Wizard of the Vibes (RVG Edition)

~ Release by Milt Jackson (see all versions of this release, 5 available)

Tracklist

CD 1
#TitleRatingLength
1Tahiti
alto saxophone:
Lou Donaldson (on 1952-04-07)
double bass:
Percy Heath (on 1952-04-07)
drums (drum set):
Kenny Clarke (on 1952-04-07)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1952-04-07)
vibraphone:
Milt Jackson (on 1952-04-07)
recorded at:
WOR Studios in New York, New York, United States (on 1952-04-07)
recording of:
Tahiti (on 1952-04-07)
composer:
Milt Jackson
3:29
2Lillie
alto saxophone:
Lou Donaldson (on 1952-04-07)
double bass:
Percy Heath (on 1952-04-07)
drums (drum set):
Kenny Clarke (on 1952-04-07)
piano:
John Lewis (pianist, member of Modern Jazz Quartet)
vibraphone:
Milt Jackson (on 1952-04-07)
recorded at:
WOR Studios in New York, New York, United States (on 1952-04-07)
recording of:
Lillie (on 1952-04-07)
composer:
Milt Jackson
3:15
3Bags’ Groove
alto saxophone:
Lou Donaldson (on 1952-04-07)
double bass:
Percy Heath (on 1952-04-07)
drums (drum set):
Kenny Clarke (on 1952-04-07)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1952-04-07)
vibraphone:
Milt Jackson (on 1952-04-07)
recorded at:
WOR Studios in New York, New York, United States (on 1952-04-07)
recording of:
Bags’ Groove (on 1952-04-07)
composer:
Milt Jackson
3:06
4What’s New
alto saxophone:
Lou Donaldson (on 1952-04-07)
double bass:
Percy Heath (on 1952-04-07)
drums (drum set):
Kenny Clarke (on 1952-04-07)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1952-04-07)
vibraphone:
Milt Jackson (on 1952-04-07)
recorded at:
WOR Studios in New York, New York, United States (on 1952-04-07)
instrumental recording of:
What’s New?
lyricist:
Johnny Burke (American lyricist, 1908-1964)
composer:
Bob Haggart
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) and Warner Bros., Inc. (not for release label use!)
3:14
5Don’t Get Around Much Anymore
alto saxophone:
Lou Donaldson (on 1952-04-07)
double bass [bass]:
Percy Heath (on 1952-04-07)
drums (drum set):
Kenny Clarke (on 1952-04-07)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1952-04-07)
vibraphone:
Milt Jackson (on 1952-04-07)
recorded at:
WOR Studios in New York, New York, United States (on 1952-04-07)
instrumental recording of:
Don’t Get Around Much Anymore (on 1952-04-07)
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1942)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1940)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Robbins Catalog Inc. (ASCAP), Harrison Music Corp. and Sony/ATV Harmony
sub-publisher:
フジパシフィックミュージック SBK事業部 and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label)
version of:
Never No Lament
3:02
6On the Scene
alto saxophone:
Lou Donaldson (on 1952-04-07)
double bass:
Percy Heath (on 1952-04-07)
drums (drum set):
Kenny Clarke (on 1952-04-07)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1952-04-07)
vibraphone:
Milt Jackson (on 1952-04-07)
recorded at:
WOR Studios in New York, New York, United States (on 1952-04-07)
2:44
7Lillie (alternate take)
alto saxophone:
Lou Donaldson (on 1952-04-07)
double bass [bass]:
Percy Heath (on 1952-04-07)
drums (drum set):
Kenny Clarke (on 1952-04-07)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1952-04-07)
vibraphone:
Milt Jackson (on 1952-04-07)
recorded at:
WOR Studios in New York, New York, United States (on 1952-04-07)
recording of:
Lillie (on 1952-04-07)
composer:
Milt Jackson
3:19
8What’s New (alternate take)
alto saxophone:
Lou Donaldson (on 1952-04-07)
double bass [bass]:
Percy Heath (on 1952-04-07)
drums (drum set):
Kenny Clarke (on 1952-04-07)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1952-04-07)
vibraphone:
Milt Jackson (on 1952-04-07)
recorded at:
WOR Studios in New York, New York, United States (on 1952-04-07)
instrumental recording of:
What’s New?
lyricist:
Johnny Burke (American lyricist, 1908-1964)
composer:
Bob Haggart
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) and Warner Bros., Inc. (not for release label use!)
3:18
9Don’t Get Around Much Anymore (alternate take)
alto saxophone:
Lou Donaldson (on 1952-04-07)
double bass [bass]:
Percy Heath (on 1952-04-07)
drums (drum set):
Kenny Clarke (on 1952-04-07)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1952-04-07)
vibraphone:
Milt Jackson (on 1952-04-07)
recorded at:
WOR Studios in New York, New York, United States (on 1952-04-07)
instrumental recording of:
Don’t Get Around Much Anymore (on 1952-04-07)
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1942)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1940)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Robbins Catalog Inc. (ASCAP), Harrison Music Corp. and Sony/ATV Harmony
