Giuseppe Verdi: Panorama

~ Release by Giuseppe Verdi (see all versions of this release, 1 available)

Tracklist

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▼ CD 1
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1Nabucco: Sinfonia – Overture
recording engineer:
Wolfgang Stengel
executive producer:
Prof. Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Hirsch (producer at Deutsche Grammophon), Renate Kupfer, Hanno Rinke and Wolfgang Stengel (in 1982-05)
editor:
Christopher Alder (editor/engineer/producer)
orchestra:
Orchester der Deutschen Oper Berlin (in 1982-05)
conductor:
Giuseppe Sinopoli (conductor) (in 1982-05)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1982-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1983)
recorded at:
Haus des Rundfunks: Großer Sendesaal in Berlin, Germany (in 1982-05)
recording of:
Nabucco: Sinfonia (Overture) (in 1982-05)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Nabucco
7:33
2Nabucco: Atto III. “Va, pensiero, sull'ali dorate” (Chorus)
producer:
Hans Hirsch (producer at Deutsche Grammophon) and Wolfgang Stengel (in 1982-05)
choir vocals:
Chor der Deutschen Oper Berlin (in 1982-05)
orchestra:
Orchester der Deutschen Oper Berlin (in 1982-05)
conductor:
Giuseppe Sinopoli (conductor) (in 1982-05)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1982-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1983)
recorded at:
Haus des Rundfunks: Großer Sendesaal in Berlin, Germany (in 1982-05)
recording of:
Nabucco: Parte III, scena 2. Coro “Va, pensiero, sull’ali dorate” (Coro) (Chorus of the Hebrew Slaves) (in 1982-05)
composer:
Giuseppe Verdi (Italian opera composer) (in 1841)
librettist:
Temistocle Solera
part of:
Nabucco: Parte III. La profezia
4:59
3La Traviata: Preludio – Prelude
engineer:
Klaus Scheibe (editor/engineer)
producer:
Hans Weber (producer/engineer) (from 1976-05-14 until 1977-06)
orchestra:
Bavarian State Orchestra (orchestra of the Bavarian State Opera in Munich, Germany) (from 1976-05-14 until 1977-06-26)
conductor:
Carlos Kleiber (conductor) (from 1976-05-14 until 1977-06-26)
recorded at:
Bürgerbräukeller in München, Bayern, Germany (from 1976-05-14 until 1977-06-26)
recording of:
La traviata: Preludio (from 1976-05-14 until 1977-06-26)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
La traviata (english lyrics)
part of:
La traviata (french lyrics)
part of:
La traviata
part of:
La Traviata (aka Violetta, german lyrics)
part of:
Violetta (La traviata) (german lyrics)
3:39
4La Traviata: Atto I. Brindisi – Toast “Libiam … ”
choir vocals:
Bavarian State Opera Chorus (Chorus of the Bavarian State Opera)
soprano vocals and soprano vocals [Violetta]:
Ileana Cotrubaș (Romanian soprano)
tenor vocals and tenor vocals [Alfredo]:
Plácido Domingo (tenor)
orchestra:
Bavarian State Orchestra (orchestra of the Bavarian State Opera in Munich, Germany)
conductor:
Carlos Kleiber (conductor)
recording of:
La traviata: Atto I. Brindisi “Libiamo, ne’ lieti calici” (Alfredo, Coro, Violetta)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I
3:01
5La Traviata: Atto I. “È strano! ... Ah, fors'è lui“
engineer:
Klaus Scheibe (editor/engineer)
producer:
Hans Weber (producer/engineer) (from 1976-05-14 until 1977-06)
soprano vocals [Violetta]:
Ileana Cotrubaș (Romanian soprano) (from 1976-05-14 until 1977-06-26)
orchestra:
Bayerisches Staatsorchester (orchestra of the Bavarian State Opera in Munich, Germany) (from 1976-05-14 until 1977-06-26)
conductor:
Carlos Kleiber (conductor) (from 1976-05-14 until 1977-06-26)
recorded at:
Bürgerbräukeller in München, Bayern, Germany (from 1976-05-14 until 1977-06-26)
recording of:
La traviata: Atto I. Recitativo “È strano! è strano!” (Violetta) (from 1976-05-14 until 1977-06-26)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I
recording of:
La traviata: Atto I. “Ah, fors’è lui” (Violetta)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I
3:38
6La Traviata: Atto I. “Follie! Delirio vano è questo! ... Sempre libera!”
