Without the Beatles: 50 Original Rock and Soul Classics Covered by the Fab Four

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

During February, 2014 America celebrated the 50th anniversary of 'The British Invasion' when The Beatles appeared on The Ed Sullivan TV Show and changed the course of pop music forever.

Although American teenagers embraced The Beatles sound as a new and exciting genre of music, it was initially based on US rock and roll. So across this 2CD set we present 50 original classics of US rock and roll, pop, R&B and soul recordings that The Beatles would later go on to cover and sell back to America.

Artists include: Little Richard; Carl Perkins; The Everly Brothers; The Isley Brothers; Buddy Holly; Chuck Berry; Elvis Presley, Eddie Cochran and more!

Fully detailed liner notes.

Annotation last modified on 2014-09-09 12:28 UTC.

Tracklist

| |
▼CD 1
#TitleArtistRatingLength
1Roll Over Beethoven
producer:
Leonard & Phil Chess (Legendary US production duo)
double bass:
Willie Dixon (on 1956-04-19)
drums (drum set):
Melvin Billups (on 1956-04-19)
guitar and lead vocals:
Chuck Berry (on 1956-04-19)
piano:
Johnnie Johnson (on 1956-04-19)
tenor saxophone:
Leroy C. Davis (on 1956-04-19)
trumpet:
Vincent Pitts (on 1956-04-19)
recorded at:
Universal Studios in Chicago, United States (on 1956-04-19)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 2) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 97)
recording of:
Roll Over Beethoven (on 1956-04-19)
lyricist and composer:
Chuck Berry (in 1956-01)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Dualtone Words and Songs, Fujipacific Music, Inc., Isalee Music Publishing Company, Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) and Rock ’n’ Roll Music
Chuck Berry4.152:25
2Long Tall Sally
recording of:
Long Tall Sally
writer:
Enotris Johnson (on 1955-11-29), Richard Wayne Penniman (on 1955-11-29) and Robert Alexander Blackwell (on 1955-11-29)
publisher:
ATV Music, Blackwood Music Inc. (1953-02-07–1987-12-30), Peermusic (UK) Ltd., Sony/ATV Songs LLC, Southern Music Publishing Company Limited, Unichappell Music and Venice Music
Little Richard2:08
3Dizzy Miss Lizzy
baritone saxophone:
Jewell Grant (US saxophonist) (on 1958-02-19)
bass:
Ted Brinson (on 1958-02-19)
drums (drum set):
Earl Palmer (on 1958-02-19)
guitar:
Rene Hall (on 1958-02-19) and Howard Roberts (jazz guitarist, educator, session musician and producer) (on 1958-02-19)
piano:
Larry Williams (1950's rocker) (on 1958-02-19)
tenor saxophone:
Plas Johnson (on 1958-02-19)
vocals:
Larry Williams (1950's rocker) (on 1958-02-19)
recorded at:
Radio Recorders Studios in Hollywood, Los Angeles, California, United States (on 1958-02-19)
recording of:
Dizzy Miss Lizzy (on 1958-02-19)
lyricist and composer:
Larry Williams (1950's rocker)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), ATV Music, ATV Music Ltd., Essex Music, Sony/ATV Music Publishing (UK) Ltd. and Sony/ATV Music Publishing LLC (1995–2020)
Larry Williams42:13
4Boys
recording of:
Boys
writer:
Luther Dixon (in 1960-10) and Wes Farrell (in 1960-10)
publisher:
Ardmore & Beechwood Music Ltd., EMI Music Publishing (do not use as a release label!), Longitude Music Co., Ludix Publishing Co., Inc. and Westcraft Music
The Shirelles42:08
5Money (That’s What I Want)
producer:
Berry Gordy
drums (drum set):
Benny Benjamin (US drummer)
piano:
Barrett Strong
tambourine:
Brian Holland (Motown producer & songwriter)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1960 (number: 3) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 288)
recording of:
Money (That’s What I Want)
writer:
Janie Bradford and Berry Gordy
publisher:
EMI United Partnership Ltd., Jobete Music (UK), Jobete Music (UK) Ltd., Jobete Music Co., Inc., Stone Agate Music Division and United Partnership Ltd.
Barrett Strong3.852:38
