Tracklist

CD 1: Music of the Middle Ages
CD 2: Music of the Renaissance
CD 3: Baroque Vocal
CD 4: Baroque Instrumental
CD 5: The Classical Symphony
CD 6: The Classical Concerto
CD 7: A Trip to France
CD 8: The Romantic Symphony
CD 9: Cycles and Songs
CD 10: The Virtuoso I
CD 11: The Virtuoso II
CD 12: The Romantic Cello
CD 13: The Virtuoso III
CD 14: Big Voice, Big Orchestra
CD 15: Get Your Programme!
CD 16: New Currents
CD 17: A World Re‐Arranged
CD 18: ¡Viva España!
CD 19: Lasting Impressions
# Title Artist Rating Length
1 Pavane pour une infante défunte, M. 19
Maurice Ravel 7:46
2 Daphnis et Chloé Suite no. 2, M. 57b: 1. Lever du jour
Maurice Ravel 5:49
3 Daphnis et Chloé Suite no. 2, M. 57b: 2. Pantomime
Maurice Ravel 7:06
4 Daphnis et Chloé Suite no. 2, M. 57b: 3. Danse générale
Maurice Ravel 4:10
5 Prélude à l’après-midi d’un faune, L. 86
Claude Debussy 10:23
6 La Mer, L. 109: 1. De l’aube à midi sur la mer
Claude Debussy 9:09
7 La Mer, L. 109: 2. Jeux de vagues
Claude Debussy 6:33
8 La Mer, L. 109: 3. Dialogue du vent et de la mer
Claude Debussy 8:16
9 Boléro, M. 81
Maurice Ravel 17:37
CD 20: Points of View
CD 21: Minimalism
CD 22: Opera – Overtures
CD 23: Opera – Arias
CD 24: Opera – Duets & Choruses

Credits

CD 19: Lasting Impressions

flute:
Michel Debost (track 3)
Michel Debost (1981-06) (track 5)
horn:
Myron Bloom (hornist) (1981-04) (track 1)
Myron Bloom (hornist) (1981-04 – 1981-05) (track 1)
balance engineer:
Klaus Scheibe (editor/engineer) (tracks 5–8)
composer:
Claude Debussy (1891 – 1894-09) (track 5)
Maurice Ravel (classical composer) (1899) (tracks 1, 1)
Claude Debussy (1903 – 1905) (tracks 6–8)
Maurice Ravel (classical composer) (1909 – 1912) (tracks 2–4)
Maurice Ravel (classical composer) (1928) (track 9)
conductor:
Daniel Barenboim (1978-06) (tracks 6–8)
Daniel Barenboim (1981-04) (tracks 1, 9)
Daniel Barenboim (1981-04 – 1981-05) (track 1)
Daniel Barenboim (1981-05) (tracks 2–4)
Daniel Barenboim (1981-06) (track 5)
dedicated to:
Raymond Bonheur (track 5)
engineer:
Klaus Scheibe (editor/engineer) (tracks 1–4, 9)
executive producer:
Günther Breest (tracks 6–8)
Dr. Steven Paul (Classical arranger/producer for Deutsche Grammophon) (tracks 1, 5)
orchestra:
Orchestre de Paris (1978-06) (tracks 6–8)
Orchestre de Paris (1981-04) (tracks 1, 9)
Orchestre de Paris (1981-04 – 1981-05) (track 1)
Orchestre de Paris (1981-05) (tracks 2–4)
Orchestre de Paris (1981-06) (track 5)
orchestrator:
Maurice Ravel (classical composer) (1910) (tracks 1, 1)
producer:
Werner Mayer (classical producer) (tracks 1–5, 9)
Wolfgang Stengel (tracks 6–8)
premiered at:
[concert] (1894-12-22) (track 5)
publisher:
Eugène Fromont (1895-10) (track 5)
premiered at:
Palais Garnier in Paris, Île-de-France, France (1928-11-22) (track 9)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (1978-06) (tracks 6–8)
Maison de la Mutualité in Paris, Île-de-France, France (1981-04 – 1981-05) (track 1)
part of:
Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 "L.") (number: L. 86) (track 5)
Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 "CD") (number: CD 87) (track 5)
arrangements:
Boléro (catch-all for arrangements) (track 9)
Boléro (arr. Ravel for piano 4-hands) (track 9)
Daphnis et Chloé Suite no. 2: I. Lever du jour. Lent (for two pianos, Garban) (track 2)
Extract from "The Afternoon of a Faun" (for violin and piano, Heifetz) (track 5)
La Mer, L. 109: I. "De l'aube à midi sur la mer" (arr. Caplet for two pianos) (track 6)
La Mer, L. 109: II. "Jeux de vagues" (arr. Caplet for two pianos) (track 7)
La Mer, L. 109: III. "Dialogue du vent et de la mer" (arr. Caplet for two pianos) (track 8)
La Mer: I. De l'aube à midi sur la mer (Transcribed for solo piano) (track 6)
La Mer: I. De l'aube à midi sur la mer (for piano four hands) (track 6)
La Mer: II. Jeux de vagues (Transcribed for solo piano) (track 7)
La Mer: II. Jeux de vagues (for piano four hands) (track 7)
La Mer: III. Dialogue du vent et de la mer (for piano four hands) (track 8)
La Mer: III. Dialogue du vent et de la mer (Transcribed for solo piano) (track 8)
Prélude à l'après-midi d'un faune, L. 86, CD 87 (catch-all for arrangements) (track 5)
Prélude à l'après-midi d'un faune, L. 86, CD 87 (for chamber ensemble, Sachs) (track 5)
Prélude à l'après-midi d'un faune, L. 86, CD 87 (for two pianos, Debussy) (track 5)
Prélude à l'après-midi d'un faune, L. 86, CD 87 (for two pianos, Ravel) (track 5)
Prélude à l’après-midi d’un faune (for flute and piano, arr. Samazeuilh) (track 5)
is the basis for:
Never Say Goodbye (tracks 1, 1)
No More Boleros (track 9)
Prélude à L'après-midi d'un faune (arr. Tomita) (track 5)
later parody versions:
Bolero (track 9)
Bolero (track 9)
Le Parti d'en rire (track 9)
later versions:
Bolero (arr. Hans Hasso Stamer) (track 9)
Bolero (Starink version) (track 9)
Boléro (arr. Django Rheinhardt) (track 9)
Boléro (arr. Ravel for 2 pianos) (track 9)
Troublant Bolero (track 9)
orchestration of:
Pavane pour une infante défunte (for solo piano) (tracks 1, 1)
part of:
recording of:
Boléro (1981-04) (track 9)
Pavane pour une infante défunte (orchestrated version) (1981-04) (track 1)
Pavane pour une infante défunte (orchestrated version) (1981-04 – 1981-05) (track 1)
Prélude à l’après-midi d’un faune, L. 86, CD 87 (for orchestra) (1981-06) (track 5)
referred to in medleys:
This Is the Story (Clare Muldaur) (track 9)