engineer:
Klaus Scheibe (editor/engineer)
producer:
Hans Weber (producer/engineer) (from 1976-05-14 until 1977-06)
soprano vocals [Violetta]:
Ileana Cotrubaș (Romanian soprano) (from 1976-05-14 until 1977-06-26)
tenor vocals [Alfredo]:
Plácido Domingo (tenor) (from 1976-05-14 until 1977-06-26)
orchestra:
Bayerischer Staatsorchester (orchestra of the Bavarian State Opera in Munich, Germany) (from 1976-05-14 until 1977-06-26)
conductor:
Carlos Kleiber (conductor) (from 1976-05-14 until 1977-06-26)
recorded at:
Bürgerbräukeller in München, Bayern, Germany (from 1976-05-14 until 1977-06-26)
recording of:
La traviata: Atto I. Recitativo “Follie! Follie! Delirio vano è questo!” (Violetta, Alfredo) (from 1976-05-14 until 1977-06-26)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I
recording of:
La traviata: Atto I. “Sempre libera” (Violetta)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I
4:26
7La Traviata: Atto II. “Lunge da lei ... De'miei bollenti spiriti”
engineer:
Klaus Scheibe (editor/engineer)
producer:
Hans Weber (producer/engineer) (from 1976-05-14 until 1977-06)
tenor vocals [Alfredo]:
Plácido Domingo (tenor) (from 1976-05-14 until 1977-06-26)
orchestra:
Bayerisches Staatsorchester (orchestra of the Bavarian State Opera in Munich, Germany) (from 1976-05-14 until 1977-06-26)
conductor:
Carlos Kleiber (conductor) (from 1976-05-14 until 1977-06-26)
recorded at:
Bürgerbräukeller in München, Bayern, Germany (from 1976-05-14 until 1977-06-26)
recording of:
La traviata: Atto II, scena 1. “De’ miei bollenti spiriti” (Alfredo) (from 1976-05-14 until 1976-06-26)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II
recording of:
La traviata: Atto II, scena 1. “Lunge da lei” (Alfredo) (from 1976-05-14 until 1976-06-26)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II
3:38
8La Traviata: Atto II. “Di Provenza il mar, il suol”
engineer:
Klaus Scheibe (editor/engineer)
producer:
Hans Weber (producer/engineer) (from 1976-05-14 until 1977-06)
baritone vocals [Germont]:
Sherrill Milnes (baritone) (from 1976-05-14 until 1976-06-26)
tenor vocals [Alfredo]:
Plácido Domingo (tenor) (from 1976-05-14 until 1976-06-26)
orchestra:
Bayerisches Staatsorchester (orchestra of the Bavarian State Opera in Munich, Germany) (from 1976-05-14 until 1976-06-26)
conductor:
Carlos Kleiber (conductor) (from 1976-05-14 until 1976-06-26)
recorded at:
Bürgerbräukeller in München, Bayern, Germany (from 1976-05-14 until 1976-06-26)
recording of:
La traviata: Atto II, scena 1. “Di Provenza il mar, il suol” (Germont) (from 1976-05-14 until 1976-06-26)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II
4:04
9La Traviata: Atto III. “Teneste la promessa .. Attendo, né a me fiunfon mai! ... Addio del passato”
engineer:
Klaus Scheibe (editor/engineer)
producer:
Hans Weber (producer/engineer) (from 1976-05-14 until 1977-06)
soprano vocals [Violetta]:
Ileana Cotrubaș (Romanian soprano) (from 1976-05-14 until 1977-06-26)