6Twist and Shout
cover recording of:
Twist and Shout (in 1962)
writer:
Bert Russell (in 1961-02) and Phil Medley (in 1961-02)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS-affiliated), Progressive Music Publishing Company Inc., Progressive Music, Inc (publisher), Robert Mellin Ltd., Robert Mellin, Inc., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Music Publishing (UK) Ltd., Unichappell Music, Inc. and Warner/Chappell
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Isley Brothers3.52:29
7Chains
recording of:
Chains
lyricist:
Gerry Goffin (in 1962-09)
composer:
Carole King (in 1962-09)
publisher:
Aldon Music, EMI Music Publishing Ltd. (PRS-affiliated), Screen Gems, Screen Gems/EMI Music Ltd. (USA, affiliated with BMI) and Screen Gems-Columbia (from 1979 to present)
The Cookies52:32
8Matchbox
recording of:
Matchbox (in 1957-01)
lyricist and composer:
Carl Perkins (American pioneer of rockabilly music)
publisher:
Carl Perkins Music Inc., Carlin Music Corp., Knox Music, Inc., MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company) and Unichappell Music
version of:
Match Box Blues
recording of:
Matchbox (Bob Dylan arrangement)
lyricist and composer:
Carl Perkins (American pioneer of rockabilly music)
arranger:
Bob Dylan
publisher:
Special Rider Music
arrangement of:
Matchbox
Carl Perkins2:09
9Anna (Go to Him)
recording of:
Anna (Go to Him) (in 1962)
lyricist:
Arthur Alexander (country soul singer)
composer:
Arthur Alexander (country soul singer) (in 1962-08)
publisher:
Painted Desert Music Corporation, Richie Becker's Music Inc., Shapiro Bernstein & Co. Ltd. and Warner/Chappell
Arthur Alexander42:51
10Please, Mr Postman
bass:
James Jamerson (in 1961-04)
drums (drum set):
Benny Benjamin (US drummer) (in 1961-04) and Marvin Gaye (in 1961-04)
instruments:
The Funk Brothers (in 1961-04)
percussion:
Eddie “Bongo” Brown (in 1961-04)
piano:
Richard ‘Popcorn’ Wylie (in 1961-04)
background vocals:
Katherine Anderson (United States motown singer) (in 1961-04), Wyanetta "Juanita" Cowart (in 1961-04), Gladys Horton (in 1961-04), Georgeanna Tillman (in 1961-04) and Wanda Young (in 1961-04)
lead vocals:
Gladys Horton (in 1961-04)
recorded at:
Hitsville (Motown Records) in Detroit, United States (in 1961-04)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1961 (number: 10) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 331)
recording of:
Please Mr. Postman (in 1961-04)
writer:
Robert Bateman (R&B singer/songwriter/record producer) (in 1961), Georgia Dobbins (in 1961), William Garrett (in 1961), Freddie Gorman (in 1961) and Brian Holland (Motown producer & songwriter) (in 1961)
publisher:
Dominion Music, EMI Blackwood Music Inc. (1989-07-24–present), EMI United Partnership Ltd., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Stone Agate Music Division and United Partnership Ltd.
The Marvelettes4.452:28
11You’ve Really Got a Hold on Me
part of:
Dave Marsh: The Best of the Top 40 Singles: 1962 (number: 10)
recording of:
You’ve Really Got a Hold on Me
lyricist and composer:
Smokey Robinson (in 1962-10)
publisher:
Dominion Music, Jobete Music (UK), Jobete Music (UK) Ltd., Jobete Music Co., Inc., United Partnership Ltd., イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Miracles4.52:59
12A Taste of Honey
cover recording of:
A Taste of Honey
lyricist:
Ric Marlow (in 1960)
composer:
Bobby Scott (vocals, piano, US musician & producer) (in 1960)
publisher:
Ambassador Music Ltd. and Songfest Music Corp.
Lenny Welch2:40
13Devil in His Heart
recording of:
Devil in His Heart
lyricist and composer:
Richard Drapkin (in 1962-05)
publisher:
Blue Parasol, Leeds Music, MCA Music Ltd., Pentagon Music Co., Rockland Music, Slow Dancing Music and Universal/MCA Music Ltd. (not for release label use!)
The Donays2:36
14Keep Your Hands Off My Baby
recording of:
