Mozart Portraits

~ Release by Mozart; Cecilia Bartoli, Wiener Kammerorchester, György Fischer (see all versions of this release, 4 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Così fan tutte: Temerari! … Come scoglio
mezzo-soprano vocals:
Cecilia Bartoli (mezzo-soprano)
orchestra:
Wiener Kammerorchester
conductor:
György Fischer (pianist and conductor)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1994)
recording of:
Così fan tutte: Atto I. No. 14 Aria “Come scoglio immoto resta” (Fiordiligi)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Mozart5:48
2Così fan tutte: Ei parte … Per pietà, ben mio
mezzo-soprano vocals:
Cecilia Bartoli (mezzo-soprano)
orchestra:
Wiener Kammerorchester
conductor:
György Fischer (pianist and conductor)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1994)
recording of:
Così fan tutte: Atto II. No. 25 Rondò “Per pietà, ben mio, perdona” (Fiordiligi)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Mozart8:59
3Così fan tutte: In uomini, in soldati
mezzo-soprano vocals:
Cecilia Bartoli (mezzo-soprano)
orchestra:
Wiener Kammerorchester
conductor:
György Fischer (pianist and conductor)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1994)
recording of:
Così fan tutte: Atto I. No. 12 Aria “In uomini, in soldati sperare” (Despina)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Mozart2:36
4Le nozze di Figaro: E Susanna non vien! … Dove sono i bei momenti
mezzo-soprano vocals:
Cecilia Bartoli (mezzo-soprano)
orchestra:
Wiener Kammerorchester
conductor:
György Fischer (pianist and conductor)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1994)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena VI. (no. 20) Aria “Dove sono i bei momenti” (La Contessa)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena VI. (no. 20) Recitativo “E Susanna non vien!” (La Contessa)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III
Mozart6:37
5Le nozze di Figaro: Giunse alfin il momento … Al desio
mezzo-soprano vocals:
Cecilia Bartoli (mezzo-soprano)
orchestra:
Wiener Kammerorchester
conductor:
György Fischer (pianist and conductor)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1994)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien, Austria (in 1993-04)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Aria “Al desio di chi t'adora” (Susanna) (alternative aria, 1789)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto IV
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Recitativo “Giunse alfin il momento” (Susanna)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto IV
Mozart7:15
6Don Giovanni: Batti, batti, o bel Masetto
cello:
Franz Bartolomey (cellist) (in 1993-04)
mezzo-soprano vocals:
Cecilia Bartoli (mezzo-soprano) (in 1993-04)
orchestra:
Wiener Kammerorchester (in 1993-04)
conductor:
György Fischer (pianist and conductor) (in 1993-04)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1994)
recording of:
Don Giovanni: Atto I. No. 12 Aria “Batti, batti, oh bel Masetto” (Zerlina) (in 1993-04)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Mozart3:44
7Don Giovanni: In quali eccessi … Mi tradì quell’alma ingrata
cello [cello obbligato]:
Franz Bartolomey (cellist)
mezzo-soprano vocals:
Cecilia Bartoli (mezzo-soprano)
orchestra:
Wiener Kammerorchester
conductor:
György Fischer (pianist and conductor)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1994)
recording of:
Don Giovanni: Atto II. Anhang. No. 21b Aria “Mi tradi quell’alma ingrata” (Donna Elvira) [540c/2]
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
part of:
Don Giovanni: Recitative and Aria, K. 540c
recording of:
Don Giovanni: Atto II. Anhang. No. 21b Recitativo accompagnato “In quali eccessi, o Numi” (Donna Elvira) [540c/1]
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
part of:
Don Giovanni: Recitative and Aria, K. 540c
Mozart5:43
8Davidde penitente, K469: Lungi le cure ingrate
mezzo-soprano vocals and soprano vocals:
Cecilia Bartoli (mezzo-soprano)
orchestra:
Wiener Kammerorchester
conductor:
György Fischer (pianist and conductor)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1994)
recording of:
Davide penitente, K. 469: III. Allegro aperto: Aria "Lungi le cure"
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Saverio Mattei
part of:
Davide penitente, K. 469
Mozart4:53
9Exsultate, jubilate, K165
organ:
Ingomar Raimer
mezzo-soprano vocals:
Cecilia Bartoli (mezzo-soprano)
orchestra:
Wiener Kammerorchester
conductor:
György Fischer (pianist and conductor)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1994)
recording of:
Exsultate, jubilate, K. 158a/165
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1773)
part of:
Köchelverzeichnis (original numbering) (number: 165) and Köchelverzeichnis (sixth edition, 1964, K⁶) (number: 158a)
Mozart14:33