The RCA Opera Treasury: Il trovatore (RCA Red Seal release)

~ Release by Giuseppe Verdi; Leontyne Price, Plácido Domingo, Sherrill Milnes, Fiorenza Cossotto, New Philharmonia Orchestra, Zubin Mehta (see all versions of this release, 7 available)

Tracklist

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▼CD 1
#TitleArtistRatingLength
1Il trovatore: Atto I, Scena I. "All'erta, all'erta!"
recording engineer:
Anthony Salvatore (engineer) (in 1969-08)
producer:
Richard Mohr (producer)
bass vocals:
Bonaldo Giaiotti (operatic bass)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1969-08)
conductor:
Zubin Mehta (conductor) (in 1969-08)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
phonographic copyright (℗) by:
BMG Entertainment (in 1970)
recorded at:
Walthamstow Assembly Hall in London (Greater London, which includes the City of London) (in 1969-08)
recording of:
Il trovatore: Atto I, scena 1. “All'erta! All'erta!” (Ferrando, retainers, soldiers)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
Giuseppe Verdi2:52
2Il trovatore: Atto I, Scena I. "Di due figli vivea"
recording engineer:
Anthony Salvatore (engineer) (in 1969-08)
producer:
Richard Mohr (producer)
bass vocals:
Bonaldo Giaiotti (operatic bass)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1969-08)
conductor:
Zubin Mehta (conductor) (in 1969-08)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
phonographic copyright (℗) by:
BMG Entertainment (in 1970)
recorded at:
Walthamstow Assembly Hall in London (Greater London, which includes the City of London) (in 1969-08)
recording of:
Il trovatore: Atto I, scena 1. “Abbietta zingara, fosca vegliarda!” (Ferrando, retainers, soldiers)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
recording of:
Il trovatore: Atto I, scena 1. “Di due figli vivea padre beato” (Ferrando, retainers, soldiers)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
Giuseppe Verdi7:30
3Il trovatore: Atto I, Scena II. "Che più t'arresti?"
recording engineer:
Anthony Salvatore (engineer) (in 1969-08)
producer:
Richard Mohr (producer)
mezzo-soprano vocals:
Elizabeth Bainbridge (mezzo-soprano, contralto)
soprano vocals:
Leontyne Price (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1969-08)
conductor:
Zubin Mehta (conductor) (in 1969-08)
phonographic copyright (℗) by:
BMG Entertainment (in 1970)
recorded at:
Walthamstow Assembly Hall in London (Greater London, which includes the City of London) (in 1969-08)
recording of:
Il trovatore: Atto I, scena 2. “Che più t'arresti?” (Ines, Leonora)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
Giuseppe Verdi2:19
4Il trovatore: Atto I, Scena II. "Tacea la notte placida"
recording engineer:
Anthony Salvatore (engineer) (in 1969-08)
producer:
Richard Mohr (producer)
mezzo-soprano vocals:
Elizabeth Bainbridge (mezzo-soprano, contralto)
soprano vocals:
Leontyne Price (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1969-08)
conductor:
Zubin Mehta (conductor) (in 1969-08)
phonographic copyright (℗) by:
BMG Entertainment (in 1970)
recorded at:
Walthamstow Assembly Hall in London (Greater London, which includes the City of London) (in 1969-08)
recording of:
Il trovatore: Atto I, scena 2. “Tacea la notte placida!” (Leonora, Ines)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
Giuseppe Verdi5:02
5Il trovatore: Atto I, Scena II. "Di tale amor, che dirsi"
recording engineer:
Anthony Salvatore (engineer) (in 1969-08)
producer:
Richard Mohr (producer)
mezzo-soprano vocals:
Elizabeth Bainbridge (mezzo-soprano, contralto)
soprano vocals:
Leontyne Price (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1969-08)
conductor:
Zubin Mehta (conductor) (in 1969-08)
phonographic copyright (℗) by:
BMG Entertainment (in 1970)
recorded at:
Walthamstow Assembly Hall in London (Greater London, which includes the City of London) (in 1969-08)
recording of:
Il trovatore: Atto I, scena 2. “Di tale amor, che dirsi” (Leonora, Ines)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
Giuseppe Verdi2:41
6Il trovatore: Atto I, Scena II. "Tace la notte!"