Keep Your Hands Off My Baby
writer:
Gerry Goffin and Carole King
publisher:
Screen Gems–EMI Music Ltd.
Little Eva2:33
15Searchin’
recording of:
Searchin’ (on 1957-02-15)
lyricist:
Jerry Leiber
composer:
Mike Stoller
publisher:
Carlin Music Corporation, Chappell & Co., Jerry Leiber Music, Mike Stoller Music (ASCAP), Sony/ATV Songs LLC and Tiger (publisher)
The Coasters2:47
16Honey, Don’t!
double bass:
Clayton Perkins (in 1955-12)
drums (drum set):
W.S. Holland (from 1955-12 until 1966-12)
guitar:
Carl Perkins (American pioneer of rockabilly music) (in 1955-12) and Jay Perkins (in 1955-12)
vocals:
Carl Perkins (American pioneer of rockabilly music) (in 1955-12)
recording of:
Honey, Don’t! (in 1955-12)
lyricist and composer:
Carl Perkins (American pioneer of rockabilly music)
publisher:
Carl Perkins Music Inc., Carlin Music Corporation, Hi Lo Music, Hi Lo Music Inc., Knox Music Ltd. and MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company)
Carl Perkins42:50
17I Got a Woman
engineer:
Bob Ferris (engineer)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1956-01-10)
drums (drum set):
D.J. Fontana (on 1956-01-10)
guitar:
Chet Atkins (on 1956-01-10), Scotty Moore (American guitarist and recording engineer) (on 1956-01-10) and Elvis Presley (“The King of Rock and Roll”) (on 1956-01-10)
piano:
Floyd Cramer (on 1956-01-10)
recorded at:
RCA Victor Studios (Nashville) in Nashville, United States (on 1956-01-10)
cover recording of:
I Got a Woman (on 1956-01-10)
writer:
Ray Charles (soul musician, singer and songwriter) and Renald Richard
publisher:
Campbell Connelly & Co. Ltd., Mijac Music, Progressive Music Pub. Co., Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell, ソニー・ミュージックパブリッシング A事業部, ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Elvis Presley32:26
18Rock & Roll Music
producer:
Leonard & Phil Chess (Legendary US production duo)
double bass:
Willie Dixon (from 1957-05-06 until 1957-05-15)
drums (drum set):
Fred Below (from 1957-05-06 until 1957-05-15)
electric guitar and lead vocals:
Chuck Berry (from 1957-05-06 until 1957-05-15)
piano:
Lafayette Leake (from 1957-05-06 until 1957-05-15)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
recorded at:
Universal Studios in Chicago, United States (from 1957-05-06 until 1957-05-15)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1957 (number: 19) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 128)
recording of:
Rock and Roll Music (from 1957-05-06 until 1957-05-15)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Isalee Music Publishing Company and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Chuck Berry4.352:33
19Mr. Moonlight
recording of:
Mr. Moonlight
lyricist and composer:
Roy Lee Johnson (US R&B singer and guitarist)
publisher:
BMG Music Publishing (NYC-based headquarters, with national subsidiaries under it), BMG Music Publishing Ltd., Lowery Music Co. Inc. and Lowery-Chappell Music Ltd.
Dr. Feelgood & The Interns2:40
20Words of Love
producer:
Norman Petty
bass:
Joe B. Mauldin (on 1957-04-08)
drums (drum set):
Jerry Allison (on 1957-04-08)
guitar:
Buddy Holly (1950s rock & roll singer-songwriter) (on 1957-04-08)
vocals:
Buddy Holly (1950s rock & roll singer-songwriter) (on 1957-04-08)
phonographic copyright (℗) by:
Geffen Records (in 1957)
recorded at:
Norman Petty Studios in Clovis, United States (on 1957-04-08)
cover recording of:
Words of Love (Buddy Holly song) (on 1957-04-08)
lyricist and composer:
Buddy Holly (1950s rock & roll singer-songwriter)
publisher:
MPL Communications Inc. (Paul McCartney-related, NYC-based company), Nor Va Jack Music Inc., Peermusic (UK) Ltd. and Southern Music Publishing Company Limited
Buddy Holly4.51:56
21Bad Boy
baritone saxophone:
Jewell Grant (US saxophonist) (on 1958-08-14)
bass:
Ted Brinson (on 1958-08-14)
drums (drum set):
Earl Palmer (on 1958-08-14)
guitar:
Rene Hall (on 1958-08-14)
piano:
Larry Williams (1950's rocker) (on 1958-08-14)
tenor saxophone:
Plas Johnson (on 1958-08-14)
vocals:
Larry Williams (1950's rocker) (on 1958-08-14)
recorded at:
Radio Recorders Studios in Hollywood, Los Angeles, California, United States (on 1958-08-14)
recording of:
Bad Boy (on 1958-08-14)
lyricist and composer:
Lawrence E. Williams (1950's rocker) (in 1958-08)
publisher:
Arc Music Corp. (U.S. rock & blues publisher), ATV Music Ltd. and Sony/ATV Music Publishing (UK) Ltd.
Larry Williams2:19
22A Shot of Rhythm and Blues
recording of:
A Shot of Rhythm and Blues
lyricist and composer:
Terry Thompson (60s US R&B guitarist)
publisher:
Marquis Music Co., Ltd., Marquis Music Ltd. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Arthur Alexander1:58
23Some Other Guy
recording of:
Some Other Guy
writer:
Richard Barrett (US soul producer/singer), Jerry Leiber and Mike Stoller
publisher:
Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Songs LLC and Trio Music Co. Ltd.
Richie Barrett2:21
24So How Come (No One Loves Me)
recording of:
So How Come (No One Loves Me)
writer:
Boudleaux Bryant and Felice Bryant
publisher:
Acuff-Rose Music Limited (UK) and Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
The Everly Brothers2:17
25Hey! Baby
recording of:
Hey! Baby
writer:
Bruce Channel and Margaret Cobb
publisher:
EMI Unart Catalog Inc., Gerig Musikverlag (Musikverlage Hans Gerig KG), Peter Maurice Music Co. Ltd. and シンコーミュージック・パブリッシャーズ
Bruce Channel42:19
▼CD 2
#TitleArtistRatingLength
1That’ll Be the Day
recording of:
That’ll Be the Day
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer-songwriter) and Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney-related, NYC-based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. and MPL Communications (publishing and company credits) (in 1976)
The Crickets2:17
2Hallelujah! I Love Her So
recording of:
Hallelujah, I Love Her So
lyricist and composer:
Ray Charles (soul musician, singer and songwriter)
publisher:
Carlin Music Corporation, Hill and Range Songs, Inc., Progressive Music (publisher), Unichappell Music and Unichappell Music, Inc.
Eddie Cochran2:21
3Three Cool Cats
recording of:
Three Cool Cats
lyricist:
Jerry Leiber
composer:
Mike Stoller
publisher:
Carlin Music Corporation, Chappell & Co., Jerry Leiber Music and Mike Stoller Music (ASCAP)
was commissioned by:
Sony/ATV Songs LLC
The Coasters2:30
4Soldier of Love (Lay Down Your Arms)
recording of:
Soldier of Love
writer:
James "Buzz" Cason and Tony Moon (Song writer)
publisher:
Buzz Cason Publications, Copyright Records and Lowery Music Inc.
Arthur Alexander2:18
5To Know Him Is to Love Him
engineer:
Stan Ross (recording engineer, mixer & producer)
producer:
Phil Spector
instruments:
Phil Spector (in 1958-07)
membranophone:
Sandy Nelson (in 1958-07)
arranger:
Phil Spector
engineered at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (in 1958-07)
recording of:
To Know Him Is to Love Him (in 1958-07)
lyricist and composer:
Phil Spector
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Bourne Music Ltd., Mother Bertha Music Inc. and Vogue Music
The Teddy Bears2:23
6Take Good Care of My Baby
recording of:
Take Good Care of My Baby
lyricist:
Gerry Goffin
composer:
Carole King
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Bobby Vee2:27
7Memphis, Tennessee
recording of:
Memphis, Tennessee
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Isalee Music and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Chuck Berry2:11
8Everybody’s Trying to Be My Baby
cover recording of:
Everybody’s Trying to Be My Baby
additional lyricist and additional composer:
Carl Perkins (American pioneer of rockabilly music) (in 1956)
lyricist and composer:
Rex Griffin (American country musician and songwriter) (in 1936)
publisher:
Carlin Music Corporation, Knox Music Ltd., MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company) and Knox Music, Inc. (on 1957-11-12)
Carl Perkins1:55
9Slow Down
baritone saxophone:
Jewell Grant (US saxophonist) (on 1957-09-11)
bass:
Ted Brinson (on 1957-09-11)
drums (drum set):
Earl Palmer (on 1957-09-11)
guitar:
Rene Hall (on 1957-09-11)
piano:
Larry Williams (1950's rocker) (on 1957-09-11)
saxophone:
John E. Oliveri (on 1957-09-11)
tenor saxophone:
Plas Johnson (on 1957-09-11)
vocals:
Larry Williams (1950's rocker) (on 1957-09-11)
recorded at:
Master Recorders in Hollywood, Los Angeles, California, United States (on 1957-09-11)
recording of:
Slow Down (on 1957-09-11)
lyricist and composer:
Larry Williams (1950's rocker)
publisher:
Arc Music Corp. (U.S. rock & blues publisher), ATV Music Corp., Sony/ATV Music Publishing (UK) Ltd., TRO Essex Music Ltd., Venice Music and Westminster Music Ltd.
Larry Williams2:46
10Nothin’ Shakin’ (But the Leaves on the Trees)
recording of:
Nothin’ Shakin’ (But the Leaves on the Trees)
writer:
Jack Cleveland, Cirino Colacrai (US multi-instrumentalist, singer & songwriter), Eddie Fontaine, John Gluck, Jr. and Diane Lampert (composer)
publisher:
Tristan Music Ltd.
Eddie Fontaine2:55
11I’m Gonna Sit Right Down and Cry (Over You)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1956-01-31)
drums (drum set):
D.J. Fontana (on 1956-01-31)
guitar:
Scotty Moore (American guitarist and recording engineer) (on 1956-01-31) and Elvis Presley (“The King of Rock and Roll”) (on 1956-01-31)
piano:
Shorty Long (1950s country/rockabilly artist) (on 1956-01-31)
cover recording of:
I’m Gonna Sit Right Down and Cry (Over You) (on 1956-01-31)
lyricist and composer:
Howard Biggs and Joe Thomas (US songwriter)
publisher:
Angle Music, Coblin Music Co., Copyright Records and EMI Music Publishing Ltd. (PRS-affiliated)
Elvis Presley42:01
12Kansas City (Hey Hey Hey)
baritone saxophone:
Clarence Ford (on 1955-11-29)
bass guitar:
Lloyd Lambert (on 1955-11-29)
drums (drum set):
Oscar Moore (on 1955-11-29)
guitar:
William 'Frosty' Pyles (on 1955-11-29)
piano and lead vocals:
Little Richard (on 1955-11-29)
tenor saxophone:
Joseph Tillman (on 1955-11-29)
trumpet:
Renald Richard (on 1955-11-29)
recording of:
Kansas City Hey Hey Hey (on 1955-11-29)
additional lyricist and additional composer:
Richard Wayne Penniman (in 1955-11)
lyricist:
Jerry Leiber (in 1952)
composer:
Mike Stoller (in 1952)
publisher:
Halnat Publishing Co. and Sony/ATV Songs LLC
medley of:
Kansas City
medley of:
Hey-Hey-Hey-Hey! (Going Back to Birmingham)
version of:
Kansas City
Little Richard2:40
13Shimmy Like Kate
recording of:
I Wish I Could Shimmy Like My Sister Kate
writer:
Armand J. Piron and Clarence Williams (composer / pianist /bandleader)
The Olympics2:23
14Don’t Ever Change
recording of:
Don’t Ever Change
lyricist:
Gerry Goffin
composer:
Carole King
publisher:
Screen Gems–Columbia Music and Screen Gems–EMI Music Ltd.
The Crickets2:15
15Be Bop A Lula
double bass [upright bass]:
Jack Neal (on 1956-05-04)
drums (drum set) [drums]:
Dickie Harrell (on 1956-05-04)
guitar [lead guitar]:
Cliff Gallup (lead guitarist for The Blue Caps) (on 1956-05-04)
guitar [rhythm guitar]:
Willie Williams (50s rock guitarist) (on 1956-05-04)
vocals:
Gene Vincent (on 1956-05-04)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (from 1956 to present)
recorded at:
Owen Bradley Studio (aka the "Quonset Hut") in Nashville, United States (on 1956-05-04)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 9) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 102)
recording of:
Be‐Bop‐a‐Lula (on 1956-05-04)
writer:
Bill “Tex” Davis and Gene Vincent
Gene Vincent52:37
16Sheila
recording of:
Sheila
lyricist and composer:
Tommy Roe
publisher:
Sony/ATV Music Publishing (UK) Ltd.
Tommy Roe2:03
17Where Have You Been All My Life
recording of:
