English Madrigals and Songs

~ Release by Oxford Camerata, Jeremy Summerly (see all versions of this release, 1 available)

Tracklist

CD 1
#TitleArtistRatingLength
1Pastime with good company
engineer:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
producer:
Judy Lieber (producer)
choir vocals:
Oxford Camerata (English chamber choir) (from 1994-03-21 until 1994-03-22)
conductor:
Jeremy Summerly (conductor) (from 1994-03-21 until 1994-03-22)
recorded at:
Chapel of Hertford College, Oxford in Oxford, Oxfordshire, England, United Kingdom (from 1994-03-21 until 1994-03-22)
recording of:
Pastime With Good Company (from 1994-03-21 until 1994-03-22)
composer:
King Henry VIII of England
King Henry VIII of England1:46
2Blow thy horn, hunter
engineer:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
producer:
Judy Lieber (producer)
choir vocals:
Oxford Camerata (English chamber choir) (from 1994-03-21 until 1994-03-22)
conductor:
Jeremy Summerly (conductor) (from 1994-03-21 until 1994-03-22)
recorded at:
Chapel of Hertford College, Oxford in Oxford, Oxfordshire, England, United Kingdom (from 1994-03-21 until 1994-03-22)
recording of:
Blow thy horn, hunter (from 1994-03-21 until 1994-03-22)
composer:
William Cornysh (the younger, 1465-1523)
William Cornysh2:41
3A Robyn, Gentyl Robyn
engineer:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
producer:
Judy Lieber (producer)
choir vocals:
Oxford Camerata (English chamber choir) (from 1994-03-21 until 1994-03-22)
conductor:
Jeremy Summerly (conductor) (from 1994-03-21 until 1994-03-22)
recorded at:
Chapel of Hertford College, Oxford in Oxford, Oxfordshire, England, United Kingdom (from 1994-03-21 until 1994-03-22)
recording of:
Ah Robin, Gentle Robin (from 1994-03-21 until 1994-03-22)
composer:
William Cornysh (the younger, 1465-1523)
William Cornysh2:17
4Hey trolly lolly lo
engineer:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
producer:
Judy Lieber (producer)
choir vocals:
Oxford Camerata (English chamber choir) (from 1994-03-21 until 1994-03-22)
conductor:
Jeremy Summerly (conductor) (from 1994-03-21 until 1994-03-22)
recorded at:
Chapel of Hertford College, Oxford in Oxford, Oxfordshire, England, United Kingdom (from 1994-03-21 until 1994-03-22)
recording of:
Hey Troly Loly Lo (from 1994-03-21 until 1994-03-22)
lyricist:
[anonymous] (special purpose artist)
composer:
Peter Warlock (composer)
[anonymous]5:41
5The Second Set of Madrigales: Draw on, Sweet Night
engineer:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
producer:
Judy Lieber (producer)
choir vocals:
Oxford Camerata (English chamber choir) (from 1994-03-21 until 1994-03-22)
conductor:
Jeremy Summerly (conductor) (from 1994-03-21 until 1994-03-22)
recorded at:
Chapel of Hertford College, Oxford in Oxford, Oxfordshire, England, United Kingdom (from 1994-03-21 until 1994-03-22)
recording of:
The Second Set of Madrigals for 3-6 voices: XXXI. Draw On, Sweet Night (from 1994-03-21 until 1994-03-22)
composer:
John Wilbye (English baroque composer)
part of:
The Second Set of Madrigals for 3-6 voices
John Wilbye5:41
6Thule, the period of cosmographie
engineer:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
producer:
Judy Lieber (producer)
choir vocals:
Oxford Camerata (English chamber choir) (from 1994-03-21 until 1994-03-22)
conductor:
Jeremy Summerly (conductor) (from 1994-03-21 until 1994-03-22)
recorded at:
Chapel of Hertford College, Oxford in Oxford, Oxfordshire, England, United Kingdom (from 1994-03-21 until 1994-03-22)
recording of:
Madrigals to 5 and 6 parts: VI. (a) Thule, the Period of Cosmography (from 1994-03-21 until 1994-03-22)
composer:
Thomas Weelkes (English composer & organist, c. 1576–1623)
part of:
Madrigals to 5 and 6 parts
Thomas Weelkes4:54
7The Second Set of Madrigales: Weepe, Mine Eyes
engineer:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
producer:
Judy Lieber (producer)
choir vocals:
Oxford Camerata (English chamber choir) (from 1994-03-21 until 1994-03-22)
conductor:
Jeremy Summerly (conductor) (from 1994-03-21 until 1994-03-22)
recorded at:
Chapel of Hertford College, Oxford in Oxford, Oxfordshire, England, United Kingdom (from 1994-03-21 until 1994-03-22)
recording of:
The Second Set of Madrigals for 3-6 voices: XXIII. Weepe, Weepe Mine Eyes (from 1994-03-21 until 1994-03-22)
composer:
John Wilbye (English baroque composer)
part of:
The Second Set of Madrigals for 3-6 voices
John Wilbye5:11
8As vesta was, from Latmos hill descending
engineer:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
producer:
Judy Lieber (producer)
choir vocals:
Oxford Camerata (English chamber choir) (from 1994-03-21 until 1994-03-22)
conductor:
Jeremy Summerly (conductor) (from 1994-03-21 until 1994-03-22)
recorded at:
Chapel of Hertford College, Oxford in Oxford, Oxfordshire, England, United Kingdom (from 1994-03-21 until 1994-03-22)
