, mein Heil?" (from 1984-02-01 until 1984-02-04)
premiered in:
Leipzig, Sachsen, Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
Johann Sebastian Bach6:13
22"Wachet auf, ruft uns die Stimme" Cantata, BWV 140: 4. "Zion hört die Wächter singen"
choir vocals:
Stuttgarter Hymnus-Chorknaben (in 1984-02)
tenor vocals:
Gösta Winbergh (tenor)
orchestra:
Stuttgarter Kammerorchester (in 1984-02)
conductor:
Karl Münchinger (German conductor) (in 1984-02)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (in 1984-02)
recording of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": IV. Choral (Tenor) “Zion hört die Wächter singen” (from 1984-02-01 until 1984-02-04)
premiered in:
Leipzig, Sachsen, Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
Johann Sebastian Bach3:58
23"Wachet auf, ruft uns die Stimme" Cantata, BWV 140: 5. "So geh herein zu mir"
bass vocals:
Tom Krause (bass-baritone) (in 1984-02)
orchestra:
Stuttgarter Kammerorchester (in 1984-02)
conductor:
Karl Münchinger (German conductor) (in 1984-02)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (in 1984-02)
recording of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": V. Recitativo (Bass) "So geh herein zu mir" (from 1984-02-01 until 1984-02-04)
premiered in:
Leipzig, Sachsen, Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
Johann Sebastian Bach1:41
24"Wachet auf, ruft uns die Stimme" Cantata, BWV 140: 6. "Mein Freund ist mein!"
bass vocals:
Tom Krause (bass-baritone) (in 1984-02)
soprano vocals:
Gabriele Fontana (soprano) (in 1984-02)
orchestra:
Stuttgarter Kammerorchester (in 1984-02)
conductor:
Karl Münchinger (German conductor) (in 1984-02)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (in 1984-02)
recording of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": VI. Aria (Sop Bass) "Mein Freund ist mein" (from 1984-02-01 until 1984-02-04)
premiered in:
Leipzig, Sachsen, Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
Johann Sebastian Bach7:35
25"Wachet auf, ruft uns die Stimme" Cantata, BWV 140: 7. "Gloria sei dir gesungen"
choir vocals:
Stuttgarter Hymnus-Chorknaben (in 1984-02)
orchestra:
Stuttgarter Kammerorchester (in 1984-02)
conductor:
Karl Münchinger (German conductor) (in 1984-02)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (in 1984-02)
recording of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": VII. Choral "Gloria sei dir gesungen" (from 1984-02-01 until 1984-02-04)
premiered in:
Leipzig, Sachsen, Germany (on 1731-11-25)
lyricist:
Philipp Nicolai
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Breitkopf 389 Choralgesänge (number: 329)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
Johann Sebastian Bach1:52