Cantatas nos. 170, 82 & 159

~ Release by Johann Sebastian Bach; Janet Baker, John Shirley-Quirk, Academy of St. Martin in the Fields, Sir Neville Marriner (see all versions of this release, 3 available)

Annotation

Copyright: © 2012 Decca Music Group Limited
This Compilation ℗ 2004 Decca Music Group Limited

Annotation last modified on 2025-02-10 11:08 UTC.

Tracklist

▼ Digital Media 1
#TitleArtistRatingLength
1"Vergnügte Ruh, beliebte Seelenlust" Cantata, BWV 170: 1. "Vergnügte Ruh, beliebte Seelenlust"
producer:
Erik Smith (British producer, pianist and harpsichordist)
organ:
Philip Ledger (in 1966-01)
mezzo-soprano vocals:
Janet Baker (mezzo-soprano and alto) (in 1966-01)
orchestra:
Academy of St Martin in the Fields (in 1966-01)
conductor:
Sir Neville Marriner (conductor) (in 1966-01)
balance engineer:
Kenneth Wilkinson (engineer)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1966)
recorded at:
Decca Studios in West Hampstead, Camden, London (Greater London), England, United Kingdom (in 1966-01)
recording of:
Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": I. Aria (Alt) "Vergnügte Ruh! beliebte Seelenlust!" (in 1966-01)
premiered in:
Leipzig, Sachsen, Germany (on 1726-07-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 170 „Vergnügte Ruh! beliebte Seelenlust!“
Johann Sebastian Bach6:57
2"Vergnügte Ruh, beliebte Seelenlust" Cantata, BWV 170: 2. "Die Welt, das Sündenhaus"
producer:
Erik Smith (British producer, pianist and harpsichordist)
organ:
Philip Ledger (in 1966-01)
mezzo-soprano vocals:
Janet Baker (mezzo-soprano and alto) (in 1966-01)
orchestra:
Academy of St Martin in the Fields (in 1966-01)
conductor:
Sir Neville Marriner (conductor) (in 1966-01)
balance engineer:
Kenneth Wilkinson (engineer)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1966)
recorded at:
Decca Studios in West Hampstead, Camden, London (Greater London), England, United Kingdom (in 1966-01)
recording of:
Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": II. Recitativo (Alt) "Die Welt, das Sündenhaus" (in 1966-01)
premiered in:
Leipzig, Sachsen, Germany (on 1726-07-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 170 „Vergnügte Ruh! beliebte Seelenlust!“
Johann Sebastian Bach1:47
3"Vergnügte Ruh, beliebte Seelenlust" Cantata, BWV 170: 3. "Wie jammern mich doch die verkehrten Herzen"
producer:
Erik Smith (British producer, pianist and harpsichordist)
organ:
Philip Ledger (in 1966-01)
mezzo-soprano vocals:
Janet Baker (mezzo-soprano and alto) (in 1966-01)
orchestra:
Academy of St Martin in the Fields (in 1966-01)
conductor:
Sir Neville Marriner (conductor) (in 1966-01)
balance engineer:
Kenneth Wilkinson (engineer)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1966)
recorded at:
Decca Studios in West Hampstead, Camden, London (Greater London), England, United Kingdom (in 1966-01)
recording of:
Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": III. Aria (Alt) "Wie jammern mich doch die verkehrten Herzen" (in 1966-01)
premiered in:
Leipzig, Sachsen, Germany (on 1726-07-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 170 „Vergnügte Ruh! beliebte Seelenlust!“
Johann Sebastian Bach7:26
4"Vergnügte Ruh, beliebte Seelenlust" Cantata, BWV 170: 4. "Wer sollte sich demnach wohl hier"
producer:
Erik Smith (British producer, pianist and harpsichordist)
organ:
Philip Ledger (in 1966-01)
mezzo-soprano vocals:
Janet Baker (mezzo-soprano and alto) (in 1966-01)
orchestra:
Academy of St Martin in the Fields (in 1966-01)
conductor:
Sir Neville Marriner (conductor) (in 1966-01)
balance engineer:
Kenneth Wilkinson (engineer)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1966)
recorded at:
Decca Studios in West Hampstead, Camden, London (Greater London), England, United Kingdom (in 1966-01)
recording of:
Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": IV. Recitativo (Alt) "Wer sollte sich demnach" (in 1966-01)
premiered in:
Leipzig, Sachsen, Germany (on 1726-07-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 170 „Vergnügte Ruh! beliebte Seelenlust!“
Johann Sebastian Bach1:24
5"Vergnügte Ruh, beliebte Seelenlust" Cantata, BWV 170: 5. "Mir ekelt mehr zu leben"
producer:
Erik Smith (British producer, pianist and harpsichordist)
organ:
Philip Ledger (in 1966-01)
mezzo-soprano vocals:
Janet Baker (mezzo-soprano and alto) (in 1966-01)
orchestra:
