Tracklist

CD 1
# Title Artist Rating Length
1 La lettre à Elise
Ludwig van Beethoven 3:02
2 Liebestraum No. 3
Franz Liszt 4:27
3 Marche Turque
Wolfgang Amadeus Mozart 3:36
4 Concerto pour piano
Wolfgang Amadeus Mozart 9:20
5 Nocturne No. 2 Op. 9
Frédéric Chopin 4:41
6 Grande Valse Brillante
Frédéric Chopin 5:12
7 Clair de Lune
Claude Debussy 5:10
8 Sonate Pathétique, Op. 13
Ludwig van Beethoven 4:19
9 Concerto pour piano
Ludwig van Beethoven 8:22
10 Impromptu No. 3
Franz Schubert 5:27
11 Romance sans paroles, No. 6, Op. 62
Felix Mendelssohn 2:26
12 Rêverie
Robert Schumann 2:38
13 Concerto pour piano
Edvard Grieg 7:09
14 Humoresque
Antonín Dvořák 2:45
15 Clair de Lune
Claude Debussy 5:08

Credits

CD 1

composed in:
Paris, Île-de-France, France (1778) (track 3)
piano:
Leonard Hokanson (tracks 4, 14–15)
Dubravka Tomšič (track 7)
Herbert Wendl (track 3)
composer:
Wolfgang Amadeus Mozart (classical composer) (1783) (track 3)
Wolfgang Amadeus Mozart (classical composer) (1784) (track 4)
Ludwig van Beethoven (1798) (track 8)
Ludwig van Beethoven (1808 – 1810) (track 1)
Fryderyk Chopin (composer) (1830 – 1832) (track 5)
Claude Debussy (1890 – 1905) (tracks 7, 15)
Antonín Dvořák (1894-08-07 – 1894-08-27) (track 14)
dedicated to:
orchestra:
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 59) (track 1)
arrangements:
Clair de lune (for cello and piano) (tracks 7, 15)
Humoresque (Jack White arrangement) (track 14)
Humoresque in G-flat major, op. 101 no. 7 (for violin and piano, unknown arranger) (track 14)
Humoresque in G-flat major, op. 101 no. 7 (for violin and piano, arr. Kreisler) (track 14)
Humoresque in G-flat major, op. 101 no. 7 (for violin and orchestra, arr. Waxman) (track 14)
Humoresque in G-flat major, op. 101 no. 7 (for violin and piano, arr. Wilhelmj) (track 14)
Humoresque in G-flat major, op. 101 no. 7 (for violin and piano, Linz) (track 14)
Humoresque in G-flat major, op. 101 no. 7 (catch-all for arrangements) (track 14)
Humoresque in G-flat major, op. 101 no. 7 (for violin and piano, arr. Heifetz) (track 14)
Humoresque, op. 101 no. 7 (for string quartet, arr. Cassidy) (track 14)
Nocturne no. 2 in E-flat major, op. 9 no. 2 (for cello and orchestra, arr. Cullen) (track 5)
Nocturne no. 2 in E-flat major, op. 9 no. 2: Andante (for violin and piano, arr. Sarasate) (track 5)
Nocturne no. 2 in E-flat major, op. 9 no. 2: Andante (catch-all for arrangements) (track 5)
Nocturne, op. 9 no. 2 (for guitar, Tárrega) (track 5)
Suite bergamasque : III. Clair de lune (arr. Phyllis Schlomovitz for harp) (tracks 7, 15)
Suite bergamasque : III. Clair de lune (catch-all for arrangements) (tracks 7, 15)
Suite bergamasque : III. Clair de lune (for cello and orchestra, arr. Palmer) (tracks 7, 15)
The Tears of Billie Blue (tracks 7, 15)
is the basis for:
Beethoven (track 8)
Chopin's Nocturne in E Flat (Greeley adaptation) (track 5)
Desecration (track 14)
My Twilight Dream (track 5)
Passion Flower (track 1)
Sonata (track 8)
The Silent League (track 8)
こころ (track 8)
イヴの誘惑 (track 1)
熱情的花朵 (track 1)
later parody versions:
Mozart avec nous (track 3)
later versions:
Chopin w Brazylii (track 5)
給愛麗斯 (track 1)
orchestrations:
Clair de lune (orch. Mouton) (tracks 7, 15)
Clair de lune from Suite bergamasque (orch. Stokowski) (tracks 7, 15)
Clair de lune from Suite bergamasque (orch. Caplet) (tracks 7, 15)
Humoresque, op. 101 no. 7 (orch. Shilkret) (track 14)
Suite bergamasque : III. Clair de lune (orch. A. Reed) (tracks 7, 15)
Turkish March (track 3)
part of:
Nocturnes, op. 9 (track 5)
Suite bergamasque, L. 75, CD 82a (for piano) (tracks 7, 15)
parts:
recording of:
referred to in medleys: