Epic Gaming

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

℗ & © «2021 UMG Recordings, Inc.»
℗ «FP»

Countries excluded (Spotify + Deezer)

(As of 2021-06-11).

  • Central America: 🇧🇿 Belize (bz)
  • Caribbean: 🇦🇬 Antigua and Barbuda (ag) 🇧🇧 Barbados (bb) 🇧🇸 Bahamas (bs) 🇨🇼 Curaçao (cw) 🇩🇲 Dominica (dm) 🇬🇩 Grenada (gd) 🇭🇹 Haiti (ht) 🇯🇲 Jamaica (jm) 🇰🇳 Saint Kitts and Nevis (kn) 🇱🇨 Saint Lucia (lc) 🇻🇨 Saint Vincent and Grenadines (vc) 🇦🇮 Anguilla (ai) 🇰🇾 Cayman Islands (ky) 🇲🇸 Montserrat (ms) 🇹🇨 Turks and Caicos Islands (tc) 🇻🇬 British Virgin Islands (vg)
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  • Southern Europe: 🇦🇩 Andorra (ad) 🇸🇲 San Marino (sm)
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  • Northern Africa: 🇱🇾 Libya (ly)
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Annotation last modified on 2021-06-11 06:07 UTC.

Tracklist

▼Digital Media 1
#TitleArtistRatingLength
1The Avengers - From “The Avengers"/Score
recording of:
The Avengers (The Avengers)
composer:
Alan Silvestri (American score composer)
music quoted on:
Multiple Realities
music quoted on:
Taking the Gullible Express / Spidey Sensitive
music quoted on:
Who's Behind Those Foster Grants
part of:
The Avengers (2012 film soundtrack)
Alan Silvestri3.252:03
2Theme From Jurassic Park - From “Jurassic Park” Soundtrack
assistant engineer:
Sue McLean
producer:
John Williams (American score composer)
editor:
Ramiro Belgart (editor)
conductor:
John Williams (American score composer) (in 1993)
recorded at:
Barbra Streisand Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, United States
recording of:
Theme From Jurassic Park (Jurassic Park) (in 1993)
composer:
John Williams (American score composer) (in 1993)
music quoted on:
As the Jurassic World Turns
music quoted on:
The Park Is Closed
music quoted on:
Welcome to Jurassic World
part of:
Jurassic Park (1993 film score)
John Williams43:25
3Chevaliers de Sangreal - From The Da Vinci Code Original Motion Picture Soundtrack
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead
recording of:
Chevaliers de Sangreal (The Da Vinci Code)
composer:
Hans Zimmer (German score composer)
part of:
The Da Vinci Code
Hans Zimmer34:07
4Now We Are Free - From “Gladiator” Soundtrack
orchestra:
The Lyndhurst Orchestra
conductor:
Gavin Greenaway
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 2000) and Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (in 2000)
recording of:
Now We Are Free (Gladiator)
lyricist:
Lisa Gerrard
composer:
Klaus Badelt (German score composer), Lisa Gerrard and Hans Zimmer (German score composer)
publisher:
SKG Songs and Universal‐MCA Music Publishing (US)
part of:
Gladiator (Live in Prague)
Lisa Gerrard, Gavin Greenaway & The Lyndhurst Orchestra54:14
5For the Love of a Princess - From “Braveheart” Soundtrack
recording engineer and mixer:
Shawn Murphy (producer/engineer)
assistant engineer:
Jonathan Allen (engineer)
producer:
James Horner (American score composer)
assistant editor:
Christine Cholvin and Joe E. Rand
editor:
Jim Henrikson
choir vocals:
Choir of Westminster Abbey
orchestra:
London Symphony Orchestra
conductor:
James Horner (American score composer)
chorus master:
Martin Neary (organist and choral conductor)
orchestrator:
James Horner (American score composer)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1995)