recording engineer:
Anthony Salvatore (engineer) (in 1969-08)
producer:
Richard Mohr (producer)
solo baritone vocals:
Sherrill Milnes (baritone)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1969-08)
conductor:
Zubin Mehta (conductor) (in 1969-08)
phonographic copyright (℗) by:
BMG Entertainment (in 1970)
recorded at:
Walthamstow Assembly Hall in London (Greater London, which includes the City of London) (in 1969-08)
recording of:
Il trovatore: Atto I, scena 2. “Tace la notte!” (Conte Luna)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
Giuseppe Verdi1:56
7Il trovatore: Atto I, Scena II. "Deserto sulla terra"
recording engineer:
Anthony Salvatore (engineer) (in 1969-08)
producer:
Richard Mohr (producer)
baritone vocals:
Sherrill Milnes (baritone)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1969-08)
conductor:
Zubin Mehta (conductor) (in 1969-08)
phonographic copyright (℗) by:
BMG Entertainment (in 1970)
recorded at:
Walthamstow Assembly Hall in London (Greater London, which includes the City of London) (in 1969-08)
recording of:
Il trovatore: Atto I, scena 2. “Il Trovator! lo fremo!” ... “Deserto sulla terra” (Manrico, Conte Luna)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
Giuseppe Verdi1:24
8Il trovatore: Atto I, Scena II. "Non m'inganno"
recording engineer:
Anthony Salvatore (engineer) (in 1969-08)
producer:
Richard Mohr (producer)
baritone vocals:
Sherrill Milnes (baritone)
soprano vocals:
Leontyne Price (soprano)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1969-08)
conductor:
Zubin Mehta (conductor) (in 1969-08)
phonographic copyright (℗) by:
BMG Entertainment (in 1970)
recorded at:
Walthamstow Assembly Hall in London (Greater London, which includes the City of London) (in 1969-08)
recording of:
Il trovatore: Atto I, scena 2. “Non m'inganno… Infida! Qual voce!” (Conte Luna, Leonora, Manrico)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
Giuseppe Verdi2:07
9Il trovatore: Atto I, Scena II. "Di geloso amor sprezzato"
recording engineer:
Anthony Salvatore (engineer) (in 1969-08)
producer:
Richard Mohr (producer)
baritone vocals:
Sherrill Milnes (baritone)
soprano vocals:
Leontyne Price (soprano)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1969-08)
conductor:
Zubin Mehta (conductor) (in 1969-08)
phonographic copyright (℗) by:
BMG Entertainment (in 1970)
recorded at:
Walthamstow Assembly Hall in London (Greater London, which includes the City of London) (in 1969-08)
recording of:
Il trovatore: Atto I, scena 2. “Di geloso amor sprezzato” (Conte Luna, Leonora, Manrico)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
Giuseppe Verdi2:47
10Il trovatore: Atto II, Scena I. "Vedi! Le fosche notturne spoglie"
recording engineer:
Anthony Salvatore (engineer) (in 1969-08)
producer:
Richard Mohr (producer)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1969-08)
conductor:
Zubin Mehta (conductor) (in 1969-08)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
phonographic copyright (℗) by:
BMG Entertainment (in 1970)
recorded at:
Walthamstow Assembly Hall in London (Greater London, which includes the City of London) (in 1969-08)
recording of:
Il trovatore: Atto II, scena 1. “Vedi! Le fosche notturne” (zingari) (“Anvil Chorus”)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi2:51
11Il trovatore: Atto II, Scena I. "Stride la vampa!"