recording of:
As Vesta Was From Latmos Hill Descending (from 1994-03-21 until 1994-03-22)
composer:
Thomas Weelkes (English composer & organist, c. 1576–1623)
part of:
The Triumphs of Oriana (number: 18)
Thomas Weelkes3:51
9Sound saddest notes
engineer:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
producer:
Judy Lieber (producer)
choir vocals:
Oxford Camerata (English chamber choir) (from 1994-03-21 until 1994-03-22)
conductor:
Jeremy Summerly (conductor) (from 1994-03-21 until 1994-03-22)
recorded at:
Chapel of Hertford College, Oxford in Oxford, Oxfordshire, England, United Kingdom (from 1994-03-21 until 1994-03-22)
recording of:
Sound saddest notes (from 1994-03-21 until 1994-03-22)
composer:
Richard Carlton
Richard Carlton4:53
10Fair Phyllis I Saw Sitting All Alone
engineer:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
producer:
Judy Lieber (producer)
choir vocals:
Oxford Camerata (English chamber choir) (from 1994-03-21 until 1994-03-22)
conductor:
Jeremy Summerly (conductor) (from 1994-03-21 until 1994-03-22)
recorded at:
Chapel of Hertford College, Oxford in Oxford, Oxfordshire, England, United Kingdom (from 1994-03-21 until 1994-03-22)
recording of:
Fair Phyllis (from 1994-03-21 until 1994-03-22)
composer:
John Farmer (16th century English composer)
John Farmer1:56
11Sleep, Fleshly Birth
engineer:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
producer:
Judy Lieber (producer)
choir vocals:
Oxford Camerata (English chamber choir) (from 1994-03-21 until 1994-03-22)
conductor:
Jeremy Summerly (conductor) (from 1994-03-21 until 1994-03-22)
recorded at:
Chapel of Hertford College, Oxford in Oxford, Oxfordshire, England, United Kingdom (from 1994-03-21 until 1994-03-22)
recording of:
Sleep, Fleshly Birth (from 1994-03-21 until 1994-03-22)
composer:
Robert Ramsey (Scottish composer)
Robert Ramsey5:26
12Mother, I Will Have a Husband
engineer:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
producer:
Judy Lieber (producer)
choir vocals:
Oxford Camerata (English chamber choir) (from 1994-03-21 until 1994-03-22)
conductor:
Jeremy Summerly (conductor) (from 1994-03-21 until 1994-03-22)
recorded at:
Chapel of Hertford College, Oxford in Oxford, Oxfordshire, England, United Kingdom (from 1994-03-21 until 1994-03-22)
recording of:
Mother, I Will Have a Husband (from 1994-03-21 until 1994-03-22)
composer:
Thomas Vautor (English composer, fl. 1592-1619)
Thomas Vautor2:04
13Lay a Garland
engineer:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
producer:
Judy Lieber (producer)
choir vocals:
Oxford Camerata (English chamber choir) (from 1994-03-21 until 1994-03-22)
conductor:
Jeremy Summerly (conductor) (from 1994-03-21 until 1994-03-22)
recorded at:
Chapel of Hertford College, Oxford in Oxford, Oxfordshire, England, United Kingdom (from 1994-03-21 until 1994-03-22)
recording of:
Lay a Garland (from 1994-03-21 until 1994-03-22)
lyricist:
Francis Beaumont
composer:
Robert Lucas Pearsall (composer)
Robert Lucas Pearsall3:31
14Brigg Fair (arr. Percy Grainger)
engineer:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
producer:
Judy Lieber (producer)
choir vocals:
Oxford Camerata (English chamber choir) (from 1994-03-21 until 1994-03-22)
conductor:
Jeremy Summerly (conductor) (from 1994-03-21 until 1994-03-22)
recorded at:
Chapel of Hertford College, Oxford in Oxford, Oxfordshire, England, United Kingdom (from 1994-03-21 until 1994-03-22)
recording of:
Brigg Fair (Percy Grainger choral arrangement) (from 1994-03-21 until 1994-03-22)
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Percy Grainger
arrangement of:
Brigg Fair
[unknown]3:11
15The trees they do grow high (trad. Somerset)
engineer:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
producer:
Judy Lieber (producer)
choir vocals:
Oxford Camerata (English chamber choir) (from 1994-03-21 until 1994-03-22)
conductor:
Jeremy Summerly (conductor) (from 1994-03-21 until 1994-03-22)
recorded at:
Chapel of Hertford College, Oxford in Oxford, Oxfordshire, England, United Kingdom (from 1994-03-21 until 1994-03-22)
[unknown]3:44
16The Blue Bird
engineer:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
producer:
Judy Lieber (producer)
choir vocals:
Oxford Camerata (English chamber choir) (from 1994-03-21 until 1994-03-22)
soprano vocals:
Carys-Anne Lane (soprano) (from 1994-03-21 until 1994-03-22)
conductor:
Jeremy Summerly (conductor) (from 1994-03-21 until 1994-03-22)
recorded at:
Chapel of Hertford College, Oxford in Oxford, Oxfordshire, England, United Kingdom (from 1994-03-21 until 1994-03-22)
recording of:
Eight partsongs, op. 119: No. 3. The blue bird (from 1994-03-21 until 1994-03-22)
lyricist:
Mary Elizabeth Coleridge
composer:
Sir Charles Villiers Stanford (Irish composer)
publisher:
Stainer & Bell Ltd.
part of:
Eight partsongs, op. 119
Sir Charles Villiers Stanford3:49