recorded at and mixed at:
Abbey Road Studios in St John's Wood
recording of:
For the Love of a Princess (Braveheart)
composer:
James Horner (American score composer)
part of:
Braveheart
James Horner4.54:07
6Romantic Flight - From How to Train Your Dragon Music From the Motion Picture
executive producer:
Sunny Park (former head of music at DreamWorks, currently director of music at Netflix) and Robert Townson (soundtrack producer)
producer:
John Powell (English score composer)
recording of:
Romantic Flight
composer:
John Powell (English score composer)
John Powell51:56
7Portals - From “Avengers: Endgame"/Score
recording engineer:
Peter Cobbin (recording engineer at Abbey Road Studios)
mixer:
Dennis Sands (American sound engineer)
editor:
Kirsty Whalley (engineer and keyboardist)
conductor:
Alan Silvestri (American score composer)
orchestrator:
Mark Graham (conductor)
concertmaster:
Thomas Bowes (violinist)
phonographic copyright (℗) by:
Marvel Music, Inc. (not for release label use, for copyrights use only) (in 2019)
recorded at:
Abbey Road Studios in St John's Wood
mixed at:
Sound Waves SB in Santa Barbara, United States
recording of:
Portals
composer:
Alan Silvestri (American score composer)
Alan Silvestri2.753:17
8Iron Man 3 - From “Iron Man 3"/Score
conductor:
Brian Tyler (American score composer)
recording of:
Iron Man 3
composer:
Brian Tyler (American score composer)
Brian Tyler2:23
9Test Drive - From How to Train Your Dragon Music From the Motion Picture
executive producer:
Sunny Park (former head of music at DreamWorks, currently director of music at Netflix) and Robert Townson (soundtrack producer)
producer:
John Powell (English score composer)
recording of:
Test Drive
composer:
John Powell (English score composer)
John Powell52:36
10A Gift of a Thistle - From “Braveheart” Soundtrack
recording engineer and mixer:
Shawn Murphy (producer/engineer)
assistant engineer:
Jonathan Allen (engineer)
producer:
James Horner (American score composer)
assistant editor:
Christine Cholvin and Joe E. Rand
editor:
Jim Henrikson
choir vocals:
Choir of Westminster Abbey
orchestra:
London Symphony Orchestra
conductor:
James Horner (American score composer)
chorus master:
Martin Neary (organist and choral conductor)
orchestrator:
James Horner (American score composer)
recorded at and mixed at:
Abbey Road Studios in St John's Wood
recording of:
A Gift of a Thistle
composer:
James Horner (American score composer)
part of:
Braveheart
James Horner1:38
11Flúga
recording engineer:
Adrien Thore (in 2018-03)
programming and producer:
Christophe Voisin-Boisvinet
mixer:
Adrien Thore
citole [bow citole] and viola da gamba [viol]:
Marie Potosniak (in 2018-03)
flute [flutes]:
Maxence des Oiseaux (in 2018-03)
horn and keyboard [keyboards]:
Christophe Voisin-Boisvinet (in 2018-03)
nyckelharpa, plucked string instruments [citra] and talharpa:
Pierrick Valence (in 2018-03)
percussion:
Christophe Voisin-Boisvinet (in 2018-03) and Nicolas Montazaud (in 2018-03)
vocals:
Xavier Bertrand (French vocalist & bassist) (in 2018-03), Justine Galmiche (in 2018-03), Mathieu Haussy (in 2018-03) and Pierrick Valence (in 2018-03)
recording of:
Flúga (in 2018-03)
lyricist:
Christophe Voisin-Boisvinet
composer:
Pierrick Valence
publisher:
Les Éditions Hurlantes and Universal Music Publishing France (not for release label use!)
