St Matthew Passion

~ Release by J.S. Bach; Academy Of Ancient Music, Gilchrist • Rose • Riches • Watts • Connolly • Hobbs • Maltman • Choir of the AAM • Egarr (see all versions of this release, 2 available)

Tracklist

▼ Digital Media 1
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1St. Matthew Passion, BWV 244 (1727 version), Part I: Chorus: Kommt, ihr Töchter, helft mir klagen
orchestra:
Academy of Ancient Music (from 2014-04-20 until 2014-04-27)
conductor:
Richard Egarr (conductor) (from 2014-04-20 until 2014-04-27)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 2014-04-20 until 2014-04-27)
recording of:
Matthäus-Passion, BWV 244: Teil I, I. Chor I & II "Kommt, ihr Töchter, helft mir klagen" (from 2014-04-20 until 2014-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
J.S. Bach, Academy Of Ancient Music, Gilchrist • Rose • Riches • Watts • Connolly • Hobbs • Maltman • Choir of the AAM • Egarr6:25
2St. Matthew Passion, BWV 244 (1727 version), Part I: Recitativo (Evangelista, Jesus): Da Jesus diese Rede vollendet hatte
orchestra:
Academy of Ancient Music (from 2014-04-20 until 2014-04-27)
conductor:
Richard Egarr (conductor) (from 2014-04-20 until 2014-04-27)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 2014-04-20 until 2014-04-27)
recording of:
Matthäus-Passion, BWV 244: Teil I, II. Rezitativ (Evangelist, Jesus) "Da Jesus diese Rede vollendet hatte" (from 2014-04-20 until 2014-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
J.S. Bach, Academy Of Ancient Music, Gilchrist • Rose • Riches • Watts • Connolly • Hobbs • Maltman • Choir of the AAM • Egarr0:37
3St. Matthew Passion, BWV 244 (1727 version), Part I: Choral: Herzliebster Jesu, was hast du verbrochen
orchestra:
Academy of Ancient Music (from 2014-04-20 until 2014-04-27)
conductor:
Richard Egarr (conductor) (from 2014-04-20 until 2014-04-27)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 2014-04-20 until 2014-04-27)
recording of:
Matthäus-Passion, BWV 244: Teil I, III. Choral "Herzliebster Jesu, was hast du verbrochen" (from 2014-04-20 until 2014-04-27)
lyricist:
Johann Heermann
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 166)
part of:
Matthäus-Passion, BWV 244: Teil I
J.S. Bach, Academy Of Ancient Music, Gilchrist • Rose • Riches • Watts • Connolly • Hobbs • Maltman • Choir of the AAM • Egarr0:34
4St. Matthew Passion, BWV 244 (1727 version), Part I: Recitativo (Evangelista): Da versammleten sich die hohenpriester
orchestra:
Academy of Ancient Music (from 2014-04-20 until 2014-04-27)
conductor:
Richard Egarr (conductor) (from 2014-04-20 until 2014-04-27)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 2014-04-20 until 2014-04-27)
recording of:
Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) (from 2014-04-20 until 2014-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) - IVb. Cori "Ja nicht auf das Fest" - IVc. "Da nun Jesus war zu Bethanien" (Evangelista) - IVd. Coro "Wozu dienet dieser Unrat" - IVe. "Da das Jesus merkete"
J.S. Bach, Academy Of Ancient Music, Gilchrist • Rose • Riches • Watts • Connolly • Hobbs • Maltman • Choir of the AAM • Egarr0:25
5St. Matthew Passion, BWV 244 (1727 version), Part I: Chorus: Ja nicht auf das Fest
orchestra:
Academy of Ancient Music (from 2014-04-20 until 2014-04-27)
conductor:
Richard Egarr (conductor) (from 2014-04-20 until 2014-04-27)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 2014-04-20 until 2014-04-27)
recording of:
Matthäus-Passion, BWV 244: Teil I, IVb. Cori "Ja nicht auf das Fest" (from 2014-04-20 until 2014-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) - IVb. Cori "Ja nicht auf das Fest" - IVc. "Da nun Jesus war zu Bethanien" (Evangelista) - IVd. Coro "Wozu dienet dieser Unrat" - IVe. "Da das Jesus merkete"
J.S. Bach, Academy Of Ancient Music, Gilchrist • Rose • Riches • Watts • Connolly • Hobbs • Maltman • Choir of the AAM • Egarr0:14
6St. Matthew Passion, BWV 244 (1727 version), Part I: Recitativo (Evangelista): Da nun Jesus war zu Bethanien
orchestra:
Academy of Ancient Music (from 2014-04-20 until 2014-04-27)
conductor:
Richard Egarr (conductor) (from 2014-04-20 until 2014-04-27)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 2014-04-20 until 2014-04-27)
recording of:
Matthäus-Passion, BWV 244: Teil I, IVc. "Da nun Jesus war zu Bethanien" (Evangelista) (from 2014-04-20 until 2014-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) - IVb. Cori "Ja nicht auf das Fest" - IVc. "Da nun Jesus war zu Bethanien" (Evangelista) - IVd. Coro "Wozu dienet dieser Unrat" - IVe. "Da das Jesus merkete"
J.S. Bach, Academy Of Ancient Music, Gilchrist • Rose • Riches • Watts • Connolly • Hobbs • Maltman • Choir of the AAM • Egarr0:28
7St. Matthew Passion, BWV 244 (1727 version), Part I: Chorus: Wozu dienet dieser unrat?
orchestra:
Academy of Ancient Music (from 2014-04-20 until 2014-04-27)
conductor:
Richard Egarr (conductor) (from 2014-04-20 until 2014-04-27)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 2014-04-20 until 2014-04-27)
recording of:
Matthäus-Passion, BWV 244: Teil I, IVd. Coro "Wozu dienet dieser Unrat" (from 2014-04-20 until 2014-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) - IVb. Cori "Ja nicht auf das Fest" - IVc. "Da nun Jesus war zu Bethanien" (Evangelista) - IVd. Coro "Wozu dienet dieser Unrat" - IVe. "Da das Jesus merkete"
J.S. Bach, Academy Of Ancient Music, Gilchrist • Rose • Riches • Watts • Connolly • Hobbs • Maltman • Choir of the AAM • Egarr0:27
8St. Matthew Passion, BWV 244 (1727 version), Part I: Recitativo (Evangelista, Jesus): Da das Jesus merkete
orchestra:
Academy of Ancient Music (from 2014-04-20 until 2014-04-27)
conductor:
Richard Egarr (conductor) (from 2014-04-20 until 2014-04-27)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 2014-04-20 until 2014-04-27)
recording of:
Matthäus-Passion, BWV 244: Teil I, IVe. "Da das Jesus merkete" (Evangelista, Jesus) (from 2014-04-20 until 2014-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) - IVb. Cori "Ja nicht auf das Fest" - IVc. "Da nun Jesus war zu Bethanien" (Evangelista) - IVd. Coro "Wozu dienet dieser Unrat" - IVe. "Da das Jesus merkete"
J.S. Bach, Academy Of Ancient Music, Gilchrist • Rose • Riches • Watts • Connolly • Hobbs • Maltman • Choir of the AAM • Egarr1:12
9St. Matthew Passion, BWV 244 (1727 version), Part I: Recitativo (Alto): Du lieber Heiland du
orchestra:
Academy of Ancient Music (from 2014-04-20 until 2014-04-27)
conductor:
Richard Egarr (conductor) (from 2014-04-20 until 2014-04-27)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 2014-04-20 until 2014-04-27)
recording of:
Matthäus-Passion, BWV 244: Teil I, V. Accompagnato-Rezitativ (Alt) "Du lieber Heiland du" (from 2014-04-20 until 2014-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
J.S. Bach, Academy Of Ancient Music, Gilchrist • Rose • Riches • Watts • Connolly • Hobbs • Maltman • Choir of the AAM • Egarr0:53
10St. Matthew Passion, BWV 244 (1727 version), Part I: Aria (Alto): Buß und Reu
orchestra:
Academy of Ancient Music (from 2014-04-20 until 2014-04-27)
conductor:
Richard Egarr (conductor) (from 2014-04-20 until 2014-04-27)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 2014-04-20 until 2014-04-27)
recording of:
Matthäus-Passion, BWV 244: Teil I, VI. Arie (Alt) "Buß und Reu" (from 2014-04-20 until 2014-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
J.S. Bach, Academy Of Ancient Music, Gilchrist • Rose • Riches • Watts • Connolly • Hobbs • Maltman • Choir of the AAM • Egarr4:18
11St. Matthew Passion, BWV 244 (1727 version), Part I: Recitativo (Evangelista, Judas): Da ging hin der Zwölfen einer
orchestra:
Academy of Ancient Music (from 2014-04-20 until 2014-04-27)
conductor:
Richard Egarr (conductor) (from 2014-04-20 until 2014-04-27)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 2014-04-20 until 2014-04-27)
recording of:
Matthäus-Passion, BWV 244: Teil I, VII. Rezitativ (Evangelist, Judas) "Da ging hin der Zwölfen einer" (from 2014-04-20 until 2014-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
J.S. Bach, Academy Of Ancient Music, Gilchrist • Rose • Riches • Watts • Connolly • Hobbs • Maltman • Choir of the AAM • Egarr0:35
12St. Matthew Passion, BWV 244 (1727 version), Part I: Aria (Soprano): Blute nur, du liebes Herz!
