Bar Jazz, Volume 5

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Label: Sbc - Distributor: Bmg Deutschland - Catalog #: SMC 510904 2 - EAN: 5099751090427 - Format: 3CD

Label: Sbc - Distributor: Bmg Deutschland - Catalog #: SMC 510904 2 - EAN: 5099751090427 - Format: 3CD

Label: Sbc - Distributor: Bmg Deutschland - Catalog #: SMC 510904 2 - EAN: 5099751090427 - Format: 3CD

Annotation last modified on 2007-02-01 11:03 UTC.

Tracklist

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CD 1: Happy Hour
#TitleArtistRatingLength
1Choo Choo Ch’Boogie
recording of:
Choo Choo Ch’Boogie
writer:
Denver Darling, Milt Gabler and Vaughn Horton
publisher:
Rytvoc (ASCAP) and Warner/Chappell
cover recording of:
Choo Choo Ch’Boogie
writer:
Denver Darling, Milt Gabler and Vaughn Horton
publisher:
Rytvoc (ASCAP) and Warner/Chappell
The Manhattan Transfer2:57
2Mack the Knife
cover recording of:
Mack the Knife (1954 Blitzstein translation)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
translator:
Marc Blitzstein (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
translated version of:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Louis Armstrong3:46
3Get Happy
Harry James and His Orchestra2:58
4I’m Coming Virginia
Jimmy Rushing2:18
5Stompin’ for Mili
alto saxophone:
Paul Desmond (on 1954-10-13)
double bass:
Bob Bates (on 1954-10-13)
drums (drum set):
Joe Dodge (on 1954-10-13)
piano:
Dave Brubeck (on 1954-10-13)
recording of:
Stompin’ for Mili (on 1954-10-13)
composer:
Dave Brubeck and Paul Desmond
Dave Brubeck5:22
6Give My Regards to Broadway
André Previn3:34
7Off Minor
Georges Arvanitas4:11
8He’s More Good Than Bad
Bobby Watson3:59
9Things Ain’t What They Used to Be
recording of:
Things Ain’t What They Used to Be
lyricist:
Ted Persons
composer:
Mercer Ellington (in 1942)
publisher:
Tempo Music, Inc. (Duke Ellington’s music publishing company)
Charles Mingus4:26
10After You’ve Gone
The Benny Goodman Sextet3:38
11Hard to Face the Music
Idris Muhammad4:48
12Naomi
Don Laka5:15
13Living for the City
Kirk Whalum4:35
14September 13
earliest release:
September 13 by Eumir Deodato
Eumir Deodato5:55
15Venice Beach
recording engineer, producer and mixer:
Paul Brown (smooth jazz performer/producer)
programming:
Mike Egizi
guitar:
Peter White (smooth jazz/jazz fusion guitarist)
percussion:
Lenny Castro
synthesizer:
Boney James
arranger:
Mike Egizi
Peter White4:51
16Sugar Free
recording engineer:
Rudy van Gelder (from 1975-06 until 1975-07)
producer:
Creed Taylor
alto saxophone:
Hank Crawford (from 1975-06 until 1975-07)
drums (drum set):
Bernard Purdie
piano:
Richard Tee
arranger:
David Matthews (US jazz/bop keyboardist, pianist, and arranger)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (from 1975-06 until 1975-07)
recording of:
Sugar Free (from 1975-06 until 1975-07)
composer:
Hank Crawford
publisher:
Char‐Liz Music, Inc.
Hank Crawford4:40
CD 2: Cocktail Lounge
#TitleArtistRatingLength
1Mas Que Nada
recording of:
Mas, que nada!
lyricist and composer:
Jorge Ben Jor
Tamba Trio3:16
2“C” Jam Blues
alto saxophone:
Johnny Hodges (on 1959-12-02)
alto saxophone and clarinet:
Russell Procope (on 1959-12-02)
baritone saxophone:
Harry Carney (on 1959-12-02)
bass:
Jimmy Woode (on 1959-12-02)
clarinet and clarinet and tenor saxophone:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1959-12-02)
drums (drum set):
Jimmy Johnson (drummer in Duke Ellington's Orchestra) (on 1959-12-02)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1959-12-02)
tenor saxophone and tenor vocals:
Paul Gonsalves (on 1959-12-02)
trombone:
Matthew Gee (jazz trombonist) (on 1959-12-02), Booty Wood (on 1959-12-02) and Britt Woodman (on 1959-12-02)
