101 Film Classics

~ Release by Various Artists (see all versions of this release, 2 available)

Annotation

Copyright: © 2012 Decca Music Group Limited
This Compilation ℗ 2012 Decca Music Group Limited

Annotation last modified on 2024-10-09 10:36 UTC.

Tracklist

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▼ Digital Media 1
#TitleArtistRatingLength
1Carmina Burana / Fortuna Imperatrix Mundi: "O Fortuna" - From "Excalibur"
engineer:
Arthur Lilley (engineer) and Kenneth Wilkinson (engineer)
producer:
Tony D’Amato
choir vocals:
Brighton Festival Chorus
orchestra:
Royal Philharmonic Orchestra
conductor:
Antal Doráti (conductor)
chorus master:
László Heltay (British/Hungarian conductor and composer)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1976)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1976-02)
recording of:
Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
version of:
O Fortuna (Poem, CB 17)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff52:24
2Adagio for Strings, op. 11 (live)
engineer:
Simon Eadon (classical music engineer) and Stanley Goodall (engineer)
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (in 1976-10)
conductor:
Sir Neville Marriner (conductor) (in 1976-10)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1976)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1976-10)
recording of:
Adagio for Strings (in 1976-10)
orchestrator:
Samuel Barber (American orchestral, choral, opera & piano composer) (in 1938)
composer:
Samuel Barber (American orchestral, choral, opera & piano composer) (in 1936)
premiered by:
NBC Symphony Orchestra (on 1938-11-05) and Arturo Toscanini (conductor) (on 1938-11-05)
premiered at:
[radio broadcast] (1938-11-05)
publisher:
Chappell and G. Schirmer Inc.
arrangement of:
String Quartet, op. 11: II. Molto adagio
Samuel Barber8:40
3Symphony no. 7 in A major, op. 92: II. Allegretto - From "The King’s Speech"
recording engineer:
James Brown (Decca engineer, 1960s) (in 1959-03)
producer:
John Culshaw
orchestra:
Wiener Philharmoniker (in 1959-03)
conductor:
Herbert von Karajan (conductor) (in 1959-03)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1959-03)
recording of:
Symphony no. 7 in A major, op. 92: II. Allegretto (in 1959-03)
composer:
Ludwig van Beethoven (German composer) (from 1811 until 1812)
part of:
Symphony no. 7 in A major, op. 92
Ludwig van Beethoven8:43
4Clarinet Concerto in A major, K. 622: 2. Adagio - From "Out Of Africa"
engineer:
John Pellowe (audio engineer)
producer:
Paul Myers (classical record producer) and Michael Woolcock (producer)
clarinet:
Franklin Cohen (clarinetist) (on 1991-10-06)
orchestra:
The Cleveland Orchestra (on 1991-10-06)
conductor:
Christoph von Dohnányi (German conductor) (on 1991-10-06)
balance engineer:
John Pellowe (audio engineer) and Philip Siney (sound engineer)
phonographic copyright (℗) by:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1995)
recorded at:
Severance Hall in Cleveland, Ohio, United States (on 1991-10-06)
recording of:
Concerto for Clarinet in A major, K. 622: II. Adagio (on 1991-10-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1791-09-28 until 1791-10-07)
part of:
Concerto for Clarinet in A major, K. 622
Wolfgang Amadeus Mozart7:16
5Suite no. 11 in D minor, HWV 437: Sarabande - From "Barry Lyndon"
performer:
Christopher Hogwood (conductor, harpsichordist)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!)
recording of:
Suite de pièce in D minor, Vol. 2 no. 4, HWV 437: IV. Sarabande
composer:
George Frideric Handel (German‐British baroque composer)
is based on:
Folia
part of:
Suite de pièce in D minor, Vol. 2 no. 4, HWV 437
George Frideric Handel2:53
6Concerto For Harpsichord, Strings, And Continuo no. 5 in F minor, BWV 1056: 2. Largo - From "Hannah & Her Sisters"
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!)
recording of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056: II. Largo
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056
Johann Sebastian Bach3:01
7Canon in D major, P. 37/1 (orch. Münchinger) - From "The Father Of The Bride"
producer:
James Mallinson (producer) (in 1977-10)
orchestra:
Stuttgart Chamber Orchestra (in 1977-10)
conductor:
Karl Münchinger (German conductor) (in 1977-10)
arranger:
Karl Münchinger (German conductor) (in 1977-10)
balance engineer:
John Dunkerley (engineer) (in 1977-10)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1977)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (in 1977-10)
recording of:
Canon and Gigue in D major, T. 337: I. Canon (catch-all for arrangements) (in 1977-10)
composer:
Johann Pachelbel (composer)
arrangement of:
Canon and Gigue in D major, T. 337: I. Canon
Johann Pachelbel4:30
8Boléro, M. 81 - Excerpt / Finale
producer:
Michael Bremner (producer/engineer)
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1963-04)
conductor:
Ernest Ansermet (conductor) (in 1963-04)
recorded at:
Victoria Hall (Geneva) in Genève, Genève, Switzerland (in 1963-04)
partial recording of:
Boléro (in 1963-04)
composer:
Maurice Ravel (classical composer) (in 1928)
publisher:
Ed. Durand & Cie (1909–1947) and Soc. Arima (rights society?)