recording engineer:
Anthony Salvatore (engineer) (in 1969-08)
producer:
Richard Mohr (producer)
bass vocals:
Stanley Riley (operatic bass)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
mezzo-soprano vocals:
Fiorenza Cossotto (mezzo soprano)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1969-08)
conductor:
Zubin Mehta (conductor) (in 1969-08)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
phonographic copyright (℗) by:
BMG Entertainment (in 1970)
recorded at:
Walthamstow Assembly Hall in London (Greater London, which includes the City of London) (in 1969-08)
recording of:
Il trovatore: Atto II, scena 1. “Stride la vampa!” (Azucena)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi4:57
12Il trovatore: Atto II, Scena I. "Soli or siamo!"
recording engineer:
Anthony Salvatore (engineer) (in 1969-08)
producer:
Richard Mohr (producer)
mezzo-soprano vocals:
Fiorenza Cossotto (mezzo soprano)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1969-08)
conductor:
Zubin Mehta (conductor) (in 1969-08)
phonographic copyright (℗) by:
BMG Entertainment (in 1970)
recorded at:
Walthamstow Assembly Hall in London (Greater London, which includes the City of London) (in 1969-08)
recording of:
Il trovatore: Atto II, scena 1. “Soli or siamo” (Manrico, Azucena)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi1:07
13Il trovatore: Atto II, Scena I. "Condotta ell'era in ceppi"
recording engineer:
Anthony Salvatore (engineer) (in 1969-08)
producer:
Richard Mohr (producer)
mezzo-soprano vocals:
Fiorenza Cossotto (mezzo soprano)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1969-08)
conductor:
Zubin Mehta (conductor) (in 1969-08)
phonographic copyright (℗) by:
BMG Entertainment (in 1970)
recorded at:
Walthamstow Assembly Hall in London (Greater London, which includes the City of London) (in 1969-08)
recording of:
Il trovatore: Atto II, scena 1. “Condotta ell'era in ceppi” (Azucena, Manrico)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi5:02
14Il trovatore: Atto II, Scena I. "Non son tuo figlio?"
recording engineer:
Anthony Salvatore (engineer) (in 1969-08)
producer:
Richard Mohr (producer)
mezzo-soprano vocals:
Fiorenza Cossotto (mezzo soprano)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1969-08)
conductor:
Zubin Mehta (conductor) (in 1969-08)
phonographic copyright (℗) by:
BMG Entertainment (in 1970)
recorded at:
Walthamstow Assembly Hall in London (Greater London, which includes the City of London) (in 1969-08)
recording of:
Il trovatore: Atto II, scena 1. “Non son tuo figlio?” (Manrico, Azucena)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi2:29
15Il trovatore: Atto II, Scena I. "Mal reggendo all'aspro assalto"
recording engineer:
Anthony Salvatore (engineer) (in 1969-08)
producer:
Richard Mohr (producer)
mezzo-soprano vocals:
Fiorenza Cossotto (mezzo soprano)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1969-08)
conductor:
Zubin Mehta (conductor) (in 1969-08)
phonographic copyright (℗) by:
BMG Entertainment (in 1970)
recorded at:
Walthamstow Assembly Hall in London (Greater London, which includes the City of London) (in 1969-08)
recording of:
Il trovatore: Atto II, scena 1. “Mal reggendo all'aspro assalto” (Manrico, Azucena)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi3:37
16Il trovatore: Atto II, Scena I. "Inoltra il piè"
recording engineer:
Anthony Salvatore (engineer) (in 1969-08)
producer:
Richard Mohr (producer)
baritone vocals:
Neilson Taylor (baritone and footballer)
mezzo-soprano vocals:
Fiorenza Cossotto (mezzo soprano)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1969-08)
conductor:
Zubin Mehta (conductor) (in 1969-08)
phonographic copyright (℗) by:
BMG Entertainment (in 1970)
recorded at:
Walthamstow Assembly Hall in London (Greater London, which includes the City of London) (in 1969-08)
recording of:
Il trovatore: Atto II, scena 1. “Inoltra il piè” (Manrico, Azucena, messenger)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi1:03
17Il trovatore: Atto II, Scena I. "Perigliarti ancor languente"
recording engineer:
Anthony Salvatore (engineer) (in 1969-08)