trumpet and violin:
Ray Nance (on 1959-12-02)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1959-12-02)
recording of:
“C” Jam Blues (on 1959-12-02)
composer:
Barney Bigard and Duke Ellington (US composer, pianist & jazz bandleader) (in 1942)
Duke Ellington & His Orchestra4:52
3My Latin Brothers
engineer:
Rudy van Gelder (on 1974-05-29)
double bass:
Ron Carter (US jazz double-bassist) (on 1974-05-29)
drums (drum set):
Steve Gadd (drummer) (on 1974-05-29)
guitar:
George Benson (jazz guitarist/singer) (on 1974-05-29)
guitar and percussion:
Phil Upchurch (on 1974-05-29)
piano:
Kenny Barron (on 1974-05-29)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1974-05-29)
recording of:
My Latin Brother (on 1974-05-29)
composer:
George Benson (jazz guitarist/singer)
George Benson6:51
4Aos pés da cruz
bassoon:
Robert Tricarico
bassoon and contrabassoon:
Garvin Bushell
bongos:
Willie Bobo
double bass [bass]:
Paul Chambers (US jazz bassist) (in 1962)
drums (drum set):
Jimmy Cobb (US jazz drummer) (in 1962)
flugelhorn:
Al Block (US jazz flute/saxaphone)
flute:
Ray Beckenstein (saxophonist and flute player) and Jerome Richardson
French horn:
Ray Alonge (french horn), Don Corrado and Julius Watkins
percussion:
Elvin Jones (jazz drummer)
soprano saxophone:
Steve Lacy (jazz saxophonist and composer 1934–2004)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) and Frank Rehak (US jazz trombonist)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter), Bernie Glow, Harold Baker, Louis R. Mucci (trumpetist) and Ernie Royal
tuba:
Bill Barber (Jazz tuba player)
recording of:
Aos pés da cruz (in 1962)
composer:
Marino Pinto and Zé da Zilda
Miles Davis4:16
5Riviere
accordion [accordéon]:
Marcel Azzola (in 1989-11)
clarinet [clarinette] and soprano saxophone [saxophone soprano]:
Pierre Gossez (in 1989-11)
double bass [contrebasse]:
Jack Sewing (in 1989-11)
electric piano [piano électrique], harpsichord [clavecin] and piano:
Maurice Vander (jazz musician and conductor, not the lyricist) (in 1989-11)
guitar [guitare]:
Marc Fosset (French jazz guitarist) (in 1989-11) and Martin Taylor (jazz guitarist) (in 1989-11)
violin [violon basse] and violin [violon]:
Stéphane Grappelli (jazz violinist) (in 1989-11)
recorded at:
Studio de la Grande Armée in Paris, Île-de-France, France (in 1989-11)
Stéphane Grappelli2:06
6Social Call
Betty Carter2:38
7I Concentrate on You
guitar:
Al Caiola and Tony Mottola
vocals:
Johnny Mathis (US pop/soul singer)
cover recording of:
I Concentrate on You
lyricist and composer:
Cole Porter (composer) (in 1939)
publisher:
Chappell & Co., Inc. (USA)
Johnny Mathis3:16
8Bijou
Lambert, Hendricks & Ross3:18
9It’s the Talk of the Town
Erroll Garner3:17
10I’m Beginning to See the Light
Johnny Hodges & Wild Bill Davis3:26
11Tangerine
recording of:
Tangerine (1941 song)
lyricist:
Johnny Mercer
composer:
Victor Schertzinger
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Chet Baker5:28
12Lisa
Stanley Clarke4:34
13Rock Steady
engineer:
Rudy van Gelder
producer:
Creed Taylor
later releases:
Rock Steady by Johnny “Hammond” Smith
cover recording of:
Rock Steady
lyricist and composer:
Aretha Franklin (from 1970 until 1971)
publisher:
Carlin Music Corporation, Pundit Music, Inc and Springtime Music, Inc.
Johnny “Hammond” Smith6:48
14Me and You
alto saxophone:
Johnny Hodges (on 1956-01-23)
alto saxophone and clarinet:
Russell Procope (on 1956-01-23)
baritone saxophone:
Harry Carney (on 1956-01-23)
clarinet and tenor saxophone:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1956-01-23)
double bass:
Jimmy Woode (on 1956-01-23)
drums (drum set):
