The Essential Handel

~ Release by George Frideric Handel (see all versions of this release, 2 available)

Tracklist

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▼ Digital Media 1
#TitleArtistRatingLength
1Solomon, HWV 67, Act III: The Arrival of the Queen of Sheba
producer:
Michael Bremner (producer/engineer) (in 1965-04)
orchestra:
Academy of St Martin in the Fields (in 1965-04)
conductor:
Sir Neville Marriner (conductor) (in 1965-04)
balance engineer:
Kenneth Wilkinson (engineer) (in 1965-04)
recorded at:
Decca Studios in West Hampstead, Camden, London (Greater London), England, United Kingdom (in 1965-04)
recording of:
Solomon, HWV 67: Act III. Sinfonia “The Arrival of the Queen of Sheba” (in 1965-04)
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
publisher:
Hallische Händel‐Ausgabe der Georg‐Friedrich‐Händel‐Gesellschaft and Public Domain (refers to works that are in the public domain)
part of:
Solomon, HWV 67: Act III
Georg Friedrich Händel3:11
2Semele HWV 58: Act 2: "Where'er You Walk"
tenor vocals:
Kenneth McKellar (tenor)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Sir Adrian Boult (conductor)
recording of:
Semele, HWV 58: Act II, no. 45. “Where’er You Walk” (Jupiter)
composer:
George Frideric Handel (German‐British baroque composer) (in 1743)
librettist:
William Congreve
part of:
Semele, HWV 58: Act II
Georg Friedrich Händel4:02
3Water Music Suite no. 1 in F major, HWV 348: Hornpipe and Andante
sound engineer:
Stanley Goodall (engineer)
producer:
Michael Bremner (producer/engineer)
harpsichord [harpsichord continuo]:
Colin Tilney (harpsichordist) (in 1971-05)
orchestra:
Academy of St Martin in the Fields (in 1971-05)
conductor:
Sir Neville Marriner (conductor) (in 1971-05)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1972)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-05)
recording of:
Water Music, Suite no. 1 in F major, HWV 348: IIIa. [Allegro] (no tempo marking) (in 1971-05)
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
part of:
Water Music, Suite no. 1 in F major, HWV 348: III. Allegro - Andante - Allegro da capo
recording of:
Water Music, Suite no. 1 in F major, HWV 348: IIIb. Andante (in 1971-05)
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
part of:
Water Music, Suite no. 1 in F major, HWV 348: III. Allegro - Andante - Allegro da capo
Georg Friedrich Händel8:04
4Water Music Suite no. 1 in F major, HWV 348: Air
sound engineer:
Stanley Goodall (engineer)
producer:
Michael Bremner (producer/engineer)
harpsichord [harpsichord continuo]:
Colin Tilney (harpsichordist) (in 1971-05)
orchestra:
Academy of St Martin in the Fields (in 1971-05)
conductor:
Sir Neville Marriner (conductor) (in 1971-05)
balance engineer:
Stanley Goodall (engineer) (in 1971-05)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1972)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-05)
recording of:
Water Music, Suite no. 1 in F major, HWV 348: V. Air. Presto (in 1971-05)
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
part of:
Water Music Suite no. 1 in F major, HWV 348
Georg Friedrich Händel3:24
5Water Music Suite no. 1 in F major, HWV 348: Bourée and Hornpipe
sound engineer:
Stanley Goodall (engineer)
producer:
Michael Bremner (producer/engineer)
harpsichord [harpsichord continuo]:
Colin Tilney (harpsichordist) (in 1971-05)
orchestra:
Academy of St Martin in the Fields (in 1971-05)
conductor:
Sir Neville Marriner (conductor) (in 1971-05)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1972)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-05)
recording of:
Water Music, Suite no. 1 in F major, HWV 348: VIII. Hornpipe (in 1971-05)
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
part of:
Water Music Suite no. 1 in F major, HWV 348
Georg Friedrich Händel1:33
6Water Music Suite no. 2 in D major, HWV 349: Hornpipe
sound engineer:
Stanley Goodall (engineer)
producer:
Michael Bremner (producer/engineer)
harpsichord [harpsichord continuo]:
Colin Tilney (harpsichordist) (in 1971-05)
orchestra:
Academy of St Martin in the Fields (in 1971-05)
conductor:
Sir Neville Marriner (conductor) (in 1971-05)
balance engineer:
Stanley Goodall (engineer) (in 1971-05)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1972)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-05)
recording of:
Water Music, Suite no. 2 in D major, HWV 349: 12. Alla hornpipe (in 1971-05)
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
part of:
Water Music Suite no. 2 in D major, HWV 349
Georg Friedrich Händel4:06
7Rodelinda, HWV 34: Act 1: "Dove sei, amato bene?"