producer:
Richard Mohr (producer)
mezzo-soprano vocals:
Fiorenza Cossotto (mezzo soprano)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1969-08)
conductor:
Zubin Mehta (conductor) (in 1969-08)
phonographic copyright (℗) by:
BMG Entertainment (in 1970)
recorded at:
Walthamstow Assembly Hall in London (Greater London, which includes the City of London) (in 1969-08)
recording of:
Il trovatore: Atto II, scena 1. “Perigliarti ancor languente” (Azucena, Manrico)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi2:43
18Il trovatore: Atto II, Scena II. "Tutto è deserto"
recording engineer:
Anthony Salvatore (engineer) (in 1969-08)
producer:
Richard Mohr (producer)
baritone vocals:
Sherrill Milnes (baritone)
bass vocals:
Bonaldo Giaiotti (operatic bass)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1969-08)
conductor:
Zubin Mehta (conductor) (in 1969-08)
phonographic copyright (℗) by:
BMG Entertainment (in 1970)
recorded at:
Walthamstow Assembly Hall in London (Greater London, which includes the City of London) (in 1969-08)
recording of:
Il trovatore: Atto II, scena 2. “Tutto è deserto” (Conte Luna, Ferrando)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi1:28
19Il trovatore: Atto II, Scena II. "Il balen del suo sorriso"
recording engineer:
Anthony Salvatore (engineer) (in 1969-08)
producer:
Richard Mohr (producer)
baritone vocals:
Sherrill Milnes (baritone) (in 1969-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1969-08)
conductor:
Zubin Mehta (conductor) (in 1969-08)
phonographic copyright (℗) by:
BMG Entertainment (in 1970)
recorded at:
Walthamstow Assembly Hall in London (Greater London, which includes the City of London) (in 1969-08)
recording of:
Il trovatore: Atto II, Scena 2. “Il balen del suo sorriso” (Conte Luna) (in 1969-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi3:34
20Il trovatore: Atto II, Scena II. "Quel suono! Oh, ciel!"
recording engineer:
Anthony Salvatore (engineer) (in 1969-08)
producer:
Richard Mohr (producer)
baritone vocals:
Sherrill Milnes (baritone)
bass vocals:
Bonaldo Giaiotti (operatic bass)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1969-08)
conductor:
Zubin Mehta (conductor) (in 1969-08)
phonographic copyright (℗) by:
BMG Entertainment (in 1970)
recorded at:
Walthamstow Assembly Hall in London (Greater London, which includes the City of London) (in 1969-08)
recording of:
Il trovatore: Atto II, scena 2. “Qual suono! Oh ciel” (Conte Luna, Ferrando, retainers)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi0:50
21Il trovatore: Atto II, Scena II. "Per me ora fatale"
recording engineer:
Anthony Salvatore (engineer) (in 1969-08)
producer:
Richard Mohr (producer)
baritone vocals:
Sherrill Milnes (baritone)
bass vocals:
Bonaldo Giaiotti (operatic bass)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1969-08)
conductor:
Zubin Mehta (conductor) (in 1969-08)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
phonographic copyright (℗) by:
BMG Entertainment (in 1970)
recorded at:
Walthamstow Assembly Hall in London (Greater London, which includes the City of London) (in 1969-08)
recording of:
Il trovatore: Atto II, scena 2. “Per me ora fatale” (Conte Luna, Ferrando, retainers)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi2:52
22Il trovatore: Atto II, Scena II. "Ah! Se l'error t'ingombra"
recording engineer:
Anthony Salvatore (engineer) (in 1969-08)
producer:
Richard Mohr (producer)
baritone vocals:
Sherrill Milnes (baritone)
bass vocals:
Bonaldo Giaiotti (operatic bass)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1969-08)
conductor:
Zubin Mehta (conductor) (in 1969-08)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
phonographic copyright (℗) by:
BMG Entertainment (in 1970)
recorded at:
Walthamstow Assembly Hall in London (Greater London, which includes the City of London) (in 1969-08)
recording of:
Il trovatore: Atto II, scena 2. “Ah! se l'error t'ingombra” (nuns, Conte Luna, Ferrando, retainers)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi3:09
23Il trovatore: Atto II, Scena II. "Perchè piangete?"