premiered at:
Palais Garnier in Paris, Île-de-France, France (on 1928-11-22)
part of:
Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 81)
Maurice Ravel5:03
9Suite no. 3 in D, BWV 1068: 2. Air - From "The Spy Who Loved Me"
producer:
Michael Haas (classical music producer)
orchestra:
Stuttgarter Kammerorchester (in 1985-01)
conductor:
Karl Münchinger (German conductor) (in 1985-01)
balance engineer:
Stanley Goodall (engineer) (in 1985-01) and James Lock (engineer) (in 1985-01)
recorded at:
Kirche der Karlshöhe in Ludwigsburg, Baden-Württemberg, Germany (in 1985-01)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Air on the G string) (in 1985-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068
Johann Sebastian Bach3:44
10String Quintet in C, D. 956: 2. Adagio - From "Conspiracy"
cello:
Dietfried Gürtler (in 1970-03)
string quartet:
Weller Quartett (in 1970-03)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1970-03)
partial recording of:
String Quintet in C major, D. 956: II. Adagio (in 1970-03)
composer:
Franz Schubert (composer) (in 1828)
part of:
String Quintet in C major, D. 956
Franz Schubert5:14
11Swan Lake, op. 20, TH. 12 / Act 2: No. 10 Scène (Moderato) - From "Billy Elliot / Black Swan"
engineer:
Colin Moorfoot (engineer) (from 1991-05-29 until 1991-05-31)
producer:
Ray Minshull (record producer) (from 1991-05-29 until 1991-05-31)
orchestra:
Orchestre symphonique de Montréal (from 1991-05-29 until 1991-05-31)
conductor:
Charles Dutoit (conductor) (from 1991-05-29 until 1991-05-31)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec, Canada (from 1991-05-29 until 1991-05-31)
recording of:
Swan Lake, op. 20: Act II, no. 10: Scene: Moderato (from 1991-05-29 until 1991-05-31)
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer)
part of:
Swan Lake, op. 20: Act II
part of:
Swan Lake, op. 20: Act II (ed. Drigo)
partial recording of:
Swan Lake, op. 20 (Лебединое озеро)
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
The Tchaikovsky Handbook (number: TH 12), Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 12) and Works of Pyotr Ilyich Tchaikovsky by opus number (number: op. 20)
Pyotr Ilyich Tchaikovsky2:58
12Jazz Suite no. 2: VI. Waltz II - From "Eyes Wide Shut"
engineer:
John Dunkerley (engineer) (from 1992-04-26 until 1992-05-03)
producer:
Andrew Cornall (engineer / producer)
orchestra:
Royal Concertgebouw Orchestra (from 1992-04-26 until 1992-05-03)
conductor:
Riccardo Chailly (conductor) (from 1992-04-26 until 1992-05-03)
phonographic copyright (℗) by:
Decca Music Group Ltd. (not for release label use, for ℗ & © rights holder use only) (in 1992) and The Decca Record Company Limited (for copyrights use only!) (in 1993)
recorded at:
Grotezaal, Concertgebouw in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1992-04-26 until 1992-05-03)
recording of:
Suite for Variety Orchestra: VII. Waltz II. Allegretto poco moderato (formerly thought to be from 2nd Jazz Suite) (from 1992-04-26 until 1992-05-03)
composer:
Дмитрий Дмитриевич Шостакович (composer)
part of:
Suite for Variety Orchestra
Dmitri Shostakovich3:42
13Suite bergamasque, L. 75: Clair de lune (orch. Mouton) - From "Ocean's Eleven"
recorded in:
United States (in 1959-05)
producer:
Wilma Cozart Fine
orchestra:
Eastman-Rochester Pops Orchestra (use for Rochester Pops, Eastman-Rochester Orchestra, etc.) (in 1959-05)
conductor:
Frederick Fennell (conductor) (in 1959-05)
recorded at:
Eastman Theatre in Rochester, New York, United States (in 1959-05)
recording of:
Clair de lune from Suite bergamasque (orch. Mouton) (in 1959-05)
orchestrator:
Henri Mouton (composer)
composer:
Claude Debussy (composer) (from 1890 until 1905)
orchestration of:
Suite bergamasque, L. 75, CD 82a : III. Clair de lune (for piano)
Claude Debussy4:30
14The Planets, op. 32: V. Saturn, the Bringer of Old Age
recording engineer:
Roger de Schot (from 1988-11-12 until 1988-11-13) and Stan Taal (from 1988-11-12 until 1988-11-13)
producer:
Michael Bremner (producer/engineer)
orchestra:
Berliner Philharmoniker (from 1988-11-12 until 1988-11-13)
conductor:
Sir Colin Davis (English conductor) (from 1988-11-12 until 1988-11-13)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music) (from 1988-11-12 until 1988-11-13)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1988-11-12 until 1988-11-13)
recording of:
The Planets, op. 32: V. Saturn, the Bringer of Old Age (from 1988-11-12 until 1988-11-13)
composer:
Gustav Holst (composer) (from 1914 until 1916)
orchestration of:
The Planets, op. 32: V. Saturn, the Bringer of Old Age (for two pianos)
part of:
The Planets, op. 32 (Suite for Large Orchestra)
Gustav Holst8:53
15Le nozze di Figaro, K. 492: Overture
engineer and balance engineer:
John Dunkerley (engineer) (in 1981-06) and Colin Moorfoot (engineer) (in 1981-06)
producer:
Christopher Raeburn (producer) (in 1981-06)
orchestra:
London Philharmonic Orchestra (LPO) (in 1981-06)
conductor:
Georg Solti (conductor) (in 1981-06)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1982)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1981-06)
recording of:
Le nozze di Figaro, K. 492: Sinfonia (in 1981-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
part of:
Die Hochzeit des Figaro (German translation)
part of:
Le nozze di Figaro, K. 492
Wolfgang Amadeus Mozart3:55
16Messiah, HWV 56, Pt. 2: No. 44, Chorus. Hallelujah, for the Lord God Omnipotent Reigneth - From "Bridget Jones’s Diary"
engineer:
Simon Eadon (classical music engineer) (in 1976-07) and Stanley Goodall (engineer) (in 1976-07)
producer:
Chris Hazell (in 1976-07)
choir vocals:
Academy of St Martin in the Fields Chorus (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (conductor) (in 1976-07)
chorus master:
László Heltay (British/Hungarian conductor and composer) (in 1976-07)
balance engineer:
Simon Eadon (classical music engineer) (in 1976-07)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1976)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah” (in 1976-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:40
▼ Digital Media 2
#TitleArtistRatingLength
1Also sprach Zarathustra, op. 30: Prelude - From "2001: A Space Odyssey"
orchestra:
Los Angeles Philharmonic
conductor:
Zubin Mehta (conductor)
recording of:
Also sprach Zarathustra, op. 30: I. Einleitung (Sonnenaufgang)
composer:
Richard Strauss (German composer) (in 1896)
publisher:
Peters Edition Ltd.