sub-publisher:
フジパシフィックミュージック SBK事業部 and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label)
version of:
Never No Lament
3:05
10Evidence
double bass [bass]:
John Simmons (bassist) (on 1948-07-02)
drums (drum set):
Shadow Wilson (on 1948-07-02)
piano:
Thelonious Monk (on 1948-07-02)
vibraphone:
Milt Jackson (on 1948-07-02)
recorded at:
WOR Studios in New York, New York, United States (on 1948-07-02)
recording of:
Evidence (on 1948-07-02)
composer:
Thelonious Monk
publisher:
Thelonious Music and Thelonious Music Corporation (Publisher, affiliated to BMI.)
2:35
11Misterioso
double bass [bass]:
John Simmons (bassist) (on 1948-07-02)
drums (drum set):
Shadow Wilson (on 1948-07-02)
piano:
Thelonious Monk (on 1948-07-02)
vibraphone:
Milt Jackson (on 1948-07-02) and Milton Jackson (on 1948-07-02)
recorded at:
Apex Studios in New York, New York, United States (on 1948-07-02) and WOR Studios in New York, New York, United States (on 1948-07-02)
recording of:
Misterioso (on 1948-07-02)
composer:
Thelonious Monk
3:23
12Epistrophy
double bass [bass]:
John Simmons (bassist) (on 1948-07-02)
drums (drum set):
Shadow Wilson (on 1948-07-02)
piano:
Thelonious Monk (on 1948-07-02)
vibraphone:
Milt Jackson (on 1948-07-02)
recorded at:
WOR Studios in New York, New York, United States (on 1948-07-02)
recording of:
Epistrophy (on 1948-07-02)
composer:
Kenny Clarke and Thelonious Monk
publisher:
Embassy Music Corporation and Music Sales Corporation (American copyright holder in both popular and classical music)
3:09
13I Mean You
double bass [bass]:
John Simmons (bassist) (on 1948-07-02)
drums (drum set):
Shadow Wilson (on 1948-07-02)
piano:
Thelonious Monk (on 1948-07-02)
vibraphone:
Milt Jackson (on 1948-07-02)
recorded at:
WOR Studios in New York, New York, United States (on 1948-07-02)
2:47
14Misterioso (alternate take)
double bass [bass]:
John Simmons (bassist) (on 1948-07-02)
drums (drum set):
Shadow Wilson (on 1948-07-02)
piano:
Thelonious Monk (on 1948-07-02)
vibraphone:
Milt Jackson (on 1948-07-02)
recorded at:
WOR Studios in New York, New York, United States (on 1948-07-02)
recording of:
Misterioso (on 1948-07-02)
composer:
Thelonious Monk
2:47
15All the Things You Are
double bass:
John Simmons (bassist) (on 1948-07-02)
drums (drum set):
Shadow Wilson (on 1948-07-02)
piano:
Thelonious Monk (on 1948-07-02)
vibraphone:
Milt Jackson (on 1948-07-02)
lead vocals:
Kenny Hagood
vocals:
Kenny Hagood (on 1948-07-02)
recorded at:
Apex Studios in New York, New York, United States (on 1948-07-02) and WOR Studios in New York, New York, United States (on 1948-07-02)
recording of:
All the Things You Are (from “Very Warm for May”) (on 1948-07-02)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1939)
composer:
Jerome Kern (in 1939)
publisher:
Polygram Int. Publishing (renamed Universal PolyGram International Publishing, Inc. circa 1998) (ended), T.B. Harms Inc. (ended) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Broadway Rhythm (film)
3:02
16I Should Care
double bass:
John Simmons (bassist) (on 1948-07-02)
drums (drum set):
Shadow Wilson (on 1948-07-02)
piano:
Thelonious Monk (on 1948-07-02)
vibraphone:
Milt Jackson (on 1948-07-02)
lead vocals:
Kenny Hagood (on 1948-07-02)
vocals:
Kenny Hagood (on 1948-07-02)
recorded at:
Apex Studios in New York, New York, United States (on 1948-07-02) and WOR Studios in New York, New York, United States (on 1948-07-02)
recording of:
I Should Care (on 1948-07-02)
writer:
Sammy Cahn, Axel Stordahl and Paul Weston
publisher:
Cahn Music Company, Dorsey Brothers Music, Hanover Music Corp., Music Sales Corporation (American copyright holder in both popular and classical music), Peermusic (UK) Limited and Stordahl Music Publishing
sub-publisher:
ピアーミュージック (Japan, subsidiary of Nichion)
3:03
17I Should Care (alternate take)
double bass:
John Simmons (bassist) (on 1948-07-02)
drums (drum set):
Shadow Wilson (on 1948-07-02)
piano:
Thelonious Monk (on 1948-07-02)
vibraphone:
Milt Jackson (on 1948-07-02)
vocals:
Kenny Hagood (on 1948-07-02)
recorded at:
Apex Studios in New York, New York, United States (on 1948-07-02) and WOR Studios in New York, New York, United States (on 1948-07-02)
recording of:
I Should Care (on 1948-07-02)
writer:
Sammy Cahn, Axel Stordahl and Paul Weston
publisher:
Cahn Music Company, Dorsey Brothers Music, Hanover Music Corp., Music Sales Corporation (American copyright holder in both popular and classical music), Peermusic (UK) Limited and Stordahl Music Publishing
sub-publisher:
ピアーミュージック (Japan, subsidiary of Nichion)
3:02