Where Have You Been All My Life
writer:
Barry Mann and Cynthia Weil
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Arthur Alexander2:41
18Baby It’s You
producer:
Luther Dixon (in 1961)
phonographic copyright (℗) by:
Gusto (UK dance/club/house)
recording of:
Baby It’s You (in 1961)
lyricist:
Barney Williams (in 1961-11) and Mack David (American lyricist and songwriter) (in 1961-11)
composer:
Burt Bacharach (in 1961-11)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI U Catalog Inc. (publisher; do NOT use as release label), EMI United Partnership Ltd., Fuji Pacific Music SBK Department, Fujipacific Music, Inc. Division 2, Ludix Music Ltd., New Hidden Valley Music Co., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Shinko Music Entertainment Co., Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing, Synch Division, Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Windswept Music (London) Ltd. and Yamaha Music Entertainment Holdings, Inc. (holding company - do not use as release label)
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Shirelles52:41
19I Just Don’t Understand
recording of:
I Just Don't Understand
writer:
Kent Westberry and Marijohn Wilkin
publisher:
Peermusic (UK) Limited and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Ann-Margret2:39
20Till There Was You
bass:
Tony Reyes (Latin jazz bassist) (on 1959-08-12)
flute:
Arthur C. Smith (woodwind) (on 1959-08-12)
piano:
Eddie Cano (on 1959-08-12)
saxophone:
Jules Kinsler (on 1959-08-12), Harry Klee (on 1959-08-12) and Wilbur Schwartz (on 1959-08-12)
vocals:
Peggy Lee (jazz vocalist) (on 1959-08-12)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1960)
cover recording of:
Till There Was You (The Music Man) (on 1959-08-12)
lyricist and composer:
Meredith Willson (in 1950)
publisher:
Chappell Music Ltd., Frank Music Corp., Meredith Willson Music, Meredith Willson Music LLC, MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL UK Publishing and Rinimer Corp.
part of:
The Music Man
Peggy Lee2:31
21Besame Mucho, Parts 1 & 2
recording of:
Bésame mucho (English lyric version by Sunny Skylar)
composer:
Consuelo Velázquez
translator:
Sunny Skylar
publisher:
Latin American Music and Promotora Hispano Americana De Musica S.A.
translated version of:
Bésame mucho (Bésame, bésame mucho como si fuera esta noche la última vez)
The Coasters4:31
22I’m Talking About You
producer:
Chuck Berry, Leonard & Phil Chess (Legendary US production duo) and Willie Dixon
drums (drum set):
Phil Thomas (US blues drummer) (on 1961-01-19)
electric bass guitar:
Reggie Boyd (on 1961-01-19)
guitar and lead vocals:
Chuck Berry (on 1961-01-19)
piano:
Lafayette Leake (on 1961-01-19)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1960)
recorded at:
Ter-Mar Recording Studios in Chicago, United States (on 1961-01-19)
recording of:
I’m Talking About You (on 1961-01-19)
lyricist, writer and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher) and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Chuck Berry1:50
23Sure to Fall
recording of:
Sure to Fall (in 1956-01)
writer:
Bill Cantrell (in 1956), Quinton Claunch (in 1956) and Carl Perkins (American pioneer of rockabilly music) (in 1956)
publisher:
Carl Perkins Music Inc., Knox Music Ltd., MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company), Philtac Music Company and Wren Music Co.
Carl Perkins32:31
24Reminiscing
recording of:
Reminiscing
lyricist and composer:
King Curtis (saxophonist)
publisher:
MPL Communications Inc. (Paul McCartney-related, NYC-based company), MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company) and Nor-Va-Jak Music, Inc
Buddy Holly51:55
25Watch Your Step
recording of:
Watch Your Step
lyricist and composer:
Bobby Parker (blues rock guitarist)
publisher:
Marcia Music
Bobby Parker2:44

Credits

Release

ASIN:US: B00IKGZJCA [info]