Menuhin & Grappelli Play Berlin, Kern, Porter & Rodgers & Hart

~ Release by Yehudi Menuhin & Stéphane Grappelli (see all versions of this release, 2 available)

Tracklist

▼CD 1
#TitleRatingLength
1Cheek to Cheek
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
bass:
Ken Baldock (Contrabassist) (from 1973-03-06 until 1973-03-07)
drums (drum set):
Tony Crombie (from 1973-03-06 until 1973-03-07)
piano:
Alan Clare (from 1973-03-06 until 1973-03-07)
violin:
Stéphane Grappelli (jazz violinist) (from 1973-03-06 until 1973-03-07) and Yehudi Menuhin (violinist) (from 1973-03-06 until 1973-03-07)
conductor:
Max Harris (from 1973-03-06 until 1973-03-07)
performer:
Alan Clare Trio (from 1973-03-06 until 1973-03-07)
arranger:
Max Harris
balance engineer:
Tony Clark (engineer, Abbey Road)
recorded at:
Abbey Road Studios in St John's Wood (from 1973-03-06 until 1973-03-07) and Abbey Road Studios: Studio 1 in St John's Wood (from 1973-03-06 until 1973-03-07)
recording of:
Cheek to Cheek (from “Top Hat”) (from 1973-03-06 until 1973-03-07)
lyricist and composer:
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
part of:
Top Hat (1935 film)
instrumental recording of:
Cheek to Cheek (from “Top Hat”) (from 1973-03-06 until 1973-03-07)
lyricist and composer:
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
part of:
Top Hat (1935 film)
3:45
2Isn't This a Lovely Day?
producer:
John Fraser (UK producer)
double bass [bass]:
Niels Pedersen (Danish jazz upright bassist) (in 1981-07) and Eddie Tripp (in 1981-07)
drums (drum set) [drums]:
Alan Ganley (English jazz drummer) (in 1981-07)
flute:
Ray Swinfield (in 1981-07)
guitar:
Martin Taylor (jazz guitarist) (in 1981-07)
harp:
David Snell (British harpist and conductor, library music) (in 1981-07)
keyboard [keyboards]:
Laurie Holloway (in 1981-07)
percussion:
Derek Price (British jazz drummer) (in 1981-07)
violin:
Stéphane Grappelli (jazz violinist) (in 1981-07) and Yehudi Menuhin (violinist) (in 1981-07)
conductor:
Nelson Riddle (in 1981-07)
arranger:
Nelson Riddle
balance engineer:
Tony Clark (engineer, Abbey Road) (in 1981-07)
recorded at:
Abbey Road Studios in St John's Wood (in 1981-07)
instrumental recording of:
Isn’t This a Lovely Day? (from “Top Hat”)
lyricist and composer:
Irving Berlin (in 1935)
part of:
Top Hat (1935 film)
2:54
3The Piccolino
producer:
John Fraser (UK producer)
double bass [bass]:
Niels Pedersen (Danish jazz upright bassist) (in 1981-07) and Eddie Tripp (in 1981-07)
drums (drum set) [drums]:
Alan Ganley (English jazz drummer) (in 1981-07)
flute:
Ray Swinfield (in 1981-07)
guitar:
Martin Taylor (jazz guitarist) (in 1981-07)
harp:
David Snell (British harpist and conductor, library music) (in 1981-07)
keyboard [keyboards]:
Laurie Holloway (in 1981-07)
percussion:
Derek Price (British jazz drummer) (in 1981-07)
violin:
Stéphane Grappelli (jazz violinist) (in 1981-07) and Yehudi Menuhin (violinist) (in 1981-07)
conductor:
Nelson Riddle (in 1981-07)
arranger:
Nelson Riddle
balance engineer:
Tony Clark (engineer, Abbey Road) (in 1981-07)
recorded at:
Abbey Road Studios in St John's Wood (in 1981-07)
recording of:
The Piccolino (from “Top Hat”)
composer:
Irving Berlin
part of:
Top Hat (1935 film)
3:12
4Change Partners
producer:
John Fraser (UK producer)
double bass [bass]:
Niels Pedersen (Danish jazz upright bassist) (in 1981-07) and Eddie Tripp (in 1981-07)
drums (drum set) [drums]:
Alan Ganley (English jazz drummer) (in 1981-07)
flute:
Ray Swinfield (in 1981-07)
guitar:
Martin Taylor (jazz guitarist) (in 1981-07)
harp:
David Snell (British harpist and conductor, library music) (in 1981-07)
keyboard [keyboards]:
Laurie Holloway (in 1981-07)
percussion:
Derek Price (British jazz drummer) (in 1981-07)
violin:
Stéphane Grappelli (jazz violinist) (in 1981-07) and Yehudi Menuhin (violinist) (in 1981-07)
conductor:
