Matthäus-Passion, BWV 244

~ Release by Johann Sebastian Bach; Rudolf Mauersberger, Erhard Mauersberger (see all versions of this release, 2 available)

Tracklist

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▼ CD 1
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1Matthäus-Passion, BWV 244: Teil I, I. Coro "Kommt, ihr Töchter, helft mir klagen"
choir vocals:
Dresdner Kreuzchor and Thomanerchor Leipzig
orchestra:
Gewandhausorchester Leipzig
conductor:
Rudolf Mauersberger (Kreuzkantor and organ player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen, Germany (from 1970-01 until 1970-02)
recording of:
Matthäus-Passion, BWV 244: Teil I, I. Chor I & II "Kommt, ihr Töchter, helft mir klagen" (in 1970)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach8:50
2Matthäus-Passion, BWV 244: Teil I, II. "Da Jesus diese Rede vollendet hatte" (Evangelista, Jesus)
bass vocals [Jesus]:
Theo Adam (German classical bass-baritone)
tenor vocals [Evangelist]:
Peter Schreier (German tenor and conductor)
orchestra:
Gewandhausorchester Leipzig
conductor:
Erhard Mauersberger (Thomaskantor and organist)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen, Germany (from 1970-01 until 1970-02)
recording of:
Matthäus-Passion, BWV 244: Teil I, II. Rezitativ (Evangelist, Jesus) "Da Jesus diese Rede vollendet hatte" (in 1970)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:56
3Matthäus-Passion, BWV 244: Teil I, III. Corale "Herzliebster Jesu, was hast du verbrochen"
choir vocals:
Dresdner Kreuzchor and Thomanerchor Leipzig
orchestra:
Gewandhausorchester Leipzig
conductor:
Rudolf Mauersberger (Kreuzkantor and organ player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen, Germany (from 1970-01 until 1970-02)
recording of:
Matthäus-Passion, BWV 244: Teil I, III. Choral "Herzliebster Jesu, was hast du verbrochen" (in 1970)
lyricist:
Johann Heermann
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 166)
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:58
4Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) - IVb. Cori "Ja nicht auf das Fest" - IVc. "Da nun Jesus war zu Bethanien" (Evangelista) - IVd. Coro "Wozu dienet dieser Unrat" - IVe. "Da das Jesus merkete"
bass vocals [Jesus]:
Theo Adam (German classical bass-baritone)
choir vocals:
Dresdner Kreuzchor and Thomanerchor Leipzig
tenor vocals [Evangelist]:
Peter Schreier (German tenor and conductor)
orchestra:
Gewandhausorchester Leipzig
conductor:
Erhard Mauersberger (Thomaskantor and organist)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen, Germany (from 1970-01 until 1970-02)
recording of:
Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) - IVb. Cori "Ja nicht auf das Fest" - IVc. "Da nun Jesus war zu Bethanien" (Evangelista) - IVd. Coro "Wozu dienet dieser Unrat" - IVe. "Da das Jesus merkete" (in 1970)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach3:37
5Matthäus-Passion, BWV 244: Teil I, V. Recitativo (Alto) "Du lieber Heiland du"
alto vocals:
Annelies Burmeister (contralto)
orchestra:
Gewandhausorchester Leipzig
conductor:
Erhard Mauersberger (Thomaskantor and organist)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen, Germany (from 1970-01 until 1970-02)
recording of:
Matthäus-Passion, BWV 244: Teil I, V. Accompagnato-Rezitativ (Alt) "Du lieber Heiland du" (in 1970)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:57
6Matthäus-Passion, BWV 244: Teil I, VI. Aria (Alto) "Buß und Reu"
alto vocals:
Annelies Burmeister (contralto)
orchestra:
Gewandhausorchester Leipzig
conductor:
Erhard Mauersberger (Thomaskantor and organist)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen, Germany (from 1970-01 until 1970-02)
recording of:
Matthäus-Passion, BWV 244: Teil I, VI. Arie (Alt) "Buß und Reu" (in 1970)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach4:46
7Matthäus-Passion, BWV 244: Teil I, VII. "Da ging hin der Zwölfen einer" (Evangelista, Judas)
tenor vocals [Evangelist]:
Peter Schreier (German tenor and conductor)
orchestra:
Gewandhausorchester Leipzig
conductor:
Erhard Mauersberger (Thomaskantor and organist)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen, Germany (from 1970-01 until 1970-02)
recording of:
Matthäus-Passion, BWV 244: Teil I, VII. Rezitativ (Evangelist, Judas) "Da ging hin der Zwölfen einer" (in 1970)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:39
8Matthäus-Passion, BWV 244: Teil I, VIII. Aria (Soprano) "Blute nur, du liebes Herz"
soprano vocals:
Adele Stolte (soprano)
orchestra:
Gewandhausorchester Leipzig
conductor:
Erhard Mauersberger (Thomaskantor and organist)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen, Germany (from 1970-01 until 1970-02)
recording of:
Matthäus-Passion, BWV 244: Teil I, VIII. Arie (Sopran) "Blute nur, du liebes Herz" (in 1970)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach4:44
9Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" - IXb. Coro "Wo willst du, dass wir dir bereiten" - IXc. "Er sprach: Gehet hin in die Stadt" - IXd. "Und sie wurden sehr betrübt" - IXe. Coro "Herr, bin ichs"
choir vocals:
Dresdner Kreuzchor and Thomanerchor Leipzig
tenor vocals [Evangelist]:
Peter Schreier (German tenor and conductor)
orchestra:
Gewandhausorchester Leipzig
conductor:
Erhard Mauersberger (Thomaskantor and organist)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen, Germany (from 1970-01 until 1970-02)
recording of:
Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" - IXb. Coro "Wo willst du, dass wir dir bereiten" - IXc. "Er sprach: Gehet hin in die Stadt" - IXd. "Und sie wurden sehr betrübt" - IXe. Coro "Herr, bin ichs" (in 1970)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach2:32
10Matthäus-Passion, BWV 244: Teil I, X. Corale "Ich bin's, ich sollte büßen"
choir vocals:
Dresdner Kreuzchor and Thomanerchor Leipzig
orchestra:
Gewandhausorchester Leipzig
conductor:
Rudolf Mauersberger (Kreuzkantor and organ player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen, Germany (from 1970-01 until 1970-02)
recording of:
Matthäus-Passion, BWV 244: Teil I, X. Choral "Ich bin's, ich sollte büßen" (in 1970)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 294)
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:57
11Matthäus-Passion, BWV 244: Teil I, XI. "Er antwortete und sprach" (Evangelista, Jesus, Judas)
bass vocals [Jesus]:
Theo Adam (German classical bass-baritone)
tenor vocals [Evangelist]:
Peter Schreier (German tenor and conductor)
orchestra:
Gewandhausorchester Leipzig
conductor:
Erhard Mauersberger (Thomaskantor and organist)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen, Germany (from 1970-01 until 1970-02)
recording of:
Matthäus-Passion, BWV 244: Teil I, XI. Rezitativ (Evangelist, Jesus, Judas) "Er antwortete und sprach" (in 1970)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach4:08
12Matthäus-Passion, BWV 244: Teil I, XII. Recitativo (Soprano) "Wiewohl mein Herz in Tränen schwimmt"
soprano vocals:
Adele Stolte (soprano)
orchestra:
Gewandhausorchester Leipzig
conductor:
Erhard Mauersberger (Thomaskantor and organist)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen, Germany (from 1970-01 until 1970-02)
recording of:
Matthäus-Passion, BWV 244: Teil I, XII. Accompagnato-Rezitativ (Sopran) "Wiewohl mein Herz in Tränen schwimmt" (in 1970)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:25
13Matthäus-Passion, BWV 244: Teil I, XIII. Aria (Soprano) "Ich will dir mein Herze schenken"
soprano vocals:
Adele Stolte (soprano)
orchestra:
Gewandhausorchester Leipzig
conductor:
Erhard Mauersberger (Thomaskantor and organist)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen, Germany (from 1970-01 until 1970-02)
recording of:
Matthäus-Passion, BWV 244: Teil I, XIII. Arie (Sopran) "Ich will dir mein Herze schenken" (in 1970)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach4:10
14Matthäus-Passion, BWV 244: Teil I, XIV. "Und da sie den Lobgesang gesprochen hatten" (Evangelista, Judas)
tenor vocals [Evangelist]:
Peter Schreier (German tenor and conductor)
orchestra:
Gewandhausorchester Leipzig
conductor:
Erhard Mauersberger (Thomaskantor and organist)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen, Germany (from 1970-01 until 1970-02)
recording of:
Matthäus-Passion, BWV 244: Teil I, XIV. Rezitativ (Evangelist, Jesus) "Und da sie den Lobgesang gesprochen hatten" (in 1970)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:17
15Matthäus-Passion, BWV 244: Teil I, XV. Corale "Erkenne mich, mein Hüter"
