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Copyright: © 2013 Decca Music Group Limited
This Compilation ℗ 2013 Decca Music Group Limited

Annotation last modified on 2024-09-15 14:40 UTC.

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1The Young Person's Guide to the Orchestra, op. 34: Theme - Allegro maestoso e largamente
recording engineer:
Gordon Parry (engineer) (in 1963-05)
producer:
Erik Smith (British producer, pianist and harpsichordist)
orchestra:
London Symphony Orchestra (in 1963-05)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1963-05)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1963-05)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: I. Theme. Allegro maestoso e largamente (in 1963-05)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34
1:57
2The Young Person's Guide to the Orchestra, op. 34: Variation A: Flutes & Piccolo - Presto
recording engineer:
Gordon Parry (engineer) (in 1963-05)
producer:
Erik Smith (British producer, pianist and harpsichordist)
orchestra:
London Symphony Orchestra (in 1963-05)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1963-05)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1963-05)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: II. Variation A. Presto (flute and piccolo) (in 1963-05)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34
0:32
3The Young Person's Guide to the Orchestra, op. 34: Variation B: Oboes - Lento
recording engineer:
Gordon Parry (engineer) (in 1963-05)
producer:
Erik Smith (British producer, pianist and harpsichordist)
orchestra:
London Symphony Orchestra (in 1963-05)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1963-05)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1963-05)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: III. Variation B. Lento (oboe) (in 1963-05)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34
1:04
4The Young Person's Guide to the Orchestra, op. 34: Variation C: Clarinets - Moderato
recording engineer:
Gordon Parry (engineer) (in 1963-05)
producer:
Erik Smith (British producer, pianist and harpsichordist)
orchestra:
London Symphony Orchestra
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1963-05)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1963-05)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: IV. Variation C. Moderato (clarinet) (in 1963-05)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34
0:37
5The Young Person's Guide to the Orchestra, op. 34: Variation D: Bassoons - Allegro alla marcia
recording engineer:
Gordon Parry (engineer) (in 1963-05)
producer:
Erik Smith (British producer, pianist and harpsichordist)
orchestra:
London Symphony Orchestra (in 1958-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1963-05)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1963-05)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: V. Variation D. Allegro alla marcia (bassoon) (in 1963-05)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34
0:53
6The Young Person's Guide to the Orchestra, op. 34: Variation E: Violins - Brillante - alla polacca
recording engineer:
Gordon Parry (engineer) (in 1963-05)
producer:
Erik Smith (British producer, pianist and harpsichordist)
orchestra:
London Symphony Orchestra (in 1963-05)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1963-05)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1963-05)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: VI. Variation E. Brillante - Alla polacca (violin) (in 1963-05)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34
0:36
7The Young Person's Guide to the Orchestra, op. 34: Variation F: Violas - Meno mosso
recording engineer:
Gordon Parry (engineer) (in 1963-05)
producer:
Erik Smith (British producer, pianist and harpsichordist)
orchestra:
London Symphony Orchestra
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1963-05)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1963-05)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: VII. Variation F. Meno mosso (viola) (in 1963-05)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34
0:59
8The Young Person's Guide to the Orchestra, op. 34: Variation G: Cellos
recording engineer:
Gordon Parry (engineer) (in 1963-05)
producer:
Erik Smith (British producer, pianist and harpsichordist)
orchestra:
London Symphony Orchestra (in 1963-05)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1963-05)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1963-05)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: VIII. Variation G. (cello) (in 1963-05)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34
1:17
9The Young Person's Guide to the Orchestra, op. 34: Variation H: Double Basses - Cominciando lento ma poco a poco accelerando
recording engineer:
Gordon Parry (engineer) (in 1963-05)
producer:
Erik Smith (British producer, pianist and harpsichordist)
orchestra:
London Symphony Orchestra (in 1963-05)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1963-05)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1963-05)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: IX. Variation H. Cominciando lento ma poco a poco accelerando (double-bass) (in 1963-05)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34
0:58
10The Young Person's Guide to the Orchestra, op. 34: Variation I: Harp - Maestoso
recording engineer:
Gordon Parry (engineer) (in 1963-05)
producer:
Erik Smith (British producer, pianist and harpsichordist)
orchestra:
London Symphony Orchestra (in 1963-05)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1963-05)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1963-05)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: X. Variation I. Maestoso (harp) (in 1963-05)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34
0:49
11The Young Person's Guide to the Orchestra, op. 34: Variation J: Horns - L'istesso tempo
recording engineer:
Gordon Parry (engineer) (in 1963-05)
producer:
Erik Smith (British producer, pianist and harpsichordist)
orchestra:
London Symphony Orchestra (in 1963-05)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1963-05)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1963-05)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: XI. Variation J. L’istesso tempo (horn)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34
0:44
12The Young Person's Guide to the Orchestra, op. 34: Variation K: Trumpets - Vivace
recording engineer:
Gordon Parry (engineer) (in 1963-05)
producer:
Erik Smith (British producer, pianist and harpsichordist)
orchestra:
London Symphony Orchestra (in 1963-05)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1963-05)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1963-05)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: XII. Variation K. Vivace (trumpet) (in 1963-05)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34
0:33
13The Young Person's Guide to the Orchestra, op. 34: Variation L: Trombones & Bass Tuba - Allegro pomposo
recording engineer:
Gordon Parry (engineer) (in 1963-05)
producer:
Erik Smith (British producer, pianist and harpsichordist)
orchestra:
London Symphony Orchestra
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1963-05)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1963-05)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: XIII. Variation L. Allegro pomposo (trombone) (in 1963-05)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34
0:58
14The Young Person's Guide to the Orchestra, op. 34: Variation M: Percussion - Moderato
recording engineer:
Gordon Parry (engineer) (in 1963-05)
producer:
Erik Smith (British producer, pianist and harpsichordist)
orchestra:
London Symphony Orchestra (in 1963-05)
conductor:
Benjamin Britten (English composer, conductor, and pianist)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1963-05)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: XIV. Variation M. Moderato (percussion) (in 1963-05)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34
1:47
15The Young Person's Guide to the Orchestra, op. 34: Fugue - Allegro molto
recording engineer:
Gordon Parry (engineer) (in 1963-05)
producer:
Erik Smith (British producer, pianist and harpsichordist)
orchestra:
London Symphony Orchestra (in 1963-05)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1963-05)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1963-05)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: XV. Fugue. Allegro molto (in 1963-05)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34
2:46
16Simple Symphony, op. 4: I. Boisterous Bourrée
engineer:
Gordon Parry (engineer) and Kenneth Wilkinson (engineer)
producer:
David Harvey (producer) (in 1968)
orchestra:
English Chamber Orchestra (in 1968-05)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1968-05)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1968-05)
recording of:
Simple Symphony, op. 4: I. Boisterous Bourrée (in 1968-05)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1933-12 until 1934-02)
part of:
Simple Symphony, op. 4
3:25
17Simple Symphony, op. 4: II. Playful Pizzicato
engineer:
Gordon Parry (engineer) and Kenneth Wilkinson (engineer)
producer:
David Harvey (producer) (in 1968)
orchestra:
English Chamber Orchestra (in 1968-05)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1968-05)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1969)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1968-05)
recording of:
Simple Symphony, op. 4: II. Playful Pizzicato (in 1968-05)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1933-12 until 1934-02)
part of:
Simple Symphony, op. 4
3:04
18Simple Symphony, op. 4: III. Sentimental Saraband
engineer:
Gordon Parry (engineer) and Kenneth Wilkinson (engineer)
producer:
David Harvey (producer) (in 1968)
orchestra:
English Chamber Orchestra (in 1968-05)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1968-05)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1968-05)
recording of:
Simple Symphony, op. 4: III. Sentimental Saraband (in 1968-05)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1933-12 until 1934-02)
part of:
Simple Symphony, op. 4
7:54
19Simple Symphony, op. 4: IV. Frolicsome Finale
engineer:
Gordon Parry (engineer) and Kenneth Wilkinson (engineer)
producer:
David Harvey (producer) (in 1968)
orchestra:
English Chamber Orchestra (in 1968-05)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1968-05)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1968-05)
recording of:
Simple Symphony, op. 4: IV. Frolicsome Finale (in 1968-05)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1933-12 until 1934-02)
part of:
Simple Symphony, op. 4
2:59
20Variations on a Theme of Frank Bridge, op. 10: I. Introduction & Theme
engineer:
Gordon Parry (engineer)
producer:
John Culshaw (in 1967)
orchestra:
English Chamber Orchestra (in 1966-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1966-12)
recording of:
Variations on a Theme by Frank Bridge, op. 10: I. Introduction and Theme. Lento maestoso (in 1966-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1937)
part of:
Variations on a Theme by Frank Bridge, op. 10
1:57
21Variations on a Theme of Frank Bridge, op. 10: II. Adagio
engineer:
Gordon Parry (engineer)
producer:
John Culshaw (in 1967)
orchestra:
English Chamber Orchestra (in 1966-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1966-12)
recording of:
Variations on a Theme by Frank Bridge, op. 10: II. Adagio (in 1966-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1937)
part of:
Variations on a Theme by Frank Bridge, op. 10
2:24
22Variations on a Theme of Frank Bridge, op. 10: III. March
engineer:
Gordon Parry (engineer)
producer:
John Culshaw (in 1967)
orchestra:
English Chamber Orchestra (in 1966-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1966-12)
recording of:
Variations on a Theme by Frank Bridge, op. 10: III. March. Presto alla marcia (in 1966-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1937)
part of:
Variations on a Theme by Frank Bridge, op. 10
recording of:
Variations on a Theme by Frank Bridge, op. 10: IX. Funeral march. Andante ritmico (in 1966-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1937)
part of:
Variations on a Theme by Frank Bridge, op. 10
1:07
23Variations on a Theme of Frank Bridge, op. 10: IV. Romance
engineer:
Gordon Parry (engineer)
producer:
John Culshaw (in 1967)
orchestra:
English Chamber Orchestra (in 1966-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1966-12)
recording of:
Variations on a Theme by Frank Bridge, op. 10: IV. Romance. Allegretto grazioso (in 1966-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1937)
part of:
Variations on a Theme by Frank Bridge, op. 10
1:37
24Variations on a Theme of Frank Bridge, op. 10: V. Aria italiana
engineer:
Gordon Parry (engineer)
producer:
John Culshaw (in 1967)
orchestra:
English Chamber Orchestra (in 1966-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1966-12)
recording of:
Variations on a Theme by Frank Bridge, op. 10: V. Aria italiana. Allegro brillante (in 1966-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1937)
part of:
Variations on a Theme by Frank Bridge, op. 10
1:19
25Variations on a Theme of Frank Bridge, op. 10: VI. Bourrée classique
