The Complete Erato Recordings: Classical & Romantic Eras

~ Release by Michel Corboz (see all versions of this release, 1 available)

Annotation

A 36-CD collection the complete classical and romantic era recordings by Michel Corboz for Erato.

Annotation last modified on 2023-09-17 10:16 UTC.

Tracklist

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▼ CD 1: Martin: Golgotha (beginning)
#TitleArtistRatingLength
1Golgotha: I. Chœur d'introduction (Chorus)
producer:
Franck Martin (classical composer)
organ:
André Luy (organist) (in 1968-11)
piano:
Paulette Zanlonghi (pianist) (in 1968-11)
choir vocals:
Grand Chœur de l'Université de Lausanne (in 1968-11)
orchestra:
Orchestre symphonique (in 1968-11)
conductor:
Robert Faller (in 1968-11)
chorus master:
Michel Corboz (conductor and composer) (in 1968-11)
balance engineer:
Guy Laporte
recorded at:
Cathédrale de Lausanne in Lausanne, Vaud, Switzerland (in 1968-11)
recording of:
Golgotha: Première Partie, Nº 1. Choeur d'introduction "Père ! Père !" (in 1968-11)
composer:
Frank Martin (classical composer) (from 1945 until 1948)
part of:
Golgotha
Frank Martin6:57
2Golgotha: II. Les Rameaux (Bass, Soprano, Alto, Tenor, Chorus, Jesus)
producer:
Franck Martin (classical composer)
organ:
André Luy (organist) (in 1968-11)
piano:
Paulette Zanlonghi (pianist) (in 1968-11)
alto vocals:
Marie-Lise de Montmollin (mezzo-soprano) (in 1968-11)
baritone vocals [Jesus]:
Pierre Mollet (baritone) (in 1968-11)
bass-baritone vocals:
Philippe Huttenlocher (baritone) (in 1968-11)
choir vocals:
Grand Chœur de l'Université de Lausanne (in 1968-11)
soprano vocals:
Wally Staempfli (in 1968-11)
tenor vocals:
Éric Tappy (tenor) (in 1968-11)
orchestra:
Orchestre symphonique (in 1968-11)
conductor:
Robert Faller (in 1968-11)
chorus master:
Michel Corboz (conductor and composer) (in 1968-11)
balance engineer:
Guy Laporte
recorded at:
Cathédrale de Lausanne in Lausanne, Vaud, Switzerland (in 1968-11)
recording of:
Golgotha: Première Partie, Nº 2. Les Rameaux (in 1968-11)
composer:
Frank Martin (classical composer) (from 1945 until 1948)
part of:
Golgotha
Frank Martin8:39
3Golgotha: III. Le Discours du Template (Chorus, Jesus, Soprano)
producer:
Franck Martin (classical composer)
organ:
André Luy (organist) (in 1968-11)
piano:
Paulette Zanlonghi (pianist) (in 1968-11)
baritone vocals [Jesus]:
Pierre Mollet (baritone) (in 1968-11)
choir vocals:
Grand Chœur de l'Université de Lausanne (in 1968-11)
soprano vocals:
Wally Staempfli (in 1968-11)
orchestra:
Orchestre symphonique (in 1968-11)
conductor:
Robert Faller (in 1968-11)
chorus master:
Michel Corboz (conductor and composer) (in 1968-11)
balance engineer:
Guy Laporte
recorded at:
Cathédrale de Lausanne in Lausanne, Vaud, Switzerland (in 1968-11)
recording of:
Golgotha: Première Partie, Nº 3. Le discours au temple "Quand serai-je assez heureuse" (in 1968-11)
composer:
Frank Martin (classical composer) (from 1945 until 1948)
part of:
Golgotha
Frank Martin10:47
4Golgotha: IV. La Sainte Cène (Tenor, Jesus, Bass)
producer:
Franck Martin (classical composer)
organ:
André Luy (organist) (in 1968-11)
piano:
Paulette Zanlonghi (pianist) (in 1968-11)
baritone vocals [Jesus]:
Pierre Mollet (baritone) (in 1968-11)
bass-baritone vocals:
Philippe Huttenlocher (baritone) (in 1968-11)
tenor vocals:
Éric Tappy (tenor) (in 1968-11)
orchestra:
Orchestre symphonique (in 1968-11)
conductor:
Robert Faller (in 1968-11)
balance engineer:
Guy Laporte
recorded at:
Cathédrale de Lausanne in Lausanne, Vaud, Switzerland (in 1968-11)
recording of:
Golgotha: Première Partie, Nº 4. La Sainte Cène (in 1968-11)
composer:
Frank Martin (classical composer) (from 1945 until 1948)
part of:
Golgotha
Frank Martin5:43
5Golgotha: V. Gethsémané (Alto, Tenor, Jesus, Bass, Soprano, Chorus)
producer:
Franck Martin (classical composer)
organ:
André Luy (organist) (in 1968-11)
piano:
Paulette Zanlonghi (pianist) (in 1968-11)
alto vocals:
Marie-Lise de Montmollin (mezzo-soprano) (in 1968-11)
baritone vocals [Jesus]:
Pierre Mollet (baritone) (in 1968-11)
bass-baritone vocals:
Philippe Huttenlocher (baritone) (in 1968-11)
choir vocals:
Grand Chœur de l'Université de Lausanne (in 1968-11)
soprano vocals:
Wally Staempfli (in 1968-11)
tenor vocals:
Éric Tappy (tenor) (in 1968-11)
orchestra:
Orchestre symphonique (in 1968-11)
conductor:
Robert Faller (in 1968-11)
chorus master:
Michel Corboz (conductor and composer) (in 1968-11)
balance engineer:
Guy Laporte
recorded at:
Cathédrale de Lausanne in Lausanne, Vaud, Switzerland (in 1968-11)
recording of:
Golgotha: Première Partie, Nº 5. Gethsémané "Voici l'Agneau divin" (in 1968-11)
composer:
Frank Martin (classical composer) (from 1945 until 1948)
part of:
Golgotha
Frank Martin12:48
▼ CD 2: Martin: Golgotha (end) / Et la vie l’emporta
#TitleArtistRatingLength
1Golgotha: VI. Dialogue d'introduction: « Que dirais-je, que ferais-je ? » (Alto, Chorus)
producer:
Franck Martin (classical composer)
organ:
André Luy (organist) (in 1968-11)
piano:
Paulette Zanlonghi (pianist) (in 1968-11)
alto vocals:
Marie-Lise de Montmollin (mezzo-soprano) (in 1968-11)
choir vocals:
Grand Chœur de l'Université de Lausanne (in 1968-11)
orchestra:
Orchestre symphonique (in 1968-11)
conductor:
Robert Faller (in 1968-11)
chorus master:
Michel Corboz (conductor and composer) (in 1968-11)
balance engineer:
Guy Laporte
recorded at:
Cathédrale de Lausanne in Lausanne, Vaud, Switzerland (in 1968-11)
recording of:
Golgotha: Seconde Partie, Nº 6. Méditation "Que dirai-je ?" (in 1968-11)
composer:
Frank Martin (classical composer) (from 1945 until 1948)
part of:
Golgotha
Frank Martin8:10
2Golgotha: VII. Jésus devant le Sanhédrin (Chorus, Tenor, Bass, Jesus, Soprano, Alto)
producer:
Franck Martin (classical composer)
organ:
André Luy (organist) (in 1968-11)
piano:
Paulette Zanlonghi (pianist) (in 1968-11)
alto vocals:
Marie-Lise de Montmollin (mezzo-soprano) (in 1968-11)
baritone vocals [Jesus]:
Pierre Mollet (baritone) (in 1968-11)
bass-baritone vocals:
Philippe Huttenlocher (baritone) (in 1968-11)
choir vocals:
Grand Chœur de l'Université de Lausanne (in 1968-11)
soprano vocals:
Wally Staempfli (in 1968-11)
tenor vocals:
Éric Tappy (tenor) (in 1968-11)
orchestra:
Orchestre symphonique (in 1968-11)
conductor:
Robert Faller (in 1968-11)
chorus master:
Michel Corboz (conductor and composer) (in 1968-11)
balance engineer:
Guy Laporte
recorded at:
Cathédrale de Lausanne in Lausanne, Vaud, Switzerland (in 1968-11)
recording of:
Golgotha: Seconde Partie, Nº 7. Jésus devant le Sanhédrin "Christ ! Divin Sauveur" (in 1968-11)
composer:
Frank Martin (classical composer) (from 1945 until 1948)
part of:
Golgotha
Frank Martin9:26
3Golgotha: VIII. Jésus devant Pilate (Bass, Pilate, Chorus, Jesus)
producer:
Franck Martin (classical composer)
organ:
André Luy (organist) (in 1968-11)
piano:
Paulette Zanlonghi (pianist) (in 1968-11)
baritone vocals [Jesus]:
Pierre Mollet (baritone) (in 1968-11)
bass-baritone vocals:
Philippe Huttenlocher (baritone) (in 1968-11)
choir vocals:
Grand Chœur de l'Université de Lausanne (in 1968-11)
orchestra:
Orchestre symphonique (in 1968-11)
conductor:
Robert Faller (in 1968-11)
chorus master:
Michel Corboz (conductor and composer) (in 1968-11)
balance engineer:
Guy Laporte
recorded at:
Cathédrale de Lausanne in Lausanne, Vaud, Switzerland (in 1968-11)
recording of:
Golgotha: Seconde Partie, Nº 8. Jésus devant Pilate (in 1968-11)
composer:
Frank Martin (classical composer) (from 1945 until 1948)
part of:
Golgotha
Frank Martin8:00
4Golgotha: IX. Le Calvaire (Golgotha) (Chorus, Jesus, Tenor)
producer:
Franck Martin (classical composer)
organ:
André Luy (organist) (in 1968-11)
piano:
Paulette Zanlonghi (pianist) (in 1968-11)
baritone vocals [Jesus]:
Pierre Mollet (baritone) (in 1968-11)
choir vocals:
Grand Chœur de l'Université de Lausanne (in 1968-11)
tenor vocals:
Éric Tappy (tenor) (in 1968-11)
orchestra:
Orchestre symphonique (in 1968-11)
conductor:
Robert Faller (in 1968-11)
chorus master:
Michel Corboz (conductor and composer) (in 1968-11)
balance engineer:
Guy Laporte
recorded at:
Cathédrale de Lausanne in Lausanne, Vaud, Switzerland (in 1968-11)
recording of:
Golgotha: Seconde Partie, Nº 9. Le Calvaire "Ô mon Seigneur" (in 1968-11)
composer:
Frank Martin (classical composer) (from 1945 until 1948)
part of:
Golgotha
Frank Martin10:50
5Golgotha: X. Dialogue de conclusion: « O Mort ! Où est ton aiguillon ? » (Soprano, Alto, Tenor, Bass, Chorus)
producer:
Franck Martin (classical composer)
organ:
André Luy (organist) (in 1968-11)
piano:
Paulette Zanlonghi (pianist) (in 1968-11)
alto vocals:
Marie-Lise de Montmollin (mezzo-soprano) (in 1968-11)
bass-baritone vocals:
Philippe Huttenlocher (baritone) (in 1968-11)
choir vocals:
Grand Chœur de l'Université de Lausanne (in 1968-11)
soprano vocals:
Wally Staempfli (in 1968-11)
tenor vocals:
Éric Tappy (tenor) (in 1968-11)
orchestra:
Orchestre symphonique (in 1968-11)
conductor:
Robert Faller (in 1968-11)
chorus master:
Michel Corboz (conductor and composer) (in 1968-11)
balance engineer:
Guy Laporte
recorded at:
Cathédrale de Lausanne in Lausanne, Vaud, Switzerland (in 1968-11)
recording of:
Golgotha: Seconde Partie, Nº 10. La Résurrection "Ô mort" (in 1968-11)
composer:
Frank Martin (classical composer) (from 1945 until 1948)
part of:
Golgotha
Frank Martin7:09
6Et la vie l'emporta: I. Imploration
recorded in:
Lausanne, Vaud, Switzerland (from 1975-03-12 until 1975-03-14)
producer:
Michel Garcin (French producer)
alto vocals:
Claudine Perret (from 1975-03-12 until 1975-03-14)
bass-baritone vocals:
Philippe Huttenlocher (baritone) (from 1975-03-12 until 1975-03-14)
choir vocals:
Solistes de l'Ensemble Vocal de Lausanne (from 1975-03-12 until 1975-03-14)
orchestra:
Ensemble Instrumental de Lausanne (from 1975-03-12 until 1975-03-14)
conductor:
Michel Corboz (conductor and composer) (from 1975-03-12 until 1975-03-14)
balance engineer:
Pierre Lavoix (engineer)
recording of:
Et la vie l'emporta: I. Imploration (from 1975-03-12 until 1975-03-14)
composer:
Frank Martin (classical composer)
part of:
Et la vie l'emporta
Frank Martin8:33
7Et la vie l'emporta: II. Combat
recorded in:
Lausanne, Vaud, Switzerland (from 1975-03-12 until 1975-03-14)
producer:
Michel Garcin (French producer)
alto vocals:
Claudine Perret (from 1975-03-12 until 1975-03-14)
bass-baritone vocals:
Philippe Huttenlocher (baritone) (from 1975-03-12 until 1975-03-14)
choir vocals:
Solistes de l'Ensemble Vocal de Lausanne (from 1975-03-12 until 1975-03-14)
orchestra:
Ensemble Instrumental de Lausanne (from 1975-03-12 until 1975-03-14)
conductor:
Michel Corboz (conductor and composer) (from 1975-03-12 until 1975-03-14)
balance engineer:
Pierre Lavoix (engineer)
recording of:
Et la vie l'emporta: II. Combat (from 1975-03-12 until 1975-03-14)
composer:
Frank Martin (classical composer)
part of:
Et la vie l'emporta
Frank Martin6:14
8Et la vie l'emporta: III. Offrande
recorded in:
Lausanne, Vaud, Switzerland (from 1975-03-12 until 1975-03-14)
producer:
Michel Garcin (French producer)
alto vocals:
Claudine Perret (from 1975-03-12 until 1975-03-14)
bass-baritone vocals:
Philippe Huttenlocher (baritone) (from 1975-03-12 until 1975-03-14)
choir vocals:
Solistes de l'Ensemble Vocal de Lausanne (from 1975-03-12 until 1975-03-14)
orchestra:
Ensemble Instrumental de Lausanne (from 1975-03-12 until 1975-03-14)
conductor:
Michel Corboz (conductor and composer) (from 1975-03-12 until 1975-03-14)
balance engineer:
Pierre Lavoix (engineer)
recording of:
Et la vie l'emporta: III. Offrande (from 1975-03-12 until 1975-03-14)
composer:
Frank Martin (classical composer)
part of:
Et la vie l'emporta
Frank Martin11:21