part of:
Also sprach Zarathustra (op 30; TrV 176)
Richard Strauss1:58
2Symphony no. 9 in D minor, op. 125 - "Choral": 4. Presto - Allegro assai - From "A Clockwork Orange"
alto vocals:
Marilyn Horne (American operatic mezzo-soprano)
bass vocals:
Martti Talvela (operatic bass)
choir vocals:
Wiener Staatsopernchor
soprano vocals:
Joan Sutherland (soprano)
tenor vocals:
James King (tenor)
orchestra:
Wiener Philharmoniker
conductor:
Hans Schmidt‐Isserstedt
partial recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai (Ode an die Freude / Ode to Joy)
composer:
Ludwig van Beethoven (German composer) (from 1822 until 1824)
librettist:
Friedrich Schiller (German poet and playwright)
is based on:
An die Freude
part of:
Symphony no. 9 in D minor, op. 125 “Choral”
Ludwig van Beethoven7:20
3Symphony no. 5 in C-sharp minor/ Pt. 3: 4. Adagietto - From "Death In Venice"
engineer:
Gordon Parry (engineer)
producer:
David Harvey (producer)
orchestra:
Chicago Symphony Orchestra (in 1970-04)
conductor:
Sir Georg Solti (conductor) (in 1970-04)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1970)
recorded at:
Medinah Temple in Chicago, Illinois, United States (in 1970-04)
recording of:
Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam (in 1970-04)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
Gustav Mahler9:47
4Symphony no. 25 in G minor, K.183: 1. Allegro con brio - From "Amadeus"
producer:
Michael Bremner (producer/engineer)
orchestra:
Academy of St Martin in the Fields (in 1971-09)
conductor:
Sir Neville Marriner (conductor) (in 1971-09)
balance engineer:
Stanley Goodall (engineer) (in 1971-09)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1971-09)
recording of:
Symphony no. 25 for Orchestra in G minor, K. 173dB/183 "Little G Minor": I. Allegro con brio (in 1971-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1773 until 1773-10-05)
part of:
Symphony no. 25 for Orchestra in G minor, K. 173dB/183 "Little G Minor"
Wolfgang Amadeus Mozart7:34
5Adagio in G minorfor Strings and Organ - From "Gallipoli"
organ:
Alastair Ross (organist and harpsichordist)
violin:
Simon Standage (violinist and conductor)
orchestra:
Richard Hickox Orchestra
conductor:
Richard Hickox (conductor)
recording of:
Adagio for Strings and Organ in G minor
composer:
Remo Giazotto
previously attributed to:
Tomaso Giovanni Albinoni (Italian Baroque composer)
publisher:
Ricordi London (Casa Ricordi sublabel for Classical music)
Tomaso Albinoni8:51
6Coronation Anthem no. 1, HWV 258: 1. Zadok the Priest - From "The Madness Of King George"
recording engineer:
Gordon Parry (engineer) (from 1963-07 until 1963-08)
producer:
Andrew Raeburn
harpsichord:
Thurston Dart (conductor and keyboard player) (from 1963-07 until 1963-08)
organ [organ continuo]:
John Langdon (organist) (from 1963-07 until 1963-08)
other instruments [continuo]:
Thurston Dart (conductor and keyboard player) (in 1963-07)
choir vocals:
Choir of King’s College, Cambridge (from 1963-07 until 1963-08)
orchestra:
English Chamber Orchestra (from 1963-07 until 1963-08)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (from 1963-07 until 1963-08)
concertmaster:
Emanuel Hurwitz (violinist) (from 1963-07 until 1963-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1963)
recorded at:
King's College, Cambridge in Cambridge, Cambridgeshire, England, United Kingdom (from 1963-07 until 1963-08)
recording of:
The Four Coronation Anthems: “Zadok the Priest”, HWV 258 (from 1963-07 until 1963-08)
composer:
George Frideric Handel (German‐British baroque composer) (in 1727)
premiered at:
Westminster Abbey in London (Greater London), England, United Kingdom (on 1727-10-11)
part of:
Händel-Werke-Verzeichnis (number: HWV 258)
part of:
The Four Coronation Anthems
George Frideric Handel5:51
7Solomon, HWV 67, Act III: The Arrival of the Queen of Sheba - From "Four Weddings & A Funeral"
producer:
Michael Bremner (producer/engineer) (in 1965-04)
orchestra:
Academy of St Martin in the Fields (in 1965-04)
conductor:
Sir Neville Marriner (conductor) (in 1965-04)
balance engineer:
Kenneth Wilkinson (engineer) (in 1965-04)
recorded at:
Decca Studios in West Hampstead, Camden, London (Greater London), England, United Kingdom (in 1965-04)
recording of:
Solomon, HWV 67: Act III. Sinfonia “The Arrival of the Queen of Sheba” (in 1965-04)
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
publisher:
Hallische Händel‐Ausgabe der Georg‐Friedrich‐Händel‐Gesellschaft and Public Domain (refers to works that are in the public domain)
part of:
Solomon, HWV 67: Act III
George Frideric Handel3:07
8Cello Concerto in E minor, op. 85: 1. Adagio - Moderato - From "Hilary & Jackie"
cello:
Julian Lloyd Webber (cellist)
orchestra:
Royal Philharmonic Orchestra
conductor:
Yehudi Menuhin (violinist)
partial recording of:
Cello Concerto in E minor, op. 85: I. Adagio – Moderato
composer:
Edward Elgar (composer) (from 1918 until 1919)
part of:
Cello Concerto in E minor, op. 85
Sir Edward Elgar3:34
9La forza del destino - Original St.Petersburg version: Sinfonia - From "Jean de Florette"
orchestra:
Orchestra of the Mariinsky Theatre (fka Kirov Orchestra till 1992) (in 1995-12)
conductor:
Valery Gergiev (conductor) (in 1995-12)
recorded at:
Mariinsky Theatre (Mariinsky Theatre) in Sankt-Peterburg, Russia (in 1995-12)
recording of:
La forza del destino: Preludio (alternate St. Petersburg version, 1862) (in 1995-12)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
La forza del destino
recording of:
La forza del destino: Sinfonia
composer:
Giuseppe Verdi (Italian opera composer)
part of:
La forza del destino
Giuseppe Verdi3:08
10Cavalleria rusticana: Intermezzo - From "Raging Bull"
recording engineer:
Colin Moorfoot (engineer)
producer:
Michael Woolcock (producer)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1976-06-10 until 1976-06-16)
conductor:
Gianandrea Gavazzeni (conductor) (from 1976-06-10 until 1976-06-16)
balance engineer:
Kenneth Wilkinson (engineer) (in 1976-06)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1978)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1976-06-10 until 1976-06-16)
recording of:
Cavalleria rusticana: Intermezzo (from 1976-06-10 until 1976-06-16)
composer:
Pietro Mascagni (composer & conductor) (in 1888)
publisher:
Ascherberg Hopwood & Crew
part of:
Cavalleria rusticana (german lyrics)
part of:
Cavalleria rusticana
Pietro Mascagni3:12
11Concerto for 2 Violins, Strings, and Continuo in D minor, BWV 1043: 2. Largo ma non tanto - From "Children Of A Lesser God"
producer:
Peter Wadland
cello:
Mark Claudle and Richard Webb (cellist)
chamber organ and harpsichord:
Christopher Hogwood (conductor, harpsichordist)
double bass:
Keith Marjoram
viola:
Katherine Hart (viola player) and Trevor Jones (British violist, ex. Salomon Quartet)
violin:
Alison Bury (violinist), Graham Cracknell, Roy Goodman (conductor and violinist), Christopher Hirons (violinist), John Holloway (violinist/conductor) and Monica Huggett (violinist)
orchestra:
Academy of Ancient Music
conductor:
Christopher Hogwood (conductor, harpsichordist)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!)