engineer:
Gordon Parry (engineer)
producer:
John Culshaw (in 1967)
orchestra:
English Chamber Orchestra (in 1966-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1966-12)
recording of:
Variations on a Theme by Frank Bridge, op. 10: VI. Bourrée classique. Allegro e pesante (in 1966-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1937)
part of:
Variations on a Theme by Frank Bridge, op. 10
1:17
26Variations on a Theme of Frank Bridge, op. 10: VII. Wiener Waltzer
engineer:
Gordon Parry (engineer)
producer:
John Culshaw (in 1967)
orchestra:
English Chamber Orchestra (in 1966-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1966-12)
recording of:
Variations on a Theme by Frank Bridge, op. 10: VII. Wiener Walzer. Lento - Vivace (in 1966-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1937)
part of:
Variations on a Theme by Frank Bridge, op. 10
2:41
27Variations on a Theme of Frank Bridge, op. 10: VIII. Moto perpetuo
engineer:
Gordon Parry (engineer)
producer:
John Culshaw (in 1967)
orchestra:
English Chamber Orchestra (in 1966-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1966-12)
recording of:
Variations on a Theme by Frank Bridge, op. 10: VIII. Moto perpetuo. Allegro molto (in 1966-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1937)
part of:
Variations on a Theme by Frank Bridge, op. 10
1:10
28Variations on a Theme of Frank Bridge, op. 10: IX. Funeral March
engineer:
Gordon Parry (engineer)
producer:
John Culshaw (in 1967)
orchestra:
English Chamber Orchestra (in 1966-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1966-12)
recording of:
Variations on a Theme by Frank Bridge, op. 10: III. March. Presto alla marcia (in 1966-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1937)
part of:
Variations on a Theme by Frank Bridge, op. 10
recording of:
Variations on a Theme by Frank Bridge, op. 10: IX. Funeral march. Andante ritmico (in 1966-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1937)
part of:
Variations on a Theme by Frank Bridge, op. 10
3:59
29Variations on a Theme of Frank Bridge, op. 10: X. Chant
engineer:
Gordon Parry (engineer)
producer:
John Culshaw (in 1967)
orchestra:
English Chamber Orchestra (in 1966-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1966-12)
recording of:
Variations on a Theme by Frank Bridge, op. 10: X. Chant. Lento (in 1966-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1937)
part of:
Variations on a Theme by Frank Bridge, op. 10
1:39
30Variations on a Theme of Frank Bridge, op. 10: XI. Fugue & Finale
engineer:
Gordon Parry (engineer)
producer:
John Culshaw (in 1967)
orchestra:
English Chamber Orchestra (in 1966-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1966-12)
recording of:
Variations on a Theme by Frank Bridge, op. 10: XI. Fugue and Finale. Allegro molto vivace - Lento e solenne (in 1966-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1937)
part of:
Variations on a Theme by Frank Bridge, op. 10
7:35
31Peter Grimes, op. 33 / Prologue: Interlude I: On the beach (Dawn)
recording engineer:
Kenneth Wilkinson (engineer) (in 1958-12)
producer:
Christopher Raeburn (producer) and Erik Smith (British producer, pianist and harpsichordist)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1958-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1958-12)
recording of:
Four Sea Interludes from 'Peter Grimes', op. 33a: I. Dawn: Lento e tranquillo (in 1958-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1945)
part of:
Four Sea Interludes from 'Peter Grimes', op. 33a
3:34
32Peter Grimes, op. 33 / Act 1: Interlude II: The Storm
recording engineer:
Kenneth Wilkinson (engineer) (in 1958-12)
producer:
Christopher Raeburn (producer) and Erik Smith (British producer, pianist and harpsichordist)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1958-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1958-12)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1958-12)
recording of:
Four Sea Interludes from 'Peter Grimes', op. 33a: IV. Storm: Presto con fuoco (in 1958-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1945)
part of:
Four Sea Interludes from 'Peter Grimes', op. 33a
4:19
33Peter Grimes, op. 33 / Act 2: Interlude III: Sunday Morning
recording engineer:
Kenneth Wilkinson (engineer) (in 1958-12)
producer:
Christopher Raeburn (producer) and Erik Smith (British producer, pianist and harpsichordist)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1958-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1958-12)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1958-12)
recording of:
Four Sea Interludes from 'Peter Grimes', op. 33a: II. Sunday Morning: Allegro spiritoso (in 1958-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1945)
part of:
Four Sea Interludes from 'Peter Grimes', op. 33a
3:55
34Peter Grimes, op. 33 / Act 3: Interlude V: Evening
recording engineer:
Kenneth Wilkinson (engineer) (in 1958-12)
producer:
Christopher Raeburn (producer) and Erik Smith (British producer, pianist and harpsichordist)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1958-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1958-12)
recording of:
Four Sea Interludes from 'Peter Grimes', op. 33a: III. Moonlight: Andante comodo e rubato (in 1958-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1945)
part of:
Four Sea Interludes from 'Peter Grimes', op. 33a
4:28
Digital Media 2
#TitleArtistRatingLength
1Ceremony of Carols, op. 28: Procession
engineer:
Simon Eadon (classical music engineer)
producer:
Christopher Hazell
harp:
Rachel Masters (harp player) (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13)
choir vocals:
Choir of King’s College, Cambridge (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13)
treble vocals:
Marcus Body (boy treble) (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13), Rupert Johnston (boy treble) (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13), John McFadzean (boy treble) (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13), Michael Pearce (boy treble) (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13), Thomas Rose (boy treble) (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13) and Peter Winn (treble) (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13)
conductor:
Stephen Cleobury (organist, conductor) (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13)
recording of:
A Ceremony of Carols, op. 28: I. Procession (from 1990-03-19 until 1990-12-13)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1942)
part of:
A Ceremony of Carols, op. 28
Benjamin Britten1:31
2Ceremony of Carols, op. 28: Wolcom Yule!
