Matthäus-Passion (Special edition CD-Book release)

~ Release by J.S. Bach; Ian Bostridge, Franz-Josef Selig, Sibylla Rubens, Andreas Scholl, Werner Güra, Dietrich Henschel, Collegium Vocale Gent, Philippe Herreweghe (see all versions of this release, 3 available)

Annotation

Part of a series of CD-Books

Annotation last modified on 2015-01-31 17:54 UTC.

Tracklist

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▼ CD 1
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1Matthäus-Passion, BWV 244: Teil I, No. 1. Chorus I & II "Kommt, ihr Töchter, helft mir klagen"
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
choir vocals:
Collegium Vocale Gent (in 1998-08)
soprano vocals [Soprano in ripieno]:
Schola Cantorum Cantate Domino (Belgian boys choir) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, I. Chor I & II "Kommt, ihr Töchter, helft mir klagen" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach6:59
2Matthäus-Passion, BWV 244: Teil I, No. 2. "Da Jesus diese Rede vollendet hatte" (Evangelista, Jesus)
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
bass vocals [Jesus]:
Franz‐Josef Selig (operatic bass) (in 1998-08)
tenor vocals [Evangelist]:
Ian Bostridge (tenor) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, II. Rezitativ (Evangelist, Jesus) "Da Jesus diese Rede vollendet hatte" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:42
3Matthäus-Passion, BWV 244: Teil I, No. 3. Choral "Herzliebster Jesu, was hast du verbrochen"
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
choir vocals:
Collegium Vocale Gent (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, III. Choral "Herzliebster Jesu, was hast du verbrochen" (in 1998-08)
lyricist:
Johann Heermann
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 166)
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:44
4Matthäus-Passion, BWV 244: Teil I, No. 4a. "Da versammleten sich die Hohenpriester" (Evangelista) / No. 4b. Chorus I & II "Ja nicht auf das Fest" / No. 4c. "Da nun Jesus war zu Bethanien" (Evangelista) / No. 4d. Chorus I "Wozu dienet dieser Unrat" / No. 4e. "Da das Jesus merkete" (Evangelista, Jesus)
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
bass vocals [Jesus]:
Franz‐Josef Selig (operatic bass) (in 1998-08)
choir vocals:
Collegium Vocale Gent (in 1998-08)
tenor vocals [Evangelist]:
Ian Bostridge (tenor) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) - IVb. Cori "Ja nicht auf das Fest" - IVc. "Da nun Jesus war zu Bethanien" (Evangelista) - IVd. Coro "Wozu dienet dieser Unrat" - IVe. "Da das Jesus merkete" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach2:59
5Matthäus-Passion, BWV 244: Teil I, No. 5. Recitativo (Alt) "Du lieber Heiland du"
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
alto vocals:
Andreas Scholl (countertenor) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, V. Accompagnato-Rezitativ (Alt) "Du lieber Heiland du" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:54
6Matthäus-Passion, BWV 244: Teil I, No. 6. Aria (Alt) "Buß und Reu"
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
alto vocals:
Andreas Scholl (countertenor) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, VI. Arie (Alt) "Buß und Reu" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach4:21
7Matthäus-Passion, BWV 244: Teil I, No. 7. "Da ging hin der Zwölfen einer" (Evangelista, Judas)
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
tenor vocals [Evangelist]:
Ian Bostridge (tenor) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, VII. Rezitativ (Evangelist, Judas) "Da ging hin der Zwölfen einer" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:33
8Matthäus-Passion, BWV 244: Teil I, No. 8. Aria (Sopran) "Blute nur, du liebes Herz"
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
soprano vocals:
Sibylla Rubens (soprano) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, VIII. Arie (Sopran) "Blute nur, du liebes Herz" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach4:26
9Matthäus-Passion, BWV 244: Teil I, No. 9a. "Aber am ersten Tage der süßen Brot" (Evangelista) / No. 9b. Chorus I "Wo willst du, daß wir dir bereiten" / No. 9c. "Er sprach: Gehet ihn in die Stadt" (Evangelista, Jesus) / No. 9d. "Und sie wurden sehr betrübt" (Evangelista) / No. 9e. Chorus I "Herr, bin ich's"
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
bass vocals [Jesus]:
Franz‐Josef Selig (operatic bass) (in 1998-08)
choir vocals:
Collegium Vocale Gent (in 1998-08)
tenor vocals [Evangelist]:
Ian Bostridge (tenor) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" - IXb. Coro "Wo willst du, dass wir dir bereiten" - IXc. "Er sprach: Gehet hin in die Stadt" - IXd. "Und sie wurden sehr betrübt" - IXe. Coro "Herr, bin ichs" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach2:11
10Matthäus-Passion, BWV 244: Teil I, No. 10. Choral "Ich bin's, ich sollte büßen"
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
choir vocals:
Collegium Vocale Gent (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, X. Choral "Ich bin's, ich sollte büßen" (in 1998-08)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 294)
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:48
11Matthäus-Passion, BWV 244: Teil I, No. 11. "Er antwortete und sprach" (Evangelista, Jesus, Judas)
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
bass vocals [Jesus]:
Franz‐Josef Selig (operatic bass) (in 1998-08)
tenor vocals [Evangelist]:
Ian Bostridge (tenor) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, XI. Rezitativ (Evangelist, Jesus, Judas) "Er antwortete und sprach" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach2:58
12Matthäus-Passion, BWV 244: Teil I, No. 12. Recitativo (Sopran) "Wiewohl mein Herz in Tränen schwimmt"
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
soprano vocals:
Sibylla Rubens (soprano) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, XII. Accompagnato-Rezitativ (Sopran) "Wiewohl mein Herz in Tränen schwimmt" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:18
13Matthäus-Passion, BWV 244: Teil I, No. 13. Aria (Sopran) "Ich will dir mein Herze schenken"
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
soprano vocals:
Sibylla Rubens (soprano) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, XIII. Arie (Sopran) "Ich will dir mein Herze schenken" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach3:28
14Matthäus-Passion, BWV 244: Teil I, No. 14. "Und da sie den Lobgesang gesprochen hatten" (Evangelista, Jesus)
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
bass vocals [Jesus]:
Franz‐Josef Selig (operatic bass) (in 1998-08)
tenor vocals [Evangelist]:
Ian Bostridge (tenor) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, XIV. Rezitativ (Evangelist, Jesus) "Und da sie den Lobgesang gesprochen hatten" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:01
15Matthäus-Passion, BWV 244: Teil I, No. 15. Choral "Erkenne mich, mein Hüter"
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
choir vocals:
Collegium Vocale Gent (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, XV. Choral "Erkenne mich, mein Hüter" (in 1998-08)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 163)
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:00
16Matthäus-Passion, BWV 244: Teil I, No. 16. "Petrus aber antwortete" (Evangelista, Petrus, Jesus)
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
bass vocals [Jesus]:
Franz‐Josef Selig (operatic bass) (in 1998-08)
tenor vocals [Evangelist]:
Ian Bostridge (tenor) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, XVI. Rezitativ (Evangelist, Petrus, Jesus) "Petrus aber antwortete und sprach zu ihm" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:59
17Matthäus-Passion, BWV 244: Teil I, No. 17. Choral "Ich will hier bei dir stehen"
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
choir vocals:
Collegium Vocale Gent (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, XVII. Choral "Ich will hier bei dir stehen" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:02
18Matthäus-Passion, BWV 244: Teil I, No. 18. "Da kam Jesus mit ihnen zu einem Hofe" (Evangelista, Jesus)
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
bass vocals [Jesus]:
Franz‐Josef Selig (operatic bass) (in 1998-08)
tenor vocals [Evangelist]:
Ian Bostridge (tenor) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, XVIII. Rezitativ (Evangelist, Jesus) "Da kam Jesus mit ihnen zu einem Hofe" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:45
19Matthäus-Passion, BWV 244: Teil I, No. 19. Recitativo a doi Cori (Tenor) "O Schmerz! hier zittert das gequälte Herz"
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
choir vocals:
Collegium Vocale Gent (in 1998-08)
tenor vocals:
Werner Güra (German classical tenor) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, XIX. Accompagnato-Rezitativ (Tenor) und Choral (Chor II) "O Schmerz! Hier zittert das gequälte Herz" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:40
20Matthäus-Passion, BWV 244: Teil I, No. 20. Aria a doi Cori (Tenor) "Ich will bei meinem Jesu wachen"
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
choir vocals:
Collegium Vocale Gent (in 1998-08)
tenor vocals:
Werner Güra (German classical tenor) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, XX. Arie (Tenor) und Chor II "Ich will bei meinen Jesu wachen" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach4:52
21Matthäus-Passion, BWV 244: Teil I, No. 21. "Und ging hin ein wenig" (Evangelista, Jesus)
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
bass vocals [Jesus]:
Franz‐Josef Selig (operatic bass) (in 1998-08)
tenor vocals [Evangelist]:
Ian Bostridge (tenor) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXI. Rezitativ (Evangelist, Jesus) "Und ging hin ein wenig" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:40
22Matthäus-Passion, BWV 244: Teil I, No. 22. Recitativo (Baß) "Der Heiland fällt vor seinem Vater nieder"
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
bass vocals:
Dietrich Henschel (baritone) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXII. Accompagnato-Rezitativ (Bass) "Der Heiland fällt vor seinem Vater nieder" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:58
23Matthäus-Passion, BWV 244: Teil I, No. 23. Aria (Baß) "Gerne will ich mich bequemen"
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
bass vocals:
Dietrich Henschel (baritone) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXIII. Arie (Bass) "Gerne will ich mich bequemen" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach4:15
24Matthäus-Passion, BWV 244: Teil I, No. 24. "Und er kam zu seinen Jüngern" (Evangelista, Jesus)
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
bass vocals [Jesus]:
Franz‐Josef Selig (operatic bass) (in 1998-08)
tenor vocals [Evangelist]:
Ian Bostridge (tenor) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXIV. Rezitativ (Evangelist, Jesus) "Und er kam zu seinen Jüngern" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:19
25Matthäus-Passion, BWV 244: Teil I, No. 25. Choral "Was mein Gott will, das g'scheh' allzeit"
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
choir vocals:
Collegium Vocale Gent (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXV. Choral "Was mein Gott will, das g'scheh allzeit" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 342)
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:10
26Matthäus-Passion, BWV 244: Teil I, No. 26. "Und er kam und fand sie aber schlafend" (Evangelista, Jesus, Judas)
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
bass vocals [Jesus]:
Franz‐Josef Selig (operatic bass) (in 1998-08)
tenor vocals [Evangelist]:
Ian Bostridge (tenor) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXVI. Rezitativ (Evangelist, Jesus) "Und er kam und fand sie aber schlafend" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach2:21
27Matthäus-Passion, BWV 244: Teil I, No. 27a. Aria a doi Cori (Sopran, Alt) "So ist mein Jesus nun gefangen" / No. 27b. Chorus I & II "Sind Blitze, sind Donner in Wolken verschwunden"
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
alto vocals:
Andreas Scholl (countertenor) (in 1998-08)
choir vocals:
Collegium Vocale Gent (in 1998-08)
soprano vocals:
Sibylla Rubens (soprano) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXVII. Arie (Sopran, Alt) und Chor "So ist mein Jesus nun gefangen" - XXVIIb. Cori "Sind Blitze, sind Donner in Wolken verschwunden?" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach4:34
28Matthäus-Passion, BWV 244: Teil I, No. 28. "Und siehe, einer aus denen" (Evangelista, Jesus)
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
bass vocals [Jesus]:
Franz‐Josef Selig (operatic bass) (in 1998-08)
tenor vocals [Evangelist]:
Ian Bostridge (tenor) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXVIII. Rezitativ (Evangelist, Jesus) "Und siehe, einer aus denen, die mit Jesu waren" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach2:23
29Matthäus-Passion, BWV 244: Teil I, No. 29. Choral "O Mensch, bewein' dein Sünde groß"
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
choir vocals:
Collegium Vocale Gent (in 1998-08)
soprano vocals [Soprano in ripieno]:
Schola Cantorum Cantate Domino (Belgian boys choir) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXIX. Choral "O Mensch, bewein dein Sünde groß" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach5:40
▼ CD 2
#TitleArtistRatingLength
1Matthäus-Passion, BWV 244: Teil II, No. 30. Aria (Alt, Chorus I & II) "Ach! nun ist mein Jesus hin"
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
alto vocals:
Andreas Scholl (countertenor) (in 1998-08)
choir vocals:
Collegium Vocale Gent (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXX. Arie (Alt) und Chor "Ach! nun ist mein Jesus hin" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach3:48
2Matthäus-Passion, BWV 244: Teil II, No. 31. "Die aber Jesum gegriffen hatten" (Evangelista)
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
tenor vocals [Evangelist]:
Ian Bostridge (tenor) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXI. Rezitativ (Evangelist) "Die aber Jesum gegriffen hatten" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:57
3Matthäus-Passion, BWV 244: Teil II, No. 32. Choral "Mir hat die Welt trüglich gericht't"
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
choir vocals:
Collegium Vocale Gent (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXII. Choral "Mir hat die Welt trüglich gericht'" (in 1998-08)
lyricist:
Adam Reusner
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 213)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:48
4Matthäus-Passion, BWV 244: Teil II, No. 33. "Und wiewohl viel falsche Zeugen herzutraten" (Evangelista, Testis I & II, Pontifex)
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
tenor vocals [Evangelist]:
Ian Bostridge (tenor) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIII. Rezitativ (Evangelist, 2 Zeugen, Hohepriester) "Und wiewohl viel falsche Zeugen herzutraten" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:09
5Matthäus-Passion, BWV 244: Teil II, No. 34. Recitativo (Tenor) "Mein Jesus schweigt zu falschen Lügen stille"
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
tenor vocals:
Werner Güra (German classical tenor) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIV. Accompagnato-Rezitativ (Tenor) "Mein Jesus schweigt zu falschen Lügen stille" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:12
6Matthäus-Passion, BWV 244: Teil II, No. 35. Aria (Tenor) "Geduld, Geduld!"
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
tenor vocals:
Werner Güra (German classical tenor) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXV. Arie (Tenor) "Geduld! Wenn mich falsche Zungen stechen" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach3:44
7Matthäus-Passion, BWV 244: Teil II, No. 36a. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) / No. 36b. Chorus I & II "Er ist des Todes schuldig" / No. 36c. "Da speieten sie aus in sein Angesicht" (Evangelista) / No. 36d. Chorus I & II "Weissage uns, Christe"
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
bass vocals [Jesus]:
Franz‐Josef Selig (operatic bass) (in 1998-08)
choir vocals:
Collegium Vocale Gent (in 1998-08)
tenor vocals [Evangelist]:
Ian Bostridge (tenor) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) - XXXVIb. Cori "Er ist des Todes schuldig" - XXXVIc. "Da speieten sie aus" (Evangelista) - XXXVId. Cori "Weissage uns, Christe" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:01
8Matthäus-Passion, BWV 244: Teil II, No. 37. Choral "Wer hat dich so geschlagen"
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
choir vocals:
Collegium Vocale Gent (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVII. Choral "Wer hat dich so geschlagen" (in 1998-08)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 292)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:53
9Matthäus-Passion, BWV 244: Teil II, No. 38a. "Petrus aber saß draußen im Palast" (Evangelista, Ancilla I & II, Petrus) / No. 38b. Chorus II "Wahrlich, du bist auch einer von denen" (Evangelista, Petrus)
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
choir vocals:
Collegium Vocale Gent (in 1998-08)
tenor vocals [Evangelist]:
Ian Bostridge (tenor) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber saß draussen im Palast" (Evangelista, Ancilla I/II, Petrus) - XXXVIIIb. Coro "Wahrlich, du bist auch einer von denen" - XXXVIIIc. "Da hub er an, sich zu verfluchen" (Evangelista, Petrus) (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:14
10Matthäus-Passion, BWV 244: Teil II, No. 39. Aria (Alt) "Erbarme dich"
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
alto vocals and solo vocals:
Andreas Scholl (countertenor) (in 1998-08)
choir vocals:
Collegium Vocale Gent (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor and chorus master:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott" (in 1998-08)
orchestrator:
Ton Koopman (conductor, organist and harpsichordist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach6:38
11Matthäus-Passion, BWV 244: Teil II, No. 40. Choral "Bin ich gleich von dir gewichen"
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
choir vocals:
Collegium Vocale Gent (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XL. Choral "Bin ich gleich von dir gewichen" (in 1998-08)
lyricist:
Johann von Rist
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 361)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:10
12Matthäus-Passion, BWV 244: Teil II, No. 41a. "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas) / No. 41b. Chorus I & II "Was gehet uns das an" / No. 41c. "Und er warf die Silberlinge in den Tempel" (Evangelista, Pontifex I & II)
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
choir vocals:
Collegium Vocale Gent (in 1998-08)
tenor vocals [Evangelist]:
Ian Bostridge (tenor) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIa. "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas) - XLIb. Cori "Was gehet uns das an?" - XLIc. "Und er warf die Silberlinge in den Tempel" (Evangelista, Pontifex I/II) (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:39
13Matthäus-Passion, BWV 244: Teil II, No. 42. Aria (Baß) "Geht mir meinen Jesum wieder"
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
bass vocals:
Dietrich Henschel (baritone) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLII. Aria (Basso) "Gebt mir meinen Jesum wieder" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:49
14Matthäus-Passion, BWV 244: Teil II, No. 43. "Sie hielten aber einen Rat" (Evangelista, Pilatus, Jesus)
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
bass vocals [Jesus]:
Franz‐Josef Selig (operatic bass) (in 1998-08)
tenor vocals [Evangelist]:
Ian Bostridge (tenor) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIII. "Sie hielten aber einen Rat" (Evangelista, Pilatus, Jesus) (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:12
15Matthäus-Passion, BWV 244: Teil II, No. 44. Choral "Befiehl du deine Wege"
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
choir vocals:
Collegium Vocale Gent (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIV. Choral "Befiehl du deine Wege" (in 1998-08)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 159)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:03
16Matthäus-Passion, BWV 244: Teil II, No. 45a. "Auf das Fest aber hatte der Landpfleger" (Evangelista, Pilatus, Uxor Pilati, Chorus I & II) / No. 45b. Chorus I & II "Laß ihn kreuzigen!"
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
choir vocals:
Collegium Vocale Gent (in 1998-08)
tenor vocals [Evangelist]:
Ian Bostridge (tenor) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVa. "Auf das Fest aber hatte der Landpfleger Gewohnheit" (Evangelista, Pilatus, Uxor Pilati, Cori) - XLVb. Cori "Lass ihn kreuzigen" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:17
17Matthäus-Passion, BWV 244: Teil II, No. 46. Choral "Wie wunderbarlich ist doch diese Strafe"
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
choir vocals:
Collegium Vocale Gent (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVI. Choral "Wie wunderbarlich ist doch diese Strafe" (in 1998-08)
lyricist:
Johann Heermann
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 167)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:48
18Matthäus-Passion, BWV 244: Teil II, No. 47. "Der Landpfleger sagte" (Evangelista, Pilatus)
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
tenor vocals [Evangelist]:
Ian Bostridge (tenor) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVII. "Der Landpfleger sagte" (Evangelista, Pilatus) (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:15
19Matthäus-Passion, BWV 244: Teil II, No. 48. Recitativo (Sopran) "Er hat uns allen wohlgetan"
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
soprano vocals:
Sibylla Rubens (soprano) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVIII. Recitativo (Soprano) "Er hat uns allen wohlgetan" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:05
20Matthäus-Passion, BWV 244: Teil II, No. 49. Aria (Sopran) "Aus Liebe will mein Heiland sterben"
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
soprano vocals:
Sibylla Rubens (soprano) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIX. Aria (Soprano) "Aus Liebe will mein Heiland sterben" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach4:44
21Matthäus-Passion, BWV 244: Teil II, No. 50a. "Sie schrieen aber noch mehr" (Evangelista ) / No. 50b. Chorus I & II "Laß ihn kreuzigen!" / No50c. "Da aber Pilatus sahe" (Evangelista, Pilatus) / No. 50d. Chorus I & II "Sein Blut komme über uns" / No. 50e. "Da gab er ihnen Barrabam los" (Evangelista)
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
choir vocals:
Collegium Vocale Gent (in 1998-08)