orchestra:
Bayerisches Staatsorchester (orchestra of the Bavarian State Opera in Munich, Germany) (from 1976-05-14 until 1977-06-26)
conductor:
Carlos Kleiber (conductor) (from 1976-05-14 until 1977-06-26)
recorded at:
Bürgerbräukeller in München, Bayern, Germany (from 1976-05-14 until 1977-06-26)
recording of:
La traviata: Atto III. Recitativo “Teneste la promessa” (Violetta) (from 1976-05-14 until 1977-06-26)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto III
recording of:
La traviata: Atto III. “Addio, del passato bei sogni ridenti” (Violetta)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto III
4:06
10Rigoletto: Atto I. “Questa o quella”
tenor vocals [Duca]:
Carlo Bergonzi (tenor)
orchestra:
Orchestra del Teatro alla Scala di Milano
conductor:
Rafael Kubelík (conductor)
recording of:
Rigoletto: Atto I, scena 1. N°2 Ballata “Questa o quella” (Duca)
composer:
Giuseppe Verdi (Italian opera composer) (from 1850 until 1851-03-11)
librettist:
Francesco Maria Piave (from 1850 until 1851-03-11)
part of:
Rigoletto: Atto I
2:02
11Rigoletto: Atto I. “Figlia” / “Mio Padre!”
baritone vocals [Rigoletto]:
Dietrich Fischer‐Dieskau (baritone)
soprano vocals [Gilda]:
Renata Scotto (operatic soprano)
orchestra:
Orchestra del Teatro alla Scala di Milano
conductor:
Rafael Kubelík (conductor)
recording of:
Rigoletto: Atto I, scena 2. Duetto “Figlia!” ... “Mio padre!” … “Deh, non parlare al misero” (Rigoletto, Gilda)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto I
5:38
12Rigoletto: Atto I. “Gualtier Maldè ... Caro nome”
baritone vocals:
Virgilio Carbonari (baritone)
bass vocals:
Alfredo Giacomotti (operatic bass)
choir vocals:
Coro del Teatro alla Scala di Milano
soprano vocals [Gilda]:
Renata Scotto (operatic soprano)
tenor vocals:
Piero de Palma (tenor)
orchestra:
Orchestra del Teatro alla Scala di Milano
conductor:
Rafael Kubelík (conductor)
recording of:
Rigoletto: Atto I, scena 2. N°6 Aria & scena “Gualtier Maldè! … Caro nome” (Gilda, Borsa, Ceprano, Marullo)
lyricist and librettist:
Francesco Maria Piave
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Rigoletto: Atto I
7:34
13Rigoletto: Atto II. “Parmi veder le lagrime”
baritone vocals [Rigoletto]:
Dietrich Fischer‐Dieskau (baritone)
tenor vocals [Duca]:
Carlo Bergonzi (tenor)
orchestra:
Orchestra del Teatro alla Scala di Milano
conductor:
Rafael Kubelík (conductor)
recording of:
Rigoletto: Atto II. "Parmi veder le lagrime" (Duca)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Rigoletto: Atto II
2:32
14Rigoletto: Atto II. “Cortigiani, vil razza dannata”
baritone vocals [Rigoletto]:
Dietrich Fischer‐Dieskau (baritone)
orchestra:
Orchestra del Teatro alla Scala di Milano
conductor:
Rafael Kubelík (conductor)
recording of:
Rigoletto: Atto II. Aria "Cortigiani, vil razza dannata" (Rigoletto)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto II
4:36
15Rigoletto: Atto II. “Mio padre!” / “Dio! mia Gilda!”