engineer:
Simon Eadon (classical music engineer)
producer:
Christopher Hazell
harp:
Rachel Masters (harp player) (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13)
choir vocals:
Choir of King’s College, Cambridge (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13)
treble vocals:
Marcus Body (boy treble) (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13), Rupert Johnston (boy treble) (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13), John McFadzean (boy treble) (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13), Michael Pearce (boy treble) (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13), Thomas Rose (boy treble) (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13) and Peter Winn (treble) (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13)
conductor:
Stephen Cleobury (organist, conductor) (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13)
recording of:
A Ceremony of Carols, op. 28: II. Wolcum Yole! (from 1990-03-19 until 1990-12-13)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1942)
part of:
A Ceremony of Carols, op. 28
Benjamin Britten1:27
3Ceremony of Carols, op. 28: There Is No Rose
engineer:
Simon Eadon (classical music engineer)
producer:
Christopher Hazell
harp:
Rachel Masters (harp player) (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13)
choir vocals:
Choir of King’s College, Cambridge (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13)
treble vocals:
Marcus Body (boy treble) (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13), Rupert Johnston (boy treble) (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13), John McFadzean (boy treble) (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13), Michael Pearce (boy treble) (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13), Thomas Rose (boy treble) (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13) and Peter Winn (treble) (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13)
conductor:
Stephen Cleobury (organist, conductor) (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1991)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13)
recording of:
A Ceremony of Carols, op. 28: III. There is no Rose (from 1990-03-19 until 1990-12-13)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1942)
part of:
A Ceremony of Carols, op. 28
Benjamin Britten2:32
4Ceremony of Carols, op. 28: That Yongë Child
engineer:
Simon Eadon (classical music engineer)
producer:
Christopher Hazell
harp:
Rachel Masters (harp player) (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13)
choir vocals:
Choir of King’s College, Cambridge (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13)
treble vocals:
Marcus Body (boy treble) (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13), Rupert Johnston (boy treble) (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13), John McFadzean (boy treble) (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13), Michael Pearce (boy treble) (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13), Thomas Rose (boy treble) (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13) and Peter Winn (treble) (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13)
conductor:
Stephen Cleobury (organist, conductor) (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13)
recording of:
A Ceremony of Carols, op. 28: IV. (a) That yongë child (from 1990-03-19 until 1990-12-13)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1942)
part of:
A Ceremony of Carols, op. 28
Benjamin Britten1:54
5Ceremony of Carols, op. 28: Balulalow
engineer:
Simon Eadon (classical music engineer)
producer:
Christopher Hazell
harp:
Rachel Masters (harp player) (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13)
choir vocals:
Choir of King’s College, Cambridge (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13)
treble vocals:
Marcus Body (boy treble) (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13), Rupert Johnston (boy treble) (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13), John McFadzean (boy treble) (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13), Michael Pearce (boy treble) (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13), Thomas Rose (boy treble) (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13) and Peter Winn (treble) (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13)
conductor:
Stephen Cleobury (organist, conductor) (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13)
recording of:
A Ceremony of Carols, op. 28: IV. (b) Balulalow (from 1990-03-19 until 1990-12-13)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1942)
part of:
A Ceremony of Carols, op. 28
Benjamin Britten1:19
6Ceremony of Carols, op. 28: As Dew In Aprille
engineer:
Simon Eadon (classical music engineer)
producer:
Christopher Hazell
harp:
Rachel Masters (harp player) (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13)
choir vocals:
Choir of King’s College, Cambridge (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13)
treble vocals:
Marcus Body (boy treble) (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13), Rupert Johnston (boy treble) (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13), John McFadzean (boy treble) (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13), Michael Pearce (boy treble) (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13), Thomas Rose (boy treble) (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13) and Peter Winn (treble) (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13)
conductor:
Stephen Cleobury (organist, conductor) (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13)
recording of:
A Ceremony of Carols, op. 28: V. As dew in Aprille (from 1990-03-19 until 1990-12-13)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1942)
part of:
A Ceremony of Carols, op. 28
Benjamin Britten1:08
7Ceremony of Carols, op. 28: This Little Babe
engineer:
Simon Eadon (classical music engineer)
producer:
Christopher Hazell
harp:
Rachel Masters (harp player) (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13)
choir vocals:
Choir of King’s College, Cambridge (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13)
treble vocals:
Marcus Body (boy treble) (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13), Rupert Johnston (boy treble) (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13), John McFadzean (boy treble) (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13), Michael Pearce (boy treble) (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13), Thomas Rose (boy treble) (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13) and Peter Winn (treble) (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13)
conductor:
Stephen Cleobury (organist, conductor) (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13)
recording of:
A Ceremony of Carols, op. 28: VI. This little babe (from 1990-03-19 until 1990-12-13)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1942)
part of:
A Ceremony of Carols, op. 28
Benjamin Britten1:32
8Ceremony of Carols, op. 28: Interlude
engineer:
Simon Eadon (classical music engineer)
producer:
Christopher Hazell
harp:
Rachel Masters (harp player) (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13)
choir vocals:
Choir of King’s College, Cambridge (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13)
treble vocals:
Marcus Body (boy treble) (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13), Rupert Johnston (boy treble) (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13), John McFadzean (boy treble) (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13), Michael Pearce (boy treble) (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13), Thomas Rose (boy treble) (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13) and Peter Winn (treble) (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13)
conductor:
Stephen Cleobury (organist, conductor) (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13)
recording of:
A Ceremony of Carols, op. 28: VII. Interlude. Andante pastorale (from 1990-03-19 until 1990-12-13)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1942)
part of:
A Ceremony of Carols, op. 28
Rachel Masters4:03
9Ceremony of Carols, op. 28: In Freezing Winter Night
engineer:
Simon Eadon (classical music engineer)
producer:
Christopher Hazell
harp:
Rachel Masters (harp player) (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13)
choir vocals:
Choir of King’s College, Cambridge (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13)
treble vocals:
Marcus Body (boy treble) (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13), Rupert Johnston (boy treble) (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13), John McFadzean (boy treble) (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13), Michael Pearce (boy treble) (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13), Thomas Rose (boy treble) (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13) and Peter Winn (treble) (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13)
conductor:
Stephen Cleobury (organist, conductor) (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13)
recording of:
A Ceremony of Carols, op. 28: VIII. In Freezing Winter Night (from 1990-03-19 until 1990-12-13)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1942)
part of:
A Ceremony of Carols, op. 28
Benjamin Britten3:40
10Ceremony of Carols, op. 28: Spring Carol
engineer:
Simon Eadon (classical music engineer)
producer:
Christopher Hazell
harp:
Rachel Masters (harp player) (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13)
choir vocals:
Choir of King’s College, Cambridge (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13)
treble vocals:
Marcus Body (boy treble) (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13), Rupert Johnston (boy treble) (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13), John McFadzean (boy treble) (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13), Michael Pearce (boy treble) (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13), Thomas Rose (boy treble) (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13) and Peter Winn (treble) (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13)
conductor:
Stephen Cleobury (organist, conductor) (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13)
recording of:
A Ceremony of Carols, op. 28: IX. Spring Carol (from 1990-03-19 until 1990-12-13)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1942)
part of:
A Ceremony of Carols, op. 28
Benjamin Britten1:16
11Ceremony of Carols, op. 28: Deo Gracias
engineer:
Simon Eadon (classical music engineer)
producer:
Christopher Hazell
harp:
Rachel Masters (harp player) (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13)
choir vocals:
Choir of King’s College, Cambridge (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13)
treble vocals:
Marcus Body (boy treble) (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13), Rupert Johnston (boy treble) (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13), John McFadzean (boy treble) (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13), Michael Pearce (boy treble) (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13), Thomas Rose (boy treble) (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13) and Peter Winn (treble) (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13)
conductor:
Stephen Cleobury (organist, conductor) (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13)
recording of:
A Ceremony of Carols, op. 28: X. Deo gracias! (from 1990-03-19 until 1990-12-13)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1942)
part of:
A Ceremony of Carols, op. 28
Benjamin Britten1:16
12Ceremony of Carols, op. 28: Recession
engineer:
Simon Eadon (classical music engineer)
producer:
Christopher Hazell
harp:
Rachel Masters (harp player) (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13)
choir vocals:
Choir of King’s College, Cambridge (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13)
treble vocals:
Marcus Body (boy treble) (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13), Rupert Johnston (boy treble) (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13), John McFadzean (boy treble) (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13), Michael Pearce (boy treble) (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13), Thomas Rose (boy treble) (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13) and Peter Winn (treble) (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13)
conductor:
Stephen Cleobury (organist, conductor) (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13)
recording of:
A Ceremony of Carols, op. 28: XI. Recession (from 1990-03-19 until 1990-12-13)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1942)
part of:
A Ceremony of Carols, op. 28
Benjamin Britten1:37
13A Boy Was Born, op. 3: A Boy Was Born (Theme)
engineer:
Simon Eadon (classical music engineer)
producer:
Christopher Hazell
choir vocals:
Choir of King’s College, Cambridge (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13) and Women of the Cambridge Chamber Choir (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13)
treble vocals:
Thomas Rose (boy treble) (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13)
conductor:
Stephen Cleobury (organist, conductor) (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13)
performer:
Ladies From The Cambridge University Chamber Choir
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13)
recording of:
A Boy Was Born, op. 3: Theme. A boy was born (from 1990-03-19 until 1990-12-13)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1932 until 1933)
part of:
A Boy Was Born, op. 3
Benjamin Britten2:02
14A Boy Was Born, op. 3: Variation 1: Lullay, Jesu
engineer:
Simon Eadon (classical music engineer)
producer:
Christopher Hazell
choir vocals:
Choir of King’s College, Cambridge (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13) and Women of the Cambridge Chamber Choir (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13)
treble vocals:
Thomas Rose (boy treble) (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13)
conductor:
Stephen Cleobury (organist, conductor) (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13)
performer:
Ladies From The Cambridge University Chamber Choir
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13)
recording of:
A Boy Was Born, op. 3: Variation I. Lullay, Jesu (from 1990-03-19 until 1990-12-13)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1932 until 1933)
part of:
A Boy Was Born, op. 3
Benjamin Britten4:11
15A Boy Was Born, op. 3: Variation 2: Herod
engineer:
Simon Eadon (classical music engineer)
producer:
Christopher Hazell
choir vocals:
Choir of King’s College, Cambridge (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13) and Women of the Cambridge Chamber Choir (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13)
treble vocals:
Thomas Rose (boy treble) (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13)
conductor:
Stephen Cleobury (organist, conductor) (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13)
performer:
Ladies From The Cambridge University Chamber Choir
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13)
recording of:
A Boy Was Born, op. 3: Variation II. Herod (from 1990-03-19 until 1990-12-13)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1932 until 1933)
part of:
A Boy Was Born, op. 3
Benjamin Britten2:23
16A Boy Was Born, op. 3: Variation 3: Jesu As Thou Art Our Saviour
engineer:
Simon Eadon (classical music engineer)
producer:
Christopher Hazell
choir vocals:
Choir of King’s College, Cambridge (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13) and Women of the Cambridge Chamber Choir (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13)
treble vocals:
Thomas Rose (boy treble) (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13)
conductor:
Stephen Cleobury (organist, conductor) (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13)
performer:
Ladies From The Cambridge University Chamber Choir
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13)
recording of:
A Boy Was Born, op. 3: Variation III. Jesu, as Thou art our Saviour (from 1990-03-19 until 1990-12-13)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1932 until 1933)
part of:
A Boy Was Born, op. 3
Benjamin Britten2:53
17A Boy Was Born, op. 3: Variation 4: The Three Kings
engineer:
Simon Eadon (classical music engineer)
producer:
Christopher Hazell
choir vocals:
Choir of King’s College, Cambridge (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13) and Women of the Cambridge Chamber Choir (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13)
treble vocals:
Thomas Rose (boy treble) (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13)
conductor:
Stephen Cleobury (organist, conductor) (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13)
performer:
Ladies From The Cambridge University Chamber Choir
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13)
recording of:
A Boy Was Born, op. 3: Variation IV. The three kings (from 1990-03-19 until 1990-12-13)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1932 until 1933)
part of:
A Boy Was Born, op. 3
Benjamin Britten2:56
18A Boy Was Born, op. 3: Variation 5: In The Bleak Mid-Winter
engineer:
Simon Eadon (classical music engineer)
producer:
Christopher Hazell
choir vocals:
Choir of King’s College, Cambridge (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13) and Women of the Cambridge Chamber Choir (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13)
treble vocals:
Thomas Rose (boy treble) (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13)
conductor:
Stephen Cleobury (organist, conductor) (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13)
performer:
Ladies From The Cambridge University Chamber Choir
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13)
recording of:
A Boy Was Born, op. 3: Variation V. In the bleak mid-winter (from 1990-03-19 until 1990-12-13)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1932 until 1933)
part of:
A Boy Was Born, op. 3
Benjamin Britten4:44
19A Boy Was Born, op. 3: Variation 6: Finale - Noel!