▼ CD 3: Fauré: Requiem / Stravinsky: Les Noces
#TitleArtistRatingLength
1Requiem, op. 48: I. Introit et Kyrie
producer:
Michel Garcin (French producer)
editor:
Françoise Garcin (editor)
organ:
Philippe Corboz (from 1972-05-13 until 1972-05-15)
choir vocals:
Maîtrise Saint-Pierre-aux-Liens de Bulle (in 1972-05, from 1972-05-13 until 1972-05-15)
orchestra:
Berner Symphonie‐Orchester (in 1972-05) and Orchestre Symphonique de Berne (from 1972-05-13 until 1972-05-15)
conductor:
Michel Corboz (conductor and composer) (in 1972-05, from 1972-05-13 until 1972-05-15)
chorus master:
André Corboz (in 1972-05, from 1972-05-13 until 1972-05-15)
balance engineer:
Pierre Lavoix (engineer) and Peter Willemoës
recorded at:
Casino de Berne in Bern, Bern, Switzerland (from 1972-05-13 until 1972-05-15)
recording of:
Requiem, op. 48: I. Introït et Kyrie (1890, second version) (from 1972-05-13 until 1972-05-15)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
part of:
Requiem, op. 48 (1890, second version)
recording of:
Requiem, op. 48: I. Introït et Kyrie (1890, second version) (in 1972-05)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
part of:
Requiem, op. 48 (1890, second version)
Gabriel Fauré7:48
2Requiem, op. 48: II. Offertoire
producer:
Michel Garcin (French producer)
editor:
Françoise Garcin (editor)
organ:
Philippe Corboz (from 1972-05-13 until 1972-05-15)
baritone vocals:
Philippe Huttenlocher (baritone) (from 1972-05-13 until 1972-05-15)
choir vocals:
Maîtrise Saint-Pierre-aux-Liens de Bulle (in 1972-05, from 1972-05-13 until 1972-05-15)
orchestra:
Berner Symphonie‐Orchester (in 1972-05) and Orchestre symphonique de Berne (from 1972-05-13 until 1972-05-15)
conductor:
Michel Corboz (conductor and composer) (in 1972-05, from 1972-05-13 until 1972-05-15)
chorus master:
André Corboz (in 1972-05, from 1972-05-13 until 1972-05-15)
balance engineer:
Pierre Lavoix (engineer) and Peter Willemoës
recorded at:
Casino de Berne in Bern, Bern, Switzerland (from 1972-05-13 until 1972-05-15)
recording of:
Requiem, op. 48: II. Offertoire (1890, second version) (from 1972-05-13 until 1972-05-15)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
part of:
Requiem, op. 48 (1890, second version)
recording of:
Requiem, op. 48: II. Offertoire (1890, second version) (in 1972-05)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
part of:
Requiem, op. 48 (1890, second version)
Gabriel Fauré8:04
3Requiem, op. 48: III. Sanctus
producer:
Michel Garcin (French producer)
editor:
Françoise Garcin (editor)
organ:
Philippe Corboz (from 1972-05-13 until 1972-05-15)
choir vocals:
Maîtrise Saint-Pierre-aux-Liens de Bulle (in 1972-05, from 1972-05-13 until 1972-05-15)
orchestra:
Berner Symphonie‐Orchester (in 1972-05) and Orchestre symphonique de Berne (from 1972-05-13 until 1972-05-15)
conductor:
Michel Corboz (conductor and composer) (in 1972-05, from 1972-05-13 until 1972-05-15)
chorus master:
André Corboz (in 1972-05, from 1972-05-13 until 1972-05-15)
balance engineer:
Pierre Lavoix (engineer) and Peter Willemoës
recorded at:
Casino de Berne in Bern, Bern, Switzerland (from 1972-05-13 until 1972-05-15)
recording of:
Requiem, op. 48: III. Sanctus (1890, second version) (from 1972-05-13 until 1972-05-15)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
part of:
Requiem, op. 48 (1890, second version)
recording of:
Requiem, op. 48: III. Sanctus (1890, second version) (in 1972-05)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
part of:
Requiem, op. 48 (1890, second version)
Gabriel Fauré3:57
4Requiem, op. 48: IV. Pie Jesu
producer:
Michel Garcin (French producer)
editor:
Françoise Garcin (editor)
organ:
Philippe Corboz (from 1972-05-13 until 1972-05-15)
choir vocals:
Maîtrise Saint-Pierre-aux-Liens de Bulle (in 1972-05)
soprano vocals [boy soprano]:
Alain Clément (treble, then baritone) (from 1972-05-13 until 1972-05-15)
orchestra:
Berner Symphonie‐Orchester (in 1972-05) and Orchestre symphonique de Berne (from 1972-05-13 until 1972-05-15)
conductor:
Michel Corboz (conductor and composer) (in 1972-05, from 1972-05-13 until 1972-05-15)
chorus master:
André Corboz (in 1972-05)
balance engineer:
Pierre Lavoix (engineer) and Peter Willemoës
recorded at:
Casino de Berne in Bern, Bern, Switzerland (from 1972-05-13 until 1972-05-15)
recording of:
Requiem, op. 48: IV. Pie Jesu (1890, second version) (from 1972-05-13 until 1972-05-15)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
part of:
CHAPTER IV PIE JESU (REST)
part of:
Requiem, op. 48 (1890, second version)
recording of:
Requiem, op. 48: IV. Pie Jesu (1890, second version) (in 1972-05)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
part of:
CHAPTER IV PIE JESU (REST)
part of:
Requiem, op. 48 (1890, second version)
Gabriel Fauré3:19
5Requiem, op. 48: V. Agnus Dei
producer:
Michel Garcin (French producer)
editor:
Françoise Garcin (editor)
organ:
Philippe Corboz (from 1972-05-13 until 1972-05-15)
choir vocals:
Maîtrise Saint-Pierre-aux-Liens de Bulle (in 1972-05, from 1972-05-13 until 1972-05-15)
orchestra:
Berner Symphonie‐Orchester (in 1972-05) and Orchestre symphonique de Berne (from 1972-05-13 until 1972-05-15)
conductor:
Michel Corboz (conductor and composer) (in 1972-05, from 1972-05-13 until 1972-05-15)
chorus master:
André Corboz (in 1972-05, from 1972-05-13 until 1972-05-15)
balance engineer:
Pierre Lavoix (engineer) and Peter Willemoës
recorded at:
Casino de Berne in Bern, Bern, Switzerland (from 1972-05-13 until 1972-05-15)
recording of:
Requiem, op. 48: V. Agnus Dei et Lux Aeterna (1890, second version) (from 1972-05-13 until 1972-05-15)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
part of:
Requiem, op. 48 (1890, second version)
recording of:
Requiem, op. 48: V. Agnus Dei et Lux Aeterna (1890, second version) (in 1972-05)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
part of:
Requiem, op. 48 (1890, second version)
Gabriel Fauré6:14
6Requiem, op. 48: VI. Libera me
producer:
Michel Garcin (French producer)
editor:
Françoise Garcin (editor)
organ:
Philippe Corboz (from 1972-05-13 until 1972-05-15)
baritone vocals:
Philippe Huttenlocher (baritone) (from 1972-05-13 until 1972-05-15)
choir vocals:
Maîtrise Saint-Pierre-aux-Liens de Bulle (in 1972-05, from 1972-05-13 until 1972-05-15)
orchestra:
Berner Symphonie‐Orchester (in 1972-05) and Orchestre symphonique de Berne (from 1972-05-13 until 1972-05-15)
conductor:
Michel Corboz (conductor and composer) (in 1972-05, from 1972-05-13 until 1972-05-15)
chorus master:
André Corboz (in 1972-05, from 1972-05-13 until 1972-05-15)
balance engineer:
Pierre Lavoix (engineer) and Peter Willemoës
recorded at:
Casino de Berne in Bern, Bern, Switzerland (from 1972-05-13 until 1972-05-15)
recording of:
Requiem, op. 48: VI. Libera me (1890, second version) (from 1972-05-13 until 1972-05-15)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
part of:
Requiem, op. 48 (1890, second version)
recording of:
Requiem, op. 48: VI. Libera me (1890, second version) (in 1972-05)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
part of:
Requiem, op. 48 (1890, second version)
Gabriel Fauré6:17
7Requiem, op. 48: VII. In Paradisum
producer:
Michel Garcin (French producer)
editor:
Françoise Garcin (editor)
organ:
Philippe Corboz (from 1972-05-13 until 1972-05-15)
choir vocals:
Maîtrise Saint-Pierre-aux-Liens de Bulle (in 1972-05, from 1972-05-13 until 1972-05-15)
orchestra:
Berner Symphonie‐Orchester (in 1972-05) and Orchestre symphonique de Berne (from 1972-05-13 until 1972-05-15)
conductor:
Michel Corboz (conductor and composer) (in 1972-05, from 1972-05-13 until 1972-05-15)
chorus master:
André Corboz (in 1972-05, from 1972-05-13 until 1972-05-15)
balance engineer:
Pierre Lavoix (engineer) and Peter Willemoës
recorded at:
Casino de Berne in Bern, Bern, Switzerland (from 1972-05-13 until 1972-05-15)
recording of:
Requiem, op. 48: VII. In Paradisum (1890, second version) (from 1972-05-13 until 1972-05-15)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
publisher:
Éditions Durand (1947–present)
part of:
28 Days Later
part of:
Requiem, op. 48 (1890, second version)
recording of:
Requiem, op. 48: VII. In Paradisum (1890, second version) (in 1972-05)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
publisher:
Éditions Durand (1947–present)
part of:
28 Days Later
part of:
Requiem, op. 48 (1890, second version)
Gabriel Fauré4:25
8Les Noces (French version by Charles Ferdinand Ramuz): Scène 1. La Tresse – The Tresses
recorded in:
Crissier, Vaud, Switzerland (from 1972-05-27 until 1972-05-28)
producer:
Michel Garcin (French producer)
percussion:
Markus Ernst (percussionist) (from 1972-05-27 until 1972-05-28), Jean-Claude Forestier (percussionist) (from 1972-05-27 until 1972-05-28), Harald Glamsch (from 1972-05-27 until 1972-05-28), Urs Herdi (from 1972-05-27 until 1972-05-28), Roland Manigley (from 1972-05-27 until 1972-05-28) and Rafael Zambrano (percussionist) (from 1972-05-27 until 1972-05-28)
piano:
Martha Argerich (Argentine pianist) (from 1972-05-27 until 1972-05-28), Edward Auer (pianist) (from 1972-05-27 until 1972-05-28), Nelson Freire (pianist) (from 1972-05-27 until 1972-05-28) and Suzanne Husson (pianist) (from 1972-05-27 until 1972-05-28)
alto vocals:
Arlette Chédel (contralto) (from 1972-05-27 until 1972-05-28)
bass vocals:
Philippe Huttenlocher (baritone) (from 1972-05-27 until 1972-05-28)
choir vocals:
Grand Chœur de l'Université de Lausanne (from 1972-05-27 until 1972-05-28)
soprano vocals:
Basia Retchitzka (soprano) (from 1972-05-27 until 1972-05-28)
tenor vocals:
Éric Tappy (tenor) (from 1972-05-27 until 1972-05-28)
conductor:
Charles Dutoit (conductor) (from 1972-05-27 until 1972-05-28)
chorus master:
Michel Corboz (conductor and composer) (from 1972-05-27 until 1972-05-28)
balance engineer:
Peter Willemoës
recording of:
Les Noces: Part 1, Scene 1. The Bride's Chamber "The Tresses" (from 1972-05-27 until 1972-05-28)
composer:
Игорь Фёдорович Стравинский (Russian composer)
publisher:
Chester Music Ltd.
part of:
Les Noces (1923 version, most often performed)
Igor Stravinsky5:08
9Les Noces (French version by Charles Ferdinand Ramuz): Scène 2. Chez le marié – At the Bridegroom’s House
recorded in:
Crissier, Vaud, Switzerland (from 1972-05-27 until 1972-05-28)
producer:
Michel Garcin (French producer)
percussion:
Markus Ernst (percussionist) (from 1972-05-27 until 1972-05-28), Jean-Claude Forestier (percussionist) (from 1972-05-27 until 1972-05-28), Harald Glamsch (from 1972-05-27 until 1972-05-28), Urs Herdi (from 1972-05-27 until 1972-05-28), Roland Manigley (from 1972-05-27 until 1972-05-28) and Rafael Zambrano (percussionist) (from 1972-05-27 until 1972-05-28)
piano:
Martha Argerich (Argentine pianist) (from 1972-05-27 until 1972-05-28), Edward Auer (pianist) (from 1972-05-27 until 1972-05-28), Nelson Freire (pianist) (from 1972-05-27 until 1972-05-28) and Suzanne Husson (pianist) (from 1972-05-27 until 1972-05-28)
alto vocals:
Arlette Chédel (contralto) (from 1972-05-27 until 1972-05-28)
bass vocals:
Philippe Huttenlocher (baritone) (from 1972-05-27 until 1972-05-28)
choir vocals:
Grand Chœur de l'Université de Lausanne (from 1972-05-27 until 1972-05-28)
soprano vocals:
Basia Retchitzka (soprano) (from 1972-05-27 until 1972-05-28)
tenor vocals:
Éric Tappy (tenor) (from 1972-05-27 until 1972-05-28)
conductor:
Charles Dutoit (conductor) (from 1972-05-27 until 1972-05-28)
chorus master:
Michel Corboz (conductor and composer) (from 1972-05-27 until 1972-05-28)
balance engineer:
Peter Willemoës
recording of:
Les Noces: Part 1, Scene 2. The Bridegroom's House (from 1972-05-27 until 1972-05-28)
composer:
Игорь Фёдорович Стравинский (Russian composer)
publisher:
Chester Music Ltd.