recording of:
Concerto for 2 Violins in D minor, BWV 1043: II. Largo ma non tanto
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1730 until 1731)
part of:
Concerto for 2 Violins in D minor, BWV 1043
Johann Sebastian Bach6:41
12Nulla in mundo pax, R. 630: 1. Nulla in mundo pax sincera - From "Shine"
soprano vocals:
Emma Kirkby (soprano)
orchestra:
Academy of Ancient Music
conductor:
Christopher Hogwood (conductor, harpsichordist)
partial recording of:
Nulla in mundo pax sincera, RV 630
lyricist:
[anonymous] (special purpose artist)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1735)
part of:
Ryom-Verzeichnis (number: RV 630)
Antonio Vivaldi2:48
13Serenade in G, K. 525 "Eine kleine Nachtmusik": 1. Allegro - From "The Bonfire Of The Vanities"
orchestra:
Academy of St Martin in the Fields (in 1970-10)
conductor:
Neville Marriner (conductor) (in 1970-10)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1970-10)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: I. Allegro (in 1970-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart5:49
14Sonata for Viola da Gamba and Harpsichord no. 3 in G minor, BWV 1029 - Arr. Cello & Piano: 2. Adagio - From "Truly, Madly, Deeply"
cello:
János Starker (Hungarian-American cellist) (in 1963-04)
piano:
György Sebök (pianist) (in 1963-04)
recorded at and engineered at:
Fine Recording Studios in Manhattan, New York, New York, United States (in 1963-04)
partial recording of:
Sonate für Viola da Gamba und Cembalo g-Moll, BWV 1029: II. Adagio (in 1963-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Sonate für Viola da Gamba und Cembalo g-Moll, BWV 1029
Johann Sebastian Bach3:13
15Symphony no. 3 in C minor, op. 78 "Organ Symphony": IIb. Maestoso - Più allegro - Molto allegro
organ:
Peter Hurford (organist) (in 1982-06)
orchestra:
Orchestre symphonique de Montréal (in 1982-06)
conductor:
Charles Dutoit (conductor) (in 1982-06)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec, Canada (in 1982-06)
partial recording of:
Symphony no. 3 in C minor “avec orgue”, op. 78: II. Allegro moderato — Presto — Maestoso — Allegro (in 1982-06)
composer:
Camille Saint‐Saëns (composer) (in 1886)
publisher:
Éditions Durand (1947–present)
part of:
Symphony no. 3 in C minor “avec orgue”, op. 78
Camille Saint‐Saëns37:44
▼ Digital Media 3
#TitleArtistRatingLength
1Warsaw Concerto - From "Dangerous Moonlight"
piano:
Cristina Ortiz (pianist)
orchestra:
Royal Philharmonic Orchestra
conductor:
Moshe Atzmon (conductor)
recording of:
Warsaw Concerto (Dangerous Moonlight)
orchestrator:
Roy Douglas (British composer, pianist)
composer:
Richard Addinsell (composer)
part of:
Dangerous Moonlight (film soundtrack)
Richard Addinsell9:01
2The Piano: The Heart Asks Pleasure First
piano:
Jean‐Yves Thibaudet (pianist)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1999)
recording of:
The Heart Asks Pleasure First (The Piano)
composer:
Michael Nyman (composer)
publisher:
Chester Music Ltd., G. Schirmer Inc., J&W Chester/Ed Wilhelm, Michael Nyman Ltd. (independent UK record, publishing and holding company) and Virgin (worldwide imprint of Virgin Records Ltd. and all its subsidiaries)
part of:
The Piano (1993 film score)
Michael Nyman2:12
3Piano Concerto no. 21 in C major, K. 467: II. Andante - From "Elvira Madigan"
producer:
James Mallinson (producer) (from 1974-03 to present)
piano:
Radu Lupu (Romanian concert pianist) (in 1974-03)
orchestra:
English Chamber Orchestra (in 1974-03)
conductor:
Uri Segal (Uri Segal) (in 1974-03)
balance engineer:
Kenneth Wilkinson (engineer) (from 1974-03 to present, in 1974-03)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1975) and The Decca Record Company Limited (for copyrights use only!) (in 1975)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1974-03)
recording of:
Concerto for Piano no. 21 in C major, K. 467: II. Andante (in 1974-03)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1785-03-09)
part of:
Concerto for Piano no. 21 in C major, K. 467
Wolfgang Amadeus Mozart3.37:15
4Piano Sonata no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": I. Adagio sostenuto - From "Being John Malkevich"
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca) (in 1977-09)
piano:
Vladimir Ashkenazy (Russian-Icelandic conductor and pianist) (in 1977-09)
balance engineer:
John Dunkerley (engineer) (in 1977-09)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto (in 1977-09)
composer:
Ludwig van Beethoven (German composer) (in 1801)
part of:
Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”
Ludwig van Beethoven6:07
5Piano Concerto no. 5 in E-flat major, op. 73 -"Emperor": 2. Adagio un poco mosso - From "Dead Poets Society / Picnic At Hanging Rock"
producer:
Andrew Cornall (engineer / producer)
piano:
Vladimir Ashkenazy (Russian-Icelandic conductor and pianist) (in 1986-04)
orchestra:
The Cleveland Orchestra (in 1986-04)
conductor:
Vladimir Ashkenazy (Russian-Icelandic conductor and pianist) (in 1986-04)
balance engineer:
Simon Eadon (classical music engineer) (from 1986-04 to present, in 1986-04) and Colin Moorfoot (engineer) (from 1986-04 to present, in 1986-04)
recorded at:
Masonic Auditorium in Cleveland, Ohio, United States (in 1986-04)
recording of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: II. Adagio un poco mosso (in 1986-04)
composer:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”
Ludwig van Beethoven7:46
6Goldberg Variations, BWV 988: Aria - From "The Silence Of The Lambs"
engineer:
Simon Eadon (classical music engineer)