Nelson Riddle (in 1981-07)
arranger:
Nelson Riddle
balance engineer:
Tony Clark (engineer, Abbey Road) (in 1981-07)
recorded at:
Abbey Road Studios in St John's Wood (in 1981-07)
instrumental recording of:
Change Partners (from "Carefree")
lyricist and composer:
Irving Berlin (in 1938)
publisher:
Irving Berlin Music Corp. and Williamson Music Company
3:30
5Top Hat
producer:
John Fraser (UK producer)
double bass [bass]:
Niels Pedersen (Danish jazz upright bassist) (in 1981-07) and Eddie Tripp (in 1981-07)
drums (drum set) [drums]:
Alan Ganley (English jazz drummer) (in 1981-07)
flute:
Ray Swinfield (in 1981-07)
guitar:
Martin Taylor (jazz guitarist) (in 1981-07)
harp:
David Snell (British harpist and conductor, library music) (in 1981-07)
keyboard [keyboards]:
Laurie Holloway (in 1981-07)
percussion:
Derek Price (British jazz drummer) (in 1981-07)
violin:
Stéphane Grappelli (jazz violinist) (in 1981-07) and Yehudi Menuhin (violinist) (in 1981-07)
conductor:
Nelson Riddle (in 1981-07)
arranger:
Nelson Riddle
balance engineer:
Tony Clark (engineer, Abbey Road) (in 1981-07)
recorded at:
Abbey Road Studios in St John's Wood (in 1981-07)
recording of:
Top Hat
composer:
Irving Berlin
instrumental recording of:
Top Hat, White Tie and Tails (from “Top Hat”)
lyricist and composer:
Irving Berlin (in 1935)
part of:
Top Hat (1935 film)
3:57
6I've Got My Love to Keep Me Warm
producer:
John Fraser (UK producer)
double bass [bass]:
Jack Sewing
guitar:
Marc Fosset (French jazz guitarist) and Martin Taylor (jazz guitarist)
violin:
Stéphane Grappelli (jazz violinist) and Yehudi Menuhin (violinist)
arranger:
Max Harris
balance engineer:
Michael Sheady (engineer)
recorded at:
Abbey Road Studios in St John's Wood
instrumental recording of:
I’ve Got My Love to Keep Me Warm
lyricist and composer:
Irving Berlin (in 1937)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp., Warner Chappell Music Ltd. (no slash; used 1988–1996), Williamson Music Company, シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
3:27
7Heat Wave
producer:
John Fraser (UK producer)
double bass [bass]:
Jack Sewing
guitar:
Marc Fosset (French jazz guitarist) and Martin Taylor (jazz guitarist)
violin:
Stéphane Grappelli (jazz violinist) and Yehudi Menuhin (violinist)
arranger:
Max Harris
balance engineer:
Michael Sheady (engineer)
recorded at:
Abbey Road Studios in St John's Wood
recording of:
Heat Wave (from the 1933 musical “As Thousands Cheer”)
lyricist and composer:
Irving Berlin (in 1933)
instrumental recording of:
Heat Wave (from the 1933 musical “As Thousands Cheer”)
lyricist and composer:
Irving Berlin (in 1933)
2:55
8The Way You Look Tonight
producer:
John Fraser (UK producer)
double bass [bass]:
Niels Pedersen (Danish jazz upright bassist) (in 1981-07) and Eddie Tripp (in 1981-07)
drums (drum set) [drums]:
Alan Ganley (English jazz drummer) (in 1981-07)
flute:
Ray Swinfield (in 1981-07)
guitar:
Martin Taylor (jazz guitarist) (in 1981-07)
harp:
David Snell (British harpist and conductor, library music) (in 1981-07)
keyboard [keyboards]:
Laurie Holloway (in 1981-07)
percussion:
Derek Price (British jazz drummer) (in 1981-07)
violin:
Stéphane Grappelli (jazz violinist) (in 1981-07) and Yehudi Menuhin (violinist) (in 1981-07)
conductor:
Nelson Riddle (in 1981-07)
arranger:
Nelson Riddle
balance engineer:
Tony Clark (engineer, Abbey Road) (in 1981-07)
recorded at:
Abbey Road Studios in St John's Wood (in 1981-07)
instrumental recording of:
The Way You Look Tonight (from “Swing Time”)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (US Tin Pan Alley librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., シンコーミュージック・エンタテイメント, ユニバーサル・ミュージック・パブリッシング Synch事業部 and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (in 1936)
part of:
Academy Award for Best Original Song (number: 9)
part of:
Swing Time (film)
3:36