engineer:
Simon Eadon (classical music engineer)
producer:
Christopher Hazell
choir vocals:
Choir of King’s College, Cambridge (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13) and Women of the Cambridge Chamber Choir (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13)
treble vocals:
Thomas Rose (boy treble) (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13)
conductor:
Stephen Cleobury (organist, conductor) (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13)
performer:
Ladies From The Cambridge University Chamber Choir
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (on 1990-03-19, from 1990-09-21 until 1990-09-23, from 1990-12-12 until 1990-12-13)
recording of:
A Boy Was Born, op. 3: Variation VI (Finale). Noel! (from 1990-03-19 until 1990-12-13)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1932 until 1933)
part of:
A Boy Was Born, op. 3
Benjamin Britten8:57
20A Hymn to the Virgin
choir vocals:
Choir of St John’s College, Cambridge (from 1962-08-08 until 1962-08-09)
conductor:
George Guest (organist and conductor) (from 1962-08-08 until 1962-08-09)
recorded at:
Chapel of St John's College, Cambridge in Cambridge, Cambridgeshire, England, United Kingdom (from 1962-08-08 until 1962-08-09)
recording of:
A Hymn to the Virgin (from 1962-08-08 until 1962-08-09)
lyricist:
[anonymous] (special purpose artist)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1930-07-09 until 1934-04-29)
premiered at:
St John's Church in Lowestoft, Suffolk, England, United Kingdom (on 1931-01-05)
Benjamin Britten3:18
21Festival Te Deum, op. 32
organ:
Brian Runnett (organist) (from 1962-08-08 until 1962-08-09)
choir vocals:
Choir of St John’s College, Cambridge (from 1962-08-08 until 1962-08-09)
conductor:
George Guest (organist and conductor) (from 1962-08-08 until 1962-08-09)
recorded at:
Chapel of St John's College, Cambridge in Cambridge, Cambridgeshire, England, United Kingdom (from 1962-08-08 until 1962-08-09)
recording of:
Festival Te Deum, op. 32 (from 1962-08-08 until 1962-08-09)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1944-11-08 until 1944-11-09)
premiered at:
St Mark's Church, Swindon in Swindon, England, United Kingdom (on 1945-04-24)
part of:
Works of Benjamin Britten by opus number (number: op. 32)
Benjamin Britten5:59
22Jubilate Deo in C
organ:
Brian Runnett (organist) (from 1962-08-08 until 1962-08-09)
choir vocals:
Choir of St John’s College, Cambridge (from 1962-08-08 until 1962-08-09)
conductor:
George Guest (organist and conductor) (from 1962-08-08 until 1962-08-09)
recorded at:
Chapel of St John's College, Cambridge in Cambridge, Cambridgeshire, England, United Kingdom (from 1962-08-08 until 1962-08-09)
recording of:
Jubilate Deo in C major (from 1962-08-08 until 1962-08-09)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1961)
Benjamin Britten2:43
23Hymn to St. Cecilia, op. 27: In a Garden Shady
Benjamin Britten2:50
24Hymn to St. Cecilia, op. 27: I Cannot Grow
Benjamin Britten1:55
25Hymn to St. Cecilia, op. 27: O Ear Whose Creatures
Benjamin Britten5:55
Digital Media 3
#TitleRatingLength
1Songs from "Friday Afternoons", op. 7: Begone, Dull Care
recording engineer:
Michael Mailes (engineer) (in 1966-07)
producer:
John Culshaw
piano:
Viola Tunnard (pianist)
choir vocals:
Choir of Downside School, Purley (Purley) (in 1966-07)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966-07)
recorded at:
Decca Studios: Studio 3 in West Hampstead, Camden, London (Greater London), England, United Kingdom (in 1966-07)
recording of:
Friday Afternoons, op. 7: No. 1. Begone, Dull Care! (in 1966-07)
composer:
Benjamin Britten (English composer, conductor, and pianist)
part of:
Friday Afternoons, op. 7
0:59
2Songs from "Friday Afternoons", op. 7: A Tragic Story
recording engineer:
Michael Mailes (engineer) (in 1966-07)
producer:
John Culshaw
piano:
Viola Tunnard (pianist)
choir vocals:
Choir of Downside School, Purley (Purley) (in 1966-07)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966-07)
recorded at:
Decca Studios: Studio 3 in West Hampstead, Camden, London (Greater London), England, United Kingdom (in 1966-07)
recording of:
Friday Afternoons, op. 7: No. 2. A Tragic Story (in 1966-07)
composer:
Benjamin Britten (English composer, conductor, and pianist)
part of:
Friday Afternoons, op. 7
1:37
3Songs from "Friday Afternoons", op. 7: Songs From Friday Afternoons, op. 7: "Cuckoo!"
recording engineer:
Michael Mailes (engineer) (in 1966-07)
producer:
John Culshaw
piano:
Viola Tunnard (pianist)
choir vocals:
Choir of Downside School, Purley (Purley) (in 1966-07)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966-07)
recorded at:
Decca Studios: Studio 3 in West Hampstead, Camden, London (Greater London), England, United Kingdom (in 1966-07)
recording of:
Friday Afternoons, op. 7: No. 3. Cuckoo! (in 1966-07)
lyricist:
Jane Taylor (poet, most famous for “Twinkle, Twinkle, Little Star”)
composer:
Benjamin Britten (English composer, conductor, and pianist)
part of:
Friday Afternoons, op. 7
1:39
4Songs from "Friday Afternoons", op. 7: A New Year Carol
recording engineer:
Michael Mailes (engineer) (in 1966-07)
producer:
John Culshaw
piano:
Viola Tunnard (pianist)
choir vocals:
Choir of Downside School, Purley (Purley) (in 1966-07)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966-07)
recorded at:
Decca Studios: Studio 3 in West Hampstead, Camden, London (Greater London), England, United Kingdom (in 1966-07)
recording of:
Friday Afternoons, op. 7: No. 5. A New Year Carol (in 1966-07)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1934)
quotes lyrics from:
Tom Tiddler's Ground
part of:
Friday Afternoons, op. 7
recording of:
Friday Afternoons, op. 7: No. 4. “Ee‐oh!”