SKÁLD2:32
12Thor: The Dark World - From “Thor: The Dark World"/Score
recording of:
Thor: The Dark World
composer:
Brian Tyler (American score composer)
Brian Tyler32:11
13The Battle - From “Gladiator” Soundtrack
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (in 2000)
recording of:
The Battle (Gladiator)
composer:
Hans Zimmer (German score composer)
part of:
Gladiator (Live in Prague)
part of:
Gladiator
Gavin Greenaway, The Lyndhurst Orchestra & Lisa Gerrard310:02
14The Mass
bass guitar:
Leland Sklar
guitar family:
Lyle Workman
keyboard:
Yvan Cassar (French composer and pianist) and Éric Lévi
membranophone:
Neil Wilkinson (British drummer)
lead vocals:
Guy Protheroe
arranger:
Yvan Cassar (French composer and pianist) and Éric Lévi
recording of:
The Mass
lyricist and composer:
Éric Lévi and Carl Orff (composer)
arranger:
Éric Lévi
version of:
Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna
ERA4.653:41
15Main Title Terminator 2 Theme - Remastered 2017
recording of:
Main Title (Terminator 2: Judgment Day)
composer:
Brad Fiedel
part of:
Terminator 2: Judgment Day (film soundtrack)
Brad Fiedel51:57
16Ó Valhalla
recording engineer:
Adrien Thore (in 2018-03)
programming and producer:
Christophe Voisin-Boisvinet
mixer:
Adrien Thore
citole [bow citole] and viola da gamba [viol]:
Marie Potosniak (in 2018-03)
horn and keyboard [keyboards]:
Christophe Voisin-Boisvinet (in 2018-03)
mouth harp [jaw harp] and talharpa:
Pierrick Valence (in 2018-03)
percussion:
Christophe Voisin-Boisvinet (in 2018-03) and Nicolas Montazaud (in 2018-03)
vocals:
Xavier Bertrand (French vocalist & bassist) (in 2018-03), Justine Galmiche (in 2018-03), Mathieu Haussy (in 2018-03) and Pierrick Valence (in 2018-03)
recording of:
Ó Valhalla (in 2018-03)
lyricist:
Edda
composer:
Christophe Voisin-Boisvinet
publisher:
Universal Music Publishing France (not for release label use!)
SKÁLD3:35
17Main Title - From “Braveheart” Soundtrack
recording engineer and mixer:
Shawn Murphy (producer/engineer)
assistant engineer:
Jonathan Allen (engineer)
producer:
James Horner (American score composer)
assistant editor:
Christine Cholvin and Joe E. Rand
editor:
Jim Henrikson
choir vocals:
Westminster Abbey Choir
orchestra:
London Symphony Orchestra
conductor:
James Horner (American score composer)
chorus master:
Martin Neary (organist and choral conductor)
orchestrator:
James Horner (American score composer)
recorded at and mixed at:
Abbey Road Studios in St John's Wood
recording of:
Main Title (Braveheart)
composer:
James Horner (American score composer)
part of:
Braveheart
James Horner2:51
18Main on End - From “Avengers: Endgame"/Score
recording engineer:
Peter Cobbin (recording engineer at Abbey Road Studios)
mixer:
Dennis Sands (American sound engineer)
editor:
Kirsty Whalley (engineer and keyboardist)
conductor:
Alan Silvestri (American score composer)
orchestrator:
Mark Graham (conductor)
concertmaster:
Thomas Bowes (violinist)
phonographic copyright (℗) by:
Marvel Music, Inc. (not for release label use, for copyrights use only) (in 2019)
recorded at:
Abbey Road Studios in St John's Wood
mixed at:
Sound Waves SB in Santa Barbara, United States
recording of:
Main on End
composer:
Alan Silvestri (American score composer)
Alan Silvestri2.53:11
19This is Berk - From “How to Train Your Dragon”
executive producer:
Sunny Park (former head of music at DreamWorks, currently director of music at Netflix) and Robert Townson (soundtrack producer)
producer:
John Powell (English score composer)
recording of:
This Is Berk
composer:
John Powell (English score composer)
John Powell54:10
20Sombre Day
bass guitar:
Leland Sklar
guitar family:
Lyle Workman
keyboard:
Yvan Cassar (French composer and pianist) and Éric Lévi
membranophone:
Neil Wilkinson (British drummer)
arranger:
Yvan Cassar (French composer and pianist) and Éric Lévi
recording of:
Sombre Day
composer:
Éric Lévi
ERA3.53:42
21Rey’s Theme - From “Star Wars: The Force Awakens”
assistant recording engineer:
Robert Wolff (engineer)
