Blues Night

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

▼ Digital Media 1
#TitleArtistRatingLength
1Evenin’ (album version)
Jimmy Witherspoon42:41
2I Used to Love You but It’s All Over Now
recording engineer and mixer:
Mike Piersante (recording engineer & mixer)
producer:
Diana Krall and T Bone Burnett (musician, songwriter and producer)
assistant mixer:
Zachary Dawes
acoustic guitar:
Marc Ribot (US guitarist)
bass:
Dennis Crouch (american bass player)
drums (drum set):
Jay Bellerose (american drummer and percussionist)
keyboard:
Keefus Ciancia (American score composer)
piano:
Diana Krall
vocals:
Diana Krall
mixed at:
Olympic Studios in Los Angeles, California, United States
cover recording of:
I Used to Love You but It’s All Over Now
lyricist:
Lew Brown
composer:
Albert Von Tilzer
publisher:
Broadway Music Corp.
Diana Krall2:51
3Mo Better Blues
double bass:
Sean Smith (bass)
electric upright bass:
Rémi Vignolo
membranophone:
Eric Harland
piano:
Jacky Terrasson
Jacky Terrasson42:38
4I’ll Be Your Baby Tonight
Shemekia Copeland4:21
5If I Tell You I Love You
assistant recording engineer:
Glenn Barratt (assistant engineer), Jeremy Miller (engineer based in Los Angeles, CA), Vanessa Par (assistant engineer) and Scott Michael Smith (US engineer/producer)
additional engineer:
Sebastian Zuleta
engineer and mixer:
Antonio “Moogie” Canázio
producer:
Heitor Pereira
assistant mixer:
Marco Ruiz (assistant engineer)
arranger:
Heitor Pereira
recording of:
If I Tell You I Love You
lyricist and composer:
Melody Gardot
Melody Gardot3:33
6The Thrill Is Gone (album version)
recording engineer and mixer:
Joe McGrath
producer:
John Porter (producer and musician US and UK)
guest performer:
Tracy Chapman (American singer‐songwriter)
publisher:
Musik-Edition Discoton
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1997)
recorded at:
Palais des Festivals et des Congrès in Cannes, Alpes-Maritimes, Provence-Alpes-Côte-d'Azur, France (on 1983-01-28)
mixed at:
Sound Castle Recording Studios (former LA location) in Silver Lake, Los Angeles, California, United States
live cover recording of:
The Thrill Is Gone (1951 blues song) (on 1983-01-28)
writer:
Roy Hawkins (in 1951) and Rick Darnell (in 1951)
publisher:
BMG Music Publishing, Inc., Carlin Music Corporation, Grosvenor House Music, Modern Music Publishing Co., Inc., Pamco Music Inc., Powerforce Music, Sounds Of Lucille, Inc. and Universal Music Careers
B.B. King & Tracy Chapman45:00
7Tango for Django
accordion:
Frank Marocco
bass guitar [bass]:
Pino Palladino
cello:
Tina Guo
classical guitar [gut string guitar]:
Robbie Robertson
drums (drum set) [drums]:
Ian Thomas (drummer)
keyboard:
Marius de Vries and Robbie Robertson
violin:
Anne Marie Calhoun
orchestrator:
Marius de Vries and Eldad Guetta
recording of:
Tango for Django
composer:
Marius de Vries and Robbie Robertson
Robbie Robertson33:50
8I Don’t Hurt Anymore
cover recording of:
I Don’t Hurt Anymore
writer:
Don Robertson (“Happy Whistler” songwriter) and Jack Rollins
Dinah Washington & Hal Mooney & His Orchestra33:14
9Til the End (album version)
James Hunter4:17
10Open These Bars
engineer and mixer:
Mike Yach
producer:
Otis Taylor
acoustic guitar:
Otis Taylor
bass guitar [bass]:
Cassie Taylor
guitar [lead guitar]:
Jon Paul Johnson
vocals:
Otis Taylor
recorded at:
Immersive Studios in Boulder, Colorado, United States
Otis Taylor36:30
11Bluebird
engineer:
Chuck Ainlay and Mark Knopfler
co-producer:
Chuck Ainlay and Guy Fletcher (keyboards +)
producer:
Mark Knopfler
recording of:
Bluebird
lyricist and composer:
Mark Knopfler
Mark Knopfler2.353:27
12Don’t Go to Strangers
bass:
Norbert Putnam
drums (drum set):
Chuck Browning
guitar:
J.J. Cale
piano:
Jerry Whitehurst (session pianist)
vocals:
J.J. Cale
recorded at:
Bradley’s Barn in Mt. Juliet, Tennessee, United States (on 1971-06-09)
recording of:
Don’t Go to Strangers (on 1971-06-09)
lyricist and composer:
J.J. Cale
J.J. Cale3.42:24
13Port of Rico
tenor saxophone:
Illinois Jacquet (on 1952-07-21)
recording of:
Port of Rico (on 1952-07-21)
composer:
Illinois Jacquet
Illinois Jacquet32:45
14Rag Mop (single version)
cover recording of:
Rag Mop
writer:
Deacon Anderson (songwriter, vocalist, steel guitarist) and Johnnie Lee Wills
publisher:
Hill and Range Southwind Mus S A (BMI-affiliated)
Lionel Hampton and His Orchestra2:51
15Bo Diddley (single version)
drums (drum set):
Clifton James (on 1955-03-02)
guitar:
Bo Diddley (American singer, guitarist, songwriter and music producer) (on 1955-03-02)
maracas:
Jerome Green (on 1955-03-02)
vocals:
Bo Diddley (American singer, guitarist, songwriter and music producer) (on 1955-03-02)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 62), Blues Hall of Fame: Classic of Blues Recording Single (number: 2017) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 277)
recording of:
Bo Diddley (on 1955-03-02)
lyricist and composer:
Ellas McDaniel (American singer, guitarist, songwriter and music producer) (until 1955-03-02)
publisher:
Arc Music Corp. (U.S. rock & blues publisher) and Good Music Ltd.