recording engineer:
Anthony Salvatore (engineer) (in 1969-08)
producer:
Richard Mohr (producer)
baritone vocals:
Sherrill Milnes (baritone)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
mezzo-soprano vocals:
Elizabeth Bainbridge (mezzo-soprano, contralto)
soprano vocals:
Leontyne Price (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1969-08)
conductor:
Zubin Mehta (conductor) (in 1969-08)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
phonographic copyright (℗) by:
BMG Entertainment (in 1970)
recorded at:
Walthamstow Assembly Hall in London (Greater London, which includes the City of London) (in 1969-08)
recording of:
Il trovatore: Atto II, scena 2. “Perché piangete” ... “O dolci amiche” (Leonora, Ines, Conte Luna, nuns)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi2:18
24Il trovatore: Atto II, Scena II. "E deggio e posso crederlo?"
recording engineer:
Anthony Salvatore (engineer) (in 1969-08)
producer:
Richard Mohr (producer)
baritone vocals:
Sherrill Milnes (baritone)
bass vocals:
Ryland Davies (tenor) and Bonaldo Giaiotti (operatic bass)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
mezzo-soprano vocals:
Elizabeth Bainbridge (mezzo-soprano, contralto)
soprano vocals:
Leontyne Price (soprano)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1969-08)
conductor:
Zubin Mehta (conductor) (in 1969-08)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
phonographic copyright (℗) by:
BMG Entertainment (in 1970)
recorded at:
Walthamstow Assembly Hall in London (Greater London, which includes the City of London) (in 1969-08)
recording of:
Il trovatore: Atto II, scena 2. “E deggio, e posso crederlo?” (Leonora, Conte Luna, Manrico, Ines, Ferrando, Ruiz, nuns, soldiers)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi4:10
▼CD 2
#TitleArtistRatingLength
1Il trovatore: Atto III, Scena I. "Or co' dadi, ma fra poco" (soldiers, Ferrandao)
recording engineer:
Anthony Salvatore (engineer) (in 1969-08)
producer:
Richard Mohr (producer)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
solo bass vocals:
Bonaldo Giaiotti (operatic bass)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1969-08)
conductor:
Zubin Mehta (conductor) (in 1969-08)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
phonographic copyright (℗) by:
BMG Entertainment (in 1970)
recorded at:
Walthamstow Assembly Hall in London (Greater London, which includes the City of London) (in 1969-08)
recording of:
Il trovatore: Atto III, scena 1. “Or co' dadi, ma fra poco” (soldati, Ferrando) (“Soldier's Chorus”)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi2:00
2Il trovatore: Atto III, Scena I. "Squilli, echeggi la tromba guerriera" (Ferrando, soldiers)
recording engineer:
Anthony Salvatore (engineer) (in 1969-08)
producer:
Richard Mohr (producer)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
solo bass vocals:
Bonaldo Giaiotti (operatic bass)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1969-08)
conductor:
Zubin Mehta (conductor) (in 1969-08)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
phonographic copyright (℗) by:
BMG Entertainment (in 1970)
recorded at:
Walthamstow Assembly Hall in London (Greater London, which includes the City of London) (in 1969-08)
recording of:
Il trovatore: Atto III, scena 1. “Squilli, echeggi la tromba guerriera” (Ferrando, soldiers)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi2:23
3Il trovatore: Atto III, Scena I. "In braccio al mio rival!" (Count, Ferrando, Azucena, soldiers)
recording engineer:
Anthony Salvatore (engineer) (in 1969-08)
producer:
Richard Mohr (producer)
baritone vocals:
Sherrill Milnes (baritone)
bass vocals:
Bonaldo Giaiotti (operatic bass)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
mezzo-soprano vocals:
Fiorenza Cossotto (mezzo soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1969-08)
conductor:
Zubin Mehta (conductor) (in 1969-08)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
phonographic copyright (℗) by:
BMG Entertainment (in 1970)
recorded at:
Walthamstow Assembly Hall in London (Greater London, which includes the City of London) (in 1969-08)
recording of:
Il trovatore: Atto III, scena 1. “In braccio al mio rival!” (Conte Luna, Ferrando, Azucena, soldati)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi7:30
4Il trovatore: Atto III, Scena II. "Quale d'armi fragor poc'anzi intesi?" (Leonora, Manrico)
recording engineer:
Anthony Salvatore (engineer) (in 1969-08)
producer:
Richard Mohr (producer)
soprano vocals:
Leontyne Price (soprano)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1969-08)
conductor:
Zubin Mehta (conductor) (in 1969-08)
phonographic copyright (℗) by:
BMG Entertainment (in 1970)
recorded at:
Walthamstow Assembly Hall in London (Greater London, which includes the City of London) (in 1969-08)
recording of:
Il trovatore: Atto III, scena 2. “Quale d'armi fragor poc' anzi intesi?” (Leonora, Manrico)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi2:17
5Il trovatore: Atto III, Scena II. "Ah si, ben mio, coll'essere io tuo" (Manrico)
recording engineer:
Anthony Salvatore (engineer) (in 1969-08)
producer:
Richard Mohr (producer)
solo tenor vocals:
Plácido Domingo (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1969-08)
conductor:
Zubin Mehta (conductor) (in 1969-08)
phonographic copyright (℗) by:
BMG Entertainment (in 1970)
recorded at:
Walthamstow Assembly Hall in London (Greater London, which includes the City of London) (in 1969-08)
recording of:
Il trovatore: Atto III, scena 2. “Ah si, ben mio, coll'essere io tuo” (Manrico)
composer:
Giuseppe Verdi (Italian opera composer) (in 1853)
librettist:
Salvadore Cammarano (Italian librettist) (in 1853)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi3:17
6Il trovatore: Atto III, Scena II. "L'onda de' suoni mistici pura discenda al cor!" (Leonora, Manrico, Ruiz)
recording engineer:
Anthony Salvatore (engineer) (in 1969-08)
producer:
Richard Mohr (producer)
bass vocals:
Ryland Davies (tenor)
soprano vocals:
Leontyne Price (soprano)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1969-08)
conductor:
Zubin Mehta (conductor) (in 1969-08)
phonographic copyright (℗) by:
BMG Entertainment (in 1970)
recorded at:
Walthamstow Assembly Hall in London (Greater London, which includes the City of London) (in 1969-08)
recording of:
Il trovatore: Atto III, scena 2. “L'onda de' suoni mistici pura discenda al cor!… Manrico? … Che” (Leonora, Manrico, Ruiz)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi1:38
7Il trovatore: Atto III, Scena II. "Di quella pira l'orrendo foco" (Manrico, Leonora, Ruiz, armed men)
recording engineer:
Anthony Salvatore (engineer) (in 1969-08)
producer:
Richard Mohr (producer)
bass vocals:
Ryland Davies (tenor)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
soprano vocals:
Leontyne Price (soprano)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1969-08)
conductor:
Zubin Mehta (conductor) (in 1969-08)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
phonographic copyright (℗) by:
BMG Entertainment (in 1970)
recorded at:
Walthamstow Assembly Hall in London (Greater London, which includes the City of London) (in 1969-08)
recording of:
Il trovatore: Atto III, scena 2. “Di quella pira l’orrendo foco” (Manrico, Leonora, Ruiz, armed men)
composer:
Giuseppe Verdi (Italian opera composer) (in 1853)
librettist:
Salvadore Cammarano (Italian librettist) (in 1853)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi3:16
8Il trovatore: Atto IV, Scena I. "Siam giunti: ecco la torre" (Ruiz, Leonora)
recording engineer:
Anthony Salvatore (engineer) (in 1969-08)
producer:
Richard Mohr (producer)
bass vocals:
Ryland Davies (tenor)
soprano vocals:
Leontyne Price (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1969-08)
conductor:
Zubin Mehta (conductor) (in 1969-08)
phonographic copyright (℗) by:
BMG Entertainment (in 1970)
recorded at:
Walthamstow Assembly Hall in London (Greater London, which includes the City of London) (in 1969-08)
recording of:
Il trovatore: Atto IV, scena 1. “Siam giunti; ecco la torre” … “Vanne, lasciami” (Ruiz, Leonora)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi3:06
9Il trovatore: Atto IV, Scena I. "D'amor sull'ali rosee" (Leonora)
recording engineer:
Anthony Salvatore (engineer) (in 1969-08)
producer:
Richard Mohr (producer)
solo soprano vocals:
Leontyne Price (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1969-08)
conductor:
Zubin Mehta (conductor) (in 1969-08)
phonographic copyright (℗) by:
BMG Entertainment (in 1970)
recorded at:
Walthamstow Assembly Hall in London (Greater London, which includes the City of London) (in 1969-08)
recording of:
Il trovatore: Atto IV, scena 1. “D’amor sull’ali rosee” (Leonora)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi4:25
10Il trovatore: Atto IV, Scena I. "Miserere d' un'alma già vicina" ... "Quel son, quelle preci" (Leonora, Manrico, choir)
recording engineer:
Anthony Salvatore (engineer) (in 1969-08)
producer:
Richard Mohr (producer)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
soprano vocals:
Leontyne Price (soprano)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1969-08)
conductor:
Zubin Mehta (conductor) (in 1969-08)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
phonographic copyright (℗) by:
BMG Entertainment (in 1970)
recorded at:
Walthamstow Assembly Hall in London (Greater London, which includes the City of London) (in 1969-08)
recording of:
Il trovatore: Atto IV, scena 1. “Miserere d’un’alma già vicina” ... “Quel suon, quelle preci” (Leonora, Manrico, coro)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi5:37
11Il trovatore: Atto IV, Scena I. "Tu vedrai che amore in terra" (Leonora)
recording engineer:
Anthony Salvatore (engineer) (in 1969-08)
producer:
Richard Mohr (producer)
solo soprano vocals:
Leontyne Price (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1969-08)
conductor:
Zubin Mehta (conductor) (in 1969-08)
phonographic copyright (℗) by:
BMG Entertainment (in 1970)
recorded at:
Walthamstow Assembly Hall in London (Greater London, which includes the City of London) (in 1969-08)
recording of:
Il trovatore: Atto IV, scena 1. “Tu vedrai che amore in terra” (Leonora)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi4:06
12Il trovatore: Atto IV, Scena I. "Udiste? Come albeggi, la scure al figlio" (Count, Leonora)
recording engineer:
Anthony Salvatore (engineer) (in 1969-08)
producer:
Richard Mohr (producer)
baritone vocals:
Sherrill Milnes (baritone)
soprano vocals:
Leontyne Price (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1969-08)
conductor:
Zubin Mehta (conductor) (in 1969-08)
phonographic copyright (℗) by:
BMG Entertainment (in 1970)
recorded at:
Walthamstow Assembly Hall in London (Greater London, which includes the City of London) (in 1969-08)
recording of:
Il trovatore: Atto IV, scena 1. “Udiste? Come albeggi, la scure al figlio” … “Qual voce” (Conte Luna, Leonora)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi1:44
13Il trovatore: Atto IV, Scena I. "Mira, di acerbe lagrime" (Leonora, Count)
recording engineer:
Anthony Salvatore (engineer) (in 1969-08)
producer:
Richard Mohr (producer)
baritone vocals:
Sherrill Milnes (baritone)
soprano vocals:
Leontyne Price (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1969-08)
conductor:
Zubin Mehta (conductor) (in 1969-08)
phonographic copyright (℗) by:
BMG Entertainment (in 1970)
recorded at:
Walthamstow Assembly Hall in London (Greater London, which includes the City of London) (in 1969-08)
recording of:
Il trovatore: Atto IV, scena 1. “Mira, d'acerbe lagrime“ (Leonora, Conte Luna)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi3:24
14Il trovatore: Atto IV, Scena I. "Vivrà! ... Contende il giubilo" (Leonora, Count)
recording engineer:
Anthony Salvatore (engineer) (in 1969-08)
producer:
Richard Mohr (producer)
baritone vocals:
Sherrill Milnes (baritone)
soprano vocals:
Leontyne Price (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1969-08)
conductor:
Zubin Mehta (conductor) (in 1969-08)
phonographic copyright (℗) by:
BMG Entertainment (in 1970)
recorded at:
Walthamstow Assembly Hall in London (Greater London, which includes the City of London) (in 1969-08)
recording of:
Il trovatore: Atto IV, scena 1. “Vivrà, contende il giubilo” (Leonora, Conte Luna)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi2:12
15Il trovatore: Atto IV, Scena II. "Madre, non dormi?" (Manrico, Azucena)
recording engineer:
Anthony Salvatore (engineer) (in 1969-08)
producer:
Richard Mohr (producer)
mezzo-soprano vocals:
Fiorenza Cossotto (mezzo soprano)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1969-08)
conductor:
Zubin Mehta (conductor) (in 1969-08)
phonographic copyright (℗) by:
BMG Entertainment (in 1970)
recorded at:
Walthamstow Assembly Hall in London (Greater London, which includes the City of London) (in 1969-08)
recording of:
Il trovatore: Atto IV, scena 2. “Madre, non dormi?” … “Un giorno …” (Manrico, Azucena)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi6:42
16Il trovatore: Atto IV, Scena II. "Ai nostri monti ritorneremo" (Azucena, Manrico)
recording engineer:
Anthony Salvatore (engineer) (in 1969-08)
producer:
Richard Mohr (producer)
mezzo-soprano vocals:
Fiorenza Cossotto (mezzo soprano)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1969-08)
conductor:
Zubin Mehta (conductor) (in 1969-08)
phonographic copyright (℗) by:
BMG Entertainment (in 1970)
recorded at:
Walthamstow Assembly Hall in London (Greater London, which includes the City of London) (in 1969-08)
recording of:
Il trovatore: Atto IV, scena 2. “Ai nostri monti ritorneremo” (Azucena, Manrico)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi2:05
17Il trovatore: Atto IV, Scena II. "Che! ... Non m'inganna!" (Manrico, Leonora, Azucena, Count)
recording engineer:
Anthony Salvatore (engineer) (in 1969-08)
producer:
Richard Mohr (producer)
baritone vocals:
Sherrill Milnes (baritone)
mezzo-soprano vocals:
Fiorenza Cossotto (mezzo soprano)
soprano vocals:
Leontyne Price (soprano)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1969-08)
conductor:
Zubin Mehta (conductor) (in 1969-08)
phonographic copyright (℗) by:
BMG Entertainment (in 1970)
recorded at:
Walthamstow Assembly Hall in London (Greater London, which includes the City of London) (in 1969-08)
recording of:
Il trovatore: Atto IV, scena 2. “Che! Non m’inganna quel fioco lume?” (Manrico, Leonora, Azucena, Conte Luna)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi9:50

Credits

Release

illustration:E. Ross (illustrator, for cover paintings)
distributed by:BMG (the former Bertelsmann Music Group, defunct since 2004-08-05; for releases dated 2008 and later, see annotation)
copyrighted (©) by:BMG Entertainment (in 1998)
ASIN:US: B000009NIY [info]