Transparente

~ Release by Mariza (see all versions of this release, 5 available)

Tracklist

CD 1
#TitleRatingLength
1Há uma música do povo
assistant recording engineer:
Pablo Vitório
recording engineer and sound engineer:
Marcelo Sabóia
producer:
Jaques Morelenbaum
assistant mixer:
Bruno Stehling
cello:
Marcio Mallard (cellist), Marcus de Oliveira (cellist) and Yura Ranevski
double bass:
Denner Campolina (bassist)
viola:
Jesuina Passoroto, Marie Springuell and Ricardo Taboada
violin:
José Alves (violinist), Ricardo Amado, Bernardo Bessler, Michel Bessler, Daniel Guedes, Walter Hack, João Daltro, Antonella Pareschi, Paschoal Perrota and Rogério Rosa (Brazilian violinist)
vocals:
Mariza
conductor:
Jaques Morelenbaum (strings)
arranger:
Jaques Morelenbaum
phonographic copyright (℗) by:
EMI‐Valentim de Carvalho, Música Lda. (not for release label use! this was a company, for distribution and manufacturer use only) (in 2005)
recorded at:
Estúdio AR (Studio located in Rio de Janeiro, Brazil) in Rio de Janeiro, Rio de Janeiro, Brazil
recording of:
Há uma música do povo
lyricist:
Fernando Pessoa
composer:
Mário Pacheco (Fado guitarist)
is based on:
[Há uma música do povo] (Fernando Pessoa poem)
3:11
2Meu fado meu
assistant recording engineer:
Pablo Vitório
recording engineer and sound engineer:
Marcelo Sabóia
producer:
Jaques Morelenbaum
assistant mixer:
Bruno Stehling
cello:
Marcio Mallard (cellist), Marcus de Oliveira (cellist) and Yura Ranevski
double bass:
Denner Campolina (bassist)
viola:
Jesuina Passoroto, Marie Springuell and Ricardo Taboada
violin:
José Alves (violinist), Ricardo Amado, Bernardo Bessler, Michel Bessler, Daniel Guedes, Walter Hack, João Daltro, Antonella Pareschi, Paschoal Perrota and Rogério Rosa (Brazilian violinist)
vocals:
Mariza
conductor:
Jaques Morelenbaum (strings)
arranger:
Jaques Morelenbaum
phonographic copyright (℗) by:
EMI‐Valentim de Carvalho, Música Lda. (not for release label use! this was a company, for distribution and manufacturer use only) (in 2005)
recorded at:
Estúdio AR (Studio located in Rio de Janeiro, Brazil) in Rio de Janeiro, Rio de Janeiro, Brazil
recording of:
Meu fado meu
lyricist and composer:
Paulo de Carvalho
3:26
3Recusa
assistant recording engineer:
Pablo Vitório
recording engineer and sound engineer:
Marcelo Sabóia
producer:
Jaques Morelenbaum
assistant mixer:
Bruno Stehling
classical guitar:
Lula Galvão
vocals:
Mariza
arranger:
Jaques Morelenbaum
phonographic copyright (℗) by:
EMI‐Valentim de Carvalho, Música Lda. (not for release label use! this was a company, for distribution and manufacturer use only) (in 2005)
recorded at:
Estúdio AR (Studio located in Rio de Janeiro, Brazil) in Rio de Janeiro, Rio de Janeiro, Brazil
recording of:
Recusa
lyricist:
Mário Raínho
composer:
Raul Portela
is based on:
Fado Magala (traditional fado)
2:17
4Quando me sinto só
assistant recording engineer:
Pablo Vitório
recording engineer and sound engineer:
Marcelo Sabóia
producer:
Jaques Morelenbaum
assistant mixer:
Bruno Stehling
cello:
Jaques Morelenbaum
vocals:
Mariza
arranger:
Jaques Morelenbaum
phonographic copyright (℗) by:
EMI‐Valentim de Carvalho, Música Lda. (not for release label use! this was a company, for distribution and manufacturer use only) (in 2005)
recorded at:
Estúdio AR (Studio located in Rio de Janeiro, Brazil) in Rio de Janeiro, Rio de Janeiro, Brazil
recording of:
Quando me sinto só
lyricist:
Artur Ribeiro
composer:
Joaquim Campos
is based on:
Fado alexandrino do Joaquim Campos (traditional fado)
2:58
5Montras
assistant recording engineer:
Pablo Vitório
recording engineer and sound engineer:
Marcelo Sabóia
producer:
Jaques Morelenbaum
assistant mixer:
Bruno Stehling
cello:
Marcio Mallard (cellist), Marcus de Oliveira (cellist) and Yura Ranevski
double bass:
Denner Campolina (bassist)
viola:
Jesuina Passoroto, Marie Springuell and Ricardo Taboada
violin:
José Alves (violinist), Ricardo Amado, Bernardo Bessler, Michel Bessler, Daniel Guedes, Walter Hack, João Daltro, Antonella Pareschi, Paschoal Perrota and Rogério Rosa (Brazilian violinist)
vocals:
Mariza
conductor:
Jaques Morelenbaum (strings)
arranger:
Jaques Morelenbaum
phonographic copyright (℗) by:
EMI‐Valentim de Carvalho, Música Lda. (not for release label use! this was a company, for distribution and manufacturer use only) (in 2005)
recorded at:
Estúdio AR (Studio located in Rio de Janeiro, Brazil) in Rio de Janeiro, Rio de Janeiro, Brazil
recording of:
Montras
lyricist and composer:
Pedro Campos (Portuguese songwriter)
3:35
6Há palavras que nos beijam
assistant recording engineer:
Pablo Vitório
recording engineer and sound engineer:
Marcelo Sabóia
producer:
Jaques Morelenbaum
assistant mixer:
Bruno Stehling
cello:
Marcio Mallard (cellist), Marcus de Oliveira (cellist) and Yura Ranevski
double bass:
Denner Campolina (bassist)
French horn:
Ismael Oliveira
viola:
Jesuina Passoroto, Marie Springuell and Ricardo Taboada
violin:
José Alves (violinist), Ricardo Amado, Bernardo Bessler, Michel Bessler, Daniel Guedes, Walter Hack, João Daltro, Antonella Pareschi, Paschoal Perrota and Rogério Rosa (Brazilian violinist)
vocals:
Mariza
conductor:
Jaques Morelenbaum (strings)
arranger:
Jaques Morelenbaum
phonographic copyright (℗) by:
EMI‐Valentim de Carvalho, Música Lda. (not for release label use! this was a company, for distribution and manufacturer use only) (in 2005)
recorded at:
Estúdio AR (Studio located in Rio de Janeiro, Brazil) in Rio de Janeiro, Rio de Janeiro, Brazil
recording of:
Há palavras que nos beijam (Mariza song)
lyricist:
Alexandre O’Neill
composer:
Mário Pacheco (Fado guitarist)
is based on:
Há palavras que nos beijam (Alexandre O’Neill poem)
2:53
7Transparente
assistant recording engineer:
Pablo Vitório
recording engineer and sound engineer:
Marcelo Sabóia
producer:
Jaques Morelenbaum
assistant mixer:
Bruno Stehling
flute:
Carlos Malta
percussion:
Marcelo Costa (Brazillian percussionist, drummer)
vocals:
Mariza
arranger:
Jaques Morelenbaum
phonographic copyright (℗) by:
EMI‐Valentim de Carvalho, Música Lda. (not for release label use! this was a company, for distribution and manufacturer use only) (in 2005)
recorded at:
Estúdio AR (Studio located in Rio de Janeiro, Brazil) in Rio de Janeiro, Rio de Janeiro, Brazil
recording of:
Transparente
lyricist:
Paulo Abreu Lima
composer:
Rui Veloso
2:31
8Fado português de nós
assistant recording engineer:
Pablo Vitório
recording engineer and sound engineer:
Marcelo Sabóia
producer:
Jaques Morelenbaum
assistant mixer:
Bruno Stehling
accordion:
Agostinho Silva
cavaquinho:
Alceu Maia
vocals:
Mariza
arranger:
Jaques Morelenbaum
phonographic copyright (℗) by:
EMI‐Valentim de Carvalho, Música Lda. (not for release label use! this was a company, for distribution and manufacturer use only) (in 2005)
recorded at:
Estúdio AR (Studio located in Rio de Janeiro, Brazil) in Rio de Janeiro, Rio de Janeiro, Brazil
recording of:
Fado português do nós
lyricist and composer:
Paulo de Carvalho
2:24
9Malmequer
assistant recording engineer:
Pablo Vitório
recording engineer and sound engineer:
Marcelo Sabóia
producer:
Jaques Morelenbaum
assistant mixer:
Bruno Stehling
cello:
Jaques Morelenbaum
classical guitar:
António Neto
vocals:
Mariza
arranger:
Jaques Morelenbaum
phonographic copyright (℗) by:
EMI‐Valentim de Carvalho, Música Lda. (not for release label use! this was a company, for distribution and manufacturer use only) (in 2005)
recorded at:
Estúdio AR (Studio located in Rio de Janeiro, Brazil) in Rio de Janeiro, Rio de Janeiro, Brazil
recording of:
Malmequer
lyricist:
Aldina Duarte
composer:
[traditional] (special purpose artist)
is based on:
Fado menor (traditional fado)
3:11
10Medo
assistant recording engineer:
Pablo Vitório
recording engineer and sound engineer:
Marcelo Sabóia
producer:
Jaques Morelenbaum
assistant mixer:
Bruno Stehling
cello:
Marcio Mallard (cellist), Marcus de Oliveira (cellist) and Yura Ranevski