Bo Diddley3.252:44
16Roll Over Beethoven (single version)
producer:
Leonard & Phil Chess (Legendary US production duo)
double bass:
Willie Dixon (on 1956-04-19)
drums (drum set):
Melvin Billups (on 1956-04-19)
guitar and lead vocals:
Chuck Berry (on 1956-04-19)
piano:
Johnnie Johnson (on 1956-04-19)
tenor saxophone:
Leroy C. Davis (on 1956-04-19)
trumpet:
Vincent Pitts (on 1956-04-19)
phonographic copyright (℗) by:
Geffen Records (in 1956)
recorded at:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, United States (on 1956-04-19)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 2) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 97)
recording of:
Roll Over Beethoven (on 1956-04-19)
lyricist and composer:
Chuck Berry (in 1956-01)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dualtone Words and Songs, Isalee Music Publishing Company and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
sub-publisher:
Fujipacific Music, Inc. and Rock ’n’ Roll Music
Chuck Berry4.152:23
17How Many More Years (single version)
recorded in:
Memphis, Tennessee, United States (on 1951-05-14)
drums (drum set):
Willie Steele (on 1951-05-14)
guitar:
Willie Johnson (American electric blues guitarist) (on 1951-05-14)
harmonica and lead vocals:
Howlin’ Wolf (on 1951-05-14)
piano:
Ike Turner (on 1951-05-14)
part of:
Blues Hall of Fame: Classic of Blues Recording Single (number: 2013)
recording of:
How Many More Years (on 1951-05-14)
writer:
Chester Arthur Burnett (in 1951)
Howlin’ Wolf2:42
18Baby, Please Don’t Go
recording of:
Baby Please Don't Go
lyricist and composer:
McKinley Morganfield (blues musician)
publisher:
Bug Music MV GmbH (music publishing)
version of:
Baby, Please Don’t Go
Muddy Waters53:15
19Boom Boom
producer:
Calvin Carter
bass:
James Jamerson
drums (drum set):
Benny Benjamin (US drummer) (in 1961)
guitar:
John Lee Hooker (US blues singer, songwriter & guitarist)
piano:
Joe Hunter
tenor saxophone:
Hank Crosby
vocals:
John Lee Hooker (US blues singer, songwriter & guitarist)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1967)
recorded at:
Universal Recording Corporation, Studio B in Chicago, Illinois, United States (on 1961-10-26)
part of:
Blues Hall of Fame: Classic of Blues Recording Single (number: 2009), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 218) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 463)
recording of:
Boom Boom (on 1961-10-26)
lyricist and composer:
John Lee Hooker (US blues singer, songwriter & guitarist)
publisher:
Conrad Publishing Co. Inc. and Tristan Music Ltd.
John Lee Hooker3.352:31
20Born Under a Bad Sign (album version)
recorded in:
Memphis, Tennessee, United States (in 1967)
producer:
Jim Stewart (US producer, founder for Stax & Volt Records)
bass guitar:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1967)
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer) (in 1967)
guitar:
Steve Cropper (in 1967) and Albert King (well‐known US blues guitarist & singer) (in 1967)
horn:
Joe Arnold (in 1967), Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (in 1967) and Andrew Love (in 1967)
piano:
Isaac Hayes (in 1967) and Booker T. Jones (in 1967)
lead vocals:
Albert King (well‐known US blues guitarist & singer) (in 1967)
performer:
Booker T. & the MG’s (in 1967) and The Memphis Horns (in 1967)
part of:
Blues Hall of Fame: Classic of Blues Recording Single (number: 1988)
recording of:
Born Under a Bad Sign (in 1967)
lyricist:
William Bell
composer:
Booker T. Jones
publisher:
Cotillion Music Inc. (BMI), Irving Music, Inc., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and Warner Chappell Music, Inc.
Albert King32:49
21Shout, Sister, Shout! (single version)
choir vocals:
Lucky Millinder & His Orchestra (on 1941-09-05)
lead vocals:
Sister Rosetta Tharpe (on 1941-09-05)
orchestra:
Lucky Millinder & His Orchestra (on 1941-09-05)
conductor:
Lucky Millinder (on 1941-09-05)
recording of:
Shout, Sister, Shout (on 1941-09-05)
lyricist:
Lucky Millinder (in 1941-08)
composer:
Bill Doggett (in 1941-08)
Lucky Millinder & His Orchestra & Sister Rosetta Tharpe2:42
22Jericho
producer:
Bryan Koniarz
vocals:
Sister Rosetta Tharpe
Sister Rosetta Tharpe42:03
23One Scotch, One Bourbon, One Beer
Amos Milburn2:56
24Let the Four Winds Blow
bass guitar:
Frank Fields (in 1957-01)
drums (drum set):
Charles Williams (1950s US drummer) (in 1957-01)
guitar:
Justin Adams (1950s session guitarist) (in 1957-01)
piano:
Edward Frank (pianist) (in 1957-01)
saxophone:
Lee Allen (US jazz tenor saxophonist) (in 1957-01), Clarence Hall (in 1957-01) and Herb Hardesty (in 1957-01)
vocals:
Roy Brown (blues musician)
cover recording of:
Let the Four Winds Blow (in 1957-01)
lyricist and composer:
Antoine Dominique Domino and Dave Bartholomew
writer:
Dave Bartholomew and Fats Domino
Roy Brown22:04
25She’s the Most
recording of:
She’s the Most (on 1956-02-27)
lyricist and composer:
Murray Berlin
The Five Keys22:13