Classical Collection, Volume 2

~ Release by Various Artists (see all versions of this release, 3 available)

Tracklist

CD 1
#TitleArtistRatingLength
1Der Winter, op. 8/1: Allegro
violin:
Alexander Permovalsky (violinist, possibly a Scholz fake name)
orchestra:
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998) and Südwest-Studioorchester (an Alfred Scholz pseudonym)
conductor:
Simon Addison (probably an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Heribert Münchner (conductor, pseudonym for Alfred Scholz)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: I. Allegro non molto
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”
Antonio Vivaldi53:36
2Concerto, op. 6/8: Vivace/GraveArcangelo Corelli1:11
3Tocca d-Moll, BWV 565
organ:
Hans-Christoph Becker-Foss (organist and choir leader)
recording of:
Toccata und Fuge d-Moll, BWV 565: I. Toccata
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Toccata und Fuge d-Moll, BWV 565
Johann Sebastian Bach2:26
4Hornkonzert Nr. 2, KV 417: Rondo
French horn:
Josef Dokupil (horn player, an Alfred Scholz pseudonym)
horn:
Josef Dokupil (horn player, an Alfred Scholz pseudonym) and K. Sreter (an Alfred Scholz pseudonym)
orchestra:
Mozart Festival Orchestra (an Alfred Scholz pseudonym) and Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) and Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
performer:
Kamil Streter (an Alfred Scholz pseudonym)
recording of:
Concerto for Horn no. 2 in E-flat major, K. 417: III. Rondo. Allegro - Più allegro
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1783)
part of:
Concerto for Horn no. 2 in E-flat major, K. 417
Wolfgang Amadeus Mozart4:04
5Violinkonzert: Finale
violin:
Helena Spitkova (Alfred Scholz pseudonym, violinist)
orchestra:
Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
partial recording of:
Violinkonzert in e-Moll, op. 64: III. Allegretto non troppo – Allegro molto vivace
composer:
Felix Mendelssohn (composer) (from 1838 until 1844-09-16)
revised by:
Felix Mendelssohn (composer) (in 1845)
part of:
Violinkonzert in e-Moll, op. 64
Felix Mendelssohn2:22
6Nußknacker: Ouvertüre
orchestra:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), Leipzig Philharmonic Orchestra (FICTIONAL / used for an Alfred Scholz (style) release - NOT the Philharmonie Leipzig (est. 2000)), London Festival Orchestra (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) and Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Gerhard Bosse (as used for an Alfred Scholz release - NOT the real artist), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Takao Matsumo (conductor, an Alfred Scholz pseudonym)
recording of:
The Nutcracker (suite from the ballet), op. 71a: I. Ouverture miniature. Allegro giusto
composer:
Пётр Ильич Чайковский (Russian romantic composer) (until 1892)
part of:
The Nutcracker (suite from the ballet), op. 71a
Pjotr Iljitsch Tschaikowski3:17
7Streicher-Serenade: Moderato
orchestra:
Hungarian State Orchestra (probably fictitious, or Alfred Scholz related), Nemzeti Filharmonikus zenekar (Hungarian National Philharmonic Orchestra), ORF Radio‐Symphonieorchester Wien (previously ORF-Symphonieorchester) and Stuttgarter Kammerorchester
conductor:
Milan Horvat (Croatian conductor, 1919-2014), Reinhardt Lutz and Martin Sieghart (Austrian conductor and cellist)
phonographic copyright (℗) by:
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (in 1993)
recording of:
Serenade for Strings in E major, op. 22, B. 52: I. Moderato
composer:
Antonín Dvořák (composer) (from 1875-05-03 until 1875-05-14)
revised by:
Antonín Dvořák (composer) (in 1878)
part of:
Smyčcová serenáda E dur, op. 22, B. 52
Antonín Dvořák4:31
8Leichte Kavallerie: Ouvertüre, Coda
orchestra:
Orchestre philharmonique de l’ORTF
conductor:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Leichte Kavallerie: Ouvertüre
composer:
Franz von Suppè (composer)
part of:
Leichte Kavallerie
Franz von Suppé1:28
9Childrens Corner: Cake-walk
piano:
Peter Schmalfuss (pianist)
recording of:
Children’s Corner, L. 113: VI. Golliwogg’s Cake-Walk (original piano version)
composer:
Claude Debussy (composer) (from 1906 until 1908-07)
part of:
Children’s Corner, L. 113, CD 119 (original piano version)
Claude Debussy2:39
10Minuten-Walzer
piano:
Peter Schmalfuss (pianist) and Sylvia Caprova (pianist)
recording of:
Waltz no. 6 in D-flat major, op. 64 no. 1 “Minute Waltz”
composer:
Fryderyk Chopin (composer) (from 1846 until 1847)
part of:
Waltzes, op. 64
Fryderyk Chopin1:50
11Brandenburg Konzert Nr. 1: Allegro
violin:
J. Brezina (violinist)
orchestra:
Camerata Labacensis (Slovenian chamber orchestra), Camerata Romana (an Alfred Scholz pseudonym), Hamburger Symphoniker, Musici di San Marco (an Alfred Scholz pseudonym), Philharmonia Slavonia (Alfred Scholz pseudonym) and Südwest-Studioorchester (an Alfred Scholz pseudonym)
conductor:
Karel Brazda (an Alfred Scholz pseudonym), Eugen Duvier (conductor, an Alfred Scholz pseudonym), Francesco Macci (an Alfred Scholz pseudonym), Heribert Münchner (conductor, pseudonym for Alfred Scholz) and Gabor Ötvös
recording of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046: I.
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046
Johann Sebastian Bach4:00
12Kaiser-Quartett: Adagio (Thema)Joseph Haydn1:48
13Romantische Orgelwerke: Choral
organ:
Szabó Imre (organist)
partial recording of:
Trois chorals pour orgue
composer:
César Franck (Belgian-born French composer)
César Franck4:18
14Elvira Madigan KV 467: Andante
piano:
Vilmos Fischer (pianist, an Alfred Scholz pseudonym) and Svetlana Stanceva (pianist, an Alfred Scholz pseudonym)
orchestra:
Mozart Festival Orchestra (an Alfred Scholz pseudonym) and Vienna Mozart Ensemble (an Alfred Scholz pseudonym)
conductor:
Herbert Kraus (conductor, an Alfred Scholz pseudonym) and Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Concerto for Piano no. 21 in C major, K. 467: II. Andante
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1785-03-09)
part of:
Concerto for Piano no. 21 in C major, K. 467
Wolfgang Amadeus Mozart35:36
159. Symphony: Finale (Coda)
choir vocals:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai (Ode an die Freude / Ode to Joy)
composer:
Ludwig van Beethoven (German composer) (from 1822 until 1824)
librettist:
Friedrich Schiller (German poet and playwright)
is based on:
An die Freude
part of:
Symphony no. 9 in D minor, op. 125 “Choral”
Ludwig van Beethoven10:15
16Klavierwerke: Waldesrauschen
piano:
Dieter Goldmann (pianist, Alfred Scholz related)
recording of:
Zwei Konzertetüden, S. 145, Nr. 1: Waldesrauschen
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1862 until 1863)
part of:
Zwei Konzertetüden, S. 145
Franz Liszt4:04
17Polowetzer Tänze: Allegro
orchestra:
London Philharmonic Orchestra (LPO)
conductor:
Laurence Siegel (fictitious conductor, Alfred Scholz pseudonym)
partial recording of:
Polovtsian Dances (from Prince Igor, completed after Borodin's death, ca. 1890)
composer:
Александр Порфирьевич Бородин (Russian composer)
arranger:
Александр Константинович Глазунов (Russian composer, 1865–1936) and Николай Андреевич Римский‐Корсаков (Russian composer)
Alexander Borodin2:20
18Die Moldau: Die Quellen
orchestra:
London Symphony Orchestra
conductor:
Alfred Scholz
partial recording of:
Má vlast: II. Vltava, JB 1:112/2 (Die Moldau)
composer:
Bedřich Smetana (composer) (from 1874-11-20 until 1874-12-08)
part of:
B. number catalogue by František Bartoš (number: B. 111)
is based on:
La Mantovana
part of:
Má vlast, JB 1:112 (My Country / My Fatherland)
Bedřich Smetana4:18
19Der Titan: Stürmisch (Finale)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
conductor:
Vladimir Petroschoff (conductor, an Alfred Scholz pseudonym)
recording of:
Symphony no. 1 in D major “Titan”: IV. Stürmisch bewegt
composer:
Gustav Mahler (composer) (from 1884 until 1888)
part of:
Symphony no. 1 in D major “Titan”
Gustav Mahler4:23
20Tritsch-Tratsch: Polka, op. 214
orchestra:
People's Opera Orchestra, Vienna and Strauss-Orchester Wien (Alfred Scholz pseudonym; also Vienna Strauss Orchestra)
conductor:
Joseph Francek (conductor, pseudonym for Alfred Scholz) and Alfred Scholz
performer:
Orchester der Wiener Volksoper
recording of:
Tritsch–Tratsch Polka, op. 214
composer:
Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 214)
Johann Strauss II2:41