composer:
Benjamin Britten (English composer, conductor, and pianist)
part of:
Friday Afternoons, op. 7
2:04
5Songs from "Friday Afternoons", op. 7: I Mun Be Married On Sunday
recording engineer:
Michael Mailes (engineer) (in 1966-07)
producer:
John Culshaw
piano:
Viola Tunnard (pianist)
choir vocals:
Choir of Downside School, Purley (Purley) (in 1966-07)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966-07)
recorded at:
Decca Studios: Studio 3 in West Hampstead, Camden, London (Greater London), England, United Kingdom (in 1966-07)
recording of:
Friday Afternoons, op. 7: No. 6. I Mun Be Married on Sunday (in 1966-07)
composer:
Benjamin Britten (English composer, conductor, and pianist)
part of:
Friday Afternoons, op. 7
recording of:
Friday Afternoons, op. 7: No. 5. A New Year Carol
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1934)
quotes lyrics from:
Tom Tiddler's Ground
part of:
Friday Afternoons, op. 7
1:13
6Songs from "Friday Afternoons", op. 7: There Was a Man Of Newington
recording engineer:
Michael Mailes (engineer) (in 1966-07)
producer:
John Culshaw
piano:
Viola Tunnard (pianist)
choir vocals:
Choir of Downside School, Purley (Purley) (in 1966-07)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966-07)
recorded at:
Decca Studios: Studio 3 in West Hampstead, Camden, London (Greater London), England, United Kingdom (in 1966-07)
recording of:
Friday Afternoons, op. 7: No. 7. There Was a Man of Newington (in 1966-07)
composer:
Benjamin Britten (English composer, conductor, and pianist)
part of:
Friday Afternoons, op. 7
recording of:
Friday Afternoons, op. 7: No. 6. I Mun Be Married on Sunday
composer:
Benjamin Britten (English composer, conductor, and pianist)
part of:
Friday Afternoons, op. 7
0:34
7Songs from "Friday Afternoons", op. 7: Fishing Song
recording engineer:
Michael Mailes (engineer) (in 1966-07)
producer:
John Culshaw
piano:
Viola Tunnard (pianist)
choir vocals:
Choir of Downside School, Purley (Purley) (in 1966-07)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966-07)
recorded at:
Decca Studios: Studio 3 in West Hampstead, Camden, London (Greater London), England, United Kingdom (in 1966-07)
recording of:
Friday Afternoons, op. 7: No. 8. Fishing song (in 1966-07)
composer:
Benjamin Britten (English composer, conductor, and pianist)
part of:
Friday Afternoons, op. 7
recording of:
Friday Afternoons, op. 7: No. 7. There Was a Man of Newington
composer:
Benjamin Britten (English composer, conductor, and pianist)
part of:
Friday Afternoons, op. 7
2:10
8Songs from "Friday Afternoons", op. 7: The Useful Plough
recording engineer:
Michael Mailes (engineer) (in 1966-07)
producer:
John Culshaw
piano:
Viola Tunnard (pianist)
choir vocals:
Choir of Downside School, Purley (Purley) (in 1966-07)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966-07)
recorded at:
Decca Studios: Studio 3 in West Hampstead, Camden, London (Greater London), England, United Kingdom (in 1966-07)
recording of:
Friday Afternoons, op. 7: No. 9. The Useful Plough (in 1966-07)
composer:
Benjamin Britten (English composer, conductor, and pianist)
part of:
Friday Afternoons, op. 7
recording of:
Friday Afternoons, op. 7: No. 8. Fishing song
composer:
Benjamin Britten (English composer, conductor, and pianist)
part of:
Friday Afternoons, op. 7
2:23
9Songs from "Friday Afternoons", op. 7: Jazz-Man
recording engineer:
Michael Mailes (engineer) (in 1966-07)
producer:
John Culshaw
piano:
Viola Tunnard (pianist)
choir vocals:
Choir of Downside School, Purley (Purley) (in 1966-07)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966-07)
recorded at:
Decca Studios: Studio 3 in West Hampstead, Camden, London (Greater London), England, United Kingdom (in 1966-07)
recording of:
Friday Afternoons, op. 7: No. 10. Jazz‐Man (in 1966-07)
composer:
Benjamin Britten (English composer, conductor, and pianist)
part of:
Friday Afternoons, op. 7
recording of:
Friday Afternoons, op. 7: No. 9. The Useful Plough
composer:
Benjamin Britten (English composer, conductor, and pianist)
part of:
Friday Afternoons, op. 7
0:48
10Songs from "Friday Afternoons", op. 7: There Was a Monkey
recording engineer:
Michael Mailes (engineer) (in 1966-07)
producer:
John Culshaw
piano:
Viola Tunnard (pianist)
choir vocals:
Choir of Downside School, Purley (Purley) (in 1966-07)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966-07)
recorded at:
Decca Studios: Studio 3 in West Hampstead, Camden, London (Greater London), England, United Kingdom (in 1966-07)
recording of:
Friday Afternoons, op. 7: No. 11. There Was a Monkey (in 1966-07)
composer:
Benjamin Britten (English composer, conductor, and pianist)
part of:
Friday Afternoons, op. 7
recording of:
Friday Afternoons, op. 7: No. 10. Jazz‐Man
composer:
Benjamin Britten (English composer, conductor, and pianist)
part of:
Friday Afternoons, op. 7
1:31
11Songs from "Friday Afternoons", op. 7: Songs From Friday Afternoons, op. 7: "Old Abram Brown"
recording engineer:
Michael Mailes (engineer) (in 1966-07)
producer:
John Culshaw
piano:
Viola Tunnard (pianist)