recording engineer:
Shawn Murphy (producer/engineer)
executive producer:
Ute Fesquet
producer:
Bernhard Güttler (engineer)
mixer:
Wolfgang Schiefermair
violin:
Anne‐Sophie Mutter (violinist) (in 2019-04)
orchestra:
Recording Arts Orchestra of Los Angeles (in 2019-04)
conductor:
John Williams (American score composer) (in 2019-04)
recorded at:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, United States (in 2019-04)
recording of:
Rey’s Theme (Star Wars: The Force Awakens) (in 2019-04)
composer:
John Williams (American score composer) (from 2014-12 until 2015-11)
publisher:
Utapau Music
part of:
Star Wars, Episode VII: The Force Awakens (2015 film score)
Anne‐Sophie Mutter, Recording Arts Orchestra of Los Angeles & John Williams3:17
22Game of Thrones - Main Title Theme
Luc Arbogast2:57
23The Champions
bass guitar:
Leland Sklar
guitar family:
Lyle Workman
keyboard:
Yvan Cassar (French composer and pianist) and Éric Lévi
membranophone:
Neil Wilkinson (British drummer)
arranger:
Yvan Cassar (French composer and pianist) and Éric Lévi
recording of:
The Champions
lyricist and composer:
Éric Lévi
ERA53:30
24Dies Mercurii I Martius - From The Da Vinci Code Original Motion Picture Soundtrack
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead
recording of:
Dies Mercurii i Martius (The Da Vinci Code)
composer:
Hans Zimmer (German score composer)
part of:
The Da Vinci Code
Hans Zimmer36:03
25Gleipnir
recording engineer:
Adrien Thore (in 2018-03)
programming and producer:
Christophe Voisin-Boisvinet
mixer:
Adrien Thore
flute [flutes]:
Maxence des Oiseaux (in 2018-03)
horn and keyboard [keyboards]:
Christophe Voisin-Boisvinet (in 2018-03)
lyre:
Jaufré Darroux (in 2018-03)
percussion:
Christophe Voisin-Boisvinet (in 2018-03) and Nicolas Montazaud (in 2018-03)
talharpa:
Pierrick Valence (in 2018-03)
vocals:
Xavier Bertrand (French vocalist & bassist) (in 2018-03), Justine Galmiche (in 2018-03), Mathieu Haussy (in 2018-03) and Pierrick Valence (in 2018-03)
recording of:
Gleipnir (in 2018-03)
lyricist:
Edda
composer:
Christophe Voisin-Boisvinet
publisher:
Universal Music Publishing France (not for release label use!)
SKÁLD4:07
26Thor, Son of Odin - From “Thor: The Dark World"/Score
recording of:
Thor, Son of Odin
composer:
Brian Tyler (American score composer)
Brian Tyler31:53
27Murron’s Burial - From “Braveheart” Soundtrack
recording engineer and mixer:
Shawn Murphy (producer/engineer)
assistant engineer:
Jonathan Allen (engineer)
producer:
James Horner (American score composer)
assistant editor:
Christine Cholvin and Joe E. Rand
editor:
Jim Henrikson
choir vocals:
Choir of Westminster Abbey
orchestra:
London Symphony Orchestra
conductor:
James Horner (American score composer)
chorus master:
Martin Neary (organist and choral conductor)
orchestrator:
James Horner (American score composer)
recorded at and mixed at:
Abbey Road Studios in St John's Wood
recording of:
Murron’s Burial (Braveheart)
composer:
James Horner (American score composer)
part of:
Braveheart
James Horner2:14
28Main Title - From “Daredevil"/Score
recording of:
Marvel's Daredevil Main Titles
composer:
Braden Kimball and John Paesano
John Paesano & Braden Kimball1:05
29Agnus Deorem
ERA3:46
30Earth - From “Gladiator” Soundtrack
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (in 2000)
recording of:
Earth (Gladiator)
composer:
Hans Zimmer (German score composer)
part of:
Gladiator
Gavin Greenaway & The Lyndhurst Orchestra3:02
31Infinity War - From “Avengers: Infinity War"/Score
recording engineer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Adam Olmsted
programming:
Jonathan Bartz
assistant engineer:
Toby Hulbert and Matt Jones (engineer, Abbey Road)
mixer:
Dennis Sands (American sound engineer)
assistant editor:
Anele Onyekwere
editor:
Kirsty Whalley (engineer and keyboardist)
conductor:
Mark Graham (conductor)
orchestrator:
Mark Graham (conductor)
recorded at:
Abbey Road Studios in St John's Wood
mixed at:
Sound Waves SB in Santa Barbara, United States
recording of:
Infinity War