baritone vocals:
Virgilio Carbonari (baritone)
baritone vocals [Rigoletto]:
Dietrich Fischer‐Dieskau (baritone)
bass vocals:
Alfredo Giacomotti (operatic bass)
choir vocals:
Coro del Teatro alla Scala di Milano
soprano vocals [Gilda]:
Renata Scotto (operatic soprano)
tenor vocals:
Piero de Palma (tenor)
orchestra:
Orchestra del Teatro alla Scala di Milano
conductor:
Rafael Kubelík (conductor)
recording of:
Rigoletto: Atto II. Duetto. "Mio padre!...Dio! mia Gilda!" (Gilda, Rigoletto)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto II
1:56
16Rigoletto: Atto II. “Tutte le feste al tempio”
baritone vocals [Rigoletto]:
Dietrich Fischer‐Dieskau (baritone)
soprano vocals [Gilda]:
Renata Scotto (operatic soprano)
orchestra:
Orchestra del Teatro alla Scala di Milano
conductor:
Rafael Kubelík (conductor)
recording of:
Rigoletto: Atto II. Recitativo “Parla … Siam soli …” / “Tutte le feste al tempio” (Rigoletto, Gilda)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto II
3:28
17Rigoletto: Atto III. “La donna è mobile”
baritone vocals [Rigoletto]:
Dietrich Fischer‐Dieskau (baritone)
bass vocals [Sparafucile]:
Ivo Vinco (operatic bass)
tenor vocals [Duca]:
Carlo Bergonzi (tenor)
orchestra:
Orchestra del Teatro alla Scala di Milano
conductor:
Rafael Kubelík (conductor)
recording of:
Rigoletto: Atto III. “È là il vostr’uomo” (Sparafucile, Rigoletto)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
recording of:
Rigoletto: Atto III. “La donna è mobile” (Duca)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
3:07
18Rigoletto: Atto III. “Bella figlia dell'amore”
baritone vocals [Rigoletto]:
Dietrich Fischer‐Dieskau (baritone)
mezzo-soprano vocals [Maddalena]:
Fiorenza Cossotto (mezzo-soprano)
soprano vocals [Gilda]:
Renata Scotto (operatic soprano)
tenor vocals [Duca]:
Carlo Bergonzi (tenor)
orchestra:
Orchestra del Teatro alla Scala di Milano
conductor:
Rafael Kubelík (conductor)
recording of:
Rigoletto: Atto III. N°12 Quartetto "Bella figlia dell'amore" (Duca, Maddalena, Gilda, Rigoletto)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
4:33
▼ CD 2
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1La forza del destino: Sinfonia
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1985, in 1985-09)
conductor:
Giuseppe Sinopoli (conductor) (in 1985, in 1985-09, in 1987)
recording of:
La forza del destino: Sinfonia (in 1985)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
La forza del destino
7:49
2La forza del destino: Atto II. “Son Pereda, son ricco d'onore”
baritone vocals [Carlo]:
Renato Bruson (baritone) (in 1985)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1985)
conductor:
Giuseppe Sinopoli (conductor) (in 1985, in 1987)
recording of:
La forza del destino, Atto II, scena 1. “Son Pereda, son ricco d'onore” (Don Carlo di Vargas) (in 1985)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
La forza del destino: Atto II
partial recording of:
La forza del destino, Atto II, scena 1. “Son Pereda, son ricco d'onore” (Don Carlo di Vargas)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
La forza del destino: Atto II
2:34
3La forza del destino: Atto III. “Solenne in quest'ora”
baritone vocals [Carlo]:
Renato Bruson (baritone) (in 1985)
tenor vocals [Alvaro]:
José Carreras (Spanish tenor) (in 1985)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1985)
conductor:
Giuseppe Sinopoli (conductor) (in 1985, in 1987)
recording of:
La forza del destino: Atto III, scena 1. “Solenne in quest’ora” (Alvaro, Don Carlo) (in 1985)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto III
4:29
4La forza del destino: Atto IV. “Pace, pace, mio Dio”
soprano vocals [Leonora]:
Rosalind Plowright (soprano / mezzo soprano) (in 1985)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1985)
conductor:
Giuseppe Sinopoli (conductor) (in 1985, in 1987)
recording of:
La forza del destino: Atto IV, scena 2. “Pace, pace, mio Dio” (Leonora) (in 1985)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto IV
6:20
5Il trovatore: Atto II. “Vedi! le fosche notturne spoglie”
choir vocals:
Coro del Teatro alla Scala di Milano
orchestra:
Orchestra del Teatro alla Scala di Milano
conductor:
Tullio Serafin (conductor)
recording of:
Il trovatore: Atto II, scena 1. “Vedi! Le fosche notturne” (zingari) (“Anvil Chorus”)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
2:57
6Il trovatore: Atto II. “Stride la vampa!”