part of:
Les Noces (1923 version, most often performed)
Igor Stravinsky5:54
10Les Noces (French version by Charles Ferdinand Ramuz): Scène 3. Le Départ de la mariée – The Bride’s Departure
recorded in:
Crissier, Vaud, Switzerland (from 1972-05-27 until 1972-05-28)
producer:
Michel Garcin (French producer)
percussion:
Markus Ernst (percussionist) (from 1972-05-27 until 1972-05-28), Jean-Claude Forestier (percussionist) (from 1972-05-27 until 1972-05-28), Harald Glamsch (from 1972-05-27 until 1972-05-28), Urs Herdi (from 1972-05-27 until 1972-05-28), Roland Manigley (from 1972-05-27 until 1972-05-28) and Rafael Zambrano (percussionist) (from 1972-05-27 until 1972-05-28)
piano:
Martha Argerich (Argentine pianist) (from 1972-05-27 until 1972-05-28), Edward Auer (pianist) (from 1972-05-27 until 1972-05-28), Nelson Freire (pianist) (from 1972-05-27 until 1972-05-28) and Suzanne Husson (pianist) (from 1972-05-27 until 1972-05-28)
alto vocals:
Arlette Chédel (contralto) (from 1972-05-27 until 1972-05-28)
bass vocals:
Philippe Huttenlocher (baritone) (from 1972-05-27 until 1972-05-28)
choir vocals:
Grand Chœur de l'Université de Lausanne (from 1972-05-27 until 1972-05-28)
soprano vocals:
Basia Retchitzka (soprano) (from 1972-05-27 until 1972-05-28)
tenor vocals:
Éric Tappy (tenor) (from 1972-05-27 until 1972-05-28)
conductor:
Charles Dutoit (conductor) (from 1972-05-27 until 1972-05-28)
chorus master:
Michel Corboz (conductor and composer) (from 1972-05-27 until 1972-05-28)
balance engineer:
Peter Willemoës
recording of:
Les Noces: Part 1, Scene 3. The Departure of the Bride (from 1972-05-27 until 1972-05-28)
composer:
Игорь Фёдорович Стравинский (Russian composer)
publisher:
Chester Music Ltd.
part of:
Les Noces (1923 version, most often performed)
Igor Stravinsky3:30
11Les Noces (French version by Charles Ferdinand Ramuz): Scène 4. Le Repas de noces – The Wedding Feast
recorded in:
Crissier, Vaud, Switzerland (from 1972-05-27 until 1972-05-28)
producer:
Michel Garcin (French producer)
percussion:
Markus Ernst (percussionist) (from 1972-05-27 until 1972-05-28), Jean-Claude Forestier (percussionist) (from 1972-05-27 until 1972-05-28), Harald Glamsch (from 1972-05-27 until 1972-05-28), Urs Herdi (from 1972-05-27 until 1972-05-28), Roland Manigley (from 1972-05-27 until 1972-05-28) and Rafael Zambrano (percussionist) (from 1972-05-27 until 1972-05-28)
piano:
Martha Argerich (Argentine pianist) (from 1972-05-27 until 1972-05-28), Edward Auer (pianist) (from 1972-05-27 until 1972-05-28), Nelson Freire (pianist) (from 1972-05-27 until 1972-05-28) and Suzanne Husson (pianist) (from 1972-05-27 until 1972-05-28)
alto vocals:
Arlette Chédel (contralto) (from 1972-05-27 until 1972-05-28)
bass vocals:
Philippe Huttenlocher (baritone) (from 1972-05-27 until 1972-05-28)
choir vocals:
Grand Chœur de l'Université de Lausanne (from 1972-05-27 until 1972-05-28)
soprano vocals:
Basia Retchitzka (soprano) (from 1972-05-27 until 1972-05-28)
tenor vocals:
Éric Tappy (tenor) (from 1972-05-27 until 1972-05-28)
conductor:
Charles Dutoit (conductor) (from 1972-05-27 until 1972-05-28)
chorus master:
Michel Corboz (conductor and composer) (from 1972-05-27 until 1972-05-28)
balance engineer:
Peter Willemoës
recording of:
Les Noces: Part 2, Scene 4. The Wedding Feast (from 1972-05-27 until 1972-05-28)
composer:
Игорь Фёдорович Стравинский (Russian composer)
publisher:
Chester Music Ltd.
part of:
Les Noces (1923 version, most often performed)
Igor Stravinsky9:50
▼ CD 4: Puccini: Messa di Gloria
#TitleArtistRatingLength
1Messa a quattro voci (Messa di Gloria), op. posth. SC 6: Kyrie
producer:
Michel Garcin (French producer)
choir vocals:
Chœur Symphonique de la Fondation Gulbenkian de Lisbonne (from 1974-07-01 until 1974-07-03)
orchestra:
Orchestre de la Fondation Gulbenkian de Lisbonne (from 1974-07-01 until 1974-07-03)
conductor:
Michel Corboz (conductor and composer) (from 1974-07-01 until 1974-07-03)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Igreja de Graça in Lisboa, Lisboa, Portugal (from 1974-07-01 until 1974-07-03)
recording of:
Messa di Gloria: I. Kyrie (from 1974-07-01 until 1974-07-03)
composer:
Giacomo Puccini (Italian composer) (in 1880)
publisher:
Belwin-Mills Publishing Corp. and Éditions Mario Bois
part of:
Messa di Gloria, op. posth.
Giacomo Puccini4:50
2Messa a quattro voci (Messa di Gloria), op. posth. SC 6: Gloria. Gloria in excelsis Deo - In terra pax - Laudamus te
producer:
Michel Garcin (French producer)
choir vocals:
Chœur Symphonique de la Fondation Gulbenkian de Lisbonne (from 1974-07-01 until 1974-07-03)
orchestra:
Orchestre de la Fondation Gulbenkian de Lisbonne (from 1974-07-01 until 1974-07-03)
conductor:
Michel Corboz (conductor and composer) (from 1974-07-01 until 1974-07-03)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Igreja de Graça in Lisboa, Lisboa, Portugal (from 1974-07-01 until 1974-07-03)
recording of:
Messa di Gloria: II. Gloria. Gloria in excelsis Deo – In terra pax – Laudamus te (from 1974-07-01 until 1974-07-03)
composer:
Giacomo Puccini (Italian composer) (in 1880)
part of:
Messa di Gloria: II. Gloria
Giacomo Puccini4:43
3Messa a quattro voci (Messa di Gloria), op. posth. SC 6: Gloria. Gratias agimus tibi
producer:
Michel Garcin (French producer)
tenor vocals:
William Johns (tenor) (from 1974-07-01 until 1974-07-03)
orchestra:
Orchestre de la Fondation Gulbenkian de Lisbonne (from 1974-07-01 until 1974-07-03)
conductor:
Michel Corboz (conductor and composer) (from 1974-07-01 until 1974-07-03)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Igreja de Graça in Lisboa, Lisboa, Portugal (from 1974-07-01 until 1974-07-03)
recording of:
Messa di Gloria: II. Gloria. Gratias agimus tibi (from 1974-07-01 until 1974-07-03)
composer:
Giacomo Puccini (Italian composer) (in 1880)
part of:
Messa di Gloria: II. Gloria
Giacomo Puccini3:25
4Messa a quattro voci (Messa di Gloria), op. posth. SC 6: Gloria. Gloria in excelsis Deo - Domine Deus, Rex coelestis
producer:
Michel Garcin (French producer)
choir vocals:
Chœur Symphonique de la Fondation Gulbenkian de Lisbonne (from 1974-07-01 until 1974-07-03)
orchestra:
Orchestre de la Fondation Gulbenkian de Lisbonne (from 1974-07-01 until 1974-07-03)
conductor:
Michel Corboz (conductor and composer) (from 1974-07-01 until 1974-07-03)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Igreja de Graça in Lisboa, Lisboa, Portugal (from 1974-07-01 until 1974-07-03)
recording of:
Messa di Gloria: II. Gloria. Gloria in excelsis Deo - Domine Deus, rex coelestis (from 1974-07-01 until 1974-07-03)
composer:
Giacomo Puccini (Italian composer) (in 1880)
part of:
Messa di Gloria: II. Gloria
Giacomo Puccini1:21
5Messa a quattro voci (Messa di Gloria), op. posth. SC 6: Gloria. Qui tollis peccata mundi
producer:
Michel Garcin (French producer)
choir vocals:
Chœur Symphonique de la Fondation Gulbenkian de Lisbonne (from 1974-07-01 until 1974-07-03)
orchestra:
Orchestre de la Fondation Gulbenkian de Lisbonne (from 1974-07-01 until 1974-07-03)
conductor:
Michel Corboz (conductor and composer) (from 1974-07-01 until 1974-07-03)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Igreja de Graça in Lisboa, Lisboa, Portugal (from 1974-07-01 until 1974-07-03)
recording of:
Messa di Gloria: II. Gloria. Qui tollis peccata mundi (from 1974-07-01 until 1974-07-03)
composer:
Giacomo Puccini (Italian composer) (in 1880)
part of:
Messa di Gloria: II. Gloria
Giacomo Puccini4:24
6Messa a quattro voci (Messa di Gloria), op. posth. SC 6: Gloria. Quoniam tu solus Sanctus
producer:
Michel Garcin (French producer)
choir vocals:
Chœur Symphonique de la Fondation Gulbenkian de Lisbonne (from 1974-07-01 until 1974-07-03)
orchestra:
Orchestre de la Fondation Gulbenkian de Lisbonne (from 1974-07-01 until 1974-07-03)
conductor:
Michel Corboz (conductor and composer) (from 1974-07-01 until 1974-07-03)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Igreja de Graça in Lisboa, Lisboa, Portugal (from 1974-07-01 until 1974-07-03)
recording of:
Messa di Gloria: II. Gloria. Quoniam tu solus Sanctus (from 1974-07-01 until 1974-07-03)
composer:
Giacomo Puccini (Italian composer) (in 1880)
part of:
Messa di Gloria: II. Gloria
Giacomo Puccini1:08
7Messa a quattro voci (Messa di Gloria), op. posth. SC 6: Gloria. Cum Sancto Spiritu in gloria Patris - Gloria in excelsis Deo
producer:
Michel Garcin (French producer)
choir vocals:
Chœur Symphonique de la Fondation Gulbenkian de Lisbonne (from 1974-07-01 until 1974-07-03)
orchestra:
Orchestre de la Fondation Gulbenkian de Lisbonne (from 1974-07-01 until 1974-07-03)
conductor:
Michel Corboz (conductor and composer) (from 1974-07-01 until 1974-07-03)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Igreja de Graça in Lisboa, Lisboa, Portugal (from 1974-07-01 until 1974-07-03)
recording of:
Messa di Gloria: II. Gloria. Cum Sancto Spiritu in gloria Dei Patris – Gloria in excelsis (from 1974-07-01 until 1974-07-03)
composer:
Giacomo Puccini (Italian composer) (in 1880)
part of:
Messa di Gloria: II. Gloria
Giacomo Puccini4:30
8Messa a quattro voci (Messa di Gloria), op. posth. SC 6: Credo. Credo in unum Deum
producer:
Michel Garcin (French producer)
choir vocals:
Chœur Symphonique de la Fondation Gulbenkian de Lisbonne (from 1974-07-01 until 1974-07-03)
orchestra:
Orchestre de la Fondation Gulbenkian de Lisbonne (from 1974-07-01 until 1974-07-03)
conductor:
Michel Corboz (conductor and composer) (from 1974-07-01 until 1974-07-03)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Igreja de Graça in Lisboa, Lisboa, Portugal (from 1974-07-01 until 1974-07-03)
recording of:
Messa di Gloria: III. Credo. Credo in unum Deum (from 1974-07-01 until 1974-07-03)
composer:
Giacomo Puccini (Italian composer) (in 1880)
part of:
Messa di Gloria: III. Credo
Giacomo Puccini3:00
9Messa a quattro voci (Messa di Gloria), op. posth. SC 6: Credo. Et incarnatus est
producer:
Michel Garcin (French producer)
choir vocals:
Chœur Symphonique de la Fondation Gulbenkian de Lisbonne (from 1974-07-01 until 1974-07-03)
tenor vocals:
William Johns (tenor) (from 1974-07-01 until 1974-07-03)
orchestra:
Orchestre de la Fondation Gulbenkian de Lisbonne (from 1974-07-01 until 1974-07-03)
conductor:
Michel Corboz (conductor and composer) (from 1974-07-01 until 1974-07-03)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Igreja de Graça in Lisboa, Lisboa, Portugal (from 1974-07-01 until 1974-07-03)
recording of:
Messa di Gloria: III. Credo. Et incarnatus est (from 1974-07-01 until 1974-07-03)
composer:
Giacomo Puccini (Italian composer) (in 1880)
part of:
Messa di Gloria: III. Credo
Giacomo Puccini3:04
10Messa a quattro voci (Messa di Gloria), op. posth. SC 6: Credo. Crucifixus
producer:
Michel Garcin (French producer)
bass-baritone vocals:
Philippe Huttenlocher (baritone) (from 1974-07-01 until 1974-07-03)
orchestra:
Orchestre de la Fondation Gulbenkian de Lisbonne (from 1974-07-01 until 1974-07-03)
conductor:
Michel Corboz (conductor and composer) (from 1974-07-01 until 1974-07-03)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Igreja de Graça in Lisboa, Lisboa, Portugal (from 1974-07-01 until 1974-07-03)
recording of:
Messa di Gloria: III. Credo. Crucifixus etiam pro nobis (from 1974-07-01 until 1974-07-03)
composer:
Giacomo Puccini (Italian composer) (in 1880)
part of:
Messa di Gloria: III. Credo
Giacomo Puccini3:21
11Messa a quattro voci (Messa di Gloria), op. posth. SC 6: Credo. Et resurrexit
producer:
Michel Garcin (French producer)
choir vocals:
Chœur Symphonique de la Fondation Gulbenkian de Lisbonne (from 1974-07-01 until 1974-07-03)
orchestra:
Orchestre de la Fondation Gulbenkian de Lisbonne (from 1974-07-01 until 1974-07-03)
conductor:
Michel Corboz (conductor and composer) (from 1974-07-01 until 1974-07-03)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Igreja de Graça in Lisboa, Lisboa, Portugal (from 1974-07-01 until 1974-07-03)
recording of:
Messa di Gloria: III. Credo. Et resurrexit tertia die - Et in Spiritum Sanctum (from 1974-07-01 until 1974-07-03)
composer:
Giacomo Puccini (Italian composer) (in 1880)
part of:
Messa di Gloria: III. Credo
Giacomo Puccini2:33
12Messa a quattro voci (Messa di Gloria), op. posth. SC 6: Credo. Et unam sanctam catholicam
producer:
Michel Garcin (French producer)
choir vocals:
Chœur Symphonique de la Fondation Gulbenkian de Lisbonne (from 1974-07-01 until 1974-07-03)
orchestra:
Orchestre de la Fondation Gulbenkian de Lisbonne (from 1974-07-01 until 1974-07-03)
conductor:
Michel Corboz (conductor and composer) (from 1974-07-01 until 1974-07-03)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Igreja de Graça in Lisboa, Lisboa, Portugal (from 1974-07-01 until 1974-07-03)
recording of:
Messa di Gloria: III. Credo. Et unam sanctam catholicam (from 1974-07-01 until 1974-07-03)
composer:
Giacomo Puccini (Italian composer) (in 1880)
part of:
Messa di Gloria: III. Credo
Giacomo Puccini1:51
13Messa a quattro voci (Messa di Gloria), op. posth. SC 6: Credo. Et expecto resurrectionem
producer:
Michel Garcin (French producer)
choir vocals:
Chœur Symphonique de la Fondation Gulbenkian de Lisbonne (from 1974-07-01 until 1974-07-03)
orchestra:
Orchestre de la Fondation Gulbenkian de Lisbonne (from 1974-07-01 until 1974-07-03)
conductor:
Michel Corboz (conductor and composer) (from 1974-07-01 until 1974-07-03)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Igreja de Graça in Lisboa, Lisboa, Portugal (from 1974-07-01 until 1974-07-03)
recording of:
Messa di Gloria: III. Credo. Et expecto resurrectionem - Et vitam venturi saeculi (from 1974-07-01 until 1974-07-03)
composer:
Giacomo Puccini (Italian composer) (in 1880)
part of:
Messa di Gloria: III. Credo
Giacomo Puccini2:05
14Messa a quattro voci (Messa di Gloria), op. posth. SC 6: Sanctus
producer:
Michel Garcin (French producer)
choir vocals:
Chœur Symphonique de la Fondation Gulbenkian de Lisbonne (from 1974-07-01 until 1974-07-03)
orchestra:
Orchestre de la Fondation Gulbenkian de Lisbonne (from 1974-07-01 until 1974-07-03)
conductor:
Michel Corboz (conductor and composer) (from 1974-07-01 until 1974-07-03)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Igreja de Graça in Lisboa, Lisboa, Portugal (from 1974-07-01 until 1974-07-03)
recording of:
Messa di Gloria: IV. Sanctus. Benedictus qui venit in nomine Domini (from 1974-07-01 until 1974-07-03)
composer:
Giacomo Puccini (Italian composer) (in 1880)
part of:
Messa di Gloria: IV. Sanctus
Giacomo Puccini1:10
15Messa a quattro voci (Messa di Gloria), op. posth. SC 6: Benedictus
producer:
Michel Garcin (French producer)
bass-baritone vocals:
Philippe Huttenlocher (baritone) (from 1974-07-01 until 1974-07-03)
choir vocals:
Chœur Symphonique de la Fondation Gulbenkian de Lisbonne (from 1974-07-01 until 1974-07-03)
orchestra:
Orchestre de la Fondation Gulbenkian de Lisbonne (from 1974-07-01 until 1974-07-03)
conductor:
Michel Corboz (conductor and composer) (from 1974-07-01 until 1974-07-03)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Igreja de Graça in Lisboa, Lisboa, Portugal (from 1974-07-01 until 1974-07-03)
recording of:
Messa di Gloria: IV. Sanctus. Benedictus qui venit in nomine Domini (from 1974-07-01 until 1974-07-03)
composer:
Giacomo Puccini (Italian composer) (in 1880)
part of:
Messa di Gloria: IV. Sanctus
Giacomo Puccini2:12
16Messa a quattro voci (Messa di Gloria), op. posth. SC 6: Agnus Dei
producer:
Michel Garcin (French producer)
bass-baritone vocals:
Philippe Huttenlocher (baritone) (from 1974-07-01 until 1974-07-03)
choir vocals:
Chœur Symphonique de la Fondation Gulbenkian de Lisbonne (from 1974-07-01 until 1974-07-03)
tenor vocals:
William Johns (tenor) (from 1974-07-01 until 1974-07-03)
orchestra:
Orchestre de la Fondation Gulbenkian de Lisbonne (from 1974-07-01 until 1974-07-03)
conductor:
Michel Corboz (conductor and composer) (from 1974-07-01 until 1974-07-03)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Igreja de Graça in Lisboa, Lisboa, Portugal (from 1974-07-01 until 1974-07-03)
recording of:
Messa di Gloria: V. Agnus Dei (from 1974-07-01 until 1974-07-03)
composer:
Giacomo Puccini (Italian composer) (in 1880)
publisher:
Belwin-Mills Publishing Corp. and Éditions Mario Bois
part of:
Messa di Gloria, op. posth.
Giacomo Puccini2:50
▼ CD 5: Brahms: Motet op. 74 no. 1 / Marienlieder & Other Lieder
#TitleArtistRatingLength
1Motet “Warum ist das Licht gegeben dem Mühseligen?”, op. 74 no. 1: “Warum ist das Licht gegeben dem Mühseligen?” (Langsam und ausdrucksvoll)
producer:
Michel Garcin (French producer)
choir vocals:
Chœur Symphonique de la Fondation Gulbenkian de Lisbonne (from 1974-07-04 until 1974-07-05, from 1975-04-21 until 1975-04-22)
conductor:
Michel Corboz (conductor and composer) (from 1974-07-04 until 1974-07-05, from 1975-04-21 until 1975-04-22)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Igreja de Graça in Lisboa, Lisboa, Portugal (from 1974-07-04 until 1974-07-05, from 1975-04-21 until 1975-04-22)
partial recording of:
2 Motetten, op. 74: Nr. 1. Warum is das Licht gegeben dem Mühseligen (from 1974-07-04 until 1974-07-05)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johannes Brahms (German composer)
part of:
2 Motetten, op. 74
part of:
2 Motetten, op. 74
partial recording of:
2 Motetten, op. 74: Nr. 1. Warum is das Licht gegeben dem Mühseligen (from 1975-04-21 until 1975-04-22)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johannes Brahms (German composer)
part of:
2 Motetten, op. 74
part of:
2 Motetten, op. 74
Johannes Brahms6:16
2Motet “Warum ist das Licht gegeben dem Mühseligen?”, op. 74 no. 1: “Lasset uns unser Herz samt den Händen aufheben” (Wenig bewegter)
producer:
Michel Garcin (French producer)
choir vocals:
Chœur Symphonique de la Fondation Gulbenkian de Lisbonne (from 1974-07-04 until 1974-07-05, from 1975-04-21 until 1975-04-22)
conductor:
Michel Corboz (conductor and composer) (from 1974-07-04 until 1974-07-05, from 1975-04-21 until 1975-04-22)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Igreja de Graça in Lisboa, Lisboa, Portugal (from 1974-07-04 until 1974-07-05, from 1975-04-21 until 1975-04-22)
partial recording of:
2 Motetten, op. 74: Nr. 1. Warum is das Licht gegeben dem Mühseligen (from 1974-07-04 until 1974-07-05)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johannes Brahms (German composer)
part of:
2 Motetten, op. 74
part of:
2 Motetten, op. 74
partial recording of:
2 Motetten, op. 74: Nr. 1. Warum is das Licht gegeben dem Mühseligen (from 1975-04-21 until 1975-04-22)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johannes Brahms (German composer)
part of:
2 Motetten, op. 74
part of:
2 Motetten, op. 74
Johannes Brahms2:12
3Motet “Warum ist das Licht gegeben dem Mühseligen?”, op. 74 no. 1: “Siehe wir preisen selig, die erduldet haben” (Langsam und sanft)
producer:
Michel Garcin (French producer)
choir vocals:
Chœur Symphonique de la Fondation Gulbenkian de Lisbonne (from 1974-07-04 until 1974-07-05, from 1975-04-21 until 1975-04-22)
conductor:
Michel Corboz (conductor and composer) (from 1974-07-04 until 1974-07-05, from 1975-04-21 until 1975-04-22)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Igreja de Graça in Lisboa, Lisboa, Portugal (from 1974-07-04 until 1974-07-05, from 1975-04-21 until 1975-04-22)
partial recording of:
2 Motetten, op. 74: Nr. 1. Warum is das Licht gegeben dem Mühseligen (from 1974-07-04 until 1974-07-05)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johannes Brahms (German composer)
part of:
2 Motetten, op. 74
part of:
2 Motetten, op. 74
partial recording of:
2 Motetten, op. 74: Nr. 1. Warum is das Licht gegeben dem Mühseligen (from 1975-04-21 until 1975-04-22)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johannes Brahms (German composer)
part of:
2 Motetten, op. 74
part of:
2 Motetten, op. 74
Johannes Brahms0:49
4Motet “Warum ist das Licht gegeben dem Mühseligen?”, op. 74 no. 1: “Mit Fried und Freud ich fahr' dahin” (Chorale)
producer:
Michel Garcin (French producer)
choir vocals:
Chœur Symphonique de la Fondation Gulbenkian de Lisbonne (from 1974-07-04 until 1974-07-05, from 1975-04-21 until 1975-04-22)
conductor:
Michel Corboz (conductor and composer) (from 1974-07-04 until 1974-07-05, from 1975-04-21 until 1975-04-22)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Igreja de Graça in Lisboa, Lisboa, Portugal (from 1974-07-04 until 1974-07-05, from 1975-04-21 until 1975-04-22)
partial recording of:
2 Motetten, op. 74: Nr. 1. Warum is das Licht gegeben dem Mühseligen (from 1974-07-04 until 1974-07-05)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johannes Brahms (German composer)
part of:
2 Motetten, op. 74
part of:
2 Motetten, op. 74
partial recording of:
2 Motetten, op. 74: Nr. 1. Warum is das Licht gegeben dem Mühseligen (from 1975-04-21 until 1975-04-22)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johannes Brahms (German composer)
part of:
2 Motetten, op. 74
part of:
2 Motetten, op. 74
Johannes Brahms1:19
5Marienlieder, op. 22: Der englische Gruss
producer:
Michel Garcin (French producer)
choir vocals:
Chœur Symphonique de la Fondation Gulbenkian de Lisbonne (from 1974-07-04 until 1974-07-05, from 1975-04-21 until 1975-04-22)
conductor:
Michel Corboz (conductor and composer) (from 1974-07-04 until 1974-07-05, from 1975-04-21 until 1975-04-22)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Igreja de Graça in Lisboa, Lisboa, Portugal (from 1974-07-04 until 1974-07-05, from 1975-04-21 until 1975-04-22)
recording of:
Marienlieder, op. 22: Nr. 1. Der englische Gruß (from 1974-07-04 until 1974-07-05)
lyricist:
[traditional] (special purpose artist)
composer:
Johannes Brahms (German composer)
part of:
Marienlieder, op. 22
recording of:
Marienlieder, op. 22: Nr. 1. Der englische Gruß (from 1975-04-21 until 1975-04-22)
lyricist:
[traditional] (special purpose artist)
composer:
Johannes Brahms (German composer)
part of:
Marienlieder, op. 22
Johannes Brahms3:07
6Marienlieder, op. 22: Marias Kirchgang
producer:
Michel Garcin (French producer)
choir vocals:
Chœur Symphonique de la Fondation Gulbenkian de Lisbonne (from 1974-07-04 until 1974-07-05, from 1975-04-21 until 1975-04-22)
conductor:
Michel Corboz (conductor and composer) (from 1974-07-04 until 1974-07-05, from 1975-04-21 until 1975-04-22)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Igreja de Graça in Lisboa, Lisboa, Portugal (from 1974-07-04 until 1974-07-05, from 1975-04-21 until 1975-04-22)
recording of:
Marienlieder, op. 22: Nr. 2. Marias Kirchgang (from 1974-07-04 until 1974-07-05)
lyricist:
[traditional] (special purpose artist)
composer:
Johannes Brahms (German composer)
part of:
Marienlieder, op. 22
recording of:
Marienlieder, op. 22: Nr. 2. Marias Kirchgang (from 1975-04-21 until 1975-04-22)
lyricist:
[traditional] (special purpose artist)
composer:
Johannes Brahms (German composer)
part of:
Marienlieder, op. 22
Johannes Brahms2:14
7Marienlieder, op. 22: Marias Wallfahrt
producer:
Michel Garcin (French producer)
choir vocals:
Chœur Symphonique de la Fondation Gulbenkian de Lisbonne (from 1974-07-04 until 1974-07-05, from 1975-04-21 until 1975-04-22)
conductor:
Michel Corboz (conductor and composer) (from 1974-07-04 until 1974-07-05, from 1975-04-21 until 1975-04-22)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Igreja de Graça in Lisboa, Lisboa, Portugal (from 1974-07-04 until 1974-07-05, from 1975-04-21 until 1975-04-22)
recording of:
Marienlieder, op. 22: Nr. 3. Marias Wallfahrt (from 1974-07-04 until 1974-07-05)
lyricist:
[traditional] (special purpose artist)
composer:
Johannes Brahms (German composer)
part of:
Marienlieder, op. 22
recording of:
Marienlieder, op. 22: Nr. 3. Marias Wallfahrt (from 1975-04-21 until 1975-04-22)
lyricist:
[traditional] (special purpose artist)
composer:
Johannes Brahms (German composer)
part of:
Marienlieder, op. 22
Johannes Brahms1:35
8Marienlieder, op. 22: Der Jager 2.4
producer:
Michel Garcin (French producer)
choir vocals:
Chœur Symphonique de la Fondation Gulbenkian de Lisbonne (from 1974-07-04 until 1974-07-05, from 1975-04-21 until 1975-04-22)
conductor:
Michel Corboz (conductor and composer) (from 1974-07-04 until 1974-07-05, from 1975-04-21 until 1975-04-22)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Igreja de Graça in Lisboa, Lisboa, Portugal (from 1974-07-04 until 1974-07-05, from 1975-04-21 until 1975-04-22)
recording of:
Marienlieder, op. 22: Nr. 4. Der Jäger (from 1974-07-04 until 1974-07-05)
lyricist:
[traditional] (special purpose artist)
composer:
Johannes Brahms (German composer)
part of:
Marienlieder, op. 22
recording of:
Marienlieder, op. 22: Nr. 4. Der Jäger (from 1975-04-21 until 1975-04-22)
lyricist:
[traditional] (special purpose artist)
composer:
Johannes Brahms (German composer)
part of:
Marienlieder, op. 22
Johannes Brahms2:04
9Marienlieder, op. 22: Ruf zur Maria
producer:
Michel Garcin (French producer)
choir vocals:
Chœur Symphonique de la Fondation Gulbenkian de Lisbonne (from 1974-07-04 until 1974-07-05, from 1975-04-21 until 1975-04-22)
conductor:
Michel Corboz (conductor and composer) (from 1974-07-04 until 1974-07-05, from 1975-04-21 until 1975-04-22)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Igreja de Graça in Lisboa, Lisboa, Portugal (from 1974-07-04 until 1974-07-05, from 1975-04-21 until 1975-04-22)
recording of:
Marienlieder, op. 22: Nr. 5. Ruf zur Maria (from 1974-07-04 until 1974-07-05)
lyricist:
[traditional] (special purpose artist)
composer:
Johannes Brahms (German composer)
part of:
Marienlieder, op. 22
recording of:
Marienlieder, op. 22: Nr. 5. Ruf zur Maria (from 1975-04-21 until 1975-04-22)
lyricist:
[traditional] (special purpose artist)
composer:
Johannes Brahms (German composer)
part of:
Marienlieder, op. 22
Johannes Brahms2:12
10Marienlieder, op. 22: Magdalena
producer:
Michel Garcin (French producer)
choir vocals:
Chœur Symphonique de la Fondation Gulbenkian de Lisbonne (from 1974-07-04 until 1974-07-05, from 1975-04-21 until 1975-04-22)
conductor:
Michel Corboz (conductor and composer) (from 1974-07-04 until 1974-07-05, from 1975-04-21 until 1975-04-22)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Igreja de Graça in Lisboa, Lisboa, Portugal (from 1974-07-04 until 1974-07-05, from 1975-04-21 until 1975-04-22)
recording of:
Marienlieder, op. 22: Nr. 6. Magdalena (from 1974-07-04 until 1974-07-05)
lyricist:
[traditional] (special purpose artist)
composer:
Johannes Brahms (German composer)
part of:
Marienlieder, op. 22
recording of:
Marienlieder, op. 22: Nr. 6. Magdalena (from 1975-04-21 until 1975-04-22)
lyricist:
[traditional] (special purpose artist)
composer:
Johannes Brahms (German composer)
part of:
Marienlieder, op. 22
Johannes Brahms1:13
11Marienlieder, op. 22: Marias Lob
producer:
Michel Garcin (French producer)
choir vocals:
Chœur Symphonique de la Fondation Gulbenkian de Lisbonne (from 1974-07-04 until 1974-07-05, from 1975-04-21 until 1975-04-22)
conductor:
Michel Corboz (conductor and composer) (from 1974-07-04 until 1974-07-05, from 1975-04-21 until 1975-04-22)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Igreja de Graça in Lisboa, Lisboa, Portugal (from 1974-07-04 until 1974-07-05, from 1975-04-21 until 1975-04-22)
recording of:
Marienlieder, op. 22: Nr. 7. Marias Lob (from 1974-07-04 until 1974-07-05)
lyricist:
[traditional] (special purpose artist)
composer:
Johannes Brahms (German composer)
part of:
Marienlieder, op. 22
recording of:
Marienlieder, op. 22: Nr. 7. Marias Lob (from 1975-04-21 until 1975-04-22)
lyricist:
[traditional] (special purpose artist)
composer:
Johannes Brahms (German composer)
part of:
Marienlieder, op. 22
Johannes Brahms2:50
12Lieder, op. 62: No. 1 Rosmarin
producer:
Michel Garcin (French producer)
choir vocals:
Chœur Symphonique de la Fondation Gulbenkian de Lisbonne (from 1974-07-04 until 1974-07-05, from 1975-04-21 until 1975-04-22)
conductor:
Michel Corboz (conductor and composer) (from 1974-07-04 until 1974-07-05, from 1975-04-21 until 1975-04-22)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Igreja de Graça in Lisboa, Lisboa, Portugal (from 1974-07-04 until 1974-07-05, from 1975-04-21 until 1975-04-22)
recording of:
7 Lieder, op. 62: Nr. 1. Rosmarin (from 1974-07-04 until 1974-07-05)
lyricist:
[traditional] (special purpose artist)
composer:
Johannes Brahms (German composer)
part of:
7 Lieder, op. 62
recording of:
7 Lieder, op. 62: Nr. 1. Rosmarin (from 1975-04-21 until 1975-04-22)
lyricist:
[traditional] (special purpose artist)
composer:
Johannes Brahms (German composer)
part of:
7 Lieder, op. 62
Johannes Brahms1:43
13Lieder, op. 62: No. 3 Waldesnacht
producer:
Michel Garcin (French producer)
choir vocals:
Chœur Symphonique de la Fondation Gulbenkian de Lisbonne (from 1974-07-04 until 1974-07-05, from 1975-04-21 until 1975-04-22)
conductor:
Michel Corboz (conductor and composer) (from 1974-07-04 until 1974-07-05, from 1975-04-21 until 1975-04-22)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Igreja de Graça in Lisboa, Lisboa, Portugal (from 1974-07-04 until 1974-07-05, from 1975-04-21 until 1975-04-22)
recording of:
7 Lieder, op. 62: Nr. 3. Waldesnacht (from 1974-07-04 until 1974-07-05)
lyricist:
Paul Johann Ludwig von Heyse (German writer)
composer:
Johannes Brahms (German composer) (from 1873 until 1874)
part of:
7 Lieder, op. 62
recording of:
7 Lieder, op. 62: Nr. 3. Waldesnacht (from 1975-04-21 until 1975-04-22)
lyricist:
Paul Johann Ludwig von Heyse (German writer)
composer:
Johannes Brahms (German composer) (from 1873 until 1874)
part of:
7 Lieder, op. 62
Johannes Brahms4:01
14Lieder, op. 62: No. 4 Dein Herzlein mild
producer:
Michel Garcin (French producer)
choir vocals:
Chœur Symphonique de la Fondation Gulbenkian de Lisbonne (from 1974-07-04 until 1974-07-05, from 1975-04-21 until 1975-04-22)
conductor:
Michel Corboz (conductor and composer) (from 1974-07-04 until 1974-07-05, from 1975-04-21 until 1975-04-22)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Igreja de Graça in Lisboa, Lisboa, Portugal (from 1974-07-04 until 1974-07-05, from 1975-04-21 until 1975-04-22)
recording of:
7 Lieder, op. 62: Nr. 4. Dein Herzlein mild (from 1974-07-04 until 1974-07-05)
lyricist:
Paul Johann Ludwig von Heyse (German writer)
composer:
Johannes Brahms (German composer)
part of:
7 Lieder, op. 62
recording of:
7 Lieder, op. 62: Nr. 4. Dein Herzlein mild (from 1975-04-21 until 1975-04-22)
lyricist:
Paul Johann Ludwig von Heyse (German writer)
composer:
Johannes Brahms (German composer)
part of:
7 Lieder, op. 62
Johannes Brahms2:00
15Lieder, op. 62: No. 7 Vergangen ist mir Glück und Heil
producer:
Michel Garcin (French producer)
choir vocals:
Chœur Symphonique de la Fondation Gulbenkian de Lisbonne (from 1974-07-04 until 1974-07-05, from 1975-04-21 until 1975-04-22)
conductor:
Michel Corboz (conductor and composer) (from 1974-07-04 until 1974-07-05, from 1975-04-21 until 1975-04-22)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Igreja de Graça in Lisboa, Lisboa, Portugal (from 1974-07-04 until 1974-07-05, from 1975-04-21 until 1975-04-22)
recording of:
7 Lieder, op. 62: Nr. 7. Vergangen ist mir Glück und Heil (from 1974-07-04 until 1974-07-05)
lyricist:
[traditional] (special purpose artist)
composer:
Johannes Brahms (German composer)
part of:
7 Lieder, op. 62
recording of:
7 Lieder, op. 62: Nr. 7. Vergangen ist mir Glück und Heil (from 1975-04-21 until 1975-04-22)
lyricist:
[traditional] (special purpose artist)
composer:
Johannes Brahms (German composer)
part of:
7 Lieder, op. 62
Johannes Brahms2:50
16Lieder und Romanzen, op. 93a: No. 1 Der bucklichte Fiedler
producer:
Michel Garcin (French producer)
choir vocals:
Chœur Symphonique de la Fondation Gulbenkian de Lisbonne (from 1974-07-04 until 1974-07-05, from 1975-04-21 until 1975-04-22)
conductor:
Michel Corboz (conductor and composer) (from 1974-07-04 until 1974-07-05, from 1975-04-21 until 1975-04-22)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Igreja de Graça in Lisboa, Lisboa, Portugal (from 1974-07-04 until 1974-07-05, from 1975-04-21 until 1975-04-22)
recording of:
6 Lieder und Romanzen, op. 93a: Nr. 1. Der bucklichte Fiedler (from 1974-07-04 until 1974-07-05)
lyricist:
[traditional] (special purpose artist)
composer:
Johannes Brahms (German composer)
part of:
6 Lieder und Romanzen, op. 93a
recording of:
6 Lieder und Romanzen, op. 93a: Nr. 1. Der bucklichte Fiedler (from 1975-04-21 until 1975-04-22)
lyricist:
[traditional] (special purpose artist)
composer:
Johannes Brahms (German composer)
part of:
6 Lieder und Romanzen, op. 93a
Johannes Brahms1:47
17Lieder und Romanzen, op. 93a: No. 3 O süsser Mai
producer:
Michel Garcin (French producer)
choir vocals:
Chœur Symphonique de la Fondation Gulbenkian de Lisbonne (from 1974-07-04 until 1974-07-05, from 1975-04-21 until 1975-04-22)
conductor:
Michel Corboz (conductor and composer) (from 1974-07-04 until 1974-07-05, from 1975-04-21 until 1975-04-22)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Igreja de Graça in Lisboa, Lisboa, Portugal (from 1974-07-04 until 1974-07-05, from 1975-04-21 until 1975-04-22)
recording of:
6 Lieder und Romanzen, op. 93a: Nr. 3. O süsser Mai (from 1974-07-04 until 1974-07-05)
lyricist:
Achim von Arnim (German poet)
composer:
Johannes Brahms (German composer)
part of:
6 Lieder und Romanzen, op. 93a
recording of:
6 Lieder und Romanzen, op. 93a: Nr. 3. O süsser Mai (from 1975-04-21 until 1975-04-22)
lyricist:
Achim von Arnim (German poet)
composer:
Johannes Brahms (German composer)
part of:
6 Lieder und Romanzen, op. 93a
Johannes Brahms1:58
18Lieder und Romanzen, op. 93a: No. 6 Beherzigung
producer:
Michel Garcin (French producer)
choir vocals:
Chœur Symphonique de la Fondation Gulbenkian de Lisbonne (from 1974-07-04 until 1974-07-05, from 1975-04-21 until 1975-04-22)
conductor:
Michel Corboz (conductor and composer) (from 1974-07-04 until 1974-07-05, from 1975-04-21 until 1975-04-22)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Igreja de Graça in Lisboa, Lisboa, Portugal (from 1974-07-04 until 1974-07-05, from 1975-04-21 until 1975-04-22)
recording of:
6 Lieder und Romanzen, op. 93a: Nr. 6. Beherzigung (from 1974-07-04 until 1974-07-05)
lyricist:
Johann Wolfgang von Goethe
composer:
Johannes Brahms (German composer)
part of:
6 Lieder und Romanzen, op. 93a
recording of:
6 Lieder und Romanzen, op. 93a: Nr. 6. Beherzigung (from 1975-04-21 until 1975-04-22)
lyricist:
Johann Wolfgang von Goethe
composer:
Johannes Brahms (German composer)
part of:
6 Lieder und Romanzen, op. 93a
Johannes Brahms0:45
19Deutsche Volkslieder, WoO 34: No. 8 In Stiller Nacht, zur ersten Wacht
producer:
Michel Garcin (French producer)
choir vocals:
Chœur Symphonique de la Fondation Gulbenkian de Lisbonne (from 1974-07-04 until 1974-07-05, from 1975-04-21 until 1975-04-22)
conductor:
Michel Corboz (conductor and composer) (from 1974-07-04 until 1974-07-05, from 1975-04-21 until 1975-04-22)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Igreja de Graça in Lisboa, Lisboa, Portugal (from 1974-07-04 until 1974-07-05, from 1975-04-21 until 1975-04-22)
recording of:
14 Deutsche Volkslieder, WoO 34: Book II, no. 1, In stiller Nacht (from 1974-07-04 until 1974-07-05)
lyricist:
[traditional] (special purpose artist)
composer:
Johannes Brahms (German composer)
part of:
14 Deutsche Volkslieder, WoO 34: Book II
recording of:
14 Deutsche Volkslieder, WoO 34: Book II, no. 1, In stiller Nacht (from 1975-04-21 until 1975-04-22)
lyricist:
[traditional] (special purpose artist)
composer:
Johannes Brahms (German composer)
part of:
14 Deutsche Volkslieder, WoO 34: Book II
Johannes Brahms3:09
20Deutsche Volkslieder, WoO 34: No. 9 Abschiedslied
producer:
Michel Garcin (French producer)
choir vocals:
Chœur Symphonique de la Fondation Gulbenkian de Lisbonne (from 1974-07-04 until 1974-07-05, from 1975-04-21 until 1975-04-22)
conductor:
Michel Corboz (conductor and composer) (from 1974-07-04 until 1974-07-05, from 1975-04-21 until 1975-04-22)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Igreja de Graça in Lisboa, Lisboa, Portugal (from 1974-07-04 until 1974-07-05, from 1975-04-21 until 1975-04-22)
recording of:
14 Deutsche Volkslieder, WoO 34: Book II, no. 2, Abschiedslied (from 1974-07-04 until 1974-07-05)
lyricist:
[traditional] (special purpose artist)
composer:
Johannes Brahms (German composer)
part of:
14 Deutsche Volkslieder, WoO 34: Book II
recording of:
14 Deutsche Volkslieder, WoO 34: Book II, no. 2, Abschiedslied (from 1975-04-21 until 1975-04-22)
lyricist:
[traditional] (special purpose artist)
composer:
Johannes Brahms (German composer)
part of:
14 Deutsche Volkslieder, WoO 34: Book II
Johannes Brahms2:19
21Abschiedslieder, op. 104: No. 5 Im Herbst
producer:
Michel Garcin (French producer)
choir vocals:
Chœur Symphonique de la Fondation Gulbenkian de Lisbonne (from 1974-07-04 until 1974-07-05, from 1975-04-21 until 1975-04-22)
conductor:
Michel Corboz (conductor and composer) (from 1974-07-04 until 1974-07-05, from 1975-04-21 until 1975-04-22)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Igreja de Graça in Lisboa, Lisboa, Portugal (from 1974-07-04 until 1974-07-05, from 1975-04-21 until 1975-04-22)
recording of:
5 Gesänge, op. 104: Nr. 5. Im Herbst (from 1974-07-04 until 1974-07-05)
lyricist:
Klaus Groth
composer:
Johannes Brahms (German composer)
part of:
5 Gesänge, op. 104
recording of:
5 Gesänge, op. 104: Nr. 5. Im Herbst (from 1975-04-21 until 1975-04-22)
lyricist:
Klaus Groth
composer:
Johannes Brahms (German composer)
part of:
5 Gesänge, op. 104
Johannes Brahms5:01
▼ CD 6: Mozart: Requiem (1975)
#TitleArtistRatingLength
1Requiem in D minor, K. 626: I. Introitus. Requiem aeternam (Chorus, Soprano) / II. Kyrie eleison (Chorus)
producer:
Michel Garcin (French producer)
choir vocals:
Chœur Symphonique de la Fondation Gulbenkian de Lisbonne, (from 1975-04-17 until 1975-04-18)
soprano vocals:
Elly Ameling (soprano) (from 1975-04-17 until 1975-04-18)
orchestra:
Orchestre de la Fondation Gulbenkian de Lisbonne (from 1975-04-17 until 1975-04-18)
conductor:
Michel Corboz (conductor and composer) (from 1975-04-17 until 1975-04-18)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Igreja de Graça in Lisboa, Lisboa, Portugal (from 1975-04-17 until 1975-04-18)
recording of:
Requiem in D minor, K. 626: I. Introitus: Requiem aeternam (Süßmayr Edition; choir and soprano solo) (from 1975-04-17 until 1975-04-18)
orchestrator:
Franz Jakob Freystädtler, Wolfgang Amadeus Mozart (classical composer) and Franz Xaver Süßmayr
additional composer:
Franz Xaver Süßmayr
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
is based on:
Requiem in D minor, K. 626: I. Introitus: Requiem aeternam (original version)
part of:
Requiem in D minor, K. 626 (Süßmayr edition)
recording of:
Requiem in D minor, K. 626: II. Kyrie eleison (Süßmayr Edition; choir) (from 1975-04-17 until 1975-04-18)
orchestrator:
Franz Jakob Freystädtler, Wolfgang Amadeus Mozart (classical composer) and Franz Xaver Süßmayr
additional composer:
Franz Xaver Süßmayr
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626 (Süßmayr edition)
Wolfgang Amadeus Mozart8:37
2Requiem in D minor, K. 626: III. Sequentia. Dies irae (Chorus)
producer:
Michel Garcin (French producer)
choir vocals:
Chœur Symphonique de la Fondation Gulbenkian de Lisbonne, (from 1975-04-17 until 1975-04-18)
orchestra:
Orchestre de la Fondation Gulbenkian de Lisbonne (from 1975-04-17 until 1975-04-18)
conductor:
Michel Corboz (conductor and composer) (from 1975-04-17 until 1975-04-18)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Igreja de Graça in Lisboa, Lisboa, Portugal (from 1975-04-17 until 1975-04-18)
recording of:
Requiem in D minor, K. 626: III. Sequenz: a. Dies irae (Süßmayr Edition; choir) (from 1975-04-17 until 1975-04-18)
orchestrator:
Franz Xaver Süßmayr
additional composer:
Joseph Leopold Eybler
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Süßmayr Edition)
Wolfgang Amadeus Mozart1:53
3Requiem in D minor, K. 626: III. Sequentia. Tuba mirum (Solo Quartet)
producer:
Michel Garcin (French producer)
alto vocals:
Barbara Scherler (German mezzo / contralto) (from 1975-04-17 until 1975-04-18)
bass vocals:
Roger Soyer (French operatic bass-baritone) (from 1975-04-17 until 1975-04-18)
soprano vocals:
Elly Ameling (soprano) (from 1975-04-17 until 1975-04-18)
tenor vocals:
Louis Devos (Belgian conductor & tenor vocalist) (from 1975-04-17 until 1975-04-18)
orchestra:
Orchestre de la Fondation Gulbenkian de Lisbonne (from 1975-04-17 until 1975-04-18)
conductor:
Michel Corboz (conductor and composer) (from 1975-04-17 until 1975-04-18)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Igreja de Graça in Lisboa, Lisboa, Portugal (from 1975-04-17 until 1975-04-18)
recording of:
Requiem in D minor, K. 626: III. Sequenz: b. Tuba mirum (Süßmayr Edition; soprano, alto, tenor, bass solos) (from 1975-04-17 until 1975-04-18)
orchestrator:
Franz Xaver Süßmayr
additional composer:
Joseph Leopold Eybler
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Süßmayr Edition)
Wolfgang Amadeus Mozart3:38
4Requiem in D minor, K. 626: III. Sequentia. Rex tremendae (Chorus)
producer:
Michel Garcin (French producer)
choir vocals:
Chœur Symphonique de la Fondation Gulbenkian de Lisbonne, (from 1975-04-17 until 1975-04-18)
orchestra:
Orchestre de la Fondation Gulbenkian de Lisbonne (from 1975-04-17 until 1975-04-18)
conductor:
Michel Corboz (conductor and composer) (from 1975-04-17 until 1975-04-18)
performer:
Orchestra & Choir of the Gulbenkian Foundation (from 1975-04-17 until 1975-04-18)
balance engineer:
Pierre Lavoix (engineer)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only)
recorded at:
Igreja de Graça in Lisboa, Lisboa, Portugal (from 1975-04-17 until 1975-04-18)
recording of:
Requiem in D minor, K. 626: III. Sequenz: c. Rex tremendae majestatis (catch-all for unknown editions) (from 1975-04-17 until 1975-04-18)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626 (catch-all for unknown editions)
recording of:
Requiem in D minor, K. 626: III. Sequenz: c. Rex tremendae majestatis (Süßmayr Edition; choir) (from 1975-04-17 until 1975-04-18)
orchestrator:
Franz Xaver Süßmayr
additional composer:
Joseph Leopold Eybler
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Süßmayr Edition)
Wolfgang Amadeus Mozart2:18
5Requiem in D minor, K. 626: III. Sequentia. Recordare (Solo Quartet)
producer:
Michel Garcin (French producer)
alto vocals:
Barbara Scherler (German mezzo / contralto) (from 1975-04-17 until 1975-04-18)
bass vocals:
Roger Soyer (French operatic bass-baritone) (from 1975-04-17 until 1975-04-18)
soprano vocals:
Elly Ameling (soprano) (from 1975-04-17 until 1975-04-18)
tenor vocals:
Louis Devos (Belgian conductor & tenor vocalist) (from 1975-04-17 until 1975-04-18)
orchestra:
Orchestre de la Fondation Gulbenkian de Lisbonne (from 1975-04-17 until 1975-04-18)
conductor:
Michel Corboz (conductor and composer) (from 1975-04-17 until 1975-04-18)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Igreja de Graça in Lisboa, Lisboa, Portugal (from 1975-04-17 until 1975-04-18)
recording of:
Requiem in D minor, K. 626: III. Sequenz: d. Recordare, Jesu pie (Süßmayr Edition; soprano, alto, tenor, bass solos) (from 1975-04-17 until 1975-04-18)
orchestrator:
Franz Xaver Süßmayr
additional composer:
Joseph Leopold Eybler
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Süßmayr Edition)
Wolfgang Amadeus Mozart5:56
6Requiem in D minor, K. 626: III. Sequentia. Confutatis (Chorus)
producer:
Michel Garcin (French producer)
choir vocals:
Chœur Symphonique de la Fondation Gulbenkian de Lisbonne, (from 1975-04-17 until 1975-04-18)
orchestra:
Orchestre de la Fondation Gulbenkian de Lisbonne (from 1975-04-17 until 1975-04-18)
conductor:
Michel Corboz (conductor and composer) (from 1975-04-17 until 1975-04-18)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Igreja de Graça in Lisboa, Lisboa, Portugal (from 1975-04-17 until 1975-04-18)
recording of:
Requiem in D minor, K. 626: III. Sequenz: e. Confutatis maledictis (Süßmayr Edition; choir) (from 1975-04-17 until 1975-04-18)
orchestrator:
Franz Xaver Süßmayr
additional composer:
Joseph Leopold Eybler and Franz Xaver Süßmayr
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Süßmayr Edition)
Wolfgang Amadeus Mozart2:59
7Requiem in D minor, K. 626: III. Sequentia. Lacrimosa (Chorus)
producer:
Michel Garcin (French producer)
choir vocals:
Chœur Symphonique de la Fondation Gulbenkian de Lisbonne, (from 1975-04-17 until 1975-04-18)
orchestra:
Orchestre de la Fondation Gulbenkian de Lisbonne (from 1975-04-17 until 1975-04-18)
conductor:
Michel Corboz (conductor and composer) (from 1975-04-17 until 1975-04-18)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Igreja de Graça in Lisboa, Lisboa, Portugal (from 1975-04-17 until 1975-04-18)
recording of:
Requiem in D minor, K. 626: III. Sequenz: f. Lacrimosa dies illa (Süßmayr Edition; choir) (from 1975-04-17 until 1975-04-18)
orchestrator:
Franz Xaver Süßmayr
additional composer:
Joseph Leopold Eybler and Franz Xaver Süßmayr (from 1791 until 1792)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Süßmayr Edition)
Wolfgang Amadeus Mozart3:41
8Requiem in D minor, K. 626: IV. Offertorium. Domine Jesu Christe (Chorus, Solo Quartet)
producer:
Michel Garcin (French producer)
alto vocals:
Barbara Scherler (German mezzo / contralto) (from 1975-04-17 until 1975-04-18)
bass vocals:
Roger Soyer (French operatic bass-baritone) (from 1975-04-17 until 1975-04-18)
choir vocals:
Chœur Symphonique de la Fondation Gulbenkian de Lisbonne, (from 1975-04-17 until 1975-04-18)
soprano vocals:
Elly Ameling (soprano) (from 1975-04-17 until 1975-04-18)
tenor vocals:
Louis Devos (Belgian conductor & tenor vocalist) (from 1975-04-17 until 1975-04-18)
orchestra:
Orchestre de la Fondation Gulbenkian de Lisbonne (from 1975-04-17 until 1975-04-18)
conductor:
Michel Corboz (conductor and composer) (from 1975-04-17 until 1975-04-18)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Igreja de Graça in Lisboa, Lisboa, Portugal (from 1975-04-17 until 1975-04-18)
recording of:
Requiem in D minor, K. 626: IV. Offertorium: a. Domine Jesu Christie (Süßmayr Edition; choir with solo quartet) (from 1975-04-17 until 1975-04-18)
orchestrator:
Maximilian Stadler and Franz Xaver Süßmayr
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: IV. Offertorium (Süßmayr Edition)
Wolfgang Amadeus Mozart3:45
9Requiem in D minor, K. 626: IV. Offertorium. Hostias et preces tibi (Chorus)
producer:
Michel Garcin (French producer)
choir vocals:
Chœur Symphonique de la Fondation Gulbenkian de Lisbonne, (from 1975-04-17 until 1975-04-18)
orchestra:
Orchestre de la Fondation Gulbenkian de Lisbonne (from 1975-04-17 until 1975-04-18)
conductor:
Michel Corboz (conductor and composer) (from 1975-04-17 until 1975-04-18)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Igreja de Graça in Lisboa, Lisboa, Portugal (from 1975-04-17 until 1975-04-18)
recording of:
Requiem in D minor, K. 626: IV. Offertorium: b. Versus: Hostias et preces (Süßmayr Edition; choir) (from 1975-04-17 until 1975-04-18)
orchestrator:
Maximilian Stadler and Franz Xaver Süßmayr
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: IV. Offertorium (Süßmayr Edition)
Wolfgang Amadeus Mozart4:20
10Requiem in D minor, K. 626: V. Sanctus (Chorus)
producer:
Michel Garcin (French producer)
choir vocals:
Chœur Symphonique de la Fondation Gulbenkian de Lisbonne, (from 1975-04-17 until 1975-04-18)
orchestra:
Orchestre de la Fondation Gulbenkian de Lisbonne (from 1975-04-17 until 1975-04-18)
conductor:
Michel Corboz (conductor and composer) (from 1975-04-17 until 1975-04-18)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Igreja de Graça in Lisboa, Lisboa, Portugal (from 1975-04-17 until 1975-04-18)
recording of:
Requiem in D minor, K. 626: V. Sanctus: a. Sanctus Dominus Deus Sabaoth (Süßmayr Edition; choir) (from 1975-04-17 until 1975-04-18)
orchestrator:
Franz Xaver Süßmayr
composer:
Franz Xaver Süßmayr and Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: V. Sanctus (Süßmayr edition)
Wolfgang Amadeus Mozart1:38
11Requiem in D minor, K. 626: VI. Benedictus (Solo Quartet, Chorus)
producer:
Michel Garcin (French producer)
alto vocals:
Barbara Scherler (German mezzo / contralto) (from 1975-04-17 until 1975-04-18)
bass vocals:
Roger Soyer (French operatic bass-baritone) (from 1975-04-17 until 1975-04-18)
choir vocals:
Chœur Symphonique de la Fondation Gulbenkian de Lisbonne, (from 1975-04-17 until 1975-04-18)
soprano vocals:
Elly Ameling (soprano) (from 1975-04-17 until 1975-04-18)
tenor vocals:
Louis Devos (Belgian conductor & tenor vocalist) (from 1975-04-17 until 1975-04-18)
orchestra:
Orchestre de la Fondation Gulbenkian de Lisbonne (from 1975-04-17 until 1975-04-18)
conductor:
Michel Corboz (conductor and composer) (from 1975-04-17 until 1975-04-18)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Igreja de Graça in Lisboa, Lisboa, Portugal (from 1975-04-17 until 1975-04-18)
recording of:
Requiem in D minor, K. 626: V. Sanctus: b. Benedictus (Süßmayr Edition; solo quartet, then choir) (from 1975-04-17 until 1975-04-18)
orchestrator:
Franz Xaver Süßmayr
composer:
Franz Xaver Süßmayr and Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: V. Sanctus (Süßmayr edition)
Wolfgang Amadeus Mozart5:38
12Requiem in D minor, K. 626: VII. Agnus Dei (Chorus)
producer:
Michel Garcin (French producer)
choir vocals:
Chœur Symphonique de la Fondation Gulbenkian de Lisbonne, (from 1975-04-17 until 1975-04-18)
orchestra:
Orchestre de la Fondation Gulbenkian de Lisbonne (from 1975-04-17 until 1975-04-18)
conductor:
Michel Corboz (conductor and composer) (from 1975-04-17 until 1975-04-18)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Igreja de Graça in Lisboa, Lisboa, Portugal (from 1975-04-17 until 1975-04-18)
recording of:
Requiem in D minor, K. 626: VI. Agnus Dei (Süßmayr Edition; choir) (from 1975-04-17 until 1975-04-18)
additional orchestrator:
Franz Jakob Freystädtler
orchestrator:
Franz Xaver Süßmayr
additional composer:
Franz Xaver Süßmayr (until 1792-03)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626 (Süßmayr edition)
Wolfgang Amadeus Mozart4:47
13Requiem in D minor, K. 626: VIII. Communio. Lux aeterna (Soprano, Chorus)
producer:
Michel Garcin (French producer)
choir vocals:
Chœur Symphonique de la Fondation Gulbenkian de Lisbonne, (from 1975-04-17 until 1975-04-18)
soprano vocals:
Elly Ameling (soprano) (from 1975-04-17 until 1975-04-18)
orchestra:
Orchestre de la Fondation Gulbenkian de Lisbonne (from 1975-04-17 until 1975-04-18)
conductor:
Michel Corboz (conductor and composer) (from 1975-04-17 until 1975-04-18)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Igreja de Graça in Lisboa, Lisboa, Portugal (from 1975-04-17 until 1975-04-18)
recording of:
Requiem in D minor, K. 626: VII. Communio: Lux aeterna (Süßmayr Edition; soprano solo and choir) (from 1975-04-17 until 1975-04-18)
additional orchestrator:
Franz Beyer (violist) and Franz Jakob Freystädtler
orchestrator:
Franz Xaver Süßmayr
additional composer:
Franz Xaver Süßmayr
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626 (Süßmayr edition)
Wolfgang Amadeus Mozart6:11
▼ CD 7: Haydn: 3 Keyboard Concertos Hob. XVIII: 3, 9 & 11
#TitleArtistRatingLength
1Keyboard Concerto in D major, Hob. XVIII:11: I. Vivace
producer:
Michel Garcin (French producer)
harpsichord:
Christiane Jaccottet (harpsichord) (from 1975-11-16 until 1975-11-17)
orchestra:
Ensemble Instrumental de Lausanne (from 1975-11-16 until 1975-11-17)
conductor:
Michel Corboz (conductor and composer) (from 1975-11-16 until 1975-11-17)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Salle de spectacles de Crissier in Crissier, Vaud, Switzerland (from 1975-11-16 until 1975-11-17)
recording of:
Piano Concerto no. 11 in D major, Hob. XVIII:11: I. Vivace (from 1975-11-16 until 1975-11-17)
composer:
Joseph Haydn (composer)
part of:
Piano Concerto no. 11 in D major, Hob. XVIII:11
Joseph Haydn8:03
2Keyboard Concerto in D major, Hob. XVIII:11: II. Un poco adagio
producer:
Michel Garcin (French producer)
harpsichord:
Christiane Jaccottet (harpsichord) (from 1975-11-16 until 1975-11-17)
orchestra:
Ensemble Instrumental de Lausanne (from 1975-11-16 until 1975-11-17)
conductor:
Michel Corboz (conductor and composer) (from 1975-11-16 until 1975-11-17)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Salle de spectacles de Crissier in Crissier, Vaud, Switzerland (from 1975-11-16 until 1975-11-17)
recording of:
Piano Concerto no. 11 in D major, Hob. XVIII:11: II. Un poco adagio (from 1975-11-16 until 1975-11-17)
composer:
Joseph Haydn (composer)
part of:
Piano Concerto no. 11 in D major, Hob. XVIII:11
Joseph Haydn6:58
3Keyboard Concerto in D major, Hob. XVIII:11: III. Allegro assai
producer:
Michel Garcin (French producer)
harpsichord:
Christiane Jaccottet (harpsichord) (from 1975-11-16 until 1975-11-17)
orchestra:
Ensemble Instrumental de Lausanne (from 1975-11-16 until 1975-11-17)
conductor:
Michel Corboz (conductor and composer) (from 1975-11-16 until 1975-11-17)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Salle de spectacles de Crissier in Crissier, Vaud, Switzerland (from 1975-11-16 until 1975-11-17)
recording of:
Piano Concerto no. 11 in D major, Hob. XVIII:11: III. Rondo all'ungarese. Allegro assai (from 1975-11-16 until 1975-11-17)
composer:
Joseph Haydn (composer)
part of:
Piano Concerto no. 11 in D major, Hob. XVIII:11
Joseph Haydn4:40
4Keyboard Concerto in G major, Hob. XVIII:9: I. Allegro
producer:
Michel Garcin (French producer)
harpsichord:
Christiane Jaccottet (harpsichord) (from 1975-11-16 until 1975-11-17)
orchestra:
Ensemble Instrumental de Lausanne (from 1975-11-16 until 1975-11-17)
conductor:
Michel Corboz (conductor and composer) (from 1975-11-16 until 1975-11-17)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Salle de spectacles de Crissier in Crissier, Vaud, Switzerland (from 1975-11-16 until 1975-11-17)
recording of:
Piano Concerto no. 9 in G major, Hob. XVIII:9: I. Allegro (from 1975-11-16 until 1975-11-17)
composer:
Joseph Haydn (composer)
part of:
Piano Concerto no. 9 in G major, Hob. XVIII:9
Joseph Haydn5:37
5Keyboard Concerto in G major, Hob. XVIII:9: II. Adagio
producer:
Michel Garcin (French producer)
harpsichord:
Christiane Jaccottet (harpsichord) (from 1975-11-16 until 1975-11-17)
orchestra:
Ensemble Instrumental de Lausanne (from 1975-11-16 until 1975-11-17)
conductor:
Michel Corboz (conductor and composer) (from 1975-11-16 until 1975-11-17)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Salle de spectacles de Crissier in Crissier, Vaud, Switzerland (from 1975-11-16 until 1975-11-17)
recording of:
Piano Concerto no. 9 in G major, Hob. XVIII:9: II. Adagio (from 1975-11-16 until 1975-11-17)
composer:
Joseph Haydn (composer)
part of:
Piano Concerto no. 9 in G major, Hob. XVIII:9
Joseph Haydn7:10
6Keyboard Concerto in G major, Hob. XVIII:9: III. Tempo di minuetto
producer:
Michel Garcin (French producer)
harpsichord:
Christiane Jaccottet (harpsichord) (from 1975-11-16 until 1975-11-17)
orchestra:
Ensemble Instrumental de Lausanne (from 1975-11-16 until 1975-11-17)
conductor:
Michel Corboz (conductor and composer) (from 1975-11-16 until 1975-11-17)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Salle de spectacles de Crissier in Crissier, Vaud, Switzerland (from 1975-11-16 until 1975-11-17)
recording of:
Piano Concerto no. 9 in G major, Hob. XVIII:9: III. Tempo di Minuetto (from 1975-11-16 until 1975-11-17)
composer:
Joseph Haydn (composer)
part of:
Piano Concerto no. 9 in G major, Hob. XVIII:9
Joseph Haydn4:48
7Keyboard Concerto in F major, Hob. XVIII:3: I. Allegro
producer:
Michel Garcin (French producer)
harpsichord:
Christiane Jaccottet (harpsichord) (from 1975-11-16 until 1975-11-17)
orchestra:
Ensemble Instrumental de Lausanne (from 1975-11-16 until 1975-11-17)
conductor:
Michel Corboz (conductor and composer) (from 1975-11-16 until 1975-11-17)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Salle de spectacles de Crissier in Crissier, Vaud, Switzerland (from 1975-11-16 until 1975-11-17)
recording of:
Piano Concerto no. 3 in F major, Hob. XVIII:3: I. Allegro (from 1975-11-16 until 1975-11-17)
composer:
Joseph Haydn (composer)
part of:
Piano Concerto no. 3 in F major, Hob. XVIII:3
Joseph Haydn9:11
8Keyboard Concerto in F major, Hob. XVIII:3: II. Largo cantabile
producer:
Michel Garcin (French producer)
harpsichord:
Christiane Jaccottet (harpsichord) (from 1975-11-16 until 1975-11-17)
orchestra:
Ensemble Instrumental de Lausanne (from 1975-11-16 until 1975-11-17)
conductor:
Michel Corboz (conductor and composer) (from 1975-11-16 until 1975-11-17)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Salle de spectacles de Crissier in Crissier, Vaud, Switzerland (from 1975-11-16 until 1975-11-17)
recording of:
Piano Concerto no. 3 in F major, Hob. XVIII:3: II. Largo cantabile (from 1975-11-16 until 1975-11-17)
composer:
Joseph Haydn (composer)
part of:
Piano Concerto no. 3 in F major, Hob. XVIII:3
Joseph Haydn5:16
9Keyboard Concerto in F major, Hob. XVIII:3: III. Presto
producer:
Michel Garcin (French producer)
harpsichord:
Christiane Jaccottet (harpsichord) (from 1975-11-16 until 1975-11-17)
orchestra:
Ensemble Instrumental de Lausanne (from 1975-11-16 until 1975-11-17)
conductor:
Michel Corboz (conductor and composer) (from 1975-11-16 until 1975-11-17)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Salle de spectacles de Crissier in Crissier, Vaud, Switzerland (from 1975-11-16 until 1975-11-17)
recording of:
Piano Concerto no. 3 in F major, Hob. XVIII:3: III. Finale: Presto (from 1975-11-16 until 1975-11-17)
composer:
Joseph Haydn (composer)
part of:
Piano Concerto no. 3 in F major, Hob. XVIII:3
Joseph Haydn4:20
▼ CD 8: Haydn: Theresienmesse
#TitleArtistRatingLength
1Theresienmesse, Hob. XXII:12: Kyrie
producer:
Michel Garcin (French producer)
alto vocals:
Hanna Schaer (from 1976-10-02 until 1976-10-03)
bass vocals:
Michel Brodard (bass-baritone) (from 1976-10-02 until 1976-10-03)
soprano vocals:
Uta Spreckelsen (from 1976-10-02 until 1976-10-03)
tenor vocals:
John Elwes (tenor) (from 1976-10-02 until 1976-10-03)
orchestra:
Orchestre de Chambre de Lausanne (from 1976-10-02 until 1976-10-03)
conductor:
Michel Corboz (conductor and composer) (from 1976-10-02 until 1976-10-03)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Salle de spectacles de Crissier in Crissier, Vaud, Switzerland (from 1976-10-02 until 1976-10-03)
recording of:
Theresienmesse, Hob. XXII:12: I. Kyrie (from 1976-10-02 until 1976-10-03)
composer:
Joseph Haydn (composer)
part of:
Theresienmesse, Hob. XXII:12
Joseph Haydn5:07
2Theresienmesse, Hob. XXII:12: Gloria. Gloria in excelsis Deo
producer:
Michel Garcin (French producer)
alto vocals:
Hanna Schaer (from 1976-10-02 until 1976-10-03)
bass vocals:
Michel Brodard (bass-baritone) (from 1976-10-02 until 1976-10-03)
soprano vocals:
Uta Spreckelsen (from 1976-10-02 until 1976-10-03)
tenor vocals:
John Elwes (tenor) (from 1976-10-02 until 1976-10-03)
orchestra:
Orchestre de Chambre de Lausanne (from 1976-10-02 until 1976-10-03)
conductor:
Michel Corboz (conductor and composer) (from 1976-10-02 until 1976-10-03)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Salle de spectacles de Crissier in Crissier, Vaud, Switzerland (from 1976-10-02 until 1976-10-03)
recording of:
Theresienmesse, Hob. XXII:12: II. Gloria (from 1976-10-02 until 1976-10-03)
composer:
Joseph Haydn (composer)
part of:
Theresienmesse, Hob. XXII:12
Joseph Haydn2:39
3Theresienmesse, Hob. XXII:12: Gloria. Gratias agimus tibi
producer:
Michel Garcin (French producer)
alto vocals:
Hanna Schaer (from 1976-10-02 until 1976-10-03)
bass vocals:
Michel Brodard (bass-baritone) (from 1976-10-02 until 1976-10-03)