9Pick Yourself Up
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
bass:
Lennie Bush (from 1972-06-14 until 1972-06-15)
drums (drum set):
Chris Karan (from 1972-06-14 until 1972-06-15)
piano:
Alan Clare (from 1972-06-14 until 1972-06-15)
violin:
Stéphane Grappelli (jazz violinist) (from 1972-06-14 until 1972-06-15) and Yehudi Menuhin (violinist) (from 1972-06-14 until 1972-06-15)
conductor:
Max Harris (from 1972-06-14 until 1972-06-15)
arranger:
Max Harris
balance engineer:
Tony Clark (engineer, Abbey Road)
recorded at:
Abbey Road Studios in St John's Wood (from 1972-06-14 until 1972-06-15) and Abbey Road Studios: Studio 1 in St John's Wood (from 1972-06-14 until 1972-06-15)
recording of:
Pick Yourself Up (from “Swing Time”) (from 1972-06-14 until 1972-06-15)
lyricist:
Dorothy Fields (US Tin Pan Alley librettist and lyricist)
composer:
Jerome Kern
part of:
Swing Time (film)
instrumental recording of:
Pick Yourself Up (from “Swing Time”) (from 1972-06-14 until 1972-06-15)
lyricist:
Dorothy Fields (US Tin Pan Alley librettist and lyricist)
composer:
Jerome Kern
part of:
Swing Time (film)
2:15
10A Fine Romance
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
bass:
Lennie Bush (from 1972-06-14 until 1972-06-15)
drums (drum set):
Chris Karan (from 1972-06-14 until 1972-06-15)
piano:
Alan Clare (from 1972-06-14 until 1972-06-15)
violin:
Stéphane Grappelli (jazz violinist) (from 1972-06-14 until 1972-06-15) and Yehudi Menuhin (violinist) (from 1972-06-14 until 1972-06-15)
conductor:
Max Harris (from 1972-06-14 until 1972-06-15)
arranger:
Max Harris
balance engineer:
Tony Clark (engineer, Abbey Road)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1972-06-14 until 1972-06-15)
instrumental recording of:
A Fine Romance (from “Swing Time”) (from 1972-06-14 until 1972-06-15)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (US Tin Pan Alley librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Chappell & Co.
part of:
Swing Time (film)
3:21
11All the Things You Are
producer:
John Mordler (producer)
double bass [bass]:
Lennie Bush (in 1975-05)
drums (drum set) [drums]:
Ronnie Verrell (in 1975-05)
guitar:
Ike Isaacs (British jazz guitarist) (in 1975-05) and Denny Wright (in 1975-05)
piano:
Alan Clare (in 1975-05) and Max Harris (in 1975-05)
violin:
Stéphane Grappelli (jazz violinist) (in 1975-05) and Yehudi Menuhin (violinist) (in 1975-05)
conductor:
Max Harris (in 1975-05)
arranger:
Max Harris
balance engineer:
Tony Clark (engineer, Abbey Road) (in 1975-05)
recorded at:
Abbey Road Studios in St John's Wood (in 1975-05)
instrumental recording of:
All the Things You Are (from “Very Warm for May”) (in 1975-05)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1939)
composer:
Jerome Kern (in 1939)
publisher:
Polygram Int. Publishing (renamed Universal PolyGram International Publishing, Inc. circa 1998) (ended), T.B. Harms Inc. (ended) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Broadway Rhythm (film)
4:12
12Why Do I Love You?
producer:
John Mordler (producer)
double bass [bass]:
Lennie Bush (in 1975-05)
drums (drum set) [drums]:
Ronnie Verrell (in 1975-05)
guitar:
Ike Isaacs (British jazz guitarist) (in 1975-05) and Denny Wright (in 1975-05)
piano:
Alan Clare (in 1975-05) and Max Harris (in 1975-05)
violin:
Stéphane Grappelli (jazz violinist) (in 1975-05) and Yehudi Menuhin (violinist) (in 1975-05)
conductor:
Max Harris (in 1975-05)
arranger:
Max Harris
balance engineer:
Tony Clark (engineer, Abbey Road) (in 1975-05)
recorded at:
Abbey Road Studios in St John's Wood (in 1975-05)
recording of:
Why Do I Love You? (in 1975-05)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Jerome Kern
publisher:
T.B. Harms (in 1927)
medley of:
Selections from "Show boat"
part of:
Show Boat (1951 film)
part of:
Show Boat: Act II
instrumental recording of:
Why Do I Love You?