composer:
Alan Silvestri (American score composer)
Alan Silvestri2.52:36
32Heroes - From “Avengers: Age of Ultron"/Score
recording engineer:
Nick Wollage
producer:
Danny Elfman (American singer and score composer)
mixer:
Alan Meyerson and Noah Scot Snyder
editor:
Shie Rozow
choir vocals:
Metro Voices
conductor:
Rick Wentworth
chorus master:
Jenny O’Grady
concertmaster:
Thomas Bowes (violinist)
recording of:
Heroes
composer:
Danny Elfman (American singer and score composer) and Alan Silvestri (American score composer)
Danny Elfman32:07
33A Promise - From “The Avengers"/Score
recording of:
A Promise (The Avengers)
composer:
Alan Silvestri (American score composer)
part of:
The Avengers (2012 film soundtrack)
Alan Silvestri2.53:34
34Cap’s Promise - From “Captain America: Civil War"/Score
recording of:
Cap’s Promise
composer:
Henry Jackman (English score composer)
Henry Jackman2.53:46
35Brachiosaurus on the Bank
recording engineer:
John Rodd (engineer)
engineer:
Bill Talbott
mixer:
Armin Steiner
assistant editor:
Brenda Heins
editor:
Barbara McDermott and Joe E. Rand
conductor:
Don Davis (American score composer)
orchestrator:
Don Davis (American score composer)
recorded at:
Newman Scoring Stage in California, United States
Don Davis2:07
36Thousand Words
ERA5:22
37Níu
recording engineer:
Adrien Thore (in 2018-03)
programming and producer:
Christophe Voisin-Boisvinet
mixer:
Adrien Thore
harp and other vocals [kulning]:
Alicia Du Coustel (in 2018-03)
horn:
Maxence des Oiseaux (in 2018-03)
keyboard [keyboards]:
Christophe Voisin-Boisvinet (in 2018-03)
lyre:
Jaufré Darroux (in 2018-03)
nyckelharpa:
Pierrick Valence (in 2018-03)
percussion:
Christophe Voisin-Boisvinet (in 2018-03) and Nicolas Montazaud (in 2018-03)
vocals:
Xavier Bertrand (French vocalist & bassist) (in 2018-03), Justine Galmiche (in 2018-03) and Pierrick Valence (in 2018-03)
recording of:
Níu (in 2018-03)
lyricist:
Christophe Voisin-Boisvinet and Edda
composer:
Christophe Voisin-Boisvinet
publisher:
Universal Music Publishing France (not for release label use!)
SKÁLD3:05
38Central Park - From King Kong Original Motion Picture Soundtrack
recording of:
Central Park (King Kong)
composer:
James Newton Howard (American score composer)
James Newton Howard54:36
39One Shot - From “Avengers: Endgame"/Score
recording engineer:
Peter Cobbin (recording engineer at Abbey Road Studios)
mixer:
Dennis Sands (American sound engineer)
editor:
Kirsty Whalley (engineer and keyboardist)
conductor:
Alan Silvestri (American score composer)
orchestrator:
Mark Graham (conductor)
concertmaster:
Thomas Bowes (violinist)
phonographic copyright (℗) by:
Marvel Music, Inc. (not for release label use, for copyrights use only) (in 2019)
recorded at:
Abbey Road Studios in St John's Wood
mixed at:
Sound Waves SB in Santa Barbara, United States
recording of:
One Shot
composer:
Alan Silvestri (American score composer)
Alan Silvestri32:04
40Another Brick in Hadrian’s Wall
recording engineer:
Geoff Foster (sound engineer) and Nick Wollage
mixer:
Al Clay
assistant editor:
Justine Angus
editor:
Mike Higham (British score composer)
choir vocals:
Metro Voices
conductor:
Nick Glennie‐Smith and Rupert Gregson‐Williams (English score composer)
chorus master:
Jenny O’Grady
choir vocals arranger:
Alistair King and Rupert Gregson‐Williams (English score composer)
concertmaster:
Gavyn Wright (UK violinist)
recording of:
Another Brick in Hadrian’s Wall
composer:
Hans Zimmer (German score composer)
Hans Zimmer7:12
41Arrival - From “The Avengers"/Score
recording of:
Arrival (The Avengers)
composer:
Alan Silvestri (American score composer)
part of:
The Avengers (2012 film soundtrack)
Alan Silvestri2.53:00
42Asgard - From “Thor: The Dark World"/Score
recording of:
Asgard
composer:
Brian Tyler (American score composer)
Brian Tyler31:56
43Madona
ERA4:23
44A Fateful Meeting - From King Kong Original Motion Picture Soundtrack
recording of:
A Fateful Meeting
composer:
James Newton Howard (American score composer)
James Newton Howard4:16