| # | Title | Artist | Rating | Length |
|---|
| 1 | Dust in the Wind- additional engineer:
- Terry Diane Becker
- engineer:
- Jeff Glixman (from 1977-06 until 1977-07)
- producer:
- Jeff Glixman (in 1977-06)
- acoustic guitar and electric guitar:
- Kerry Livgren (from 1977-06 until 1977-07) and Rich Williams (from 1977-06 until 1977-07)
- bass guitar:
- Dave Hope (from 1977-06 until 1977-07)
- celesta, organ, synthesizer, vibraphone and lead vocals:
- Steve Walsh (from 1977-06 until 1977-07)
- cello, viola and violin [violins]:
- Robby Steinhardt (from 1977-06 until 1977-07)
- chimes, drums (drum set), gong and timpani:
- Phil Ehart (from 1977-06 until 1977-07)
- clavinet and synthesizer [synthesizers]:
- Kerry Livgren (from 1977-06 until 1977-07)
- percussion [additional percussion]:
- Phil Ehart (from 1977-06 until 1977-07), Kerry Livgren (from 1977-06 until 1977-07) and Steve Walsh (from 1977-06 until 1977-07)
- piano:
- Kerry Livgren (from 1977-06 until 1977-07) and Steve Walsh (from 1977-06 until 1977-07)
- background vocals:
- Robby Steinhardt (from 1977-06 until 1977-07) and Steve Walsh (from 1977-06 until 1977-07)
- arranger:
- Kansas
- phonographic copyright (℗) by:
- Sony Music (in 1976), CBS, Inc. (in 1977), Sony Music Entertainment Inc. (in 1977) and CBS Records Inc. (in 1978)
- recorded at:
- Studio in the Country in Bogalusa, Louisiana, United States (from 1977-06 until 1977-07) and Woodland Studios in Nashville, Tennessee, United States (from 1977-06 until 1977-07)
- mixed at:
- The Village in Los Angeles, California, United States (in 1977-08)
- part of:
- Billboard Year-End Hot 100 singles of 1978 (number: 39)
- recording of:
- Dust in the Wind (from 1977-06 until 1977-07)
- lyricist and composer:
- Kerry Livgren
- publisher:
- Blackwood Music Publishing, Don Kirshner Music Inc. and Kirshner CBS Music Publishing
- sub-publisher:
- フジパシフィックミュージック SBK事業部
| Kansas | 4.1 | 3:27 |
| 2 | Don’t Answer Me | The Alan Parsons Project | 4 | 4:11 |
| 3 | Empty Rooms | Gary Moore | 4.5 | 4:16 |
| 4 | When I See You Smile (album version) | Bad English | | 4:17 |
| 5 | The Flame (album version) | Cheap Trick | | 5:33 |
| 6 | Foolish Heart (album version) | Steve Perry | | 3:38 |
| 7 | Runaway Train (album version) | Soul Asylum | | 4:27 |
| 8 | Let Me Take You Home Tonight (album version)- assistant engineer:
- Bruce Hensal, Deni King and Doug Rider
- engineer:
- Warren Dewey and Tom Scholz
- producer:
- John Boylan and Tom Scholz
- assistant mixer:
- Steve Hodge
- bass guitar:
- Fran Sheehan (from 1975 until 1976)
- drums (drum set) and percussion:
- Sib Hashian (from 1975 until 1976)
- guitar [lead guitar] and guitar [rhythm guitar]:
- Barry Goudreau (from 1975 until 1976)
- organ:
- Tom Scholz (from 1975 until 1976)
- lead vocals and lead vocals [Harmony]:
- Brad Delp (from 1975 until 1976)
- arranger:
- Brad Delp and Tom Scholz
- co-arranger:
- Jim Masdea
- recorded at:
- Foxglove Studios in Watertown, Massachusetts, United States (in 1975), Capitol Studios in Hollywood, Los Angeles, California, United States (in 1976) and The Record Plant in Hollywood, Los Angeles, California, United States (in 1976)
- mixed at:
- Westlake Audio in Los Angeles, California, United States
- recording of:
- Let Me Take You Home Tonight (from 1975 until 1976)
- lyricist and composer:
- Brad Delp
- publisher:
- Pure Songs and Screen Gems–EMI Music Ltd.