orchestra:
Academy of Ancient Music (from 2014-04-20 until 2014-04-27)
conductor:
Richard Egarr (conductor) (from 2014-04-20 until 2014-04-27)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 2014-04-20 until 2014-04-27)
recording of:
Matthäus-Passion, BWV 244: Teil I, VIII. Arie (Sopran) "Blute nur, du liebes Herz" (from 2014-04-20 until 2014-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
J.S. Bach, Academy Of Ancient Music, Gilchrist • Rose • Riches • Watts • Connolly • Hobbs • Maltman • Choir of the AAM • Egarr4:08
13St. Matthew Passion, BWV 244 (1727 version), Part I: Recitativo (Evangelista): Aber am ersten Tage der süßen Brot
orchestra:
Academy of Ancient Music (from 2014-04-20 until 2014-04-27)
conductor:
Richard Egarr (conductor) (from 2014-04-20 until 2014-04-27)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 2014-04-20 until 2014-04-27)
recording of:
Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" (Evangelista) (from 2014-04-20 until 2014-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" - IXb. Coro "Wo willst du, dass wir dir bereiten" - IXc. "Er sprach: Gehet hin in die Stadt" - IXd. "Und sie wurden sehr betrübt" - IXe. Coro "Herr, bin ichs"
J.S. Bach, Academy Of Ancient Music, Gilchrist • Rose • Riches • Watts • Connolly • Hobbs • Maltman • Choir of the AAM • Egarr0:13
14St. Matthew Passion, BWV 244 (1727 version), Part I: Chorus: Wo willst du, daß wir dir bereiten
orchestra:
Academy of Ancient Music (from 2014-04-20 until 2014-04-27)
conductor:
Richard Egarr (conductor) (from 2014-04-20 until 2014-04-27)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 2014-04-20 until 2014-04-27)
recording of:
Matthäus-Passion, BWV 244: Teil I, IXb. Coro "Wo willst du, dass wir dir bereiten" (from 2014-04-20 until 2014-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" - IXb. Coro "Wo willst du, dass wir dir bereiten" - IXc. "Er sprach: Gehet hin in die Stadt" - IXd. "Und sie wurden sehr betrübt" - IXe. Coro "Herr, bin ichs"
J.S. Bach, Academy Of Ancient Music, Gilchrist • Rose • Riches • Watts • Connolly • Hobbs • Maltman • Choir of the AAM • Egarr0:21
15St. Matthew Passion, BWV 244 (1727 version), Part I: Recitativo (Evangelista, Jesus): Er sprach: Gehet hin in die Stadt
orchestra:
Academy of Ancient Music (from 2014-04-20 until 2014-04-27)
conductor:
Richard Egarr (conductor) (from 2014-04-20 until 2014-04-27)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 2014-04-20 until 2014-04-27)
recording of:
Matthäus-Passion, BWV 244: Teil I, IXc. "Er sprach: Gehet hin in die Stadt" (Evangelista, Jesus) (from 2014-04-20 until 2014-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" - IXb. Coro "Wo willst du, dass wir dir bereiten" - IXc. "Er sprach: Gehet hin in die Stadt" - IXd. "Und sie wurden sehr betrübt" - IXe. Coro "Herr, bin ichs"
J.S. Bach, Academy Of Ancient Music, Gilchrist • Rose • Riches • Watts • Connolly • Hobbs • Maltman • Choir of the AAM • Egarr1:07
16St. Matthew Passion, BWV 244 (1727 version), Part I: Recitativo (Evangelista): Und sie wurden sehr betrübt
orchestra:
Academy of Ancient Music (from 2014-04-20 until 2014-04-27)
conductor:
Richard Egarr (conductor) (from 2014-04-20 until 2014-04-27)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 2014-04-20 until 2014-04-27)
recording of:
Matthäus-Passion, BWV 244: Teil I, IXd. "Und sie wurden sehr betrübt" (Evangelista) (from 2014-04-20 until 2014-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" - IXb. Coro "Wo willst du, dass wir dir bereiten" - IXc. "Er sprach: Gehet hin in die Stadt" - IXd. "Und sie wurden sehr betrübt" - IXe. Coro "Herr, bin ichs"
J.S. Bach, Academy Of Ancient Music, Gilchrist • Rose • Riches • Watts • Connolly • Hobbs • Maltman • Choir of the AAM • Egarr0:11
17St. Matthew Passion, BWV 244 (1727 version), Part I: Chorus: Herr, bin ichs?
orchestra:
Academy of Ancient Music (from 2014-04-20 until 2014-04-27)
conductor:
Richard Egarr (conductor) (from 2014-04-20 until 2014-04-27)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 2014-04-20 until 2014-04-27)
recording of:
Matthäus-Passion, BWV 244: Teil I, IXe. Coro "Herr, bin ichs" (from 2014-04-20 until 2014-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" - IXb. Coro "Wo willst du, dass wir dir bereiten" - IXc. "Er sprach: Gehet hin in die Stadt" - IXd. "Und sie wurden sehr betrübt" - IXe. Coro "Herr, bin ichs"
J.S. Bach, Academy Of Ancient Music, Gilchrist • Rose • Riches • Watts • Connolly • Hobbs • Maltman • Choir of the AAM • Egarr0:10
18St. Matthew Passion, BWV 244 (1727 version), Part I: Choral: Ich bins, ich sollte büßen
orchestra:
Academy of Ancient Music (from 2014-04-20 until 2014-04-27)
conductor:
Richard Egarr (conductor) (from 2014-04-20 until 2014-04-27)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 2014-04-20 until 2014-04-27)
recording of:
Matthäus-Passion, BWV 244: Teil I, X. Choral "Ich bin's, ich sollte büßen" (from 2014-04-20 until 2014-04-27)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 294)
part of:
Matthäus-Passion, BWV 244: Teil I
J.S. Bach, Academy Of Ancient Music, Gilchrist • Rose • Riches • Watts • Connolly • Hobbs • Maltman • Choir of the AAM • Egarr0:36
19St. Matthew Passion, BWV 244 (1727 version), Part I: Rectativo (Evangelista, Jesus, Judas): Er antwortete und sprach
orchestra:
Academy of Ancient Music (from 2014-04-20 until 2014-04-27)
conductor:
Richard Egarr (conductor) (from 2014-04-20 until 2014-04-27)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 2014-04-20 until 2014-04-27)
recording of:
Matthäus-Passion, BWV 244: Teil I, XI. Rezitativ (Evangelist, Jesus, Judas) "Er antwortete und sprach" (from 2014-04-20 until 2014-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
J.S. Bach, Academy Of Ancient Music, Gilchrist • Rose • Riches • Watts • Connolly • Hobbs • Maltman • Choir of the AAM • Egarr2:39
20St. Matthew Passion, BWV 244 (1727 version), Part I: Recitativo (Soprano): Wiewohl mein Herz in Tränen schwimmt
orchestra:
Academy of Ancient Music (from 2014-04-20 until 2014-04-27)
conductor:
Richard Egarr (conductor) (from 2014-04-20 until 2014-04-27)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 2014-04-20 until 2014-04-27)
recording of:
Matthäus-Passion, BWV 244: Teil I, XII. Accompagnato-Rezitativ (Sopran) "Wiewohl mein Herz in Tränen schwimmt" (from 2014-04-20 until 2014-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
J.S. Bach, Academy Of Ancient Music, Gilchrist • Rose • Riches • Watts • Connolly • Hobbs • Maltman • Choir of the AAM • Egarr1:10
21St. Matthew Passion, BWV 244 (1727 version), Part I: Aria (Soprano): Ich will dir mein Herze schenken
orchestra:
Academy of Ancient Music (from 2014-04-20 until 2014-04-27)
conductor:
Richard Egarr (conductor) (from 2014-04-20 until 2014-04-27)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 2014-04-20 until 2014-04-27)
recording of:
Matthäus-Passion, BWV 244: Teil I, XIII. Arie (Sopran) "Ich will dir mein Herze schenken" (from 2014-04-20 until 2014-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
J.S. Bach, Academy Of Ancient Music, Gilchrist • Rose • Riches • Watts • Connolly • Hobbs • Maltman • Choir of the AAM • Egarr3:24
22St. Matthew Passion, BWV 244 (1727 version), Part I: Recitativo (Evangelista): Und da sie den Lobgesang gesprochen hatten
orchestra:
Academy of Ancient Music (from 2014-04-20 until 2014-04-27)
conductor:
Richard Egarr (conductor) (from 2014-04-20 until 2014-04-27)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 2014-04-20 until 2014-04-27)
recording of:
Matthäus-Passion, BWV 244: Teil I, XIV. Rezitativ (Evangelist, Jesus) "Und da sie den Lobgesang gesprochen hatten" (from 2014-04-20 until 2014-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
J.S. Bach, Academy Of Ancient Music, Gilchrist • Rose • Riches • Watts • Connolly • Hobbs • Maltman • Choir of the AAM • Egarr0:58
23St. Matthew Passion, BWV 244 (1727 version), Part I: Choral: Erkenne mich, mein Hüter
orchestra:
Academy of Ancient Music (from 2014-04-20 until 2014-04-27)
conductor:
Richard Egarr (conductor) (from 2014-04-20 until 2014-04-27)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 2014-04-20 until 2014-04-27)
recording of:
Matthäus-Passion, BWV 244: Teil I, XV. Choral "Erkenne mich, mein Hüter" (from 2014-04-20 until 2014-04-27)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 163)
part of:
Matthäus-Passion, BWV 244: Teil I
J.S. Bach, Academy Of Ancient Music, Gilchrist • Rose • Riches • Watts • Connolly • Hobbs • Maltman • Choir of the AAM • Egarr0:52
24St. Matthew Passion, BWV 244 (1727 version), Part I: Recitativo (Evangelista, Petru): Petrus aber antwortete und sprach zu ihm
orchestra:
Academy of Ancient Music (from 2014-04-20 until 2014-04-27)
conductor:
Richard Egarr (conductor) (from 2014-04-20 until 2014-04-27)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 2014-04-20 until 2014-04-27)
recording of:
Matthäus-Passion, BWV 244: Teil I, XVI. Rezitativ (Evangelist, Petrus, Jesus) "Petrus aber antwortete und sprach zu ihm" (from 2014-04-20 until 2014-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
J.S. Bach, Academy Of Ancient Music, Gilchrist • Rose • Riches • Watts • Connolly • Hobbs • Maltman • Choir of the AAM • Egarr0:55
25St. Matthew Passion, BWV 244 (1727 version), Part I: Choral: Es dient zu meinem Freuden
orchestra:
Academy of Ancient Music (from 2014-04-20 until 2014-04-27)
conductor:
Richard Egarr (conductor) (from 2014-04-20 until 2014-04-27)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 2014-04-20 until 2014-04-27)
J.S. Bach, Academy Of Ancient Music, Gilchrist • Rose • Riches • Watts • Connolly • Hobbs • Maltman • Choir of the AAM • Egarr0:52
26St. Matthew Passion, BWV 244 (1727 version), Part I: Recitativo (Evangelista, Jesus): Da kam Jesus mit ihnen zu einem Hofe
orchestra:
Academy of Ancient Music (from 2014-04-20 until 2014-04-27)
conductor:
Richard Egarr (conductor) (from 2014-04-20 until 2014-04-27)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 2014-04-20 until 2014-04-27)
recording of:
Matthäus-Passion, BWV 244: Teil I, XVIII. Rezitativ (Evangelist, Jesus) "Da kam Jesus mit ihnen zu einem Hofe" (from 2014-04-20 until 2014-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
J.S. Bach, Academy Of Ancient Music, Gilchrist • Rose • Riches • Watts • Connolly • Hobbs • Maltman • Choir of the AAM • Egarr1:29
27St. Matthew Passion, BWV 244 (1727 version), Part I: Recitativo (Tenor, Choir II): O Schmerz! hier zittert das gequälte Herz
orchestra:
Academy of Ancient Music (from 2014-04-20 until 2014-04-27)
conductor:
Richard Egarr (conductor) (from 2014-04-20 until 2014-04-27)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 2014-04-20 until 2014-04-27)
recording of:
Matthäus-Passion, BWV 244: Teil I, XIX. Accompagnato-Rezitativ (Tenor) und Choral (Chor II) "O Schmerz! Hier zittert das gequälte Herz" (from 2014-04-20 until 2014-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
J.S. Bach, Academy Of Ancient Music, Gilchrist • Rose • Riches • Watts • Connolly • Hobbs • Maltman • Choir of the AAM • Egarr1:35
28St. Matthew Passion, BWV 244 (1727 version), Part I: Aria (Tenor, Choir II): Ich will bei meinem Jesu wachen
orchestra:
Academy of Ancient Music (from 2014-04-20 until 2014-04-27)
conductor:
Richard Egarr (conductor) (from 2014-04-20 until 2014-04-27)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 2014-04-20 until 2014-04-27)
recording of:
Matthäus-Passion, BWV 244: Teil I, XX. Arie (Tenor) und Chor II "Ich will bei meinen Jesu wachen" (from 2014-04-20 until 2014-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
J.S. Bach, Academy Of Ancient Music, Gilchrist • Rose • Riches • Watts • Connolly • Hobbs • Maltman • Choir of the AAM • Egarr5:00
29St. Matthew Passion, BWV 244 (1727 version), Part I: Recitativo (Evangelista, Jesus): Und ging hin ein wenig
orchestra:
Academy of Ancient Music (from 2014-04-20 until 2014-04-27)
conductor:
Richard Egarr (conductor) (from 2014-04-20 until 2014-04-27)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 2014-04-20 until 2014-04-27)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXI. Rezitativ (Evangelist, Jesus) "Und ging hin ein wenig" (from 2014-04-20 until 2014-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
J.S. Bach, Academy Of Ancient Music, Gilchrist • Rose • Riches • Watts • Connolly • Hobbs • Maltman • Choir of the AAM • Egarr0:35
30St. Matthew Passion, BWV 244 (1727 version), Part I: Recitativo (Bass): Der Heiland fällt vor seinem vater nieder
orchestra:
Academy of Ancient Music (from 2014-04-20 until 2014-04-27)
conductor:
Richard Egarr (conductor) (from 2014-04-20 until 2014-04-27)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 2014-04-20 until 2014-04-27)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXII. Accompagnato-Rezitativ (Bass) "Der Heiland fällt vor seinem Vater nieder" (from 2014-04-20 until 2014-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
J.S. Bach, Academy Of Ancient Music, Gilchrist • Rose • Riches • Watts • Connolly • Hobbs • Maltman • Choir of the AAM • Egarr0:58
31St. Matthew Passion, BWV 244 (1727 version), Part I: Aria (Bass): Gerne will ich mich bequemen
orchestra:
Academy of Ancient Music (from 2014-04-20 until 2014-04-27)
conductor:
Richard Egarr (conductor) (from 2014-04-20 until 2014-04-27)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 2014-04-20 until 2014-04-27)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXIII. Arie (Bass) "Gerne will ich mich bequemen" (from 2014-04-20 until 2014-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
J.S. Bach, Academy Of Ancient Music, Gilchrist • Rose • Riches • Watts • Connolly • Hobbs • Maltman • Choir of the AAM • Egarr4:14
32St. Matthew Passion, BWV 244 (1727 version), Part I: Recitativo (Evangelista, Jesus): Und er kam zu seinen Jüngern
orchestra:
Academy of Ancient Music (from 2014-04-20 until 2014-04-27)
conductor:
Richard Egarr (conductor) (from 2014-04-20 until 2014-04-27)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 2014-04-20 until 2014-04-27)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXIV. Rezitativ (Evangelist, Jesus) "Und er kam zu seinen Jüngern" (from 2014-04-20 until 2014-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
J.S. Bach, Academy Of Ancient Music, Gilchrist • Rose • Riches • Watts • Connolly • Hobbs • Maltman • Choir of the AAM • Egarr1:00
33St. Matthew Passion, BWV 244 (1727 version), Part I: Choral: Was mein Gott will, das g’scheh allzeit
orchestra:
Academy of Ancient Music (from 2014-04-20 until 2014-04-27)
conductor:
Richard Egarr (conductor) (from 2014-04-20 until 2014-04-27)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 2014-04-20 until 2014-04-27)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXV. Choral "Was mein Gott will, das g'scheh allzeit" (from 2014-04-20 until 2014-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 342)
part of:
Matthäus-Passion, BWV 244: Teil I
J.S. Bach, Academy Of Ancient Music, Gilchrist • Rose • Riches • Watts • Connolly • Hobbs • Maltman • Choir of the AAM • Egarr0:51
34St. Matthew Passion, BWV 244 (1727 version), Part I: Recitativo (Evangelista, Jesus, Judas): Und er kam und fand sie aber schlafend
orchestra:
Academy of Ancient Music (from 2014-04-20 until 2014-04-27)
conductor:
Richard Egarr (conductor) (from 2014-04-20 until 2014-04-27)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 2014-04-20 until 2014-04-27)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXVI. Rezitativ (Evangelist, Jesus) "Und er kam und fand sie aber schlafend" (from 2014-04-20 until 2014-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
J.S. Bach, Academy Of Ancient Music, Gilchrist • Rose • Riches • Watts • Connolly • Hobbs • Maltman • Choir of the AAM • Egarr2:09
35St. Matthew Passion, BWV 244 (1727 version), Part I: Aria (Soprano, Alto, Choir II): So ist mein Jesus nun gefangen
orchestra:
Academy of Ancient Music (from 2014-04-20 until 2014-04-27)
conductor:
Richard Egarr (conductor) (from 2014-04-20 until 2014-04-27)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 2014-04-20 until 2014-04-27)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXVIIa. Arie (Sopran, Alt) und Chor "So ist mein Jesus nun gefangen" (from 2014-04-20 until 2014-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, XXVII. Arie (Sopran, Alt) und Chor "So ist mein Jesus nun gefangen" - XXVIIb. Cori "Sind Blitze, sind Donner in Wolken verschwunden?"
J.S. Bach, Academy Of Ancient Music, Gilchrist • Rose • Riches • Watts • Connolly • Hobbs • Maltman • Choir of the AAM • Egarr3:20
36St. Matthew Passion, BWV 244 (1727 version), Part I: Chorus: Sind Blitze, sind Donner
orchestra:
Academy of Ancient Music (from 2014-04-20 until 2014-04-27)
conductor:
Richard Egarr (conductor) (from 2014-04-20 until 2014-04-27)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 2014-04-20 until 2014-04-27)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXVIIb. "Sind Blitze, sind Donner in Wolken verschwunden" (Chori) (from 2014-04-20 until 2014-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, XXVII. Arie (Sopran, Alt) und Chor "So ist mein Jesus nun gefangen" - XXVIIb. Cori "Sind Blitze, sind Donner in Wolken verschwunden?"
J.S. Bach, Academy Of Ancient Music, Gilchrist • Rose • Riches • Watts • Connolly • Hobbs • Maltman • Choir of the AAM • Egarr1:01
37St. Matthew Passion, BWV 244 (1727 version), Part I: Recitativo (Evangelista, Jesus): Und siehe, einer aus denen, die mit Jesu waren
orchestra:
Academy of Ancient Music (from 2014-04-20 until 2014-04-27)
conductor:
Richard Egarr (conductor) (from 2014-04-20 until 2014-04-27)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 2014-04-20 until 2014-04-27)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXVIII. Rezitativ (Evangelist, Jesus) "Und siehe, einer aus denen, die mit Jesu waren" (from 2014-04-20 until 2014-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
J.S. Bach, Academy Of Ancient Music, Gilchrist • Rose • Riches • Watts • Connolly • Hobbs • Maltman • Choir of the AAM • Egarr1:58
38St. Matthew Passion, BWV 244 (1727 version), Part I: Choral: Jesum laß ich nicht von mir
orchestra:
Academy of Ancient Music (from 2014-04-20 until 2014-04-27)
conductor:
Richard Egarr (conductor) (from 2014-04-20 until 2014-04-27)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 2014-04-20 until 2014-04-27)
recording of:
Matthäus-Passion, BWV 244b: XXIX Choral "Meinen Jesum lass' ich nicht" (Choral from the first version of the passion) (from 2014-04-20 until 2014-04-27)
lyricist:
Christian Keymann
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 247)
J.S. Bach, Academy Of Ancient Music, Gilchrist • Rose • Riches • Watts • Connolly • Hobbs • Maltman • Choir of the AAM • Egarr0:49
39St. Matthew Passion, BWV 244 (1727 version), Part II: Aria (Bass, Choir II): Ach, nun ist mein Jesus hin!