producer:
Michael Haas (classical music producer)
piano:
András Schiff (pianist) (from 1982-04-13 until 1982-04-15)
phonographic copyright (℗) by:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1983)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1982-04-13 until 1982-04-15)
recording of:
Goldberg-Variationen, BWV 988: Aria (from 1982-04-13 until 1982-04-15)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Goldberg-Variationen, BWV 988
Johann Sebastian Bach3:50
7Nocturne no. 20 in C-sharp minor, op. posth. - From "The Pianist"
piano:
Vladimir Ashkenazy (Russian-Icelandic conductor and pianist) (in 1999-06)
recording of:
Nocturne no. 20 in C-sharp minor "Reminiscence", op. posth. 1 no. 16, B. 49, KKIVa/16 (in 1999-06)
composer:
Fryderyk Chopin (composer) (in 1830)
Frédéric Chopin4:05
8Piano Trio no. 2 in E-flat, op. 100 D. 929: 2. Andante con moto - From "The Piano Teacher"
cello:
Bernard Greenhouse (cellist) (in 1966)
piano:
Menahem Pressler (pianist) (in 1966)
violin:
Daniel Guilet (born Daniel Guilevitch) (in 1966)
phonographic copyright (℗) by:
Philips Classics (See annotation to check it's really this label.) (in 1966)
recording of:
Piano Trio no. 2 in E-flat major, op. 100, D. 929 (in 1966)
composer:
Franz Schubert (composer) (in 1827-11)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 929)
recording of:
Piano Trio no. 2 in E-flat major, op. 100, D. 929: II. Andante con moto (in 1966)
composer:
Franz Schubert (composer) (in 1827-11)
part of:
Piano Trio no. 2 in E-flat major, op. 100, D. 929
Franz Schubert58:58
9Piano Concerto no. 2 in C minor, op. 18: 2. Adagio sostenuto - From "Brief Encounter"
Sergei Vasilyevich Rachmaninoff3:59
103 Gymnopédies: no. 1, Lent et douloureux
sound engineer:
Simon Eadon (classical music engineer) (in 1983-05)
producer:
Michael Haas (classical music producer)
piano:
Pascal Rogé (pianist) (in 1983-05)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1984)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1983-05)
edit of:
3 Gymnopédies by Pascal Rogé (pianist)
recording of:
Première Gymnopédie: Lent et douloureux (in 1983-05)
composer:
Erik Satie (French composer) (from 1888-02 until 1888-04)
part of:
Gymnopédies
Erik Satie3:09
11The Dream of Olwen - From "While I Live"
piano:
Wilhelm Davos (pianist)
orchestra:
London Festival Orchestra (“house orchestra” of Decca Records, associated since 1980 with conductor Ross Pople)
conductor:
Laszlo Tábor
instrumental recording of:
The Dream of Olwen
lyricist:
Winifred May
composer:
Charles Williams (UK film music composer & conductor)
part of:
While I Live
Charles Williams3:50
12Piano Concerto no. 3 in D minor, op. 30: 1. Allegro ma non tanto - From "Shine"
piano:
Vladimir Ashkenazy (Russian-Icelandic conductor and pianist)
orchestra:
London Symphony Orchestra
conductor:
André Previn (pianist, conductor, composer, arranger)
recording of:
Piano Concerto no. 3 in D minor, op. 30: I. Allegro ma non tanto
composer:
Sergei Rachmaninov (Russian composer) (from 1909 until 1909-09-23)
part of:
Piano Concerto no. 3 in D minor, op. 30
Sergei Vasilyevich Rachmaninoff5:05
13Piano Sonata no. 11 in A major, K. 331: 3. Alla Turca. Allegretto - From "The Truman Show"
engineer:
Arthur Lilley (engineer)
producer:
Michael Haas (classical music producer)
piano:
András Schiff (pianist) (in 1980-02)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1981) and Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1981)
recorded at:
Decca Studios: Studio 3 in West Hampstead, Camden, London (Greater London), England, United Kingdom (in 1980-02)
recording of:
Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”: III. Rondo alla Turca. Allegretto (in 1980-02)
composed in:
Paris, Île-de-France, France (in 1778)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1783)
part of:
Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”
Wolfgang Amadeus Mozart3:33
14Hungarian Rhapsodies, S. 244: No. 2 in C-sharp minor - From "Who Framed Roger Rabbit?"
piano:
Misha Dichter (pianist)
recording of:
19 Hungarian Rhapsodies, S. 244 / R. 106: No. 2 in C-sharp minor, S. 244 no. 2 (original piano solo version)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
19 Hungarian Rhapsodies, S. 244 / R. 106
Franz Liszt8:58
▼ Digital Media 4
#TitleArtistRatingLength
1Die Walküre, WWV 86B / Act 3: Ride of the Valkyries - From "Apocalypse Now"
contralto vocals:
Brigitte Fassbaender (mezzo-soprano) (in 1965-11) and Helen Watts (contralto) (in 1965-11)
mezzo-soprano vocals:
Claudia Hellmann (contralto) (in 1965-11)
soprano vocals:
Helga Dernesch (austrian soprano and mezzo-soprano) (in 1965-11), Berit Lindholm (soprano) (in 1965-11), Vera Schlosser (in 1965-11) and Marilyn Tyler (soprano) (in 1965-11)
orchestra:
Wiener Philharmoniker (in 1965-11)
conductor:
Georg Solti (conductor) (in 1965-11)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1966) and The Decca Record Company Limited (for copyrights use only!) (in 1966)
recording of:
Die Walküre, WWV 86B: Akt III, Scene I "Hojotoho! Hojotoho!" (in 1965-11)
composer:
Richard Wagner (composer) (from 1854-06-28 until 1856-03-23)
librettist:
Richard Wagner (composer)
part of:
Die Walküre, WWV 86B: Akt III
recording of:
Excerpt from Die Walküre, WWV 86B: Akt III, Scene I, Walkürenritt (in 1965-11)
composer:
Richard Wagner (composer) (from 1854 until 1856)
publisher:
Schott Music International (publisher; do not use as label)
part of:
Die Walküre, WWV 86B: Akt III, Scene I "Hojotoho! Hojotoho!"