| Boston | 3 | 4:45 |
| 9 | Africa (album version) | Toto | 4.15 | 4:56 |
| 10 | White Lie (single version) | Foreigner | 3 | 4:15 |
| 11 | All the Young Dudes (live version) | Mott the Hoople | | 3:50 |
| 12 | (Don’t Fear) The Reaper- recording engineer:
- Andy Abrams (in 1976-03) and Shelly Yakus (in 1976-03)
- engineer:
- Andy Abrams and Shelly Yakus
- producer:
- Murray Krugman, David Lucas and Sandy Pearlman
- mixer:
- Andy Abrams (from 1975 until 1976) and Shelly Yakus (from 1975 until 1976)
- phonographic copyright (℗) by:
- CBS, Inc. (in 1976), Sony BMG Music Entertainment (in 1976) and Sony Music Entertainment Inc. (in 1976)
- recorded at:
- The Record Plant in Midtown Manhattan, New York, New York, United States (in 1976-03)
- mixed at:
- The Record Plant in Midtown Manhattan, New York, New York, United States (from 1975 until 1976)
- part of:
- VH1: 100 Greatest Hard Rock Songs (number: 55)
- recording of:
- (Don’t Fear) The Reaper (in 1976-03)
- lyricist and composer:
- Donald Roeser
- publisher:
- Blue Oyster Cult Songs, Inc., Carlin Music Corporation, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing LLC , Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC and Sony/ATV Tunes LLC (in 1976)
- sub-publisher:
- ソニー・ミュージックパブリッシング A事業部
| Blue Öyster Cult | 4.5 | 5:09 |
| 13 | Hiroshima | Wishful Thinking | | 4:52 |
| 14 | All You Zombies (album version) | The Hooters | 5 | 5:54 |
| 15 | Wheel in the Sky | Journey | | 4:13 |
| 16 | Might as Well Be on Mars (album version)- recording engineer:
- Paul Northfield (from 1990 until 1991)
- assistant engineer:
- George Cowan , Scott Jochim, Dave Levy and Brian Scheuble
- executive producer:
- Bob Pfeifer
- producer:
- Peter Collins
- assistant mixer:
- Brian Scheuble
- additional keyboard:
- Jai Winding (from 1990 until 1991)
- bass guitar:
- Hugh McDonald (from 1990 until 1991)
- drums (drum set):
- Mickey Curry (from 1990 until 1991)
- guitar:
- Stef Burns (from 1990 until 1991)
- keyboard:
- Robert Bailey (from 1990 until 1991)
- background vocals:
- Scott Bender (from 1990 until 1991), Lance Bulen (from 1990 until 1991), Kelly Keeling (from 1990 until 1991), Corky McClennan (from 1990 until 1991), Tony Palmucci (from 1990 until 1991), Jack Ponti (from 1990 until 1991) and Vic Pepe (from 1990 until 1991)
- lead vocals:
- Alice Cooper (from 1990 until 1991)
- strings arranger:
- Chris Boardman
- background vocals arranger:
- Jack Ponti and Vic Pepe
- phonographic copyright (℗) by:
- Epic Records (in 1991), Sony Music Entertainment (in 1991) and Sony Music Entertainment Inc. (in 1991)
- recorded at:
- Bearsville Studios in Bearsville, New York, United States (from 1990 until 1991) and The Complex Studios in Los Angeles, California, United States (from 1990 until 1991)
- mixed at:
- A&M Studios in Hollywood, Los Angeles, California, United States
- recording of:
- Might as Well Be on Mars (from 1990 until 1991)
- writer:
- Desmond Child, Alice Cooper and Dick Wagner
- publisher:
- Mystery Man Inc., Sony/ATV Songs LLC, Spirit One Music, Universal PolyGram International Publishing, Inc. , EMI Blackwood Music Inc. (from 1991 to ????), Desmobile Inc. (from 1991 to present), Dinger and Ollie Music (from 1991 to present), EMI April Music Inc. (from 1991 to present), Ezra Music Corp. (from 1991 to present) and Mystery Man Music (from 1991 to present)
- sub-publisher:
- シンコーミュージック・エンタテイメント, フジパシフィックミュージック, ユニバーサル・ミュージック・パブリッシング Synch事業部, ワーナー・チャペル音楽出版 Synch事業部 and 大洋音楽
| Alice Cooper | 3.5 | 7:11 |
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