orchestra:
Academy of Ancient Music (from 2014-04-20 until 2014-04-27)
conductor:
Richard Egarr (conductor) (from 2014-04-20 until 2014-04-27)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 2014-04-20 until 2014-04-27)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXX. Arie (Alt) und Chor "Ach! nun ist mein Jesus hin" (from 2014-04-20 until 2014-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
J.S. Bach, Academy Of Ancient Music, Gilchrist • Rose • Riches • Watts • Connolly • Hobbs • Maltman • Choir of the AAM • Egarr3:17
40St. Matthew Passion, BWV 244 (1727 version), Part II: Recitativo (Evangelista): Due aber Jesum gegriffen hatten
orchestra:
Academy of Ancient Music (from 2014-04-20 until 2014-04-27)
conductor:
Richard Egarr (conductor) (from 2014-04-20 until 2014-04-27)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 2014-04-20 until 2014-04-27)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXI. Rezitativ (Evangelist) "Die aber Jesum gegriffen hatten" (from 2014-04-20 until 2014-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
J.S. Bach, Academy Of Ancient Music, Gilchrist • Rose • Riches • Watts • Connolly • Hobbs • Maltman • Choir of the AAM • Egarr1:04
41St. Matthew Passion, BWV 244 (1727 version), Part II: Choral: Mir hat die Welt trüglich gericht’
orchestra:
Academy of Ancient Music (from 2014-04-20 until 2014-04-27)
conductor:
Richard Egarr (conductor) (from 2014-04-20 until 2014-04-27)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 2014-04-20 until 2014-04-27)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXII. Choral "Mir hat die Welt trüglich gericht'" (from 2014-04-20 until 2014-04-27)
lyricist:
Adam Reusner
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 213)
part of:
Matthäus-Passion, BWV 244: Teil II
J.S. Bach, Academy Of Ancient Music, Gilchrist • Rose • Riches • Watts • Connolly • Hobbs • Maltman • Choir of the AAM • Egarr0:36
42St. Matthew Passion, BWV 244 (1727 version), Part II: Recitativo (Evangelista, Testis I, II, Pontifex): Und wiewohl viel falsche Zeugen
orchestra:
Academy of Ancient Music (from 2014-04-20 until 2014-04-27)
conductor:
Richard Egarr (conductor) (from 2014-04-20 until 2014-04-27)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 2014-04-20 until 2014-04-27)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIII. Rezitativ (Evangelist, 2 Zeugen, Hohepriester) "Und wiewohl viel falsche Zeugen herzutraten" (from 2014-04-20 until 2014-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
J.S. Bach, Academy Of Ancient Music, Gilchrist • Rose • Riches • Watts • Connolly • Hobbs • Maltman • Choir of the AAM • Egarr1:05
43St. Matthew Passion, BWV 244 (1727 version), Part II: Recitativo (Tenor): Mein Jesus schweigt zu falschen Lügen stille
orchestra:
Academy of Ancient Music (from 2014-04-20 until 2014-04-27)
conductor:
Richard Egarr (conductor) (from 2014-04-20 until 2014-04-27)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 2014-04-20 until 2014-04-27)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIV. Accompagnato-Rezitativ (Tenor) "Mein Jesus schweigt zu falschen Lügen stille" (from 2014-04-20 until 2014-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
J.S. Bach, Academy Of Ancient Music, Gilchrist • Rose • Riches • Watts • Connolly • Hobbs • Maltman • Choir of the AAM • Egarr0:57
44St. Matthew Passion, BWV 244 (1727 version), Part II: Aria (Tenor): Geduld, Geduld!
orchestra:
Academy of Ancient Music (from 2014-04-20 until 2014-04-27)
conductor:
Richard Egarr (conductor) (from 2014-04-20 until 2014-04-27)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 2014-04-20 until 2014-04-27)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXV. Arie (Tenor) "Geduld! Wenn mich falsche Zungen stechen" (from 2014-04-20 until 2014-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
J.S. Bach, Academy Of Ancient Music, Gilchrist • Rose • Riches • Watts • Connolly • Hobbs • Maltman • Choir of the AAM • Egarr3:32
45St. Matthew Passion, BWV 244 (1727 version), Part II: Recitativo (Evangelista, Pontifex, Jesus): Und der Hohenpriester antwortete
orchestra:
Academy of Ancient Music (from 2014-04-20 until 2014-04-27)
conductor:
Richard Egarr (conductor) (from 2014-04-20 until 2014-04-27)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 2014-04-20 until 2014-04-27)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) (from 2014-04-20 until 2014-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) - XXXVIb. Cori "Er ist des Todes schuldig" - XXXVIc. "Da speieten sie aus" (Evangelista) - XXXVId. Cori "Weissage uns, Christe"
J.S. Bach, Academy Of Ancient Music, Gilchrist • Rose • Riches • Watts • Connolly • Hobbs • Maltman • Choir of the AAM • Egarr1:07
46St. Matthew Passion, BWV 244 (1727 version), Part II: Chorus: Er ist des Todes schuldig!
orchestra:
Academy of Ancient Music (from 2014-04-20 until 2014-04-27)
conductor:
Richard Egarr (conductor) (from 2014-04-20 until 2014-04-27)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 2014-04-20 until 2014-04-27)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIb. "Er ist des Todes schuldig" (Chori) (from 2014-04-20 until 2014-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) - XXXVIb. Cori "Er ist des Todes schuldig" - XXXVIc. "Da speieten sie aus" (Evangelista) - XXXVId. Cori "Weissage uns, Christe"
J.S. Bach, Academy Of Ancient Music, Gilchrist • Rose • Riches • Watts • Connolly • Hobbs • Maltman • Choir of the AAM • Egarr0:10
47St. Matthew Passion, BWV 244 (1727 version), Part II: Recitativo (Evangelista): Da speieten sie aus
orchestra:
Academy of Ancient Music (from 2014-04-20 until 2014-04-27)
conductor:
Richard Egarr (conductor) (from 2014-04-20 until 2014-04-27)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 2014-04-20 until 2014-04-27)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIc. "Da speieten sie aus" (Evangelista) (from 2014-04-20 until 2014-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) - XXXVIb. Cori "Er ist des Todes schuldig" - XXXVIc. "Da speieten sie aus" (Evangelista) - XXXVId. Cori "Weissage uns, Christe"
J.S. Bach, Academy Of Ancient Music, Gilchrist • Rose • Riches • Watts • Connolly • Hobbs • Maltman • Choir of the AAM • Egarr0:13
48St. Matthew Passion, BWV 244 (1727 version), Part II: Chorus: Weissage uns, Christe
orchestra:
Academy of Ancient Music (from 2014-04-20 until 2014-04-27)
conductor:
Richard Egarr (conductor) (from 2014-04-20 until 2014-04-27)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 2014-04-20 until 2014-04-27)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVId. "Weissage uns, Christe" (Chori) (from 2014-04-20 until 2014-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) - XXXVIb. Cori "Er ist des Todes schuldig" - XXXVIc. "Da speieten sie aus" (Evangelista) - XXXVId. Cori "Weissage uns, Christe"
J.S. Bach, Academy Of Ancient Music, Gilchrist • Rose • Riches • Watts • Connolly • Hobbs • Maltman • Choir of the AAM • Egarr0:19
49St. Matthew Passion, BWV 244 (1727 version), Part II: Choral: Wer hat dich so geschlagen
orchestra:
Academy of Ancient Music (from 2014-04-20 until 2014-04-27)
conductor:
Richard Egarr (conductor) (from 2014-04-20 until 2014-04-27)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 2014-04-20 until 2014-04-27)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVII. Choral "Wer hat dich so geschlagen" (from 2014-04-20 until 2014-04-27)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 292)
part of:
Matthäus-Passion, BWV 244: Teil II
J.S. Bach, Academy Of Ancient Music, Gilchrist • Rose • Riches • Watts • Connolly • Hobbs • Maltman • Choir of the AAM • Egarr0:36
50St. Matthew Passion, BWV 244 (1727 version), Part II: Recitativo (Evangelista, Ancilla I & II, Petrus): Petrus aber saß draußen im Palast
orchestra:
Academy of Ancient Music (from 2014-04-20 until 2014-04-27)
conductor:
Richard Egarr (conductor) (from 2014-04-20 until 2014-04-27)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 2014-04-20 until 2014-04-27)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber saß draußen im Palast" (Evangelista, Ancilla I & II, Petrus) (from 2014-04-20 until 2014-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber saß draussen im Palast" (Evangelista, Ancilla I/II, Petrus) - XXXVIIIb. Coro "Wahrlich, du bist auch einer von denen" - XXXVIIIc. "Da hub er an, sich zu verfluchen" (Evangelista, Petrus)
J.S. Bach, Academy Of Ancient Music, Gilchrist • Rose • Riches • Watts • Connolly • Hobbs • Maltman • Choir of the AAM • Egarr0:54
51St. Matthew Passion, BWV 244 (1727 version), Part II: Chorus: Wahrlich, du bist auch einer von denen
orchestra:
Academy of Ancient Music (from 2014-04-20 until 2014-04-27)
conductor:
Richard Egarr (conductor) (from 2014-04-20 until 2014-04-27)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 2014-04-20 until 2014-04-27)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIb. "Wahrlich, du bist auch einer von denen" (Chorus) (from 2014-04-20 until 2014-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber saß draussen im Palast" (Evangelista, Ancilla I/II, Petrus) - XXXVIIIb. Coro "Wahrlich, du bist auch einer von denen" - XXXVIIIc. "Da hub er an, sich zu verfluchen" (Evangelista, Petrus)
J.S. Bach, Academy Of Ancient Music, Gilchrist • Rose • Riches • Watts • Connolly • Hobbs • Maltman • Choir of the AAM • Egarr0:10
52St. Matthew Passion, BWV 244 (1727 version), Part II: Recitativo (Evangelista, Petrus): Da hub er an, sich zu verfluchen
orchestra:
Academy of Ancient Music (from 2014-04-20 until 2014-04-27)
conductor:
Richard Egarr (conductor) (from 2014-04-20 until 2014-04-27)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 2014-04-20 until 2014-04-27)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIc. "Da hub er an, sich zu verfluchen" (Evangelista, Petrus) (from 2014-04-20 until 2014-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber saß draussen im Palast" (Evangelista, Ancilla I/II, Petrus) - XXXVIIIb. Coro "Wahrlich, du bist auch einer von denen" - XXXVIIIc. "Da hub er an, sich zu verfluchen" (Evangelista, Petrus)
J.S. Bach, Academy Of Ancient Music, Gilchrist • Rose • Riches • Watts • Connolly • Hobbs • Maltman • Choir of the AAM • Egarr1:17
53St. Matthew Passion, BWV 244 (1727 version), Part II: Aria (Alto): Erbarme dich, mein Gott
orchestra:
Academy of Ancient Music (from 2014-04-20 until 2014-04-27)
conductor:
Richard Egarr (conductor) (from 2014-04-20 until 2014-04-27)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 2014-04-20 until 2014-04-27)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott" (from 2014-04-20 until 2014-04-27)
orchestrator:
Ton Koopman (conductor, organist and harpsichordist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
J.S. Bach, Academy Of Ancient Music, Gilchrist • Rose • Riches • Watts • Connolly • Hobbs • Maltman • Choir of the AAM • Egarr6:41
54St. Matthew Passion, BWV 244 (1727 version), Part II: Choral: Bin ich gleich von dir gewichen
orchestra:
Academy of Ancient Music (from 2014-04-20 until 2014-04-27)
conductor:
Richard Egarr (conductor) (from 2014-04-20 until 2014-04-27)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 2014-04-20 until 2014-04-27)
recording of:
Matthäus-Passion, BWV 244: Teil II, XL. Choral "Bin ich gleich von dir gewichen" (from 2014-04-20 until 2014-04-27)
lyricist:
Johann von Rist
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 361)
part of:
Matthäus-Passion, BWV 244: Teil II
J.S. Bach, Academy Of Ancient Music, Gilchrist • Rose • Riches • Watts • Connolly • Hobbs • Maltman • Choir of the AAM • Egarr0:48
55St. Matthew Passion, BWV 244 (1727 version), Part II: Recitativo (Evangelista, Judas): Des Morgens aber hielten alle Hohepriester
orchestra:
Academy of Ancient Music (from 2014-04-20 until 2014-04-27)
conductor:
Richard Egarr (conductor) (from 2014-04-20 until 2014-04-27)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 2014-04-20 until 2014-04-27)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIa. "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas) (from 2014-04-20 until 2014-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XLIa. "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas) - XLIb. Cori "Was gehet uns das an?" - XLIc. "Und er warf die Silberlinge in den Tempel" (Evangelista, Pontifex I/II)
J.S. Bach, Academy Of Ancient Music, Gilchrist • Rose • Riches • Watts • Connolly • Hobbs • Maltman • Choir of the AAM • Egarr0:56
56St. Matthew Passion, BWV 244 (1727 version), Part II: Chorus: Was gehet uns das an?
orchestra:
Academy of Ancient Music (from 2014-04-20 until 2014-04-27)
conductor:
Richard Egarr (conductor) (from 2014-04-20 until 2014-04-27)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 2014-04-20 until 2014-04-27)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIb. "Was gehet uns das an" (Chori) (from 2014-04-20 until 2014-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XLIa. "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas) - XLIb. Cori "Was gehet uns das an?" - XLIc. "Und er warf die Silberlinge in den Tempel" (Evangelista, Pontifex I/II)
J.S. Bach, Academy Of Ancient Music, Gilchrist • Rose • Riches • Watts • Connolly • Hobbs • Maltman • Choir of the AAM • Egarr0:08
57St. Matthew Passion, BWV 244 (1727 version), Part II: Recitativo (Evangelista, Pontifex I & II): Und er warf die Silberlinge in den Tempel
orchestra:
Academy of Ancient Music (from 2014-04-20 until 2014-04-27)
conductor:
Richard Egarr (conductor) (from 2014-04-20 until 2014-04-27)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 2014-04-20 until 2014-04-27)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIc. "Und er warf die Silberlinge in den Tempel" (Evangelista, Pontifex I & II) (from 2014-04-20 until 2014-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XLIa. "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas) - XLIb. Cori "Was gehet uns das an?" - XLIc. "Und er warf die Silberlinge in den Tempel" (Evangelista, Pontifex I/II)
J.S. Bach, Academy Of Ancient Music, Gilchrist • Rose • Riches • Watts • Connolly • Hobbs • Maltman • Choir of the AAM • Egarr0:41
58St. Matthew Passion, BWV 244 (1727 version), Part II: Aria (Bass): Gebt mir meinen Jesum wieder!
orchestra:
Academy of Ancient Music (from 2014-04-20 until 2014-04-27)
conductor:
Richard Egarr (conductor) (from 2014-04-20 until 2014-04-27)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 2014-04-20 until 2014-04-27)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLII. Aria (Basso) "Gebt mir meinen Jesum wieder" (from 2014-04-20 until 2014-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
J.S. Bach, Academy Of Ancient Music, Gilchrist • Rose • Riches • Watts • Connolly • Hobbs • Maltman • Choir of the AAM • Egarr2:37
59St. Matthew Passion, BWV 244 (1727 version), Part II: Recitativo (Evangelista, Pilatus, Jesus): Sie hielten aber einen Rat
orchestra:
Academy of Ancient Music (from 2014-04-20 until 2014-04-27)
conductor:
Richard Egarr (conductor) (from 2014-04-20 until 2014-04-27)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 2014-04-20 until 2014-04-27)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIII. "Sie hielten aber einen Rat" (Evangelista, Pilatus, Jesus) (from 2014-04-20 until 2014-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
J.S. Bach, Academy Of Ancient Music, Gilchrist • Rose • Riches • Watts • Connolly • Hobbs • Maltman • Choir of the AAM • Egarr1:49
60St. Matthew Passion, BWV 244 (1727 version), Part II: Choral: Befiehl du deine Wege
orchestra:
Academy of Ancient Music (from 2014-04-20 until 2014-04-27)
conductor:
Richard Egarr (conductor) (from 2014-04-20 until 2014-04-27)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 2014-04-20 until 2014-04-27)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIV. Choral "Befiehl du deine Wege" (from 2014-04-20 until 2014-04-27)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 159)
part of:
Matthäus-Passion, BWV 244: Teil II
J.S. Bach, Academy Of Ancient Music, Gilchrist • Rose • Riches • Watts • Connolly • Hobbs • Maltman • Choir of the AAM • Egarr0:50
61St. Matthew Passion, BWV 244 (1727 version), Part II: Recitativo (Evangelista, Pilatus, Uxor Pilati, Choir I & II): Auf das Fest
orchestra:
Academy of Ancient Music (from 2014-04-20 until 2014-04-27)
conductor:
Richard Egarr (conductor) (from 2014-04-20 until 2014-04-27)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 2014-04-20 until 2014-04-27)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVa. "Auf das Fest aber hatte der Landpfleger Gewohnheit" (Evangelista, Pilatus, Uxor Pilati, Chori) (from 2014-04-20 until 2014-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XLVa. "Auf das Fest aber hatte der Landpfleger Gewohnheit" (Evangelista, Pilatus, Uxor Pilati, Cori) - XLVb. Cori "Lass ihn kreuzigen"
J.S. Bach, Academy Of Ancient Music, Gilchrist • Rose • Riches • Watts • Connolly • Hobbs • Maltman • Choir of the AAM • Egarr1:50
62St. Matthew Passion, BWV 244 (1727 version), Part II: Chorus: Laß ihn kreuzigen!
orchestra:
Academy of Ancient Music (from 2014-04-20 until 2014-04-27)
conductor:
Richard Egarr (conductor) (from 2014-04-20 until 2014-04-27)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 2014-04-20 until 2014-04-27)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVb. "Laß ihn kreuzigen" (Chori) (from 2014-04-20 until 2014-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XLVa. "Auf das Fest aber hatte der Landpfleger Gewohnheit" (Evangelista, Pilatus, Uxor Pilati, Cori) - XLVb. Cori "Lass ihn kreuzigen"
J.S. Bach, Academy Of Ancient Music, Gilchrist • Rose • Riches • Watts • Connolly • Hobbs • Maltman • Choir of the AAM • Egarr0:15
63St. Matthew Passion, BWV 244 (1727 version), Part II: Choral: Wie wunderbarlich ist doch diese Strafe!