choir vocals:
Ensemble Vocal de Lausanne (from 1976-10-02 until 1976-10-03)
soprano vocals:
Uta Spreckelsen (from 1976-10-02 until 1976-10-03)
tenor vocals:
John Elwes (tenor) (from 1976-10-02 until 1976-10-03)
orchestra:
Orchestre de Chambre de Lausanne (from 1976-10-02 until 1976-10-03)
conductor:
Michel Corboz (conductor and composer) (from 1976-10-02 until 1976-10-03)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Salle de spectacles de Crissier in Crissier, Vaud, Switzerland (from 1976-10-02 until 1976-10-03)
recording of:
Theresienmesse, Hob. XXII:12: Gloria. Gratias agimus tibi (from 1976-10-02 until 1976-10-03)
composer:
Joseph Haydn (composer)
part of:
Theresienmesse, Hob. XXII:12
Joseph Haydn8:05
4Theresienmesse, Hob. XXII:12: Gloria. Quaniam tu solus Sanctus
producer:
Michel Garcin (French producer)
alto vocals:
Hanna Schaer (from 1976-10-02 until 1976-10-03)
bass vocals:
Michel Brodard (bass-baritone) (from 1976-10-02 until 1976-10-03)
choir vocals:
Ensemble Vocal de Lausanne (from 1976-10-02 until 1976-10-03)
soprano vocals:
Uta Spreckelsen (from 1976-10-02 until 1976-10-03)
tenor vocals:
John Elwes (tenor) (from 1976-10-02 until 1976-10-03)
orchestra:
Orchestre de Chambre de Lausanne (from 1976-10-02 until 1976-10-03)
conductor:
Michel Corboz (conductor and composer) (from 1976-10-02 until 1976-10-03)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Salle de spectacles de Crissier in Crissier, Vaud, Switzerland (from 1976-10-02 until 1976-10-03)
recording of:
Theresienmesse, Hob. XXII:12: Gloria. Quaniam tu solus Sanctus (from 1976-10-02 until 1976-10-03)
composer:
Joseph Haydn (composer)
part of:
Theresienmesse, Hob. XXII:12
Joseph Haydn2:55
5Theresienmesse, Hob. XXII:12: Credo. Credo in unum Deum
producer:
Michel Garcin (French producer)
alto vocals:
Hanna Schaer (from 1976-10-02 until 1976-10-03)
bass vocals:
Michel Brodard (bass-baritone) (from 1976-10-02 until 1976-10-03)
choir vocals:
Ensemble Vocal de Lausanne (from 1976-10-02 until 1976-10-03)
soprano vocals:
Uta Spreckelsen (from 1976-10-02 until 1976-10-03)
tenor vocals:
John Elwes (tenor) (from 1976-10-02 until 1976-10-03)
orchestra:
Orchestre de Chambre de Lausanne (from 1976-10-02 until 1976-10-03)
conductor:
Michel Corboz (conductor and composer) (from 1976-10-02 until 1976-10-03)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Salle de spectacles de Crissier in Crissier, Vaud, Switzerland (from 1976-10-02 until 1976-10-03)
recording of:
Theresienmesse, Hob. XXII:12: Credo. Credo in unum Deum (from 1976-10-02 until 1976-10-03)
composer:
Joseph Haydn (composer)
part of:
Theresienmesse, Hob. XXII:12
Joseph Haydn2:01
6Theresienmesse, Hob. XXII:12: Credo. Et incarnatus est
producer:
Michel Garcin (French producer)
alto vocals:
Hanna Schaer (from 1976-10-02 until 1976-10-03)
bass vocals:
Michel Brodard (bass-baritone) (from 1976-10-02 until 1976-10-03)
choir vocals:
Ensemble Vocal de Lausanne (from 1976-10-02 until 1976-10-03)
soprano vocals:
Uta Spreckelsen (from 1976-10-02 until 1976-10-03)
tenor vocals:
John Elwes (tenor) (from 1976-10-02 until 1976-10-03)
orchestra:
Orchestre de Chambre de Lausanne (from 1976-10-02 until 1976-10-03)
conductor:
Michel Corboz (conductor and composer) (from 1976-10-02 until 1976-10-03)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Salle de spectacles de Crissier in Crissier, Vaud, Switzerland (from 1976-10-02 until 1976-10-03)
recording of:
Theresienmesse, Hob. XXII:12: Credo. Et incarnatus est (from 1976-10-02 until 1976-10-03)
composer:
Joseph Haydn (composer)
part of:
Theresienmesse, Hob. XXII:12
Joseph Haydn4:35
7Theresienmesse, Hob. XXII:12: Credo. Et resurrexit
producer:
Michel Garcin (French producer)
alto vocals:
Hanna Schaer (from 1976-10-02 until 1976-10-03)
bass vocals:
Michel Brodard (bass-baritone) (from 1976-10-02 until 1976-10-03)
choir vocals:
Ensemble Vocal de Lausanne (from 1976-10-02 until 1976-10-03)
soprano vocals:
Uta Spreckelsen (from 1976-10-02 until 1976-10-03)
tenor vocals:
John Elwes (tenor) (from 1976-10-02 until 1976-10-03)
orchestra:
Orchestre de Chambre de Lausanne (from 1976-10-02 until 1976-10-03)
conductor:
Michel Corboz (conductor and composer) (from 1976-10-02 until 1976-10-03)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Salle de spectacles de Crissier in Crissier, Vaud, Switzerland (from 1976-10-02 until 1976-10-03)
recording of:
Theresienmesse, Hob. XXII:12: Credo. Et resurrexit (from 1976-10-02 until 1976-10-03)
composer:
Joseph Haydn (composer)
part of:
Theresienmesse, Hob. XXII:12
Joseph Haydn2:41
8Theresienmesse, Hob. XXII:12: Credo. Et vitam venturi saeculi
producer:
Michel Garcin (French producer)
alto vocals:
Hanna Schaer (from 1976-10-02 until 1976-10-03)
bass vocals:
Michel Brodard (bass-baritone) (from 1976-10-02 until 1976-10-03)
choir vocals:
Ensemble Vocal de Lausanne (from 1976-10-02 until 1976-10-03)
soprano vocals:
Uta Spreckelsen (from 1976-10-02 until 1976-10-03)
tenor vocals:
John Elwes (tenor) (from 1976-10-02 until 1976-10-03)
orchestra:
Orchestre de Chambre de Lausanne (from 1976-10-02 until 1976-10-03)
conductor:
Michel Corboz (conductor and composer) (from 1976-10-02 until 1976-10-03)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Salle de spectacles de Crissier in Crissier, Vaud, Switzerland (from 1976-10-02 until 1976-10-03)
recording of:
Theresienmesse, Hob. XXII:12: Credo. Et vitam venturi saeculi (from 1976-10-02 until 1976-10-03)
composer:
Joseph Haydn (composer)
part of:
Theresienmesse, Hob. XXII:12
Joseph Haydn2:01
9Theresienmesse, Hob. XXII:12: Sanctus. Sanctus Dominus
producer:
Michel Garcin (French producer)
alto vocals:
Hanna Schaer (from 1976-10-02 until 1976-10-03)
bass vocals:
Michel Brodard (bass-baritone) (from 1976-10-02 until 1976-10-03)
choir vocals:
Ensemble Vocal de Lausanne (from 1976-10-02 until 1976-10-03)
soprano vocals:
Uta Spreckelsen (from 1976-10-02 until 1976-10-03)
tenor vocals:
John Elwes (tenor) (from 1976-10-02 until 1976-10-03)
orchestra:
Orchestre de Chambre de Lausanne (from 1976-10-02 until 1976-10-03)
conductor:
Michel Corboz (conductor and composer) (from 1976-10-02 until 1976-10-03)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Salle de spectacles de Crissier in Crissier, Vaud, Switzerland (from 1976-10-02 until 1976-10-03)
recording of:
Theresienmesse, Hob. XXII:12: Sanctus. Sanctus Dominus (from 1976-10-02 until 1976-10-03)
composer:
Joseph Haydn (composer)
part of:
Theresienmesse, Hob. XXII:12
Joseph Haydn1:11
10Theresienmesse, Hob. XXII:12: Sanctus. Pleni sunt coeli et terra
producer:
Michel Garcin (French producer)
alto vocals:
Hanna Schaer (from 1976-10-02 until 1976-10-03)
bass vocals:
Michel Brodard (bass-baritone) (from 1976-10-02 until 1976-10-03)
choir vocals:
Ensemble Vocal de Lausanne (from 1976-10-02 until 1976-10-03)
soprano vocals:
Uta Spreckelsen (from 1976-10-02 until 1976-10-03)
tenor vocals:
John Elwes (tenor) (from 1976-10-02 until 1976-10-03)
orchestra:
Orchestre de Chambre de Lausanne (from 1976-10-02 until 1976-10-03)
conductor:
Michel Corboz (conductor and composer) (from 1976-10-02 until 1976-10-03)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Salle de spectacles de Crissier in Crissier, Vaud, Switzerland (from 1976-10-02 until 1976-10-03)
recording of:
Theresienmesse, Hob. XXII:12: Sanctus. Pleni sunt coeli et terra (from 1976-10-02 until 1976-10-03)
composer:
Joseph Haydn (composer)
part of:
Theresienmesse, Hob. XXII:12
Joseph Haydn0:49
11Theresienmesse, Hob. XXII:12: Benedictus
producer:
Michel Garcin (French producer)
alto vocals:
Hanna Schaer (from 1976-10-02 until 1976-10-03)
bass vocals:
Michel Brodard (bass-baritone) (from 1976-10-02 until 1976-10-03)
soprano vocals:
Uta Spreckelsen (from 1976-10-02 until 1976-10-03)
tenor vocals:
John Elwes (tenor) (from 1976-10-02 until 1976-10-03)
orchestra:
Orchestre de Chambre de Lausanne (from 1976-10-02 until 1976-10-03)
conductor:
Michel Corboz (conductor and composer) (from 1976-10-02 until 1976-10-03)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Salle de spectacles de Crissier in Crissier, Vaud, Switzerland (from 1976-10-02 until 1976-10-03)
recording of:
Theresienmesse, Hob. XXII:12: V. Benedictus (from 1976-10-02 until 1976-10-03)
composer:
Joseph Haydn (composer)
part of:
Theresienmesse, Hob. XXII:12
Joseph Haydn7:52
12Theresienmesse, Hob. XXII:12: Agnus Dei. Agnus Dei
producer:
Michel Garcin (French producer)
alto vocals:
Hanna Schaer (from 1976-10-02 until 1976-10-03)
bass vocals:
Michel Brodard (bass-baritone) (from 1976-10-02 until 1976-10-03)
choir vocals:
Ensemble Vocal de Lausanne (from 1976-10-02 until 1976-10-03)
soprano vocals:
Uta Spreckelsen (from 1976-10-02 until 1976-10-03)
tenor vocals:
John Elwes (tenor) (from 1976-10-02 until 1976-10-03)
orchestra:
Orchestre de Chambre de Lausanne (from 1976-10-02 until 1976-10-03)
conductor:
Michel Corboz (conductor and composer) (from 1976-10-02 until 1976-10-03)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Salle de spectacles de Crissier in Crissier, Vaud, Switzerland (from 1976-10-02 until 1976-10-03)
recording of:
Theresienmesse, Hob. XXII:12: Agnus Dei. Agnus Dei (from 1976-10-02 until 1976-10-03)
composer:
Joseph Haydn (composer)
part of:
Theresienmesse, Hob. XXII:12
Joseph Haydn2:59
13Theresienmesse, Hob. XXII:12: Agnus Dei. Dona nobis pacem
producer:
Michel Garcin (French producer)
alto vocals:
Hanna Schaer (from 1976-10-02 until 1976-10-03)
bass vocals:
Michel Brodard (bass-baritone) (from 1976-10-02 until 1976-10-03)
choir vocals:
Ensemble Vocal de Lausanne (from 1976-10-02 until 1976-10-03)
soprano vocals:
Uta Spreckelsen (from 1976-10-02 until 1976-10-03)
tenor vocals:
John Elwes (tenor) (from 1976-10-02 until 1976-10-03)
orchestra:
Orchestre de Chambre de Lausanne (from 1976-10-02 until 1976-10-03)
conductor:
Michel Corboz (conductor and composer) (from 1976-10-02 until 1976-10-03)
balance engineer:
Pierre Lavoix (engineer)
recorded at:
Salle de spectacles de Crissier in Crissier, Vaud, Switzerland (from 1976-10-02 until 1976-10-03)
recording of:
Theresienmesse, Hob. XXII:12: Agnus Dei. Dona nobis pacem (from 1976-10-02 until 1976-10-03)
composer:
Joseph Haydn (composer)
part of:
Theresienmesse, Hob. XXII:12
Joseph Haydn3:45
▶ CD 9: Mendelssohn: Psalms 42 & 95
▶ CD 10: Mozart: Great Mass in C minor
▶ CD 11: Mendelssohn: Psalms 98 & 115 / Lauda Sion
▶ CD 12: Schubert: Stabat Mater / Offertorium / Magnificat
▶ CD 13: Haydn: Stabat Mater in G minor
▶ CD 14: Mendelssohn: Elias (beginning)
▶ CD 15: Mendelssohn: Elias (conclusion)
▶ CD 16: Duruflé: Requiem
▶ CD 17: Brahms: Ein deutsches Requiem (1986)
▶ CD 18: Mendelssohn: Paulus (beginning)
▶ CD 19: Mendelssohn: Paulus (end) / “Lass’, o Herr, mich Hülfe finden”
▶ CD 20: Mendelssohn: Christus / Psalms 55 & 114 / Ave Maria / Te Deum…
▶ CD 21: Rossini: Petite messe solennelle
▶ CD 22: Gounod: Messe chorale / Saint‐Saëns: Messe à quatre voix
▶ CD 23: Beethoven: Mass in C major / Meeresstille und glückliche Fahrt
▶ CD 24: Schumann: Requiem für Mignon / Mass in C minor
▶ CD 25: Mendelssohn: Die erste Walpurgisnacht / “O Haupt voll Blut und Wunden” / Kyrie in D minor
▶ CD 26: Honegger: La Danse des morts / Une Cantate de Noël
▶ CD 27: Brahms: Ein deutsches Requiem (1989)
▶ CD 28: Vierne, A. Alain, Langlais: Masses
▶ CD 29: Fauré: Requiem / Cantique de Jean Racine / 5 Motets / Messe basse
▶ CD 30: Puccini: Messa di Gloria / Poulenc: Gloria
▶ CD 31: Haydn: Missa “Sanctae Caeciliae”
▶ CD 32: Mendelssohn: Kirchenmusik / Psalms 2, 22, 43 & 55 / Geistliches Lieder…
▶ CD 33: Verdi: Messa da Requiem
▶ CD 34: Bomtempo: Requiem à memória de Camões
▶ CD 35: Mozart: Requiem (1995)
▶ CD 36: Suppé: Requiem

Credits

Release

photography:[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
producer:Philippe Pauly (producer)
artwork:Agence Supernova (design agency)
Michaël Lefebvre
discography entry:https://www.warnerclassics.com/release/michel-corboz-classical-romantic-eras [info]