choir vocals:
Choir of Downside School, Purley (Purley) (in 1966-07)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966-07)
recorded at:
Decca Studios: Studio 3 in West Hampstead, Camden, London (Greater London), England, United Kingdom (in 1966-07)
recording of:
Friday Afternoons, op. 7: No. 12. Old Abram Brown (in 1966-07)
composer:
Benjamin Britten (English composer, conductor, and pianist)
part of:
Friday Afternoons, op. 7
recording of:
Friday Afternoons, op. 7: No. 11. There Was a Monkey
composer:
Benjamin Britten (English composer, conductor, and pianist)
part of:
Friday Afternoons, op. 7
3:31
12Noye's Fludde, op. 59: "Lord Jesus, Think On Me"
orchestra:
English Chamber Orchestra (in 1961)
conductor:
Norman Del Mar (conductor) (in 1961)
recording of:
Noye's Fludde, op. 59: I. Lord Jesus, think on me (in 1961)
composer:
Benjamin Britten (English composer, conductor, and pianist)
part of:
Noye's Fludde, op. 59
3:06
13Noye's Fludde, op. 59: "I God, That All This Worlde Hath Wroughte"
bass-baritone vocals:
Owen Brannigan (operatic bass) (in 1961)
recording of:
Noye's Fludde, op. 59: II. I God, that all this worlde hath wroughte (in 1961)
composer:
Benjamin Britten (English composer, conductor, and pianist)
part of:
Noye's Fludde, op. 59
2:05
14Noye's Fludde, op. 59: "Have Done, You Men and Wemen All"
bass-baritone vocals:
Owen Brannigan (operatic bass) (in 1961)
contralto vocals:
Sheila Rex (in 1961)
orchestra:
English Chamber Orchestra (in 1961)
conductor:
Norman Del Mar (conductor) (in 1961)
recording of:
Noye's Fludde, op. 59: III. Have done, you men and wemen all (in 1961)
composer:
Benjamin Britten (English composer, conductor, and pianist)
part of:
Noye's Fludde, op. 59
2:38
15Noye's Fludde, op. 59: "Now In the Name Of God I Will Begyne"
bass-baritone vocals:
Owen Brannigan (operatic bass) (in 1961)
contralto vocals:
Sheila Rex (in 1961)
orchestra:
English Chamber Orchestra (in 1961)
conductor:
Norman Del Mar (conductor) (in 1961)
recording of:
Noye's Fludde, op. 59: IV. Now in the name of God I will begyne (in 1961)
composer:
Benjamin Britten (English composer, conductor, and pianist)
part of:
Noye's Fludde, op. 59
4:18
16Noye's Fludde, op. 59: "Noye, Noye, Take Thou Thy Company"
bass-baritone vocals:
Owen Brannigan (operatic bass) (in 1961)
orchestra:
English Chamber Orchestra (in 1961)
conductor:
Norman Del Mar (conductor) (in 1961)
performer:
Trevor Anthony
recording of:
Noye's Fludde, op. 59: V. Noye, Noye, take thou thy company (in 1961)
composer:
Benjamin Britten (English composer, conductor, and pianist)
part of:
Noye's Fludde, op. 59
6:07
17Noye's Fludde, op. 59: "Wiffe, Come In! Why Standes Thou Their?"
bass-baritone vocals:
Owen Brannigan (operatic bass) (in 1961)
contralto vocals:
Sheila Rex (in 1961)
orchestra:
English Chamber Orchestra (in 1961)
conductor:
Norman Del Mar (conductor) (in 1961)
recording of:
Noye's Fludde, op. 59: VI. Wiffe, come in! why standes thou their? (in 1961)
composer:
Benjamin Britten (English composer, conductor, and pianist)
part of:
Noye's Fludde, op. 59
5:09
18Noye's Fludde, op. 59: "Ha! Children, Me Thinkes My Botte Removes"
bass-baritone vocals:
Owen Brannigan (operatic bass) (in 1961)
contralto vocals:
Sheila Rex (in 1961)
orchestra:
English Chamber Orchestra (in 1961)
conductor:
Norman Del Mar (conductor) (in 1961)
recording of:
Noye's Fludde, op. 59: VII. Ha! Children, me thinkes my botte removes (in 1961)
composer:
Benjamin Britten (English composer, conductor, and pianist)
part of:
Noye's Fludde, op. 59
8:18
19Noye's Fludde, op. 59: "Now Forty Dayes Are Fullie Gone"
bass-baritone vocals:
Owen Brannigan (operatic bass) (in 1961)
orchestra:
English Chamber Orchestra (in 1961)
conductor:
Norman Del Mar (conductor) (in 1961)
recording of:
Noye's Fludde, op. 59: VIII. Now forty dayes are fullie gone (in 1961)
composer:
Benjamin Britten (English composer, conductor, and pianist)
part of:
Noye's Fludde, op. 59
5:10
20Noye's Fludde, op. 59: "Noye, Take Thy Wife Anone"
bass-baritone vocals:
Owen Brannigan (operatic bass) (in 1961)
contralto vocals:
Sheila Rex (in 1961)
orchestra:
English Chamber Orchestra (in 1961)
conductor:
Norman Del Mar (conductor) (in 1961)
recording of:
Noye's Fludde, op. 59: IX. Noye, take thy wife anone (in 1961)
composer:
Benjamin Britten (English composer, conductor, and pianist)
part of:
Noye's Fludde, op. 59
2:39
21Noye's Fludde, op. 59: "Noye, Heare I Behette Thee a Heste"
recording of:
Noye's Fludde, op. 59: X. Noye, heare I behette thee a heste
composer:
Benjamin Britten (English composer, conductor, and pianist)
part of:
Noye's Fludde, op. 59
1:15
22Noye's Fludde, op. 59: "The Spacious Firmament On High"
bass-baritone vocals:
Owen Brannigan (operatic bass) (in 1961)
contralto vocals:
Sheila Rex (in 1961)
orchestra:
English Chamber Orchestra (in 1961)
conductor:
Norman Del Mar (conductor) (in 1961)
recording of:
Noye's Fludde, op. 59: XI. The spacious firmament on high (in 1961)
composer:
Benjamin Britten (English composer, conductor, and pianist)
part of:
Noye's Fludde, op. 59
7:23
Digital Media 4