orchestra:
Academy of Ancient Music (from 2014-04-20 until 2014-04-27)
conductor:
Richard Egarr (conductor) (from 2014-04-20 until 2014-04-27)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 2014-04-20 until 2014-04-27)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVI. Choral "Wie wunderbarlich ist doch diese Strafe" (from 2014-04-20 until 2014-04-27)
lyricist:
Johann Heermann
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 167)
part of:
Matthäus-Passion, BWV 244: Teil II
J.S. Bach, Academy Of Ancient Music, Gilchrist • Rose • Riches • Watts • Connolly • Hobbs • Maltman • Choir of the AAM • Egarr0:32
64St. Matthew Passion, BWV 244 (1727 version), Part II: Recitativo (Evangelista, Pilatus): Der Landpfleger sagte
orchestra:
Academy of Ancient Music (from 2014-04-20 until 2014-04-27)
conductor:
Richard Egarr (conductor) (from 2014-04-20 until 2014-04-27)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 2014-04-20 until 2014-04-27)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVII. "Der Landpfleger sagte" (Evangelista, Pilatus) (from 2014-04-20 until 2014-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
J.S. Bach, Academy Of Ancient Music, Gilchrist • Rose • Riches • Watts • Connolly • Hobbs • Maltman • Choir of the AAM • Egarr0:15
65St. Matthew Passion, BWV 244 (1727 version), Part II: Recitativo (Soprano): Er hat uns allen wohlgetan
orchestra:
Academy of Ancient Music (from 2014-04-20 until 2014-04-27)
conductor:
Richard Egarr (conductor) (from 2014-04-20 until 2014-04-27)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 2014-04-20 until 2014-04-27)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVIII. Recitativo (Soprano) "Er hat uns allen wohlgetan" (from 2014-04-20 until 2014-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
J.S. Bach, Academy Of Ancient Music, Gilchrist • Rose • Riches • Watts • Connolly • Hobbs • Maltman • Choir of the AAM • Egarr1:10
66St. Matthew Passion, BWV 244 (1727 version), Part II: Aria (Soprano): Aus Liebe will mein Heiland sterben
orchestra:
Academy of Ancient Music (from 2014-04-20 until 2014-04-27)
conductor:
Richard Egarr (conductor) (from 2014-04-20 until 2014-04-27)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 2014-04-20 until 2014-04-27)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIX. Aria (Soprano) "Aus Liebe will mein Heiland sterben" (from 2014-04-20 until 2014-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
J.S. Bach, Academy Of Ancient Music, Gilchrist • Rose • Riches • Watts • Connolly • Hobbs • Maltman • Choir of the AAM • Egarr5:03
67St. Matthew Passion, BWV 244 (1727 version), Part II: Recitativo (Evangelista): Sie schrieen aber noch mehr
orchestra:
Academy of Ancient Music (from 2014-04-20 until 2014-04-27)
conductor:
Richard Egarr (conductor) (from 2014-04-20 until 2014-04-27)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 2014-04-20 until 2014-04-27)
recording of:
Matthäus-Passion, BWV 244: Teil II, La. "Sie schrieen aber noch mehr" (Evangelista) (from 2014-04-20 until 2014-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, La. "Sie schrieen aber noch mehr" (Evangelista) - Lb. Cori "Lass ihn kreuzigen" - Lc. "Da aber Pilatus sahe" (Evangelista, Pilatus) - Ld. Cori "Sein Blut komme über uns" - Le. "Da gab er ihnen Barrabam los"
J.S. Bach, Academy Of Ancient Music, Gilchrist • Rose • Riches • Watts • Connolly • Hobbs • Maltman • Choir of the AAM • Egarr0:05
68St. Matthew Passion, BWV 244 (1727 version), Part II: Chorus: Laß ihn kreuzigen!
orchestra:
Academy of Ancient Music (from 2014-04-20 until 2014-04-27)
conductor:
Richard Egarr (conductor) (from 2014-04-20 until 2014-04-27)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 2014-04-20 until 2014-04-27)
recording of:
Matthäus-Passion, BWV 244: Teil II, Lb. "Laß ihn kreuzigen" (Chori) (from 2014-04-20 until 2014-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, La. "Sie schrieen aber noch mehr" (Evangelista) - Lb. Cori "Lass ihn kreuzigen" - Lc. "Da aber Pilatus sahe" (Evangelista, Pilatus) - Ld. Cori "Sein Blut komme über uns" - Le. "Da gab er ihnen Barrabam los"
J.S. Bach, Academy Of Ancient Music, Gilchrist • Rose • Riches • Watts • Connolly • Hobbs • Maltman • Choir of the AAM • Egarr0:15
69St. Matthew Passion, BWV 244 (1727 version), Part II: Recitativo (Evangelista, Pilatus): Da aber Pilatus sahe
orchestra:
Academy of Ancient Music (from 2014-04-20 until 2014-04-27)
conductor:
Richard Egarr (conductor) (from 2014-04-20 until 2014-04-27)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 2014-04-20 until 2014-04-27)
recording of:
Matthäus-Passion, BWV 244: Teil II, Lc. "Da aber Pilatus sahe" (Evangelista, Pilatus) (from 2014-04-20 until 2014-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, La. "Sie schrieen aber noch mehr" (Evangelista) - Lb. Cori "Lass ihn kreuzigen" - Lc. "Da aber Pilatus sahe" (Evangelista, Pilatus) - Ld. Cori "Sein Blut komme über uns" - Le. "Da gab er ihnen Barrabam los"
J.S. Bach, Academy Of Ancient Music, Gilchrist • Rose • Riches • Watts • Connolly • Hobbs • Maltman • Choir of the AAM • Egarr0:25
70St. Matthew Passion, BWV 244 (1727 version), Part II: Chorus: Sein Blut komme über uns
orchestra:
Academy of Ancient Music (from 2014-04-20 until 2014-04-27)
conductor:
Richard Egarr (conductor) (from 2014-04-20 until 2014-04-27)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 2014-04-20 until 2014-04-27)
recording of:
Matthäus-Passion, BWV 244: Teil II, Ld. "Sein Blut komme über uns" (Chori) (from 2014-04-20 until 2014-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, La. "Sie schrieen aber noch mehr" (Evangelista) - Lb. Cori "Lass ihn kreuzigen" - Lc. "Da aber Pilatus sahe" (Evangelista, Pilatus) - Ld. Cori "Sein Blut komme über uns" - Le. "Da gab er ihnen Barrabam los"
J.S. Bach, Academy Of Ancient Music, Gilchrist • Rose • Riches • Watts • Connolly • Hobbs • Maltman • Choir of the AAM • Egarr0:38
71St. Matthew Passion, BWV 244 (1727 version), Part II: Recitativo (Evangelista): Da gab er ihnen Barrabam los
orchestra:
Academy of Ancient Music (from 2014-04-20 until 2014-04-27)
conductor:
Richard Egarr (conductor) (from 2014-04-20 until 2014-04-27)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 2014-04-20 until 2014-04-27)
recording of:
Matthäus-Passion, BWV 244: Teil II, Le. "Da gab er ihnen Barrabam los" (Evangelista) (from 2014-04-20 until 2014-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, La. "Sie schrieen aber noch mehr" (Evangelista) - Lb. Cori "Lass ihn kreuzigen" - Lc. "Da aber Pilatus sahe" (Evangelista, Pilatus) - Ld. Cori "Sein Blut komme über uns" - Le. "Da gab er ihnen Barrabam los"
J.S. Bach, Academy Of Ancient Music, Gilchrist • Rose • Riches • Watts • Connolly • Hobbs • Maltman • Choir of the AAM • Egarr0:19
72St. Matthew Passion, BWV 244 (1727 version), Part II: Recitativo (Alto): Erbarm es Gott!
orchestra:
Academy of Ancient Music (from 2014-04-20 until 2014-04-27)
conductor:
Richard Egarr (conductor) (from 2014-04-20 until 2014-04-27)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 2014-04-20 until 2014-04-27)
recording of:
Matthäus-Passion, BWV 244: Teil II, LI. Recitativo (Alto) "Erbarm es Gott" (from 2014-04-20 until 2014-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
J.S. Bach, Academy Of Ancient Music, Gilchrist • Rose • Riches • Watts • Connolly • Hobbs • Maltman • Choir of the AAM • Egarr0:58
73St. Matthew Passion, BWV 244 (1727 version), Part II: Aria (Alto): Können Tränen meiner Wangen
orchestra:
Academy of Ancient Music (from 2014-04-20 until 2014-04-27)
conductor:
Richard Egarr (conductor) (from 2014-04-20 until 2014-04-27)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 2014-04-20 until 2014-04-27)
recording of:
Matthäus-Passion, BWV 244: Teil II, LII. Aria (Alto) "Können Tränen meiner Wangen" (from 2014-04-20 until 2014-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
J.S. Bach, Academy Of Ancient Music, Gilchrist • Rose • Riches • Watts • Connolly • Hobbs • Maltman • Choir of the AAM • Egarr6:13
74St. Matthew Passion, BWV 244 (1727 version), Part II: Recitativo (Evangelista): Da nahmen die Kriegsknechte
orchestra:
Academy of Ancient Music (from 2014-04-20 until 2014-04-27)
conductor:
Richard Egarr (conductor) (from 2014-04-20 until 2014-04-27)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 2014-04-20 until 2014-04-27)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIIIa. "Da nahmen die Kriegsknechte" (Evangelista) (from 2014-04-20 until 2014-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LIIIa. "Da nahmen die Kriegsknechte" (Evangelista) - LIIIb. Cori "Gegrüsset seist du, Jüdenkönig" - LIIIc. "Und speieten ihn an" (Evangelista)
J.S. Bach, Academy Of Ancient Music, Gilchrist • Rose • Riches • Watts • Connolly • Hobbs • Maltman • Choir of the AAM • Egarr0:37
75St. Matthew Passion, BWV 244 (1727 version), Part II: Chorus: Gegrüßet seist du, Jüdenkönig!