Richard Wagner6:23
2La Wally / Act 1: "Ebben? Ne andrò lontana" - From "Diva"
soprano vocals [Wally]:
Renata Tebaldi (soprano) (on 1968-06-26)
orchestra:
Orchestre national de l’Opéra de Monte‐Carlo (on 1968-06-26)
conductor:
Fausto Cleva (conductor) (on 1968-06-26)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1968)
recorded at:
Salle Alcazar in Monte-Carlo, Monaco (on 1968-06-26)
recording of:
La Wally: Atto I. “Ebben? Ne andrò lontana” (Wally) (on 1968-06-26)
composer:
Alfredo Catalani (composer)
librettist:
Luigi Illica (in 1892)
publisher:
Lam Larghetto Music (from 1993 to present)
part of:
La Wally: Atto I
Alfredo Catalani5:00
3Pagliacci / Act 1: "Recitar!...Vesti la giubba" - From "The Untouchables"
tenor vocals [Canio]:
Mario Del Monaco (tenor) (in 1959-07)
orchestra:
Orchestra of the Academy of St Cecilia, Rome (in 1959-07)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959-07)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1960)
recorded at:
Accademia nazionale di Santa Cecilia in Roma, Roma, Lazio, Italy (in 1959-07)
recording of:
Pagliacci: Atto I. “Recitar!” … “Vesti la giubba” (Canio) (in 1959-07)
composer and librettist:
Ruggero Leoncavallo (composer) (in 1892)
part of:
For the First Time (1959 film)
part of:
Pagliacci: Atto I
Ruggero Leoncavallo3:36
4Gianni Schicchi: "Oh! mio babbino caro" - From "A Room With A View"
soprano vocals [Lauretta]:
Renata Tebaldi (soprano) (in 1962-07)
orchestra:
Orchestra del Maggio Musicale Fiorentino (in 1962-07)
conductor:
Lamberto Gardelli (conductor) (in 1962-07)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1962)
recorded at:
Teatro Della Pergola in Firenze, Firenze, Toscana, Italy (in 1962-07)
recording of:
Gianni Schicchi: “O mio babbino caro” (Lauretta) (in 1962-07)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A. and G. Ricordi & Co. (London) Ltd.
part of:
Gianni Schicchi
Giacomo Puccini2:11
5Norma / Act I: Casta Diva - From "Lorenzo’s Oil"
choir vocals:
London Symphony Chorus (on 1964-07-15)
soprano vocals [Norma]:
Joan Sutherland (soprano) (on 1964-07-15)
orchestra:
London Symphony Orchestra (on 1964-07-15)
conductor:
Richard Bonynge (conductor and pianist) (on 1964-07-15)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (on 1964-07-15)
recording of:
Norma: Atto I, scena 1. Scena e cavatina “Casta diva, che inargenti” (Norma, coro) (on 1964-07-15)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto I
Vincenzo Bellini6:30
6Rigoletto / Act 1: "Questa o quella" - From "Wall Street"
tenor vocals [Duca]:
Luciano Pavarotti (tenor)
orchestra:
London Symphony Orchestra
conductor:
Richard Bonynge (conductor and pianist)
recording of:
Rigoletto: Atto I, scena 1. N°2 Ballata “Questa o quella” (Duca)
composer:
Giuseppe Verdi (Italian opera composer) (from 1850 until 1851-03-11)
librettist:
Francesco Maria Piave (from 1850 until 1851-03-11)
part of:
Rigoletto: Atto I
Giuseppe Verdi1:47
7Così fan tutte, K. 588 / Act 1: "Soave sia il vento" - From "Sunday, Bloody Sunday"
recording engineer:
Gordon Parry (engineer) (in 1971-10)
producer:
Christopher Raeburn (producer)
bass vocals [Don Alfonso]:
Tom Krause (bass-baritone) (in 1971-10)
soprano vocals [Dorabella]:
Brigitte Fassbaender (mezzo-soprano) (in 1971-10)
soprano vocals [Fiordiligi]:
Lucia Popp (soprano) (in 1971-10)
orchestra:
Vienna Haydn Orchestra (in 1971-10)
conductor:
István Kertész (conductor) (in 1971-10)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1972)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1971-10)
recording of:
Così fan tutte: Atto I. No. 10 Terzettino “Soave sia il vento” (Fiordligi, Dorabella, Don Alfonso) (in 1971-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart2:39
8Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" - From "Life Is Beautiful"
producer:
John Mordler (producer) and Michael Woolcock (producer)
choir vocals:
Chœur de la Radio Suisse Romande, Chœur Pro Arte de Lausanne (in 1972-06) and Chorale du Brassus (in 1972-06)
mezzo-soprano vocals:
Huguette Tourangeau (mezzo-soprano) (in 1972-06)
soprano vocals:
Joan Sutherland (soprano) (in 1972-06)
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1972-06)
conductor:
Richard Bonynge (conductor and pianist) (in 1972-06)
balance engineer:
James Lock (engineer)
recorded at:
Victoria Hall (Geneva) in Genève, Genève, Switzerland (in 1972-06)
recording of:
Les Contes d’Hoffmann : Acte IV. No. 17 Barcarolle « Belle nuit, ô nuit d’amour » (Nicklausse, Giulietta, les invités) (in 1972-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d'Hoffmann: Acte IV (Giulietta) (Offenbach order; critical Oeser edition)
recording of:
Les Contes d'Hoffmann: Acte III. Entracte (Orchestre) - "Belle nuit, ô nuit d'amour" (Barcarolle) (une voix, Giulietta, Chœur)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte III (Giulietta) (alternate order)
recording of:
Les Contes d’Hoffmann: Acte III. “Belle nuit, ô nuit d’amour” (Nicklausse, Giulietta)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
librettist:
Jules Barbier
part of:
Les Contes d’Hoffmann: Acte III (Giulietta) (alternate order)
Jacques Offenbach4:11
9Madama Butterfly, Act II: Un bel dì vedremo - From "Victor/Victoria"
recording engineer:
Jack Law (engineer) (on 1974-01-31), James Lock (engineer) (on 1974-01-31) and Gordon Parry (engineer) (on 1974-01-31)
assistant producer:
Michael Woolcock (producer)
producer:
Christopher Raeburn (producer)
soprano vocals [Butterfly]:
Mirella Freni (soprano) (on 1974-01-31)
orchestra:
Wiener Philharmoniker (on 1974-01-31)
conductor:
Herbert von Karajan (conductor) (on 1974-01-31)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (for copyrights use only!) (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (on 1974-01-31)
recording of:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly) (on 1974-01-31)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (also: Atto II, parte 1)
Giacomo Puccini4:35
10Rigoletto, Act III: La donna è mobile
sound engineer:
Stanley Goodall (engineer) and Kenneth Wilkinson (engineer)
producer:
David Harvey (producer) and Michael Woolcock (producer)
tenor vocals [Duca]:
Luciano Pavarotti (tenor) (on 1971-06-28)
orchestra:
London Symphony Orchestra (on 1971-06-28)
conductor:
Richard Bonynge (conductor and pianist) (on 1971-06-28)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1971-06-28)
recording of:
Rigoletto: Atto III. “La donna è mobile” (Duca) (on 1971-06-28)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
Giuseppe Verdi2:21
11Carmen, WD 31 / Act 1: Habanera - From "Trainspotting"
choir vocals:
Wiener Opernchor (on 1967-10-13)
mezzo-soprano vocals [Carmen]:
Marilyn Horne (American operatic mezzo-soprano) (on 1967-10-13)
orchestra:
Wiener Opernorchester (on 1967-10-13)
conductor:
Henry Lewis (conductor) (on 1967-10-13)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (on 1967-10-13)
recording of:
Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur) (on 1967-10-13)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
is based on:
El arreglito
part of:
Carmen : Acte I
Georges Bizet4:12
12Le nozze di Figaro, K. 492 / Act 3: "Che soave zeffiretto" - From "The Shawshank Redemption"
soprano vocals:
Lucia Popp (soprano) and Kiri Te Kanawa (soprano)
orchestra:
London Philharmonic Orchestra (LPO)
conductor:
Sir Georg Solti (conductor)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena X. (no. 21) Duettino “Che soave zeffiretto” (La Contessa, Susanna) (Canzonetta sull'aria)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III
Wolfgang Amadeus Mozart2:40
13Lakmé / Act 1: "Viens, Mallika, ... Dôme épais" - From "Someone To Watch Over Me"
engineer:
Michael Mailes (engineer) (on 1967-10-12) and Kenneth Wilkinson (engineer) (on 1967-10-12)
producer:
John Mordler (producer)
mezzo-soprano vocals [Mallika]:
Jane Berbié (mezzo-soprano) (on 1967-10-12)
soprano vocals [Lakmé]:
Joan Sutherland (soprano) (on 1967-10-12)
orchestra:
Orchestre National de lʼOpéra de Monte‐Carlo (on 1967-10-12)
conductor:
Richard Bonynge (conductor and pianist) (on 1967-10-12)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1968)
recorded at:
Salle Alcazar in Monte-Carlo, Monaco (on 1967-10-12)
recording of:
Lakmé : Acte I. No. 2 Duetto « Viens, Mallika, les lianes en fleurs » … « Dôme épais le jasmin » (Lakmé, Mallika) (on 1967-10-12)
composer:
Léo Delibes (composer)
librettist:
Philippe Gille and Edmond Gondinet
publisher:
Jenkinsongs Ltd.
part of:
Lakmé : Acte I
Léo Delibes6:03
14La bohème, Act I: Che gelida manina - From "Moonstruck"
engineer:
James Lock (engineer), Colin Moorfoot (engineer) and Gordon Parry (engineer)
producer:
James Mallinson (producer) and Ray Minshull (record producer)
tenor vocals [Rodolfo]:
Luciano Pavarotti (tenor) (in 1972-10)
orchestra:
Berliner Philharmoniker (in 1972-10)
conductor:
Herbert von Karajan (conductor) (in 1972-10)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1973)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1972-10)
recording of:
La bohème: Atto I, no. 6. “Che gelida manina!” (Rodolfo) (in 1972-10)
composer:
Giacomo Puccini (Italian composer) (in 1896)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (Puccini)
Giacomo Puccini4:40
15Les pêcheurs de perles, WD 13 / Act 1: "Je crois entendre encore" - From "The Man Who Cried"
recorded in:
Paris, Île-de-France, France (in 1953-10)
tenor vocals and tenor vocals [Nadir]:
Léopold Simoneau (tenor) (in 1953-10)
orchestra:
Orchestre des Concerts Lamoureux (in 1953-10)
conductor:
Jean Fournet (conductor) (in 1953-10)
recording of:
Les Pêcheurs de perles : Acte I. No. 4 Romance « Je crois entendre encore » (Nadir) (in 1953-10)
composer:
Georges Bizet (composer) (from 1863-04 until 1863-08)
librettist:
Michel Carré (librettist) and Eugène Cormon
part of:
Les Pêcheurs de perles : Acte I
Georges Bizet3:35
16Rusalka, op. 114, B. 203 / Act 1: Song to the Moon - From "Driving Miss Daisy"
producer:
John Mordler (producer)
soprano vocals [Rusalka]:
Pilar Lorengar (soprano) (in 1966-07)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1966-07)
conductor:
Giuseppe Patanè (conductor) (in 1966-07)
balance engineer:
Kenneth Wilkinson (engineer) (in 1966-07)
recorded at:
Accademia nazionale di Santa Cecilia in Roma, Roma, Lazio, Italy (in 1966-07)
recording of:
Rusalka, op. 114, B. 203: 1. jednání. “Měsíčku na nebi hlubokém” (Rusalka) (Song to the Moon) (in 1966-07)
composer:
Antonín Dvořák (composer) (from 1900-04-21 until 1900-11-27)
part of:
Rusalka, op. 114, B. 203: 1. jednání
Antonín Dvořák6:10
17Andrea Chénier / Act 3: "La mamma morta" - From "Philadelphia"
soprano vocals:
Montserrat Caballé (soprano)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Riccardo Chailly (conductor)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1984)
recording of:
Andrea Chénier: Atto III. “La mamma morta” (Maddalena, Gérard)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
publisher:
Edoardo Sonzogno Ltd. and MCPS (UK rights society; do not use this as a label or work publisher!)