mezzo-soprano vocals:
Bernadette Greevy (Irish mezzo-soprano)
orchestra:
Academy of St Martin in the Fields
conductor:
Raymond Leppard (conductor and harpsichordist)
recording of:
Rodelinda, regina de' Longobardi, HWV 19: Atto I, no. 12. "Dove sei, amato bene?" (Bertarido)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Nicola Francesco Haym
part of:
Rodelinda, regina de' Longobardi, HWV 19: Atto I
Georg Friedrich Händel4:20
8Organ Concerto no. 13 in F major, HWV 295 "Cuckoo and the Nightingale": 1. Larghetto
organ:
Peter Hurford (organist)
orchestra:
Concertgebouw Kamerorkest
conductor:
Joshua Rifkin
recording of:
Organ Concerto no. 13 in F major, HWV 295 “The Cuckoo and the Nightingale”: III. Larghetto
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Organ Concerto no. 13 in F major, HWV 295 “The Cuckoo and the Nightingale”
Georg Friedrich Händel2:43
9Organ Concerto no. 13 in F major, HWV 295 "Cuckoo and the Nightingale": 2. Adagio
organ:
Peter Hurford (organist)
orchestra:
Concertgebouw Kamerorkest
conductor:
Joshua Rifkin
recording of:
Organ Concerto no. 13 in F major, HWV 295 “The Cuckoo and the Nightingale”: II. Allegro
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Organ Concerto no. 13 in F major, HWV 295 “The Cuckoo and the Nightingale”
Georg Friedrich Händel4:13
10Organ Concerto no. 13 in F major, HWV 295 "Cuckoo and the Nightingale": 3. Organo ad libitum: Aria & Passpied (Telemann)
organ:
Peter Hurford (organist)
orchestra:
Concertgebouw Kamerorkest
conductor:
Joshua Rifkin
Georg Friedrich Händel4:07
11Organ Concerto no. 13 in F major, HWV 295 "Cuckoo and the Nightingale": 4. Larghetto
organ:
Peter Hurford (organist)
orchestra:
Concertgebouw Kamerorkest
conductor:
Joshua Rifkin
recording of:
Organ Concerto no. 13 in F major, HWV 295 “The Cuckoo and the Nightingale”: I. Larghetto
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Organ Concerto no. 13 in F major, HWV 295 “The Cuckoo and the Nightingale”
Georg Friedrich Händel3:14
12Organ Concerto no. 13 in F major, HWV 295 "Cuckoo and the Nightingale": 5. Allegro
organ:
Peter Hurford (organist)
orchestra:
Concertgebouw Kamerorkest
conductor:
Joshua Rifkin
recording of:
Organ Concerto no. 13 in F major, HWV 295 “The Cuckoo and the Nightingale”: IV. Allegro
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Organ Concerto no. 13 in F major, HWV 295 “The Cuckoo and the Nightingale”
Georg Friedrich Händel3:11
13Suite no. 11 in D minor, HWV 437: Sarabande
performer:
Christopher Hogwood (conductor, harpsichordist)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!)
recording of:
Suite de pièce in D minor, Vol. 2 no. 4, HWV 437: IV. Sarabande
composer:
George Frideric Handel (German‐British baroque composer)
is based on:
Folia
part of:
Suite de pièce in D minor, Vol. 2 no. 4, HWV 437
Georg Friedrich Händel2:54
14Berenice, HWV 38: Act 2: Minuet from Overture
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
partial recording of:
Berenice, HWV 38: Overture
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Berenice, HWV 38
Georg Friedrich Händel4:10
15Jephtha, HWV 70: Act III: Waft Her, Angels, Through the Skies
recording engineer:
Martin Atkinson (engineer) (in 1979-03) and Stanley Goodall (engineer) (in 1979-03)
producer:
Chris Hazell
tenor vocals [Jephtha]:
Anthony Rolfe Johnson (tenor) (in 1979-03)
orchestra:
Academy of St.-Martin-in-the-Fields (in 1979-03)
conductor:
Neville Marriner (conductor) (in 1979-03)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1979)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1979-03)
recording of:
Jephtha, HWV 70: Act III, no. 32. Air "Waft her, angels, through the skies" (Jephtha) (in 1979-03)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act III
Georg Friedrich Händel4:51
16Judas Maccabaeus, HWV 63: "See, the Conqu'ring Hero Comes!"