mezzo-soprano vocals [Azucena]:
Fiorenza Cossotto (mezzo-soprano)
orchestra:
Orchestra del Teatro alla Scala di Milano
conductor:
Tullio Serafin (conductor)
recording of:
Il trovatore: Atto II, scena 1. “Stride la vampa!” (Azucena)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
2:50
7Il trovatore: Atto II. “Il balen del suo sorriso ... Per me, ora fatale”
baritone vocals [Conte]:
Ettore Bastianini (baritone)
bass vocals [Ferrando]:
Ivo Vinco (operatic bass)
orchestra:
Orchestra del Teatro alla Scala di Milano
conductor:
Tullio Serafin (conductor)
recording of:
Il trovatore: Atto II, Scena 2. “Il balen del suo sorriso” (Conte Luna)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
recording of:
Il trovatore: Atto II, scena 2. “Per me ora fatale” (Conte Luna, Ferrando, retainers)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
5:58
8Il trovatore: Atto III. “Or co'dadi”
bass vocals [Ferrando]:
Ivo Vinco (operatic bass)
choir vocals:
Coro del Teatro alla Scala di Milano
orchestra:
Orchestra del Teatro alla Scala di Milano
conductor:
Tullio Serafin (conductor)
recording of:
Il trovatore: Atto III, scena 1. “Or co' dadi, ma fra poco” (soldati, Ferrando) (“Soldier's Chorus”)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
4:43
9Il trovatore: Atto III. “Ah! sì, ben mio”
tenor vocals [Manrico]:
Carlo Bergonzi (tenor)
orchestra:
Orchestra del Teatro alla Scala di Milano
conductor:
Tullio Serafin (conductor)
recording of:
Il trovatore: Atto III, scena 2. “Ah si, ben mio, coll'essere io tuo” (Manrico)
composer:
Giuseppe Verdi (Italian opera composer) (in 1853)
librettist:
Salvadore Cammarano (Italian librettist) (in 1853)
part of:
Il trovatore: Atto III. Il figlio della zingara
2:53
10Il trovatore: Atto III. “L'onda de' suoni mistici“
soprano vocals [Leonora]:
Antonietta Stella (soprano)
tenor vocals [Manrico]:
Carlo Bergonzi (tenor)
orchestra:
Orchestra del Teatro alla Scala di Milano
conductor:
Tullio Serafin (conductor)
partial recording of:
Il trovatore: Atto III, scena 2. “L'onda de' suoni mistici pura discenda al cor!… Manrico? … Che” (Leonora, Manrico, Ruiz)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto III. Il figlio della zingara
0:59
11Il trovatore: Atto III. “Manrico?” / “Che?” / “La zingara”
soprano vocals [Leonora]:
Antonietta Stella (soprano)
tenor vocals [Manrico]:
Carlo Bergonzi (tenor)
tenor vocals [Ruiz]:
Franco Ricciardi (Italian tenor)
orchestra:
Orchestra del Teatro alla Scala di Milano
conductor:
Tullio Serafin (conductor)
partial recording of:
Il trovatore: Atto III, scena 2. “L'onda de' suoni mistici pura discenda al cor!… Manrico? … Che” (Leonora, Manrico, Ruiz)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto III. Il figlio della zingara
0:49
12Il trovatore: Atto III. “Di quella pira”
choir vocals:
Coro del Teatro alla Scala di Milano
soprano vocals [Leonora]:
Antonietta Stella (soprano)
tenor vocals [Manrico]:
Carlo Bergonzi (tenor)
tenor vocals [Ruiz]:
Franco Ricciardi (Italian tenor)
orchestra:
Orchestra del Teatro alla Scala di Milano
conductor:
Tullio Serafin (conductor)
recording of:
Il trovatore: Atto III, scena 2. “Di quella pira l’orrendo foco” (Manrico, Leonora, Ruiz, armed men)
composer:
Giuseppe Verdi (Italian opera composer) (in 1853)
librettist:
Salvadore Cammarano (Italian librettist) (in 1853)