orchestra:
Academy of Ancient Music (from 2014-04-20 until 2014-04-27)
conductor:
Richard Egarr (conductor) (from 2014-04-20 until 2014-04-27)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 2014-04-20 until 2014-04-27)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIIIb. "Gegrüßet seist du, Jüdenkönig" (Chori) (from 2014-04-20 until 2014-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LIIIa. "Da nahmen die Kriegsknechte" (Evangelista) - LIIIb. Cori "Gegrüsset seist du, Jüdenkönig" - LIIIc. "Und speieten ihn an" (Evangelista)
J.S. Bach, Academy Of Ancient Music, Gilchrist • Rose • Riches • Watts • Connolly • Hobbs • Maltman • Choir of the AAM • Egarr0:09
76St. Matthew Passion, BWV 244 (1727 version), Part II: Recitativo (Evangelista): Und speieten ihn an
orchestra:
Academy of Ancient Music (from 2014-04-20 until 2014-04-27)
conductor:
Richard Egarr (conductor) (from 2014-04-20 until 2014-04-27)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 2014-04-20 until 2014-04-27)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIIIc. "Und speieten ihn an" (Evangelista) (from 2014-04-20 until 2014-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LIIIa. "Da nahmen die Kriegsknechte" (Evangelista) - LIIIb. Cori "Gegrüsset seist du, Jüdenkönig" - LIIIc. "Und speieten ihn an" (Evangelista)
J.S. Bach, Academy Of Ancient Music, Gilchrist • Rose • Riches • Watts • Connolly • Hobbs • Maltman • Choir of the AAM • Egarr0:12
77St. Matthew Passion, BWV 244 (1727 version), Part II: Choral: Oh Haupt, voll Blut und Wunden
orchestra:
Academy of Ancient Music (from 2014-04-20 until 2014-04-27)
conductor:
Richard Egarr (conductor) (from 2014-04-20 until 2014-04-27)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 2014-04-20 until 2014-04-27)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIV. Choral "O Haupt voll Blut und Wunden" (from 2014-04-20 until 2014-04-27)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 162)
part of:
Matthäus-Passion, BWV 244: Teil II
J.S. Bach, Academy Of Ancient Music, Gilchrist • Rose • Riches • Watts • Connolly • Hobbs • Maltman • Choir of the AAM • Egarr0:58
78St. Matthew Passion, BWV 244 (1727 version), Part II: Recitativo (Evangelista): Und da sie ihn verspottet hatten
orchestra:
Academy of Ancient Music (from 2014-04-20 until 2014-04-27)
conductor:
Richard Egarr (conductor) (from 2014-04-20 until 2014-04-27)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 2014-04-20 until 2014-04-27)
recording of:
Matthäus-Passion, BWV 244: Teil II, LV. "Und da sie ihn verspottet hatten" (Evangelista) (from 2014-04-20 until 2014-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
J.S. Bach, Academy Of Ancient Music, Gilchrist • Rose • Riches • Watts • Connolly • Hobbs • Maltman • Choir of the AAM • Egarr1:02
79St. Matthew Passion, BWV 244 (1727 version), Part II: Recitativo (Bass): Ja, freilich will in uns das Fleisch und Blut
orchestra:
Academy of Ancient Music (from 2014-04-20 until 2014-04-27)
conductor:
Richard Egarr (conductor) (from 2014-04-20 until 2014-04-27)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 2014-04-20 until 2014-04-27)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVI. Recitativo (Basso) "Ja freilich will in uns das Fleisch und Blut" (from 2014-04-20 until 2014-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
J.S. Bach, Academy Of Ancient Music, Gilchrist • Rose • Riches • Watts • Connolly • Hobbs • Maltman • Choir of the AAM • Egarr0:31
80St. Matthew Passion, BWV 244 (1727 version), Part II: Aria (Bass): Komm, süßes Kreuz
orchestra:
Academy of Ancient Music (from 2014-04-20 until 2014-04-27)
conductor:
Richard Egarr (conductor) (from 2014-04-20 until 2014-04-27)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 2014-04-20 until 2014-04-27)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVII. Aria (Basso) "Komm, süßes Kreuz, so will ich sagen" (from 2014-04-20 until 2014-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
J.S. Bach, Academy Of Ancient Music, Gilchrist • Rose • Riches • Watts • Connolly • Hobbs • Maltman • Choir of the AAM • Egarr5:02
81St. Matthew Passion, BWV 244 (1727 version), Part II: Recitativo (Evangelista): Und da sie an die Stätte kamen
orchestra:
Academy of Ancient Music (from 2014-04-20 until 2014-04-27)
conductor:
Richard Egarr (conductor) (from 2014-04-20 until 2014-04-27)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 2014-04-20 until 2014-04-27)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie and die Stätte kamen" (Evangelista) (from 2014-04-20 until 2014-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie an die Stätte kamen" - LVIIIb. Cori "Der du den Tempel Gottes zerbrichst" - LVIIIc. "Desgleichen auch die Hohenpriester" - LVIIId. Cori "Andern hat er geholfen" - LVIIIe. "Desgleichen [...]"
J.S. Bach, Academy Of Ancient Music, Gilchrist • Rose • Riches • Watts • Connolly • Hobbs • Maltman • Choir of the AAM • Egarr1:42
82St. Matthew Passion, BWV 244 (1727 version), Part II: Chorus: Der du den Tempel Gottes zerbrichst
orchestra:
Academy of Ancient Music (from 2014-04-20 until 2014-04-27)
conductor:
Richard Egarr (conductor) (from 2014-04-20 until 2014-04-27)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 2014-04-20 until 2014-04-27)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVIIIb. "Der du den Tempel Gottes zerbrichst" (Chori) (from 2014-04-20 until 2014-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie an die Stätte kamen" - LVIIIb. Cori "Der du den Tempel Gottes zerbrichst" - LVIIIc. "Desgleichen auch die Hohenpriester" - LVIIId. Cori "Andern hat er geholfen" - LVIIIe. "Desgleichen [...]"
J.S. Bach, Academy Of Ancient Music, Gilchrist • Rose • Riches • Watts • Connolly • Hobbs • Maltman • Choir of the AAM • Egarr0:25
83St. Matthew Passion, BWV 244 (1727 version), Part II: Recitativo (Evangelista): Desgleichen auch die Hohenpriester
orchestra:
Academy of Ancient Music (from 2014-04-20 until 2014-04-27)
conductor:
Richard Egarr (conductor) (from 2014-04-20 until 2014-04-27)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 2014-04-20 until 2014-04-27)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVIIIc. "Desgleichen auch die Hohenpriester" (Evangelista) (from 2014-04-20 until 2014-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie an die Stätte kamen" - LVIIIb. Cori "Der du den Tempel Gottes zerbrichst" - LVIIIc. "Desgleichen auch die Hohenpriester" - LVIIId. Cori "Andern hat er geholfen" - LVIIIe. "Desgleichen [...]"
J.S. Bach, Academy Of Ancient Music, Gilchrist • Rose • Riches • Watts • Connolly • Hobbs • Maltman • Choir of the AAM • Egarr0:10
84St. Matthew Passion, BWV 244 (1727 version), Part II: Chorus: Andern hat er geholfen
orchestra:
Academy of Ancient Music (from 2014-04-20 until 2014-04-27)
conductor:
Richard Egarr (conductor) (from 2014-04-20 until 2014-04-27)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 2014-04-20 until 2014-04-27)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVIIId. "Andern hat er geholfen" (Chori) (from 2014-04-20 until 2014-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie an die Stätte kamen" - LVIIIb. Cori "Der du den Tempel Gottes zerbrichst" - LVIIIc. "Desgleichen auch die Hohenpriester" - LVIIId. Cori "Andern hat er geholfen" - LVIIIe. "Desgleichen [...]"
J.S. Bach, Academy Of Ancient Music, Gilchrist • Rose • Riches • Watts • Connolly • Hobbs • Maltman • Choir of the AAM • Egarr0:45
85St. Matthew Passion, BWV 244 (1727 version), Part II: Recitativo (Evangelista): Desgleichen schmäheten ihn auch die Mörder
orchestra:
Academy of Ancient Music (from 2014-04-20 until 2014-04-27)
conductor:
Richard Egarr (conductor) (from 2014-04-20 until 2014-04-27)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 2014-04-20 until 2014-04-27)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVIIIe. "Desgleichen schmäheten ihn auch die Mörder" (Evangelista) (from 2014-04-20 until 2014-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie an die Stätte kamen" - LVIIIb. Cori "Der du den Tempel Gottes zerbrichst" - LVIIIc. "Desgleichen auch die Hohenpriester" - LVIIId. Cori "Andern hat er geholfen" - LVIIIe. "Desgleichen [...]"
J.S. Bach, Academy Of Ancient Music, Gilchrist • Rose • Riches • Watts • Connolly • Hobbs • Maltman • Choir of the AAM • Egarr0:15
86St. Matthew Passion, BWV 244 (1727 version), Part II: Recitativo (Alto): Ach Golgatha
orchestra:
Academy of Ancient Music (from 2014-04-20 until 2014-04-27)
conductor:
Richard Egarr (conductor) (from 2014-04-20 until 2014-04-27)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 2014-04-20 until 2014-04-27)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIX. Recitativo (Alto) "Ach Golgotha" (from 2014-04-20 until 2014-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
J.S. Bach, Academy Of Ancient Music, Gilchrist • Rose • Riches • Watts • Connolly • Hobbs • Maltman • Choir of the AAM • Egarr1:16
87St. Matthew Passion, BWV 244 (1727 version), Part II: Aria (Alto, Choir II): Sehet, Jesus hat die Hand
orchestra:
Academy of Ancient Music (from 2014-04-20 until 2014-04-27)
conductor:
Richard Egarr (conductor) (from 2014-04-20 until 2014-04-27)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 2014-04-20 until 2014-04-27)
recording of:
Matthäus-Passion, BWV 244: Teil II, LX. Aria (Alto) "Sehet, Jesus hat die Hand", Coro "Wohin?" (from 2014-04-20 until 2014-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
J.S. Bach, Academy Of Ancient Music, Gilchrist • Rose • Riches • Watts • Connolly • Hobbs • Maltman • Choir of the AAM • Egarr2:49
88St. Matthew Passion, BWV 244 (1727 version), Part II: Recitativo (Evangelista, Jesus): Und von der sechsten Stunde
orchestra:
Academy of Ancient Music (from 2014-04-20 until 2014-04-27)
conductor:
Richard Egarr (conductor) (from 2014-04-20 until 2014-04-27)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 2014-04-20 until 2014-04-27)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIa. "Und von der sechsten Stunde an" (Evangelista, Jesus) (from 2014-04-20 until 2014-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LXIa. "Und von der sechsten Stunde an" (Evangelista, Jesus) - LXIb. Coro "Der rufet dem Elias" - LXIc. "Und bald lief einer unter ihnen" (Evangelista) - LXId. Coro "Halt! Lass sehen" - LXIe. "Aber Jesus schriee abermal"
J.S. Bach, Academy Of Ancient Music, Gilchrist • Rose • Riches • Watts • Connolly • Hobbs • Maltman • Choir of the AAM • Egarr1:18
89St. Matthew Passion, BWV 244 (1727 version), Part II: Chorus: Der rufet dem Elias!