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Jerome Kern
publisher:
T.B. Harms (in 1927)
medley of:
Selections from "Show boat"
part of:
Show Boat (1951 film)
part of:
Show Boat: Act II
3:26
13I Get a Kick Out of You
producer:
John Mordler (producer)
double bass [bass]:
Lennie Bush (in 1975-05)
drums (drum set) [drums]:
Ronnie Verrell (in 1975-05)
guitar:
Ike Isaacs (British jazz guitarist) (in 1975-05) and Denny Wright (in 1975-05)
piano:
Alan Clare (in 1975-05) and Max Harris (in 1975-05)
violin:
Stéphane Grappelli (jazz violinist) (in 1975-05) and Yehudi Menuhin (violinist) (in 1975-05)
conductor:
Max Harris (in 1975-05)
arranger:
Max Harris
balance engineer:
Tony Clark (engineer, Abbey Road) (in 1975-05)
recorded at:
Abbey Road Studios in St John's Wood (in 1975-05)
recording of:
I Get a Kick Out of You (in 1975-05)
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!) and Chappell (in 1974)
part of:
Anything Goes
instrumental recording of:
I Get a Kick Out of You
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!) and Chappell (in 1974)
part of:
Anything Goes
4:03
14Night and Day
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
bass:
Lennie Bush (from 1972-06-14 until 1972-06-15)
drums (drum set):
Chris Karan (from 1972-06-14 until 1972-06-15)
piano:
Alan Clare (from 1972-06-14 until 1972-06-15)
violin:
Stéphane Grappelli (jazz violinist) (from 1972-06-14 until 1972-06-15) and Yehudi Menuhin (violinist) (from 1972-06-14 until 1972-06-15)
conductor:
Max Harris (from 1972-06-14 until 1972-06-15)
arranger:
Max Harris
balance engineer:
Tony Clark (engineer, Abbey Road)
recorded at:
Abbey Road Studios in St John's Wood (from 1972-06-14 until 1972-06-15) and Abbey Road Studios: Studio 1 in St John's Wood (from 1972-06-14 until 1972-06-15)
instrumental cover recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (from 1972-06-14 until 1972-06-15)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: File NO Releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner/Chappell, WB Music Corp. (1929-2019) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
4:05
15Looking at You
producer:
John Mordler (producer)
double bass [bass]:
Lennie Bush (in 1975-05)
drums (drum set) [drums]:
Ronnie Verrell (in 1975-05)
guitar:
Ike Isaacs (British jazz guitarist) (in 1975-05) and Denny Wright (in 1975-05)
piano:
Alan Clare (in 1975-05) and Max Harris (in 1975-05)
violin:
Stéphane Grappelli (jazz violinist) (in 1975-05) and Yehudi Menuhin (violinist) (in 1975-05)
conductor:
Max Harris (in 1975-05)
arranger:
Max Harris
balance engineer:
Tony Clark (engineer, Abbey Road) (in 1975-05)
recorded at:
Abbey Road Studios in St John's Wood (in 1975-05)
recording of:
Looking at You (Wake Up and Dream musical revue)
lyricist and composer:
Cole Porter (composer) (in 1929)
instrumental recording of:
Looking at You (Wake Up and Dream musical revue)
lyricist and composer:
Cole Porter (composer) (in 1929)
3:22
16Just One of Those Things
producer:
John Mordler (producer)
double bass [bass]:
Lennie Bush (in 1975-05)
drums (drum set) [drums]:
Ronnie Verrell (in 1975-05)
guitar:
Ike Isaacs (British jazz guitarist) (in 1975-05) and Denny Wright (in 1975-05)
piano:
Alan Clare (in 1975-05) and Max Harris (in 1975-05)
violin:
Stéphane Grappelli (jazz violinist) (in 1975-05) and Yehudi Menuhin (violinist) (in 1975-05)
conductor:
Max Harris (in 1975-05)
arranger:
Max Harris
balance engineer:
Tony Clark (engineer, Abbey Road) (in 1975-05)
recorded at:
Abbey Road Studios in St John's Wood (in 1975-05)
instrumental recording of:
Just One of Those Things (in 1975-05)
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
part of:
Jubilee
part of:
Panama Hattie (1942 film)
3:21
17My Funny Valentine
producer:
John Mordler (producer)
double bass [bass]:
Pierre Michelot (in 1977-10)
drums (drum set) [drums]:
Ronnie Verrell (in 1977-10)
keyboard [keyboards]:
Laurie Holloway (in 1977-10)
violin:
Stéphane Grappelli (jazz violinist) (in 1977-10) and Yehudi Menuhin (violinist) (in 1977-10)
arranger:
Max Harris
balance engineer:
Tony Clark (engineer, Abbey Road) (in 1977-10)
recorded at:
EMI Studios (Former Bovema Studio, since 1971) in Heemstede (in 1977-10)
instrumental cover recording of:
My Funny Valentine (from “Babes in Arms”) (in 1977-10)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell and Williamson Music Company
sub-publisher:
シンコーミュージック・エンタテイメント, ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
part of:
Waiting to Exhale (1995 film)
instrumental recording of:
My Funny Valentine (from “Babes in Arms”)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell and Williamson Music Company
sub-publisher:
シンコーミュージック・エンタテイメント, ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
part of:
Waiting to Exhale (1995 film)
4:05
18Thou Swell
producer:
John Mordler (producer)
double bass [bass]:
Pierre Michelot (in 1977-10)
drums (drum set) [drums]:
Ronnie Verrell (in 1977-10)
keyboard [keyboards]:
Laurie Holloway (in 1977-10)
violin:
Stéphane Grappelli (jazz violinist) (in 1977-10) and Yehudi Menuhin (violinist) (in 1977-10)
arranger:
Max Harris
balance engineer:
Tony Clark (engineer, Abbey Road) (in 1977-10)
recorded at:
EMI Studios (Former Bovema Studio, since 1971) in Heemstede (in 1977-10)
cover recording of:
Thou Swell (in 1977-10)
lyricist:
Lorenz Hart (in 1927)
composer:
Richard Rodgers (composer) (in 1927)
publisher:
Marlin Enterprises and Warner Bros. (holding: File NO Releases)
instrumental recording of:
Thou Swell
lyricist:
Lorenz Hart (in 1927)
composer:
Richard Rodgers (composer) (in 1927)
publisher:
Marlin Enterprises and Warner Bros. (holding: File NO Releases)
3:01
19The Lady Is a Tramp
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
bass:
Ken Baldock (Contrabassist) (from 1973-03-06 until 1973-03-07)
drums (drum set):
Tony Crombie (from 1973-03-06 until 1973-03-07)
piano:
Alan Clare (from 1973-03-06 until 1973-03-07)
violin:
Stéphane Grappelli (jazz violinist) (from 1973-03-06 until 1973-03-07) and Yehudi Menuhin (violinist) (from 1973-03-06 until 1973-03-07)
conductor:
Max Harris (from 1973-03-06 until 1973-03-07)
arranger:
Max Harris
balance engineer:
Tony Clark (engineer, Abbey Road)
recorded at:
Abbey Road Studios in St John's Wood (from 1973-03-06 until 1973-03-07) and Abbey Road Studios: Studio 1 in St John's Wood (from 1973-03-06 until 1973-03-07)
recording of:
The Lady Is a Tramp (from “Babes in Arms”) (from 1973-03-06 until 1973-03-07)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Babes in Arms (full musical)
part of:
Pal Joey
instrumental recording of:
The Lady Is a Tramp (from “Babes in Arms”) (from 1973-03-06 until 1973-03-07)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Babes in Arms (full musical)
part of:
Pal Joey
4:24
20The Blue Room
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
bass:
Lennie Bush (from 1972-06-14 until 1972-06-15)
drums (drum set):
Chris Karan (from 1972-06-14 until 1972-06-15)
piano:
Alan Clare (from 1972-06-14 until 1972-06-15)
violin:
Stéphane Grappelli (jazz violinist) (from 1972-06-14 until 1972-06-15) and Yehudi Menuhin (violinist) (from 1972-06-14 until 1972-06-15)
conductor:
Max Harris (from 1972-06-14 until 1972-06-15)
arranger:
Max Harris
balance engineer:
Tony Clark (engineer, Abbey Road)
recorded at:
Abbey Road Studios in St John's Wood (from 1972-06-14 until 1972-06-15) and Abbey Road Studios: Studio 1 in St John's Wood (from 1972-06-14 until 1972-06-15)
instrumental recording of:
Blue Room (from 1972-06-14 until 1972-06-15)
lyricist:
Lorenz Hart (in 1926)
composer:
Richard Rodgers (composer) (in 1926)
recording of:
Blue Room (from 1972-06-14 until 1972-06-15)
lyricist:
Lorenz Hart (in 1926)
composer:
Richard Rodgers (composer) (in 1926)
2:17

Credits

Release

ASIN:US: B000002SDR [info]