part of:
Il trovatore: Atto III. Il figlio della zingara
2:01
13Il trovatore: Atto IV. “D'amor sull'ali rosee”
soprano vocals [Leonora]:
Antonietta Stella (soprano)
orchestra:
Orchestra del Teatro alla Scala di Milano
conductor:
Tullio Serafin (conductor)
recording of:
Il trovatore: Atto IV, scena 1. “D’amor sull’ali rosee” (Leonora)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
3:20
14Il trovatore: Atto IV. “Miserere“ / “Ah! che la morte ognora”
choir vocals:
Coro del Teatro alla Scala di Milano
soprano vocals [Leonora]:
Antonietta Stella (soprano)
tenor vocals [Manrico]:
Carlo Bergonzi (tenor)
orchestra:
Orchestra del Teatro alla Scala di Milano
conductor:
Tullio Serafin (conductor)
recording of:
Il trovatore: Atto IV, scena 1. “Miserere d’un’alma già vicina” ... “Quel suon, quelle preci” (Leonora, Manrico, coro)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
5:00
15Aida: Atto I. “Se quel guerrier io fossi! ... Celeste Aida”
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon) and Renate Kupfer
tenor vocals [Radamès, capitano delle guardie]:
Plácido Domingo (tenor) (in 1981-01)
orchestra:
Orchestra del Teatro alla Scala (in 1981-01)
conductor:
Claudio Abbado (conductor) (in 1981-01)
balance engineer:
Klaus Hiemann (engineer/producer)
concertmaster:
Gabriele Bellini (in 1981-01)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1982)
recorded at:
Centro Telecinematografico Culturale in Milano, Milano, Lombardia, Italy (in 1981-01)
recording of:
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès) (in 1981-01)
composer:
Giuseppe Verdi (Italian opera composer) (in 1871)
librettist:
Antonio Ghislanzoni (in 1870)
part of:
Aida: Atto I
4:31
16Aida: Atto II. “Gloria all'Egitto, ad Iside”
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon) and Renate Kupfer
bass vocals [Ramfis, capo dei sacerdoti]:
Nicolaï Ghiaurov (operatic bass) (in 1981-01)
choir vocals:
Coro del Teatro alla Scala (in 1981-01)
orchestra:
Orchestra del Teatro alla Scala (in 1981-01)
conductor:
Claudio Abbado (conductor) (in 1981-01)
chorus master:
Romano Gandolfi (chorus master and conductor) (in 1981-01)
balance engineer:
Klaus Hiemann (engineer/producer)
concertmaster:
Gabriele Bellini (in 1981-01)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) and Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1982)
recorded at:
Centro Telecinematografico Culturale in Milano, Milano, Lombardia, Italy (in 1981-01)
recording of:
Aida: Atto II, scena 2. Gran Finale II “Gloria all’Egitto, ad Iside” (Popolo, Sacerdoti) (in 1981-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
3:27
17Aida: Atto II. Marcia trionfale
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon) and Renate Kupfer
orchestra:
Orchestra del Teatro alla Scala (in 1981-01)
conductor:
Claudio Abbado (conductor) (in 1981-01)
balance engineer:
Klaus Hiemann (engineer/producer)
concertmaster:
Gabriele Bellini (in 1981-01)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) and Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1982)
recorded at:
Centro Telecinematografico Culturale in Milano, Milano, Lombardia, Italy (in 1981-01)
recording of:
Aida: Atto II, scena 2. “Che veggo! Egli? Mio padre” / “Anch’io pugnai” / “Quest'assisa ch'io vesto” / “Ma tu, Re, tu signore possente” (Aida, Amneris, Amonasro, Il Re, Schiave, Prigionieri, Ramfis, Sacerdoti, Popolo) (in 1981-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