tenor vocals [Evangelist]:
Ian Bostridge (tenor) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, La. "Sie schrieen aber noch mehr" (Evangelista) - Lb. Cori "Lass ihn kreuzigen" - Lc. "Da aber Pilatus sahe" (Evangelista, Pilatus) - Ld. Cori "Sein Blut komme über uns" - Le. "Da gab er ihnen Barrabam los" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:51
22Matthäus-Passion, BWV 244: Teil II, No. 51. Recitativo (Alt) "Erbarm es Gott"
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
alto vocals:
Andreas Scholl (countertenor) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LI. Recitativo (Alto) "Erbarm es Gott" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:57
23Matthäus-Passion, BWV 244: Teil II, No. 52. Aria (Alt) "Können Tränen meiner Wangen"
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
alto vocals:
Andreas Scholl (countertenor) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LII. Aria (Alto) "Können Tränen meiner Wangen" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach6:47
▼ CD 3
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1Matthäus-Passion, BWV 244: Teil II, No. 53a. "Da nahmen die Kriegsknechte" (Evangelista) / 53b. Chorus I & II "Gegrüßet seist du, Judenkönig" / 53c. "Und speieten ihn an" (Evangelista)
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
choir vocals:
Collegium Vocale Gent (in 1998-08)
tenor vocals [Evangelist]:
Ian Bostridge (tenor) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIIIa. "Da nahmen die Kriegsknechte" (Evangelista) - LIIIb. Cori "Gegrüsset seist du, Jüdenkönig" - LIIIc. "Und speieten ihn an" (Evangelista) (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:06
2Matthäus-Passion, BWV 244: Teil II, No. 54. Choral "O Haupt voll Blut und Wunden"
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
choir vocals:
Collegium Vocale Gent (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIV. Choral "O Haupt voll Blut und Wunden" (in 1998-08)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 162)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:13
3Matthäus-Passion, BWV 244: Teil II, No. 55. "Und da sie ihn verspottet hatten" (Evangelista)
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
tenor vocals [Evangelist]:
Ian Bostridge (tenor) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LV. "Und da sie ihn verspottet hatten" (Evangelista) (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:51
4Matthäus-Passion, BWV 244: Teil II, No. 56. Recitativo (Baß) "Ja! freilich will in uns das Fleisch und Blut"
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
bass vocals:
Dietrich Henschel (baritone) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVI. Recitativo (Basso) "Ja freilich will in uns das Fleisch und Blut" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:37
5Matthäus-Passion, BWV 244: Teil II, No. 57. Aria (Baß) "Komm, süßes Kreuz"
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
bass vocals:
Dietrich Henschel (baritone) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVII. Aria (Basso) "Komm, süßes Kreuz, so will ich sagen" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach5:46
6Matthäus-Passion, BWV 244: Teil II, No. 58a. "Und da sie an die Stätte kamen" (Evangelista) / No. 58b. Chorus I & II "Der du den Tempel Gottes zerbrichst" / No. 58c. "Desgleichen auch die Hohenpriester" (Evangelista) / No. 58d. Chorus I & II "Andem hat er geholfen" / No. 58e. "Desgleichen schmäheten ihn" (Evangelista)
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
choir vocals:
Collegium Vocale Gent (in 1998-08)
tenor vocals [Evangelist]:
Ian Bostridge (tenor) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie an die Stätte kamen" - LVIIIb. Cori "Der du den Tempel Gottes zerbrichst" - LVIIIc. "Desgleichen auch die Hohenpriester" - LVIIId. Cori "Andern hat er geholfen" - LVIIIe. "Desgleichen [...]" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach3:30
7Matthäus-Passion, BWV 244: Teil II, No. 59. Recitativo (Alt) "Ach, Golgatha, unsel'ges Golgatha"
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
alto vocals:
Andreas Scholl (countertenor) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIX. Recitativo (Alto) "Ach Golgotha" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:37
8Matthäus-Passion, BWV 244: Teil II, No. 60. Aria (Alt, Chorus II) "Sehet Jesus hat die Hand"
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
alto vocals:
Andreas Scholl (countertenor) (in 1998-08)
choir vocals:
Collegium Vocale Gent (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LX. Aria (Alto) "Sehet, Jesus hat die Hand", Coro "Wohin?" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:55
9Matthäus-Passion, BWV 244: Teil II, No. 61a. "Und von der sechsten Stunde" (Evangelista, Jesus) / No. 61b. Chorus I "Der rufet dem Elias" / No. 61c. "Und bald lief einer unter ihnen" (Evangelista) / No. 61d. Chorus II "Halt, laß sehen" / No. 61e. "Aber Jesus schriee abermals laut" (Evangelista)
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
bass vocals [Jesus]:
Franz‐Josef Selig (operatic bass) (in 1998-08)
choir vocals:
Collegium Vocale Gent (in 1998-08)
tenor vocals [Evangelist]:
Ian Bostridge (tenor) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIa. "Und von der sechsten Stunde an" (Evangelista, Jesus) - LXIb. Coro "Der rufet dem Elias" - LXIc. "Und bald lief einer unter ihnen" (Evangelista) - LXId. Coro "Halt! Lass sehen" - LXIe. "Aber Jesus schriee abermal" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:27
10Matthäus-Passion, BWV 244: Teil II, No. 62. Choral "Wenn ich einmal soll scheiden"
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
choir vocals:
Collegium Vocale Gent (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXII. Choral "Wenn ich einmal soll scheiden" (in 1998-08)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 164)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:17
11Matthäus-Passion, BWV 244: Teil II, No. 63a. "Und siehe da, der Vorhang im Tempel zerriß" (Evangelista) / No. 63b. Chorus I & II "Wahrlich, dieser ist Gottes Sohn gewesen" / No. 63c. "Und es waren viel Weiber da" (Evangelista)
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
choir vocals:
Collegium Vocale Gent (in 1998-08)
tenor vocals [Evangelist]:
Ian Bostridge (tenor) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIIIa. "Und siehe da, der Vorhang im Tempel zerriss" (Evangelista) - LXIIIb. Cori "Wahrlich, dieser ist Gottes Sohn gewesen" - LXIIIc. "Und es waren viel Weiber da" (Evangelista) (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:31
12Matthäus-Passion, BWV 244: Teil II, No. 64. Recitativo (Baß) "Am Abend da es kühle war"
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
bass vocals:
Dietrich Henschel (baritone) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIV. Recitativo (Basso) "Am Abend, da es kühle war" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:53
13Matthäus-Passion, BWV 244: Teil II, No. 65. Aria (Baß) "Mache dich, mein Herze, rein"
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
bass vocals:
Dietrich Henschel (baritone) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXV. Aria (Basso) "Mache dich, mein Herze, rein" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach5:50
14Matthäus-Passion, BWV 244: Teil II, No. 66a. "Und Joseph nahm den Lieb" (Evangelista) / No. 66b. Chorus I & II "Herr, wir haben gedacht" / No. 66c. "Pilatus sprach zu ihnen" (Evangelista, Pilatus)
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
choir vocals:
Collegium Vocale Gent (in 1998-08)
tenor vocals [Evangelist]:
Ian Bostridge (tenor) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIa. "Und Joseph nahm den Leib" (Evangelista) - LXVIb. Cori "Herr, wir haben gedacht" - LXVIc. "Pilatus sprach zu ihnen" (Evangelista, Pilatus) (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:29
15Matthäus-Passion, BWV 244: Teil II, No. 67. Recitativo (SATB, Chorus I & II) "Nun ist der Herr zur Ruh gebracht"
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
alto vocals:
Andreas Scholl (countertenor) (in 1998-08)
bass vocals:
Dietrich Henschel (baritone) (in 1998-08)
choir vocals:
Collegium Vocale Gent (in 1998-08)
soprano vocals:
Sibylla Rubens (soprano) (in 1998-08)
tenor vocals:
Werner Güra (German classical tenor) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVII. Recitativo (Soprano, Alto, Tenore, Basso) "Nun ist der Herr zur Ruh gebracht" - Coro "Mein Jesu, gute Nacht" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:57
16Matthäus-Passion, BWV 244: Teil II, No. 68. Chorus I & II "Wir setzen uns mit Tränen nieder"
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
choir vocals:
Collegium Vocale Gent (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIII. Coro "Wir setzen uns mit Tränen nieder" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach5:19

Credits

Release

ASIN:UK: B003064CZA [info]

Release group

included in:Johannes-Passion / Matthäus-Passion by J.S. Bach (German Baroque period composer & musician); Collegium Vocale Gent, Philippe Herreweghe (Belgian conductor)
Discogs:https://www.discogs.com/master/579419 [info]