Ballad Artistry of Milt Jackson / Vibrations (stereo)

~ Release by Milt Jackson (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleRatingLength
1The Cylinder
recorded in:
New York, New York, United States (on 1959-09-10)
alto flute:
Don Hammond (American multi-wind instrumentalist) (on 1959-09-10)
bass:
Bill Crow (on 1959-09-10)
cello:
Charles McCracken (cellist) (on 1959-09-10), George Ricci (on 1959-09-10) and Harvey Shapiro (cellist) (on 1959-09-10)
drums (drum set):
Connie Kay (on 1959-09-10)
guitar:
Barry Galbraith (on 1959-09-10)
harp:
Gloria Agostini (Harp) (on 1959-09-10)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1959-09-10)
vibraphone:
Milt Jackson (on 1959-09-10)
viola:
Al Brown (violin) (on 1959-09-10), Burt Fisch (on 1959-09-10) and David Mankowitz (on 1959-09-10)
violin:
Alexander Cores (violin) (on 1959-09-10), Max Cahn (on 1959-09-10), Harold Coletta (on 1959-09-10), Paul Gershman (on 1959-09-10), Julius Held (on 1959-09-10), Leo Kahn (on 1959-09-10), Harry Katzman (on 1959-09-10), Harry Lookofsky (on 1959-09-10), David Nadien (on 1959-09-10), George Ockner (on 1959-09-10) and Leonard Posner (on 1959-09-10)
conductor:
Quincy Jones (on 1959-09-10)
arranger:
Quincy Jones
recording of:
The Cylinder (on 1959-09-10)
composer:
Milt Jackson
2:48
2Makin' Whoopee
recorded in:
New York, New York, United States (on 1959-09-10)
alto flute:
Don Hammond (American multi-wind instrumentalist) (on 1959-09-10)
bass:
Bill Crow (on 1959-09-10)
cello:
Charles McCracken (cellist) (on 1959-09-10), George Ricci (on 1959-09-10) and Harvey Shapiro (cellist) (on 1959-09-10)
drums (drum set):
Connie Kay (on 1959-09-10)
guitar:
Barry Galbraith (on 1959-09-10)
harp:
Gloria Agostini (Harp) (on 1959-09-10)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1959-09-10)
vibraphone:
Milt Jackson (on 1959-09-10)
viola:
Al Brown (violin) (on 1959-09-10), Burt Fisch (on 1959-09-10) and David Mankowitz (on 1959-09-10)
violin:
Alexander Cores (violin) (on 1959-09-10), Max Cahn (on 1959-09-10), Harold Coletta (on 1959-09-10), Paul Gershman (on 1959-09-10), Julius Held (on 1959-09-10), Leo Kahn (on 1959-09-10), Harry Katzman (on 1959-09-10), Harry Lookofsky (on 1959-09-10), David Nadien (on 1959-09-10), George Ockner (on 1959-09-10) and Leonard Posner (on 1959-09-10)
conductor:
Quincy Jones (on 1959-09-10)
arranger:
Quincy Jones
instrumental recording of:
Makin’ Whoopee! (on 1959-09-10)
lyricist:
Gus Kahn
composer:
Walter Donaldson
translator:
Harrie Geelen
publisher:
Beth Dryer Music, Donaldson Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, Keith Prowse Music Publishing Co. Ltd., Tobago Music Co. and WB Music Corp. (1929–2019)
3:05
3Alone Together
recorded in:
New York, New York, United States (on 1959-09-10)
alto flute:
Don Hammond (American multi-wind instrumentalist) (on 1959-09-10)
bass:
Bill Crow (on 1959-09-10)
cello:
Charles McCracken (cellist) (on 1959-09-10), George Ricci (on 1959-09-10) and Harvey Shapiro (cellist) (on 1959-09-10)
drums (drum set):
Connie Kay (on 1959-09-10)
guitar:
Barry Galbraith (on 1959-09-10)
harp:
Gloria Agostini (Harp) (on 1959-09-10)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1959-09-10)
vibraphone:
Milt Jackson (on 1959-09-10)
viola:
Al Brown (violin) (on 1959-09-10), Burt Fisch (on 1959-09-10) and David Mankowitz (on 1959-09-10)
violin:
Alexander Cores (violin) (on 1959-09-10), Max Cahn (on 1959-09-10), Harold Coletta (on 1959-09-10), Paul Gershman (on 1959-09-10), Julius Held (on 1959-09-10), Leo Kahn (on 1959-09-10), Harry Katzman (on 1959-09-10), Harry Lookofsky (on 1959-09-10), David Nadien (on 1959-09-10), George Ockner (on 1959-09-10) and Leonard Posner (on 1959-09-10)
conductor:
Quincy Jones (on 1959-09-10)
arranger:
Quincy Jones
instrumental recording of:
Alone Together (on 1959-09-10)
lyricist:
Howard Dietz (librettist)
writer:
Schwartz & Dietz (Howard Dietz and Arthur Schwartz (lyricist and composer respectively))
composer:
Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd., Warner Bros. Music (publisher; do NOT use as release label) and Warner Bros., Inc. (Warner Bros. Music Division)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
4:53
4Tenderly
recorded in:
New York, New York, United States (on 1959-09-09)
bass:
Milt Hinton (on 1959-09-09)
cello:
Maurice Brown (jazz cellist) (on 1959-09-09) and George Ricci (on 1959-09-09)
drums (drum set):
Connie Kay (on 1959-09-09)
guitar:
Barry Galbraith (on 1959-09-09)
harp:
Gloria Agostini (Harp) (on 1959-09-09)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1959-09-09)
reeds:
Romeo Penque (on 1959-09-09)
vibraphone:
Milt Jackson (on 1959-09-09)
viola:
Al Brown (violin) (on 1959-09-09) and David Mankovitz (on 1959-09-09)
violin:
Paul Gershman (on 1959-09-09), Julius Held (on 1959-09-09), Leo Kahn (on 1959-09-09), Harry Katzman (on 1959-09-09), Harry Lookofsky (on 1959-09-09), David Nadien (on 1959-09-09), Gene Orloff (on 1959-09-09) and Sol Shapiro (on 1959-09-09)
instrumental recording of:
Tenderly (on 1959-09-09)
lyricist:
Jack Lawrence (US songwriter) (in 1946)
composer:
Walter Gross (American composer) (in 1946)
publisher:
Chappell & Co., Chappell Morris Music, Chappell/Morris Ltd., Edwin Morris Music and Range Road Music
4:31
5Don't Worry 'Bout Me
recorded in:
New York, New York, United States (on 1959-09-09)
bass:
Milt Hinton (on 1959-09-09)
cello:
Maurice Brown (jazz cellist) (on 1959-09-09) and George Ricci (on 1959-09-09)
drums (drum set):
Connie Kay (on 1959-09-09)
guitar:
Barry Galbraith (on 1959-09-09)
harp:
Gloria Agostini (Harp) (on 1959-09-09)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1959-09-09)
reeds:
Romeo Penque (on 1959-09-09)
vibraphone:
Milt Jackson (on 1959-09-09)
viola:
Al Brown (violin) (on 1959-09-09) and David Mankovitz (on 1959-09-09)
violin:
Paul Gershman (on 1959-09-09), Julius Held (on 1959-09-09), Leo Kahn (on 1959-09-09), Harry Katzman (on 1959-09-09), Harry Lookofsky (on 1959-09-09), David Nadien (on 1959-09-09), Gene Orloff (on 1959-09-09) and Sol Shapiro (on 1959-09-09)
instrumental recording of:
Don’t Worry ’Bout Me (on 1959-09-09)
lyricist:
Ted Koehler (in 1939)
writer:
Rube Bloom (American songwriter, pianist and vocalist) and Ted Koehler
composer:
Rube Bloom (American songwriter, pianist and vocalist) (in 1939)
publisher:
Cinephonic Music Co., Ltd. and Redwood Music Ltd. (Carlin)
4:06
6Nuages
recorded in:
New York, New York, United States (on 1959-05-01)
bass:
Milt Hinton (on 1959-05-01)
cello:
George Ricci (on 1959-05-01)
drums (drum set):
Connie Kay (on 1959-05-01)
guitar:
Chuck Wayne (on 1959-05-01)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1959-05-01)
vibraphone:
Milt Jackson (on 1959-05-01)
viola:
Harold Coletta (on 1959-05-01) and David Mankowitz (on 1959-05-01)
violin:
Julius Held (on 1959-05-01), Harry Lookofsky (on 1959-05-01), David Nadien (on 1959-05-01), Leonard Posner (on 1959-05-01) and Sol Shapiro (on 1959-05-01)
conductor:
Quincy Jones (on 1959-05-01)
arranger:
Quincy Jones
recording of:
Nuages (instrumental) (on 1959-05-01)
composer:
Django Reinhardt (French jazz guitarist and composer)
publisher:
EMI Blackwood Music Inc. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
3:40
7Deep in a Dream
recorded in:
New York, New York, United States (on 1959-05-01)
bass:
Milt Hinton (on 1959-05-01)
cello:
George Ricci (on 1959-05-01)
drums (drum set):
Connie Kay (on 1959-05-01)
guitar:
Chuck Wayne (on 1959-05-01)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1959-05-01)
vibraphone:
Milt Jackson (on 1959-05-01)
viola:
Harold Coletta (on 1959-05-01) and David Mankowitz (on 1959-05-01)
violin:
Julius Held (on 1959-05-01), Harry Lookofsky (on 1959-05-01), David Nadien (on 1959-05-01), Leonard Posner (on 1959-05-01) and Sol Shapiro (on 1959-05-01)
conductor:
Quincy Jones (on 1959-05-01)
arranger:
Quincy Jones
instrumental recording of:
Deep in a Dream (on 1959-05-01)
lyricist:
Eddie DeLange
composer:
Jimmy Van Heusen
publisher:
Chappell Music Ltd., Scarsdale Music Corp. (ASCAP) and Warner Bros. Music (publisher; do NOT use as release label)
3:43
8I'm a Fool to Want You
recorded in:
New York, New York, United States (on 1959-09-09)
bass:
Milt Hinton (on 1959-09-09)
cello:
Maurice Brown (jazz cellist) (on 1959-09-09) and George Ricci (on 1959-09-09)
drums (drum set):
Connie Kay (on 1959-09-09)
guitar:
Barry Galbraith (on 1959-09-09)
harp:
Gloria Agostini (Harp) (on 1959-09-09)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1959-09-09)
reeds:
Romeo Penque (on 1959-09-09)
vibraphone:
Milt Jackson (on 1959-09-09)
viola:
Al Brown (violin) (on 1959-09-09) and David Mankovitz (on 1959-09-09)
violin:
Paul Gershman (on 1959-09-09), Julius Held (on 1959-09-09), Leo Kahn (on 1959-09-09), Harry Katzman (on 1959-09-09), Harry Lookofsky (on 1959-09-09), David Nadien (on 1959-09-09), Gene Orloff (on 1959-09-09) and Sol Shapiro (on 1959-09-09)
recording of:
I’m a Fool to Want You (on 1959-09-09)
writer:
Joel Herron (in 1951), Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (in 1951) and Jack Wolf (in 1951)
publisher:
Barton Music Corp., Integrity Music Corp., Sergeant Music Co., The International Music Network and Warner Chappell Music Ltd. (no slash; used 1988–1996)
4:42
9The Midnight Sun Will Never Set
recorded in:
New York, New York, United States (on 1959-05-01)
bass:
Milt Hinton (on 1959-05-01)
cello:
George Ricci (on 1959-05-01)
drums (drum set):
Connie Kay (on 1959-05-01)
guitar:
Chuck Wayne (on 1959-05-01)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1959-05-01)
vibraphone:
Milt Jackson (on 1959-05-01)
viola:
Harold Coletta (on 1959-05-01) and David Mankowitz (on 1959-05-01)
violin:
Julius Held (on 1959-05-01), Harry Lookofsky (on 1959-05-01), David Nadien (on 1959-05-01), Leonard Posner (on 1959-05-01) and Sol Shapiro (on 1959-05-01)
conductor:
Quincy Jones (on 1959-05-01)
arranger:
Quincy Jones
instrumental recording of:
The Midnight Sun Will Never Set (Sarah Vaughan) (on 1959-05-01)
lyricist:
Dorcas Cochran
composer:
Quincy Jones and Henri Salvador
3:48
10Tomorrow
recorded in:
New York, New York, United States (on 1959-05-01)
bass:
Milt Hinton (on 1959-05-01)
cello:
George Ricci (on 1959-05-01)
drums (drum set):
Connie Kay (on 1959-05-01)
guitar:
Chuck Wayne (on 1959-05-01)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1959-05-01)
vibraphone:
Milt Jackson (on 1959-05-01)
viola:
Harold Coletta (on 1959-05-01) and David Mankowitz (on 1959-05-01)
violin:
Julius Held (on 1959-05-01), Harry Lookofsky (on 1959-05-01), David Nadien (on 1959-05-01), Leonard Posner (on 1959-05-01) and Sol Shapiro (on 1959-05-01)
conductor:
Quincy Jones (on 1959-05-01)
arranger:
Quincy Jones
3:24
11Darbin & The Redd Fox
baritone saxophone:
Tate Houston (on 1960-02-24)
double bass [bass]:
Alvin Jackson (Detroit jazz bassist, born 1921) (on 1960-02-24)
drums (drum set):
Connie Kay (on 1960-02-24)
piano:
Tommy Flanagan (on 1960-02-24)
tenor saxophone:
Jimmy Heath (on 1960-02-24)
trombone:
Tom McIntosh (on 1960-02-24)
trumpet:
Henry Boozier (on 1961-02-24)
vibraphone:
Milt Jackson (on 1960-02-24)
recording of:
Darben the Redd Foxx (on 1960-02-24)
composer:
James Moody (jazz saxophonist)
4:58
12Algo Bueno
baritone saxophone:
Tate Houston (on 1960-02-24)
double bass [bass]:
Alvin Jackson (Detroit jazz bassist, born 1921) (on 1960-02-24)
drums (drum set):
Connie Kay (on 1960-02-24)
piano:
Tommy Flanagan (on 1960-02-24)
tenor saxophone:
Jimmy Heath (on 1960-02-24)
trombone:
Tom McIntosh (on 1960-02-24)
trumpet:
Henry Boozier (on 1960-02-24)
vibraphone:
Milt Jackson (on 1960-02-24)
recording of:
Woody ’n’ You (on 1961-02-24)
composer:
Dizzy Gillespie
4:15
13With Malice Towards None
baritone saxophone:
Tate Houston (on 1960-02-23)
double bass [bass]:
Alvin Jackson (Detroit jazz bassist, born 1921) (on 1960-02-23)
drums (drum set):
Connie Kay (on 1960-02-23)
piano:
Tommy Flanagan (on 1960-02-23)
tenor saxophone:
Jimmy Heath (on 1960-02-23)
trombone:
Tom McIntosh (on 1960-02-23)
trumpet:
Henry Boozier (on 1960-02-23)
vibraphone:
Milt Jackson (on 1960-02-23)
recording of:
With Malice Towards None (on 1960-02-23)
composer:
Tom McIntosh
4:35
14Blue Jubilee
baritone saxophone:
Tate Houston (on 1960-02-23)
double bass [bass]:
Alvin Jackson (Detroit jazz bassist, born 1921) (on 1960-02-23)
drums (drum set):
Connie Kay (on 1960-02-23)
piano:
Tommy Flanagan (on 1960-02-23)
tenor saxophone:
Jimmy Heath (on 1960-02-23)
trombone:
Tom McIntosh (on 1960-02-23)
trumpet:
Henry Boozier (on 1960-02-23)
vibraphone:
Milt Jackson (on 1960-02-23)
4:30
15Vibrations
double bass [bass]:
George Duvivier (on 1961-03-14)
drums (drum set):
Connie Kay (on 1961-03-14)
guitar:
Kenny Burrell (on 1961-03-14)
piano:
Tommy Flanagan (on 1961-03-14)
vibraphone:
Milt Jackson (on 1961-03-14)
4:00
16Let Me Hear the Blues
double bass [bass]:
Alvin Jackson (Detroit jazz bassist, born 1921) (on 1960-02-24)
drums (drum set):
Connie Kay (on 1960-02-24)
piano:
Tommy Flanagan (on 1960-02-24)
tenor saxophone:
Jimmy Heath (on 1960-02-24)
vibraphone:
Milt Jackson (on 1960-02-24)
6:07
17Melancholy Blues
double bass [bass]:
George Duvivier (on 1961-03-14)
drums (drum set):
Connie Kay (on 1961-03-14)
guitar:
Kenny Burrell (on 1961-03-14)
piano:
Tommy Flanagan (on 1961-03-14)
vibraphone:
Milt Jackson (on 1961-03-14)
3:23
18Sweet Georgia Brown
baritone saxophone:
Tate Houston (on 1960-02-24)
double bass [bass]:
Alvin Jackson (Detroit jazz bassist, born 1921) (on 1960-02-24)
drums (drum set):
Connie Kay (on 1960-02-24)
piano:
Tommy Flanagan (on 1960-02-24)
tenor saxophone:
Jimmy Heath (on 1960-02-24)
trombone:
Tom McIntosh (on 1960-02-24)
trumpet:
Henry Boozier (on 1960-02-24)
vibraphone:
Milt Jackson (on 1960-02-24)
instrumental recording of:
Sweet Georgia Brown (on 1961-02-24)
lyricist:
Kenneth Casey (in 1925)
composer:
Ben Bernie (in 1925) and Maceo Pinkard (in 1925)
publisher:
Remick Music Corp. and Warner Bros. Music (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
4:58