partial recording of:
Aida: Atto II, scena 2. Gran Finale II “Gloria all’Egitto, ad Iside” (Popolo, Sacerdoti) (in 1981-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
recording of:
Aida: Atto II, scena 2. Marcia trionfale (orchestra) (Triumphal march, Triumphmarsch) (in 1981-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Akt II
part of:
Aida: Atto II
recording of:
Aida: Atto III: Romanza: “Qui Radamès verrá!” … “O patria mia” (Aida) (in 1981-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
1:35
18Aida: Atto II. Ballabile
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon) and Renate Kupfer
choir vocals:
Coro del Teatro alla Scala di Milano (in 1981-01)
orchestra:
Orchestra del Teatro alla Scala (in 1981-01)
conductor:
Claudio Abbado (conductor) (in 1981-01)
chorus master:
Romano Gandolfi (chorus master and conductor) (in 1981-01)
balance engineer:
Klaus Hiemann (engineer/producer)
concertmaster:
Gabriele Bellini (in 1981-01)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) and Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1982)
recorded at:
Centro Telecinematografico Culturale in Milano, Milano, Lombardia, Italy (in 1981-01)
recording of:
Aida: Atto II, scena 2. Ballabile (orchestra) (in 1981-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Akt II
part of:
Aida: Atto II
4:25
19Aida: Atto III. “O patria mia”
soprano vocals:
Katia Ricciarelli (soprano)
orchestra:
Orchestra del Teatro alla Scala di Milano
conductor:
Claudio Abbado (conductor)
partial recording of:
Aida: Atto III: Romanza: “Qui Radamès verrá!” … “O patria mia” (Aida)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
5:02
20Aida: Atto IV. “Immenso Fthà” / “O terra, addio”
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon) and Renate Kupfer
choir vocals:
Coro del Teatro alla Scala (in 1981-01)
mezzo-soprano vocals [Amneris, sua figlia]:
Elena Obraztsova (mezzo-soprano) (in 1981-01)
mezzo-soprano vocals [Sacerdotessa]:
Lucia Valentini Terrani (mezzo soprano) (in 1981-01)
soprano vocals [Aida, schiava etiope]:
Katia Ricciarelli (soprano) (in 1981-01)
tenor vocals [Radamès, capitano delle guardie]:
Plácido Domingo (tenor) (in 1981-01)
orchestra:
Orchestra del Teatro alla Scala (in 1981-01)
conductor:
Claudio Abbado (conductor) (in 1981-01)
chorus master:
Romano Gandolfi (chorus master and conductor) (in 1981-01)
balance engineer:
Klaus Hiemann (engineer/producer)
concertmaster:
Gabriele Bellini (in 1981-01)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1982)
recorded at:
Centro Telecinematografico Culturale in Milano, Milano, Lombardia, Italy (in 1981-01)
recording of:
Aida: Atto I, scena 2. Danza sacra delle Sacerdotesse: “Immenso Fthà!…” / “Mortal, diletto ai Numi” (Sacerdotesse, Ramfis, Sacerdoti) (in 1981-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
recording of:
Aida: Atto IV, scena 2: Finale ultimo: “Immenso Fthà” – “Triste canto” (Sacerdotesse, Sacerdoti, Aida, Radamès) (in 1981-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
recording of:
Aida: Atto IV, scena 2: Finale Ultimo: “O terra addio” (Aida, Radamès, coro, Amneris) (in 1981-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
5:18