Academy of St Martin in the Fields (in 1966-01)
conductor:
Sir Neville Marriner (conductor) (in 1966-01)
balance engineer:
Kenneth Wilkinson (engineer)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1966)
recorded at:
Decca Studios in West Hampstead, Camden, London (Greater London), England, United Kingdom (in 1966-01)
recording of:
Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": V. Aria (Alt) "Mir ekelt mehr zu leben" (in 1966-01)
premiered in:
Leipzig, Sachsen, Germany (on 1726-07-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 170 „Vergnügte Ruh! beliebte Seelenlust!“
Johann Sebastian Bach6:54
6Cantata "Ich habe genug" BWV 82: 1. Aria: Ich habe genug, ich habe den Heiland
organ:
George Malcolm (English harpsichordist, conductor) (in 1964-04)
bass vocals:
John Shirley‐Quirk (bass-baritone) (in 1964-04)
orchestra:
Academy of St Martin in the Fields (in 1964-04)
conductor:
Sir Neville Marriner (conductor) (in 1964-04)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1965)
recorded at:
St. Paul’s Church (Knightsbridge) in London (Greater London), England, United Kingdom (in 1964-04)
recording of:
Kantate, BWV 82 “Ich habe genung”: I. Aria (Bass) “Ich habe genung, ich habe den Heiland” (in 1964-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach9:42
7Cantata "Ich habe genug" BWV 82: 2. Recitativo: Ich habe genug! Mein Trost ist nur allein
organ:
George Malcolm (English harpsichordist, conductor) (in 1964-04)
bass vocals:
John Shirley‐Quirk (bass-baritone) (in 1964-04)
orchestra:
Academy of St Martin in the Fields (in 1964-04)
conductor:
Sir Neville Marriner (conductor) (in 1964-04)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1965)
recorded at:
St. Paul’s Church (Knightsbridge) in London (Greater London), England, United Kingdom (in 1964-04)
recording of:
Kantate, BWV 82 "Ich habe genung": II. Recitativo (Bass) "Ich habe genung! Mein Trost ist nur allein" (in 1964-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach1:28
8Cantata "Ich habe genug" BWV 82: 3. Aria: Schlummert ein, ihr matten Augen
organ:
George Malcolm (English harpsichordist, conductor) (in 1964-04)
bass vocals:
John Shirley‐Quirk (bass-baritone) (in 1964-04)
orchestra:
Academy of St Martin in the Fields (in 1964-04)
conductor:
Sir Neville Marriner (conductor) (in 1964-04)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1965)
recorded at:
St. Paul’s Church (Knightsbridge) in London (Greater London), England, United Kingdom (in 1964-04)
recording of:
Kantate, BWV 82 "Ich habe genung": III. Aria (Bass) "Schlummert ein, ihr matten Augen" (in 1964-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach11:14
9Cantata "Ich habe genug" BWV 82: 4. Recitativo: Mein Gott! wann kommt das schöne Nun!
organ:
George Malcolm (English harpsichordist, conductor) (in 1964-04)
bass vocals:
John Shirley‐Quirk (bass-baritone) (in 1964-04)
orchestra:
Academy of St Martin in the Fields (in 1964-04)
conductor:
Sir Neville Marriner (conductor) (in 1964-04)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1965)
recorded at:
St. Paul’s Church (Knightsbridge) in London (Greater London), England, United Kingdom (in 1964-04)
recording of:
Kantate, BWV 82 "Ich habe genung": IV. Recitativo (Bass) "Mein Gott! wenn kömmt das schöne: Nun!" (in 1964-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach0:59
10Cantata "Ich habe genug" BWV 82: 5. Aria: Ich freue mich auf meinen Tod
organ:
George Malcolm (English harpsichordist, conductor) (in 1964-04)
bass vocals:
John Shirley‐Quirk (bass-baritone) (in 1964-04)
orchestra:
Academy of St Martin in the Fields (in 1964-04)
conductor:
Sir Neville Marriner (conductor) (in 1964-04)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1965)
recorded at:
St. Paul’s Church (Knightsbridge) in London (Greater London), England, United Kingdom (in 1964-04)
recording of:
Kantate, BWV 82 "Ich habe genung": V. Aria (Bass) "Ich freue mich auf meinen Tod" (in 1964-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach4:16
11"Sehet, wir gehn hinauf gen Jerusalem" Cantata, BWV 159: 1. "Sehet, wir gehn hinauf gen Jerusalem"
producer:
Erik Smith (British producer, pianist and harpsichordist)
harpsichord:
Philip Ledger (in 1966-01)
oboe:
Roger Lord (oboist)
bass vocals:
John Shirley‐Quirk (bass-baritone) (in 1966-01)
contralto vocals:
Janet Baker (mezzo-soprano and alto) (in 1966-01)
orchestra:
Academy of St Martin in the Fields (in 1966-01)
conductor:
Sir Neville Marriner (conductor) (in 1966-01)
balance engineer:
Kenneth Wilkinson (engineer)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1966)
recorded at:
Decca Studios in West Hampstead, Camden, London (Greater London), England, United Kingdom (in 1966-01)
recording of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem": I. Arioso (Alt) "Sehet, wir gehn hinauf gen Jerusalem" (in 1966-01)
premiered in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
part of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem"
Johann Sebastian Bach3:26
12"Sehet, wir gehn hinauf gen Jerusalem" Cantata, BWV 159: 2. "Ich folge dir nach"
producer:
Erik Smith (British producer, pianist and harpsichordist)
harpsichord:
Philip Ledger (in 1966-01)
oboe:
Roger Lord (oboist)
choir vocals:
St. Anthony Singers (in 1966-01)
contralto vocals:
Janet Baker (mezzo-soprano and alto) (in 1966-01)
orchestra:
Academy of St Martin in the Fields (in 1966-01)
conductor:
Sir Neville Marriner (conductor) (in 1966-01)
balance engineer:
Kenneth Wilkinson (engineer)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1966)
recorded at:
Decca Studios in West Hampstead, Camden, London (Greater London), England, United Kingdom (in 1966-01)
recording of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem": II. Aria (Alt) con Choral (Sopran) "Ich folge dir nach" (in 1966-01)
premiered in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Paul Gerhardt (17th century hymn writer) (in 1656)
part of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem"
Johann Sebastian Bach4:58
13"Sehet, wir gehn hinauf gen Jerusalem" Cantata, BWV 159: 3. "Nun will ich mich"
producer:
Erik Smith (British producer, pianist and harpsichordist)
harpsichord:
Philip Ledger (in 1966-01)
oboe:
Roger Lord (oboist)
tenor vocals:
Robert Tear (tenor) (in 1966-01)
orchestra:
Academy of St Martin in the Fields (in 1966-01)
conductor:
Sir Neville Marriner (conductor) (in 1966-01)
balance engineer:
Kenneth Wilkinson (engineer)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1966)
recorded at:
Decca Studios in West Hampstead, Camden, London (Greater London), England, United Kingdom (in 1966-01)
recording of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem": III. Recitativo (Tenor) "Nun will ich mich, mein Jesu" (in 1966-01)
premiered in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1728)
part of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem"
Johann Sebastian Bach1:29
14"Sehet, wir gehn hinauf gen Jerusalem" Cantata, BWV 159: 4. "Es ist vollbracht"
producer:
Erik Smith (British producer, pianist and harpsichordist)
harpsichord:
Philip Ledger (in 1966-01)
oboe:
Roger Lord (oboist)
bass vocals:
John Shirley‐Quirk (bass-baritone) (in 1966-01)
orchestra:
Academy of St Martin in the Fields (in 1966-01)
conductor:
Sir Neville Marriner (conductor) (in 1966-01)
balance engineer:
Kenneth Wilkinson (engineer)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1966)
recorded at:
Decca Studios in West Hampstead, Camden, London (Greater London), England, United Kingdom (in 1966-01)
recording of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem": IV. Aria (Bass) "Es ist vollbracht" (in 1966-01)
premiered in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1728)
part of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem"
Johann Sebastian Bach5:29
15"Sehet, wir gehn hinauf gen Jerusalem" Cantata, BWV 159: 5. "Jesu, deine Passion"
producer:
Erik Smith (British producer, pianist and harpsichordist)
harpsichord:
Philip Ledger (in 1966-01)
oboe:
Roger Lord (oboist)
choir vocals:
St. Anthony Singers (in 1966-01)
orchestra:
Academy of St Martin in the Fields (in 1966-01)
conductor:
Sir Neville Marriner (conductor) (in 1966-01)
balance engineer:
Kenneth Wilkinson (engineer)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1966)
recorded at:
Decca Studios in West Hampstead, Camden, London (Greater London), England, United Kingdom (in 1966-01)
recording of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem": V. Choral "Jesu, deine Passion ist mir lauter Freude" (in 1966-01)
premiered in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Paul Stockmann (in 1633)
part of:
Breitkopf 389 Choralgesänge (number: 194)
part of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem"
Johann Sebastian Bach1:54