part of:
Andrea Chénier: Atto III
Umberto Giordano5:30
18Turandot, Act III: Nessun dorma! - From "The Witches Of Eastwick"
choir vocals:
The John Alldis Choir (from 1972-08-10 until 1972-08-25) and Wandsworth School Boys’ Choir (from 1972-08-10 until 1972-08-25)
tenor vocals [Calaf]:
Luciano Pavarotti (tenor) (from 1972-08-10 until 1972-08-25)
orchestra:
London Philharmonic Orchestra (LPO) (from 1972-08-10 until 1972-08-25)
conductor:
Zubin Mehta (conductor) (from 1972-08-10 until 1972-08-25)
chorus master:
John Alldis (chorusmaster and conductor)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1973)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1972-08-10 until 1972-08-25)
recording of:
Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf) (from 1972-08-10 until 1972-08-25)
composer:
Giacomo Puccini (Italian composer) (from 1921-03 until 1924-03)
librettist:
Giuseppe Adami and Renato Simoni
publisher:
Casa Ricordi BMG S.p.A. and Ed. G. Ricordi & Cia. SpA
part of:
Turandot: Atto III
Giacomo Puccini53:00
▼ Digital Media 5
#TitleArtistRatingLength
1Main Title From "Star Wars"
producer:
Ray Minshull (record producer)
orchestra:
Los Angeles Philharmonic (in 1977-12)
conductor:
Zubin Mehta (conductor) (in 1977-12)
balance engineer:
Simon Eadon (classical music engineer) (in 1977-12) and James Lock (engineer) (in 1977-12)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1978) and The Decca Record Company Limited (for copyrights use only!) (in 1978)
recorded at:
Royce Hall in Los Angeles, California, United States (in 1977-12)
cover recording of:
Main Title (Star Wars) (in 1977-12)
composer:
John Williams (American score composer) (ended)
publisher:
Bantha Music, Fox Fanfare Music Inc., Utapau Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
part of:
Star Wars Holiday Special (television soundtrack)
part of:
Star Wars, Episode I: The Phantom Menace (film soundtrack)
part of:
Star Wars, Episode II: Attack of the Clones (2002 film score)
part of:
Star Wars, Episode III: Revenge of the Sith (film soundtrack)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
part of:
Star Wars, Episode IX: The Rise of Skywalker (2019 film score)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
part of:
Star Wars, Episode VII: The Force Awakens (2015 film score)
part of:
Star Wars, Episode VIII: The Last Jedi (2017 film score)
part of:
Star Wars: Shadows of the Empire
recording of:
Star Wars (Episode IV: A New Hope 1981 radio drama)
writer:
Brian Daley
composer:
John Williams (American score composer)
cover recording of:
Star Wars: Suite / Main Title
composer:
John Williams (American score composer)
John Williams5:11
2Princess Leia's Theme - From "Star Wars"
producer:
Ray Minshull (record producer)
orchestra:
Los Angeles Philharmonic (in 1977-12)
conductor:
Zubin Mehta (conductor) (in 1977-12)
balance engineer:
Simon Eadon (classical music engineer) (in 1977-12) and James Lock (engineer) (in 1977-12)
recorded at:
Royce Hall in Los Angeles, California, United States (in 1977-12)
cover recording of:
Princess Leia's Theme (Star Wars, Episode IV: A New Hope) (in 1977-12)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
John Williams4:31
3My Heart Will Go On - From "Titanic"
orchestra:
Prague Philharmonia (in 1999-05)
conductor:
Nick Ingman (in 1999-05)
arranger:
Nick Ingman
recorded at:
Smecky Music Studios in Praha, Czechia (in 1999-05)
instrumental cover recording of:
My Heart Will Go On (in 1999-05)
lyricist:
Will Jennings
composer:
James Horner (American score composer)
publisher:
Blue Sky Rider Songs, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Ensign Music Corporation, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Fox Film Music Corporation (BMI-affiliated), Irving Music, Inc., Rondor Music (London) Ltd., Rondor Music Publishing, Sony/ATV Harmony, Sony/ATV Melody, TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM), ユニバーサル・ミュージック・パブリッシング Synch事業部, フジパシフィック音楽出版 第2事業部 (until 2014-12-31) and フジパシフィックミュージック 第2事業部 (from 2015-01-01 to present)
part of:
The 70th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 70)
part of:
Titanic
James Horner3:28
4Romeo And Juliet: Love Theme
orchestra:
Prague Philharmonia (in 1999-05)
conductor:
Nick Ingman (in 1999-05)
arranger:
Nick Ingman
recorded at:
Smecky Music Studios in Praha, Czechia (in 1999-05)
recording of:
What Is a Youth (Love Theme from Romeo and Juliet, 1968 film) (in 1999-05)
lyricist:
Eugene Walter
composer:
Nino Rota (composer)
publisher:
Sony/ATV Harmony and ソニー・ミュージックパブリッシング A事業部
Nino Rota3:20
5I Will Always Love You - From "The Bodyguard"
Dolly Parton3:26
6We Have All The Time In The World - From "On Her Majesty’s Secret Service"
John Barry3:20
7Up Where We Belong - From "An Officer & A Gentleman"
Buffy Sainte‐Marie, Jack Nitzsche3:29
8Take My Breath Away - From "Top Gun"
Giorgio Moroder3:20
9Can You Feel The Love Tonight - From "The Lion King"
Elton John3:14
10Evergreen - From "A Star Is Born"
Barbra Streisand3:05
11Love Is All Around - From "Four Weddings & A Funeral"
Reg Presley3:14
12Nuovo Cinema Paradiso
Ennio Morricone, Andrea Morricone3:10
13Gabriel's Oboe - From "The Mission"
Ennio Morricone3:16
14Try A Little Tenderness - From "The Commitments"
Harry Woods, James Campbell, Reginald Connelly3:26
15Moon River - From "Breakfast At Tiffany’s"
Henry Mancini3:06
16Where Do I Begin - From "Love Story"
Francis Lai3:02
17When A Man Loves A Woman
Calvin Lewis, Andrew Wright3:32
18The Way We Were
Marvin Hamlisch3:38
19Somewhere My Love - From "Doctor Zhivago"
Maurice Jarre3:36
20How Deep Is Your Love - From "Saturday Night Fever"
Barry Gibb, Robin Gibb, Maurice Gibb3:08
21Cavatina - From "The Deer Hunter"
Stanley Myers4:12
22Schindler's List: Main Theme
producer:
Dominic Fyfe
violin:
Janine Jansen (Dutch violinist and violist) (in 2003-02)
orchestra:
Royal Philharmonic Orchestra (in 2003-02)
conductor:
Barry Wordsworth (conductor) (in 2003-02)
balance engineer:
Philip Siney (sound engineer) (in 2003-02)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 2003)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 2003-02)
recording of:
Main Theme (Schindler’s List) (in 2003-02)
composer:
John Williams (American score composer) (in 1993)
publisher:
Chester Music Ltd., MCA Music Ltd. and Universal/MCA Music (music publisher; do not use as release label!)
part of:
Schindler's List
part of:
Three Pieces from Schindler's List
John Williams3:47
▶ Digital Media 6