orchestra:
Academy of Ancient Music (from 2014-04-20 until 2014-04-27)
conductor:
Richard Egarr (conductor) (from 2014-04-20 until 2014-04-27)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 2014-04-20 until 2014-04-27)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIb. "Der rufet dem Elias" (Chorus) (from 2014-04-20 until 2014-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LXIa. "Und von der sechsten Stunde an" (Evangelista, Jesus) - LXIb. Coro "Der rufet dem Elias" - LXIc. "Und bald lief einer unter ihnen" (Evangelista) - LXId. Coro "Halt! Lass sehen" - LXIe. "Aber Jesus schriee abermal"
J.S. Bach, Academy Of Ancient Music, Gilchrist • Rose • Riches • Watts • Connolly • Hobbs • Maltman • Choir of the AAM • Egarr0:05
90St. Matthew Passion, BWV 244 (1727 version), Part II: Recitativo (Evangelista): Und bald lief einer unter ihnen
orchestra:
Academy of Ancient Music (from 2014-04-20 until 2014-04-27)
conductor:
Richard Egarr (conductor) (from 2014-04-20 until 2014-04-27)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 2014-04-20 until 2014-04-27)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIc. "Und bald lief einer unter ihnen" (Evangelista) (from 2014-04-20 until 2014-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LXIa. "Und von der sechsten Stunde an" (Evangelista, Jesus) - LXIb. Coro "Der rufet dem Elias" - LXIc. "Und bald lief einer unter ihnen" (Evangelista) - LXId. Coro "Halt! Lass sehen" - LXIe. "Aber Jesus schriee abermal"
J.S. Bach, Academy Of Ancient Music, Gilchrist • Rose • Riches • Watts • Connolly • Hobbs • Maltman • Choir of the AAM • Egarr0:15
91St. Matthew Passion, BWV 244 (1727 version), Part II: Chorus: Halt! Laß sehen
orchestra:
Academy of Ancient Music (from 2014-04-20 until 2014-04-27)
conductor:
Richard Egarr (conductor) (from 2014-04-20 until 2014-04-27)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 2014-04-20 until 2014-04-27)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXId. "Halt! Laß sehen" (Chorus) (from 2014-04-20 until 2014-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LXIa. "Und von der sechsten Stunde an" (Evangelista, Jesus) - LXIb. Coro "Der rufet dem Elias" - LXIc. "Und bald lief einer unter ihnen" (Evangelista) - LXId. Coro "Halt! Lass sehen" - LXIe. "Aber Jesus schriee abermal"
J.S. Bach, Academy Of Ancient Music, Gilchrist • Rose • Riches • Watts • Connolly • Hobbs • Maltman • Choir of the AAM • Egarr0:06
92St. Matthew Passion, BWV 244 (1727 version), Part II: Recitativo (Evangelista): Aber Jesus schriee abermal laut
orchestra:
Academy of Ancient Music (from 2014-04-20 until 2014-04-27)
conductor:
Richard Egarr (conductor) (from 2014-04-20 until 2014-04-27)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 2014-04-20 until 2014-04-27)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIe. "Aber Jesus schriee abermal" (Evangelista) (from 2014-04-20 until 2014-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LXIa. "Und von der sechsten Stunde an" (Evangelista, Jesus) - LXIb. Coro "Der rufet dem Elias" - LXIc. "Und bald lief einer unter ihnen" (Evangelista) - LXId. Coro "Halt! Lass sehen" - LXIe. "Aber Jesus schriee abermal"
J.S. Bach, Academy Of Ancient Music, Gilchrist • Rose • Riches • Watts • Connolly • Hobbs • Maltman • Choir of the AAM • Egarr0:22
93St. Matthew Passion, BWV 244 (1727 version), Part II: Choral: Wenn ich einmal soll scheiden
orchestra:
Academy of Ancient Music (from 2014-04-20 until 2014-04-27)
conductor:
Richard Egarr (conductor) (from 2014-04-20 until 2014-04-27)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 2014-04-20 until 2014-04-27)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXII. Choral "Wenn ich einmal soll scheiden" (from 2014-04-20 until 2014-04-27)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 164)
part of:
Matthäus-Passion, BWV 244: Teil II
J.S. Bach, Academy Of Ancient Music, Gilchrist • Rose • Riches • Watts • Connolly • Hobbs • Maltman • Choir of the AAM • Egarr1:02
94St. Matthew Passion, BWV 244 (1727 version), Part II: Recitativo (Evangelista): Und siehe da, der Vorhang im Tempel zerriß
orchestra:
Academy of Ancient Music (from 2014-04-20 until 2014-04-27)
conductor:
Richard Egarr (conductor) (from 2014-04-20 until 2014-04-27)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 2014-04-20 until 2014-04-27)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIIIa. "Und siehe da, der Vorhang im Tempel zerriß" (Evangelista) (from 2014-04-20 until 2014-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LXIIIa. "Und siehe da, der Vorhang im Tempel zerriss" (Evangelista) - LXIIIb. Cori "Wahrlich, dieser ist Gottes Sohn gewesen" - LXIIIc. "Und es waren viel Weiber da" (Evangelista)
J.S. Bach, Academy Of Ancient Music, Gilchrist • Rose • Riches • Watts • Connolly • Hobbs • Maltman • Choir of the AAM • Egarr1:07
95St. Matthew Passion, BWV 244 (1727 version), Part II: Chorus: Wahrlich, dieser ist Gottes Sohn gewesen
orchestra:
Academy of Ancient Music (from 2014-04-20 until 2014-04-27)
conductor:
Richard Egarr (conductor) (from 2014-04-20 until 2014-04-27)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 2014-04-20 until 2014-04-27)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIIIb. "Wahrlich, dieser ist Gottes Sohn gewesen" (Chori in unisono) (from 2014-04-20 until 2014-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LXIIIa. "Und siehe da, der Vorhang im Tempel zerriss" (Evangelista) - LXIIIb. Cori "Wahrlich, dieser ist Gottes Sohn gewesen" - LXIIIc. "Und es waren viel Weiber da" (Evangelista)
J.S. Bach, Academy Of Ancient Music, Gilchrist • Rose • Riches • Watts • Connolly • Hobbs • Maltman • Choir of the AAM • Egarr0:17
96St. Matthew Passion, BWV 244 (1727 version), Part II: Recitativo (Evangelista): Und es waren viel Weiber da
orchestra:
Academy of Ancient Music (from 2014-04-20 until 2014-04-27)
conductor:
Richard Egarr (conductor) (from 2014-04-20 until 2014-04-27)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 2014-04-20 until 2014-04-27)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIIIc. "Und es waren viel Weiber da" (Evangelista) (from 2014-04-20 until 2014-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LXIIIa. "Und siehe da, der Vorhang im Tempel zerriss" (Evangelista) - LXIIIb. Cori "Wahrlich, dieser ist Gottes Sohn gewesen" - LXIIIc. "Und es waren viel Weiber da" (Evangelista)
J.S. Bach, Academy Of Ancient Music, Gilchrist • Rose • Riches • Watts • Connolly • Hobbs • Maltman • Choir of the AAM • Egarr1:08
97St. Matthew Passion, BWV 244 (1727 version), Part II: Recitativo (Bass): Am Abend, da es kühle war
orchestra:
Academy of Ancient Music (from 2014-04-20 until 2014-04-27)
conductor:
Richard Egarr (conductor) (from 2014-04-20 until 2014-04-27)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 2014-04-20 until 2014-04-27)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIV. Recitativo (Basso) "Am Abend, da es kühle war" (from 2014-04-20 until 2014-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
J.S. Bach, Academy Of Ancient Music, Gilchrist • Rose • Riches • Watts • Connolly • Hobbs • Maltman • Choir of the AAM • Egarr1:45
98St. Matthew Passion, BWV 244 (1727 version), Part II: Aria (Bass): Mache dich, mein Herze, rein
orchestra:
Academy of Ancient Music (from 2014-04-20 until 2014-04-27)
conductor:
Richard Egarr (conductor) (from 2014-04-20 until 2014-04-27)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 2014-04-20 until 2014-04-27)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXV. Aria (Basso) "Mache dich, mein Herze, rein" (from 2014-04-20 until 2014-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
J.S. Bach, Academy Of Ancient Music, Gilchrist • Rose • Riches • Watts • Connolly • Hobbs • Maltman • Choir of the AAM • Egarr5:50
99St. Matthew Passion, BWV 244 (1727 version), Part II: Recitativo (Evangelista): Und Joseph nahm den Leib
orchestra:
Academy of Ancient Music (from 2014-04-20 until 2014-04-27)
conductor:
Richard Egarr (conductor) (from 2014-04-20 until 2014-04-27)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 2014-04-20 until 2014-04-27)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIa. "Und Joseph nahm den Leib" (Evangelista) (from 2014-04-20 until 2014-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LXVIa. "Und Joseph nahm den Leib" (Evangelista) - LXVIb. Cori "Herr, wir haben gedacht" - LXVIc. "Pilatus sprach zu ihnen" (Evangelista, Pilatus)
J.S. Bach, Academy Of Ancient Music, Gilchrist • Rose • Riches • Watts • Connolly • Hobbs • Maltman • Choir of the AAM • Egarr1:00
100St. Matthew Passion, BWV 244 (1727 version), Part II: Chorus: Herr, wir haben gedacht
orchestra:
Academy of Ancient Music (from 2014-04-20 until 2014-04-27)
conductor:
Richard Egarr (conductor) (from 2014-04-20 until 2014-04-27)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 2014-04-20 until 2014-04-27)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIb. "Herr, wir haben gedacht" (Chori) (from 2014-04-20 until 2014-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LXVIa. "Und Joseph nahm den Leib" (Evangelista) - LXVIb. Cori "Herr, wir haben gedacht" - LXVIc. "Pilatus sprach zu ihnen" (Evangelista, Pilatus)
J.S. Bach, Academy Of Ancient Music, Gilchrist • Rose • Riches • Watts • Connolly • Hobbs • Maltman • Choir of the AAM • Egarr0:48
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