Tracklist

CD 1
# Title Rating Length
1 Hohe Messe: Gloria in Excelsis
1:56
2 Hohe Messe: Et in unum Deum
4:23
3 Brandenburgisches Konzert no. 2 : Allegro
4:46
4 Italienisches Konzert: Allegro
4:09
5 Violinenkonzert: Allegro
7:46
6 Lauten Suite: Bourrée
1:30
7 Toccata & Fuge
9:00
8 Kaffee Kantata: Die Katze lässt das Mausen nicht
5:48
9 Partita:Preludio
3:29
10 Weihnachtsoratorium:Floesst, mein Heiland
5:39
11 Flötensonate:Siciliano
3:48
12 Matthäus Passion
3:23
13 Cello Suite:Preludio
3:24
14 Johannes Passion: Herr unser Herrscher
8:35
15 Kantatae: Ich freue mich in dir
4:22
16 Kantate:Sie werden euch in den Bann tun Es ist und bleibt der Christen Trost (Aria)
5:15

Credits

CD 1

composed in:
Leipzig, Sachsen, Germany (1734 – 1735) (tracks 8, 10)
Leipzig, Sachsen, Germany (1747 – 1749) (tracks 1–2)
premiered in:
Leipzig, Sachsen, Germany (track 8)
violin:
Mark lubotsky (track 9)
Emmy Verhey (track 5)
cello:
Robert Cohen (cellist) (track 13)
lute:
Jakob Lindberg (lutenist) (track 6)
flute:
Stephen Preston (track 11)
organ:
Hans Fagius (1987-05-11) (track 7)
viola da gamba:
Jordi Savall (track 11)
harpsichord:
Trevor Pinnock (track 11)
Pieter-Jan Belder (1999-04 – 1999-07) (track 4)
alto vocals:
James Bowman (UK countertenor) (track 2)
bass vocals:
Theo Adam (German classical bass-baritone) (track 8)
Siegfried Lorenz (track 8)
choir vocals:
Holland Boys Choir (track 15)
The Sixteen (track 1)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (tracks 1–3, 5–7, 10–14)
Johann Sebastian Bach (German Baroque period composer & musician) (1720) (track 9)
Johann Sebastian Bach (German Baroque period composer & musician) (1724) (tracks 15–16)
Johann Sebastian Bach (German Baroque period composer & musician) (1734 – 1735) (track 8)
Johann Sebastian Bach (German Baroque period composer & musician) (1735) (track 4)
conductor:
Harry Christophers (tracks 1–2)
Stephen Cleobury (tracks 12, 14)
Martin Flämig (track 10)
Pieter Jan Leusink (tracks 15–16)
Peter Schreier (tenor) (track 8)
countertenor vocals:
James Bowman (UK countertenor) (track 2)
engineer:
Mike Hatch (engineer/editor) (track 2)
Erik Sikkema (track 12)
Adriaan Verstijnen (track 12)
librettist:
Picander (track 12)
[anonymous] (Special Purpose Artist) (track 8)
orchestra:
The Brandenburg Consort (tracks 12, 14)
Consort of London (track 3)
Netherlands Bach Collegium (tracks 15–16)
Orchestra of The Sixteen (tracks 1–2)
performer:
producer:
Mark Brown (early music singer, conductor, and producer) (track 2)
Tini Mathot (track 12)
Robert Suff (track 6)
recording engineer:
Clavigram (track 9)
soprano vocals:
Arleen Augér (track 10)
Catherine Dubosc (track 2)
Ruth Holton (track 16)
Emma Kirkby (soprano) (track 12)
Edith Mathis (track 8)
tenor vocals:
Peter Schreier (tenor) (track 8)
premiered at:
recorded at:
St. Augustine's Church (Kilburn, London) in London, England, United Kingdom (tracks 1–2)
Studio Christuskirche (Berlin) in Berlin, Germany (track 8)
Lukaskirche (Dresden) in Dresden, Sachsen, Germany (1974-02) (track 10)
Maria Minor in Utrecht, Utrecht, Netherlands (1987-11) (track 9)
Maria Minor in Utrecht, Utrecht, Netherlands (1999-04 – 1999-07) (track 4)
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands (1999-04 – 1999-09) (track 15)
part of:
Bach-Werke-Verzeichnis (number: BWV 565) (track 7)
arrangements:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: I. (Allegro) (catch-all for arrangements) (track 3)
Italienisches Konzert F-Dur, BWV 971: I. Allegro (catch-all for arrangements) (track 4)
Sonata in E major, BWV 1035: III. Siciliana (catch-all for arrangements) (track 11)
Suite in E minor, BWV 996: V. Bourrée (catch all for arrangements) (track 6)
Suite no. 2 d-Moll, BWV 1008: I. Prélude (catch-all for arrangements) (track 13)
Suite no. 2 in D minor, BWV 1008: I. Prélude (arr. Joachim Raff for piano) (track 13)
Suite no. 2 in D minor, BWV 1008: I. Prélude (for viola, arr. Rowland-Jones) (track 13)
Toccata and Fugue in D minor (arr. Mike Batt) (track 7)
Toccata und Fuge d-Moll, BWV 565 (for piano, Tausig) (track 7)
Toccata und Fuge d-Moll, BWV 565 (for piano 4 hands, Reger) (track 7)
Toccata und Fuge d-Moll, BWV 565 (for piano, Friedman) (track 7)
Toccata und Fuge d-Moll, BWV 565 (for piano, Grainger) (track 7)
Toccata und Fuge d-Moll, BWV 565 (for solo piano, Cortot) (track 7)
Toccata und Fuge d-Moll, BWV 565 (for band, Leidzén) (track 7)
Toccata und Fuge d-Moll, BWV 565 (catch-all for arrangements) (track 7)
Toccata und Fuge d-Moll, BWV 565 (for piano solo, Reger) (track 7)
Toccata und Fugue d-Moll, BWV 565, BV B 29 no. 2 (Busoni piano arrangement) (track 7)
Violin Partita no. 3 in E major, BWV 1006: I. Preludio (catch-all for arrangements) (track 9)
is the basis for:
Bourée (Jethro Tull version) (track 6)
The Real Thing (track 7)
Toccata (track 7)
later translated versions:
orchestrations:
Toccata and Fugue in D minor, BWV 565 (arr. S. Skrowaczewski) (track 7)
Toccata and Fugue in D minor, BWV 565 (Stokowski orchestration) (track 7)
Toccata und Fuge d-Moll, BWV 565 (orchestrated by H. Wood) (track 7)
Violin Partita no. 3 in E major, BWV 1006: I. Preludio (orchestrated by Pick-Mangiagalli) (track 9)
Violin Partita no. 3 in E major, BWV 1006: I. Preludio (Stokowski orchestration) (track 9)
part of:
Suite in E minor, BWV 996 (original for lute, lute harpsichord) (track 6)
h-Moll-Messe, BWV 232 (tracks 1–2)
parts:
recording of:
Toccata und Fuge d-Moll, BWV 565 (1987-05-11) (track 7)
Italienisches Konzert F-Dur, BWV 971: I. Allegro (1999-04 – 1999-07) (track 4)
referred to in medleys:
Hooked on Bach (track 3)

Release

ASIN: DE: B00002MXXO [info]

Release Group

part of: Bach Edition