Sam Woodyard (on 1956-01-23)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1956-01-23)
tenor saxophone:
Paul Gonsalves (on 1956-01-23)
trombone:
Quentin Jackson (on 1956-01-23) and Britt Woodman (on 1956-01-23)
trumpet:
William “Cat” Anderson (on 1956-01-23), Willie Cook (US jazz trumpeter) (on 1956-01-23), Ray Nance (on 1956-01-23) and Cootie Williams (on 1956-01-23)
valve trombone:
John Sanders (US jazz trombonist) (on 1956-01-23)
lead vocals:
Rosemary Clooney (on 1956-01-23)
recording of:
Me and You (on 1956-01-23)
lyricist and composer:
Duke Ellington (US composer, pianist & jazz bandleader)
Rosemary Clooney feat. Duke Ellington2:29
15Pretty Baby
recording of:
Pretty Baby
lyricist:
Gus Kahn (in 1916)
composer:
Egbert Van Alstyne (in 1916) and Tony Jackson (New Orleans ragtime pianist) (in 1916)
part of:
Broadway Rhythm (film)
Doris Day3:00
16Sandu
recording engineer and mixer:
Jim Anderson (engineer)
assistant engineer:
Scott Austin
producer:
Kazunori Sugiyama (producer and engineer)
bass:
Jaribu Shahid (from 1994-04-16 until 1994-04-17)
drums (drum set):
Tani Tabbal (jazz drummer) (from 1994-04-16 until 1994-04-17)
piano:
Craig Taborn (America jazz musician and composer) (from 1994-04-16 until 1994-04-17)
tenor saxophone:
James Carter (jazz saxophonist, flautist, bass clarinettist) (from 1994-04-16 until 1994-04-17)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1995)
recorded at:
Power Station Studios (fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States (from 1994-04-16 until 1994-04-17)
recording of:
Sandu (from 1994-04-16 until 1994-04-17)
composer:
Clifford Brown (trumpet)
publisher:
Second Floor Music
James Carter7:32
CD 3: ’Round Midnight
#TitleArtistRatingLength
1Just Enough
double bass [bass]:
Ron Carter (US jazz double-bassist)
drums (drum set):
Marvin “Smitty” Smith (American jazz drummer and composer)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
tenor saxophone:
Grover Washington, Jr.
cover recording of:
Just Enough (in 1988)
composer:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
Grover Washington, Jr.45:42
2Stella by Starlight
producer:
Teo Macero
alto saxophone:
Cannonball Adderley (on 1958-05-26)
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1958-05-26)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1958-05-26)
piano:
Bill Evans (pianist) (on 1958-05-26)
tenor saxophone:
John Coltrane (on 1958-05-26)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1958-05-26)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1958-05-26)
instrumental cover recording of:
Stella by Starlight (on 1958-05-26)
lyricist:
Ned Washington (in 1946)
writer:
Ned Washington and Victor Young (American composer, arranger, violinist & conductor)
composer:
Victor Young (American composer, arranger, violinist & conductor) (in 1944)
publisher:
BMG Music Publishing Ltd. and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
part of:
The Real Book (compilation of jazz standards, Volume I)
Miles Davis4:51
3People
recorded in:
New York, New York, United States (on 1964-07-10)
producer:
Clyde Otis (American songwriter and record producer)
conductor:
Belford Hendricks
arranger:
Belford Hendricks
cover recording of:
People (Funny Girl) (on 1964-07-10)
lyricist:
Bob Merrill (songwriter, and lyricist of the hit musical Funny Girl) (in 1963)
composer:
Jule Styne (in 1963)
publisher:
Broadway Tunes LLC dba Songs of Funny Girl, Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
Funny Girl (Broadway musical)
Aretha Franklin4:20
4Georgia on My Mind
cover recording of:
Georgia on My Mind
anthem of:
Georgia, United States (from 1979 to present)
lyricist:
Stuart Gorrell (in 1930)
composer:
Hoagy Carmichael (in 1930)