recording of:
Judas Maccabaeus, HWV 63: Act III, no. 58: “See the Conqu’ring Hero Comes” (Chorus of Youths, Chorus of Virgins)
composer:
George Frideric Handel (German‐British baroque composer) (in 1746)
librettist:
Thomas Morell
part of:
Judas Maccabaeus, HWV 63: Act III
Georg Friedrich Händel2:59
17Serse, HWV 40: Act 1: Largo
orchestra:
London Symphony Orchestra (in 1961-08)
conductor:
George Szell (conductor, pianist, composer) (in 1961-08)
orchestrator:
August Reinhard (composer and arranger)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1961-08)
recording of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse) (in 1961-08)
composer:
George Frideric Handel (German‐British baroque composer) (from 1737-12-26 until 1738-01-09)
librettist:
[anonymous] (special purpose artist)
part of:
Serse, HWV 40: Atto I
Georg Friedrich Händel5:30
18Coronation Anthem no. 1, HWV 258: 1. Zadok the Priest
recording engineer:
Gordon Parry (engineer) (from 1963-07 until 1963-08)
producer:
Andrew Raeburn
harpsichord:
Thurston Dart (conductor and keyboard player) (from 1963-07 until 1963-08)
organ [organ continuo]:
John Langdon (organist) (from 1963-07 until 1963-08)
other instruments [continuo]:
Thurston Dart (conductor and keyboard player) (in 1963-07)
choir vocals:
Choir of King’s College, Cambridge (from 1963-07 until 1963-08)
orchestra:
English Chamber Orchestra (from 1963-07 until 1963-08)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (from 1963-07 until 1963-08)
concertmaster:
Emanuel Hurwitz (violinist) (from 1963-07 until 1963-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1963)
recorded at:
King's College, Cambridge in Cambridge, Cambridgeshire, England, United Kingdom (from 1963-07 until 1963-08)
recording of:
The Four Coronation Anthems: “Zadok the Priest”, HWV 258 (from 1963-07 until 1963-08)
composer:
George Frideric Handel (German‐British baroque composer) (in 1727)
premiered at:
Westminster Abbey in London (Greater London), England, United Kingdom (on 1727-10-11)
part of:
Händel-Werke-Verzeichnis (number: HWV 258)
part of:
The Four Coronation Anthems
Georg Friedrich Händel5:53
▼ Digital Media 2
#TitleArtistRatingLength
1Music for the Royal Fireworks, HWV 351: I. Ouverture
sound engineer:
Stanley Goodall (engineer)
producer:
Michael Bremner (producer/engineer)
harpsichord [harpsichord continuo]:
Colin Tilney (harpsichordist) (in 1971-05)
orchestra:
Academy of St Martin in the Fields (in 1971-05)
conductor:
Sir Neville Marriner (conductor) (in 1971-05)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1972)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-05)
recording of:
Music for the Royal Fireworks, HWV 351: I. Ouverture (in 1971-05)
composer:
George Frideric Handel (German‐British baroque composer) (in 1749)
part of:
Music for the Royal Fireworks, HWV 351
Georg Friedrich Händel7:50
2Music for the Royal Fireworks, HWV 351: II. Bourrée
sound engineer:
Stanley Goodall (engineer)
producer:
Michael Bremner (producer/engineer)
harpsichord [harpsichord continuo]:
Colin Tilney (harpsichordist) (in 1971-05)
orchestra:
Academy of St Martin in the Fields (in 1971-05)
conductor:
Sir Neville Marriner (conductor) (in 1971-05)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1972)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-05)
recording of:
Music for the Royal Fireworks, HWV 351: II. Bourrée (in 1971-05)
composer:
George Frideric Handel (German‐British baroque composer) (in 1749)
part of:
Music for the Royal Fireworks, HWV 351
Georg Friedrich Händel1:37
3Music for the Royal Fireworks, HWV 351: III. La Paix. Largo alla siciliana
sound engineer:
Stanley Goodall (engineer)
producer:
Michael Bremner (producer/engineer)
harpsichord [harpsichord continuo]:
Colin Tilney (harpsichordist) (in 1971-05)
orchestra:
Academy of St Martin in the Fields (in 1971-05)
conductor:
Sir Neville Marriner (conductor) (in 1971-05)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1972)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-05)
recording of:
Music for the Royal Fireworks, HWV 351: III. La Paix: Largo alla siciliana (in 1971-05)
composer:
George Frideric Handel (German‐British baroque composer) (in 1749)
part of:
Music for the Royal Fireworks, HWV 351
Georg Friedrich Händel2:52
4Music for the Royal Fireworks, HWV 351: IV. La Réjouissance
sound engineer:
Stanley Goodall (engineer)
producer:
Michael Bremner (producer/engineer)
harpsichord [harpsichord continuo]:
Colin Tilney (harpsichordist) (in 1971-05)
orchestra:
Academy of St Martin in the Fields (in 1971-05)
conductor:
Sir Neville Marriner (conductor) (in 1971-05)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1972)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-05)
recording of:
Music for the Royal Fireworks, HWV 351: IV. La Réjouissance (in 1971-05)
composer:
George Frideric Handel (German‐British baroque composer) (in 1749)
part of:
Music for the Royal Fireworks, HWV 351
Georg Friedrich Händel1:58
5Music for the Royal Fireworks, HWV 351: V. Menuet I-II
sound engineer:
Stanley Goodall (engineer)
producer:
Michael Bremner (producer/engineer)
harpsichord [harpsichord continuo]:
Colin Tilney (harpsichordist) (in 1971-05)
orchestra:
Academy of St Martin in the Fields (in 1971-05)
conductor:
Sir Neville Marriner (conductor) (in 1971-05)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1972)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-05)
recording of:
Music for the Royal Fireworks, HWV 351: V. Menuet I and II (in 1971-05)
composer:
George Frideric Handel (German‐British baroque composer) (in 1749)
part of:
Music for the Royal Fireworks, HWV 351
Georg Friedrich Händel2:56
6Samson, HWV 57: Act I: Return, O God of Hosts
contralto vocals:
Kathleen Ferrier (contralto) (in 1952)
orchestra:
London Philharmonic Orchestra (LPO) (in 1952)
conductor:
Sir Adrian Boult (conductor) (in 1952)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1960)
Georg Friedrich Händel4:32
7Harp Concerto in B-flat, op. 4 no. 6, HWV 294: 1. Andante allegro
engineer:
Kenneth Wilkinson (engineer)
producer:
Chris Hazell
harp:
Marisa Robles (Spanish harpist) (in 1980)
orchestra:
Academy of St Martin in the Fields (in 1980)
conductor:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (in 1980)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1980-02)
recording of:
Harp Concerto in B-flat major, op. 4 no. 6, HWV 294: I. Andante - Allegro (original version, for harp) (in 1980)
composer:
George Frideric Handel (German‐British baroque composer) (in 1736)
part of:
Harp Concerto in B-flat major, op. 4 no. 6, HWV 294
Georg Friedrich Händel3:51
8Harp Concerto in B-flat, op. 4 no. 6, HWV 294: 2. Larghetto
engineer:
Kenneth Wilkinson (engineer)
producer:
Chris Hazell
harp:
Marisa Robles (Spanish harpist) (in 1980)
orchestra:
Academy of St Martin in the Fields (in 1980)
conductor:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (in 1980)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1980-02)
recording of:
Harp Concerto in B-flat major, op. 4 no. 6, HWV 294: II. Larghetto (original version, for harp) (in 1980)
composer:
George Frideric Handel (German‐British baroque composer) (in 1736)
part of:
Harp Concerto in B-flat major, op. 4 no. 6, HWV 294
Georg Friedrich Händel4:36
9Harp Concerto in B-flat, op. 4 no. 6, HWV 294: 3. Allegro moderato
engineer:
Kenneth Wilkinson (engineer)
producer:
Chris Hazell
harp:
Marisa Robles (Spanish harpist) (in 1980)
orchestra:
Academy of St Martin in the Fields (in 1980)
conductor:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (in 1980)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1980-02)
recording of:
Harp Concerto in B-flat major, op. 4 no. 6, HWV 294: III. Allegro moderato (original version, for harp) (in 1980)
composer:
George Frideric Handel (German‐British baroque composer) (in 1736)
part of:
Harp Concerto in B-flat major, op. 4 no. 6, HWV 294
Georg Friedrich Händel2:30
10Samson HWV 57: Act 3: "Let The Bright Seraphim"
engineer:
Kenneth Wilkinson (engineer) (in 1960-08)
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
trumpet:
Harry Dilley (in 1960-08)
choir vocals:
Chorus of the Royal Opera House, Covent Garden (in 1960-08)
soprano vocals:
Joan Sutherland (soprano) (in 1960-08)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1960-08)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1960-08)
recording of:
Samson, HWV 57: Act III. Air: Let the bright seraphim (Israelite woman) (in 1960-08)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
part of:
Samson, HWV 57: Act III
Georg Friedrich Händel5:55
11Concerto grosso no. 6 in D major, op. 3/6, HWV 317
producer:
Andrew Raeburn
oboe:
Michael Dobson (oboist) (on 1964-03-23) and Roger Lord (oboist) (on 1964-03-23)
orchestra:
Academy of St Martin in the Fields (on 1964-03-23)
conductor:
Sir Neville Marriner (conductor) (on 1964-03-23)
balance engineer:
Kenneth Wilkinson (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1964-03-23)
recording of:
Concerto grosso in D major, op. 3 no. 6, HWV 317 (on 1964-03-23)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Händel-Werke-Verzeichnis (number: HWV 317)
part of:
Concerti Grossi, op. 3, HWV 312–317
Georg Friedrich Händel6:31
12Ode for Saint Cecilia's Day, HWV 76: The Trumpet's Loud Clangour
choir vocals:
Chorus of East Anglian Choirs
tenor vocals:
Peter Pears (tenor)
orchestra:
English Chamber Orchestra
conductor:
Benjamin Britten (English composer, conductor, and pianist)
recording of:
Ode for St Cecilia's Day, HWV 76: V. Aria and Chorus "The trumpet's loud clangor" (tenor)
composer:
George Frideric Handel (German‐British baroque composer) (in 1739)
librettist:
John Dryden (English poet)
part of:
Ode for St Cecilia's Day, HWV 76
Georg Friedrich Händel3:54
13Rinaldo, HWV 7a: Act 3: March & Battle
orchestra:
English Chamber Orchestra
conductor:
Richard Bonynge (conductor and pianist)
partial recording of:
Rinaldo, HWV 7b (1731 revised version)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Giacomo Rossi
premiered at:
King’s Theatre (Haymarket, London) in London (Greater London), England, United Kingdom (on 1731-04-06)
part of:
Händel-Werke-Verzeichnis (number: HWV 7b)
revision of:
Rinaldo, HWV 7a (1717 revised version)
Georg Friedrich Händel2:38
14Rodelinda, HWV 34: Act 3: "Vivi, tiranno, io t'ho scampato"
mezzo-soprano vocals:
Marilyn Horne (American operatic mezzo-soprano)
orchestra:
Vienna Cantata Orchestra
conductor:
Henry Lewis (conductor)
recording of:
Rodelinda, regina de' Longobardi, HWV 19: Atto III, no. 66. "Vivi, tiranno!" (Bertarido)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Nicola Francesco Haym
part of:
Rodelinda, regina de' Longobardi, HWV 19: Atto III
Georg Friedrich Händel6:05
15Messiah, HWV 56: Pt. 1: No. 12, Chorus. For Unto Us a Child Is Born
engineer:
Stanley Goodall (engineer) (in 1976-07)
producer:
Chris Hazell (in 1976-07)
choir vocals:
Academy of St Martin in the Fields Chorus (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (conductor) (in 1976-07)
balance engineer:
Simon Eadon (classical music engineer) (in 1976-07)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part I, no. 12. Chorus “For unto us a Child is born” (in 1976-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel3:36
16Messiah, HWV 56: Pt. 3: No. 45, Aria. I Know That My Redeemer Liveth (soprano)
engineer:
Stanley Goodall (engineer) (in 1976-07)
producer:
Chris Hazell (in 1976-07)
soprano vocals:
Elly Ameling (soprano) (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (conductor) (in 1976-07)
balance engineer:
Simon Eadon (classical music engineer) (in 1976-07)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part III, no. 45. Air “I know that my Redeemer liveth” (Soprano) (in 1976-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
Georg Friedrich Händel5:13
17Messiah, HWV 56: Pt. 3: "The Trumpet Shall Sound"
engineer:
Stanley Goodall (engineer) (in 1976-07)
producer:
Chris Hazell (in 1976-07)
bass:
Gwynne Howell (operatic bass) (in 1976-07)
trumpet:
John Wilbraham (trumpet player) (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Neville Marriner (conductor) (in 1976-07)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part III, no. 48. Air “The trumpet shall sound” (Bass) (in 1976-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
Georg Friedrich Händel4:00
18Messiah, HWV 56: Pt. 2: No. 44, Chorus. Hallelujah, for the Lord God Omnipotent Reigneth
engineer:
Simon Eadon (classical music engineer) (in 1976-07) and Stanley Goodall (engineer) (in 1976-07)
producer:
Chris Hazell (in 1976-07)
choir vocals:
Academy of St Martin in the Fields Chorus (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (conductor) (in 1976-07)
chorus master:
László Heltay (British/Hungarian conductor and composer) (in 1976-07)
balance engineer:
Simon Eadon (classical music engineer) (in 1976-07)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1976)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah” (in 1976-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel3:40