double bass:
Denner Campolina (bassist)
viola:
Jesuina Passoroto, Marie Springuell and Ricardo Taboada
violin:
José Alves (violinist), Ricardo Amado, Bernardo Bessler, Michel Bessler, Daniel Guedes, Walter Hack, João Daltro, Antonella Pareschi, Paschoal Perrota and Rogério Rosa (Brazilian violinist)
vocals:
Mariza
conductor:
Jaques Morelenbaum (strings)
arranger:
Jaques Morelenbaum
phonographic copyright (℗) by:
EMI‐Valentim de Carvalho, Música Lda. (not for release label use! this was a company, for distribution and manufacturer use only) (in 2005)
recorded at:
Estúdio AR (Studio located in Rio de Janeiro, Brazil) in Rio de Janeiro, Rio de Janeiro, Brazil
cover recording of:
Medo
lyricist:
Reinaldo Ferreira
composer:
Alain Oulman
is based on:
Quem dorme à noite comigo? (Reinaldo Ferreira poem)
3:11
11Toada do desengano
assistant recording engineer:
Pablo Vitório
recording engineer and sound engineer:
Marcelo Sabóia
producer:
Jaques Morelenbaum
assistant mixer:
Bruno Stehling
clarinet:
Paulo Sérgio Santos (Brazilian clarinet & saxophone player)
classical guitar:
António Neto
vocals:
Mariza
arranger:
Jaques Morelenbaum
phonographic copyright (℗) by:
EMI‐Valentim de Carvalho, Música Lda. (not for release label use! this was a company, for distribution and manufacturer use only) (in 2005)
recorded at:
Estúdio AR (Studio located in Rio de Janeiro, Brazil) in Rio de Janeiro, Rio de Janeiro, Brazil
recording of:
Toada do desengano
lyricist:
Vasco Graça Moura
composer:
Franklin Godinho
is based on:
Fado Franklin (de sextilhas, traditional fado)
3:35
12Fado tordo
assistant recording engineer:
Pablo Vitório
recording engineer and sound engineer:
Marcelo Sabóia
producer:
Jaques Morelenbaum
assistant mixer:
Bruno Stehling
flute:
Carlos Malta
vocals:
Mariza
arranger:
Jaques Morelenbaum
phonographic copyright (℗) by:
EMI‐Valentim de Carvalho, Música Lda. (not for release label use! this was a company, for distribution and manufacturer use only) (in 2005)
recorded at:
Estúdio AR (Studio located in Rio de Janeiro, Brazil) in Rio de Janeiro, Rio de Janeiro, Brazil
recording of:
Fado Tordo
lyricist and composer:
Fernando Tordo
2:12
13Duas lágrimas de orvalho
assistant recording engineer:
Pablo Vitório
recording engineer and sound engineer:
Marcelo Sabóia
producer:
Jaques Morelenbaum
assistant mixer:
Bruno Stehling
cello:
Jaques Morelenbaum
vocals:
Mariza
arranger:
Jaques Morelenbaum
phonographic copyright (℗) by:
EMI‐Valentim de Carvalho, Música Lda. (not for release label use! this was a company, for distribution and manufacturer use only) (in 2005)
recorded at:
Estúdio AR (Studio located in Rio de Janeiro, Brazil) in Rio de Janeiro, Rio de Janeiro, Brazil
cover recording of:
Duas lágrimas de orvalho
lyricist:
João Linhares Barbosa
composer:
Pedro Rodrigues (fadista and fado songwriter)
is based on:
Fado Pedro Rodrigues (traditional fado)
2:37
14Desejos vãos
assistant recording engineer:
Pablo Vitório
recording engineer and sound engineer:
Marcelo Sabóia
producer:
Jaques Morelenbaum
assistant mixer:
Bruno Stehling
cello:
Marcio Mallard (cellist), Marcus de Oliveira (cellist) and Yura Ranevski
double bass:
Denner Campolina (bassist)
viola:
Jesuina Passoroto, Marie Springuell and Ricardo Taboada
violin:
José Alves (violinist), Ricardo Amado, Bernardo Bessler, Michel Bessler, Daniel Guedes, Walter Hack, João Daltro, Antonella Pareschi, Paschoal Perrota and Rogério Rosa (Brazilian violinist)
vocals:
Mariza
conductor:
Jaques Morelenbaum (strings)
arranger:
Jaques Morelenbaum
phonographic copyright (℗) by:
EMI‐Valentim de Carvalho, Música Lda. (not for release label use! this was a company, for distribution and manufacturer use only) (in 2005)
recorded at:
Estúdio AR (Studio located in Rio de Janeiro, Brazil) in Rio de Janeiro, Rio de Janeiro, Brazil
recording of:
Desejos vãos
lyricist:
Florbela Espanca
composer:
Tiago Machado
is based on:
Desejos vãos (Florbela Espanca sonnet)
3:30