publisher:
Peer International Corporation (BMI), Peermusic III, Ltd. (BMI), Campbell Connelly & Co. Ltd. (from 1930 to present) and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) (from 1930 to present)
sub-publisher:
ピアーミュージック (Japan, subsidiary of Nichion)
arrangement of:
Georgia on My Mind (Solo piano arrangement)
Billie Holiday3:19
5Baby Don’t You Quit NowTony Bennett2:50
6Mr. Wonderful
Keiko Lee5:14
7Black Coffee
lead vocals:
Sarah Vaughan (on 1949-01-20)
orchestra:
Joe Lipman & His Orchestra (on 1949-01-20)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP)
recording of:
Black Coffee (1948 song) (on 1949-01-20)
lyricist:
Paul Francis Webster (in 1948)
composer:
Sonny Burke (producer, songwriter and Big Band leader) (in 1948)
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), Chelsea Music Publishing Co., Ltd., Sondot Music Corp. and Webster Music Co.
Sarah Vaughan4.53:18
8Aparecida
Terence Blanchard5:57
9Barcelona
Mark Isham5:06
10StormStanley Turrentine7:32
11Where Are You
recorded in:
New York, New York, United States (on 1962-02-13)
recording engineer:
Ray Hall (engineer)
producer:
George Avakian (US 1940-90s record producer) and Bob Prince (Jazz composer, arranger, conductor & producer)
double bass:
Bob Cranshaw (on 1962-02-13)
drums (drum set):
Ben Riley (American jazz drummer) (on 1962-02-13)
guitar:
Jim Hall (US jazz guitarist, composer & arranger) (on 1962-02-13)
tenor saxophone:
Sonny Rollins (on 1962-02-13)
instrumental cover recording of:
Where Are You? (on 1962-02-13)
lyricist:
Harold Adamson
composer:
Jimmy McHugh (songwriter)
publisher:
Cotton Club Publishing, Harold Adamson Music and Leo Feist, Inc.
Sonny Rollins5:11
12Light Blue
Barry Harris Trio2:31
13Maybe September
Tommy Flanagan4:54
14I Got It Bad (and That Ain’t Good)
recorded in:
New York, New York, United States (on 1956-01-27)
alto saxophone:
Otto Hardwick (on 1941-06-26) and Johnny Hodges (on 1941-06-26, on 1956-01-27)
alto saxophone and clarinet:
Russell Procope (on 1956-01-27)
baritone saxophone:
Harry Carney (on 1941-06-26, on 1956-01-27)
clarinet:
Barney Bigard (on 1941-06-26)
clarinet and tenor saxophone:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1956-01-27)
double bass:
Jimmy Woode (on 1956-01-27)
double bass [bass]:
Jimmy Blanton (on 1941-06-26)
drums (drum set):
Sonny Greer (on 1941-06-26) and Sam Woodyard (on 1956-01-27)
guitar:
Fred Guy (on 1941-06-26)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1941-06-26, on 1956-01-27)
tenor saxophone:
Ben Webster (on 1941-06-26) and Paul Gonsalves (on 1956-01-27)
trombone:
Lawrence Brown (jazz trombonist) (on 1941-06-26), Joe "Tricky Sam" Nanton (on 1941-06-26), Juan Tizol (on 1941-06-26), Quentin Jackson (on 1956-01-27) and Britt Woodman (on 1956-01-27)
trumpet:
Wallace Jones (on 1941-06-26), Rex Stewart (on 1941-06-26), Cootie Williams (on 1941-06-26, on 1956-01-27), William “Cat” Anderson (on 1956-01-27), Willie Cook (US jazz trumpeter) (on 1956-01-27) and Ray Nance (on 1956-01-27)
valve trombone:
John Sanders (US jazz trombonist) (on 1956-01-27)
lead vocals:
Rosemary Clooney (on 1956-01-27)
orchestra:
Duke Ellington and His Orchestra (on 1956-01-23)
recording of:
I Got It Bad (and That Ain’t Good) (on 1956-01-27)
lyricist:
Paul Francis Webster (in 1941)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Sony/ATV Harmony and Webster Music Co.
part of:
The Real Book (compilation of jazz standards, Volume I)
Rosemary Clooney feat. Duke Ellington & His Orchestra3:09
15Bianca’s Midnight Lullaby
Al Di Meola1:54
16She’s Funny That Away
The Benny Goodman Sextet2:59

Credits

Release group

part of:Bar Jazz (number: 5) (order: 5)