choir vocals:
Dresdner Kreuzchor and Thomanerchor Leipzig
orchestra:
Gewandhausorchester Leipzig
conductor:
Rudolf Mauersberger (Kreuzkantor and organ player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen, Germany (from 1970-01 until 1970-02)
recording of:
Matthäus-Passion, BWV 244: Teil I, XV. Choral "Erkenne mich, mein Hüter" (in 1970)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 163)
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:13
16Matthäus-Passion, BWV 244: Teil I, XVI. "Petrus aber antwortete und sprach zu ihm" (Evangelista, Petrus, Jesus)
bass vocals [Jesus]:
Theo Adam (German classical bass-baritone)
tenor vocals [Evangelist]:
Peter Schreier (German tenor and conductor)
orchestra:
Gewandhausorchester Leipzig
conductor:
Erhard Mauersberger (Thomaskantor and organist)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen, Germany (from 1970-01 until 1970-02)
recording of:
Matthäus-Passion, BWV 244: Teil I, XVI. Rezitativ (Evangelist, Petrus, Jesus) "Petrus aber antwortete und sprach zu ihm" (in 1970)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:25
17Matthäus-Passion, BWV 244: Teil I, XVII. Corale "Ich will hier bei dir stehen"
choir vocals:
Dresdner Kreuzchor and Thomanerchor Leipzig
orchestra:
Gewandhausorchester Leipzig
conductor:
Rudolf Mauersberger (Kreuzkantor and organ player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen, Germany (from 1970-01 until 1970-02)
recording of:
Matthäus-Passion, BWV 244: Teil I, XVII. Choral "Ich will hier bei dir stehen" (in 1970)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:15
18Matthäus-Passion, BWV 244: Teil I, XVIII. "Da kam Jesus mit ihnen zu einen Hofe" (Evangelista, Jesus)
bass vocals [Jesus]:
Theo Adam (German classical bass-baritone)
tenor vocals [Evangelist]:
Peter Schreier (German tenor and conductor)
orchestra:
Gewandhausorchester Leipzig
conductor:
Erhard Mauersberger (Thomaskantor and organist)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen, Germany (from 1970-01 until 1970-02)
recording of:
Matthäus-Passion, BWV 244: Teil I, XVIII. Rezitativ (Evangelist, Jesus) "Da kam Jesus mit ihnen zu einem Hofe" (in 1970)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach2:02
19Matthäus-Passion, BWV 244: Teil I, XIX. Recitativo (Tenore) "O Schmerz! Hier zittert das gequälte Herz"
choir vocals:
Dresdner Kreuzchor and Thomanerchor Leipzig
tenor vocals:
Hans-Joachim Rotzsch (choral conductor and tenor)
orchestra:
Gewandhausorchester Leipzig
conductor:
Rudolf Mauersberger (Kreuzkantor and organ player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen, Germany (from 1970-01 until 1970-02)
recording of:
Matthäus-Passion, BWV 244: Teil I, XIX. Accompagnato-Rezitativ (Tenor) und Choral (Chor II) "O Schmerz! Hier zittert das gequälte Herz" (in 1970)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:43
20Matthäus-Passion, BWV 244: Teil I, XX. Aria (Tenore) "Ich will bei meinen Jesu wachen"
choir vocals:
Dresdner Kreuzchor and Thomanerchor Leipzig
tenor vocals:
Hans-Joachim Rotzsch (choral conductor and tenor)
orchestra:
Gewandhausorchester Leipzig
conductor:
Rudolf Mauersberger (Kreuzkantor and organ player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen, Germany (from 1970-01 until 1970-02)
recording of:
Matthäus-Passion, BWV 244: Teil I, XX. Arie (Tenor) und Chor II "Ich will bei meinen Jesu wachen" (in 1970)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach5:30
21Matthäus-Passion, BWV 244: Teil I, XXI. "Und ging hin ein wenig" (Evangelista, Jesus)
bass vocals [Jesus]:
Theo Adam (German classical bass-baritone)
tenor vocals [Evangelist]:
Peter Schreier (German tenor and conductor)
orchestra:
Gewandhausorchester Leipzig
conductor:
Erhard Mauersberger (Thomaskantor and organist)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen, Germany (from 1970-01 until 1970-02)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXI. Rezitativ (Evangelist, Jesus) "Und ging hin ein wenig" (in 1970)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:57
22Matthäus-Passion, BWV 244: Teil I, XXII. Recitativo (Basso) "Der Heiland fällt vor seinem Vater nieder"
bass vocals:
Günther Leib (baritone)
orchestra:
Gewandhausorchester Leipzig
conductor:
Erhard Mauersberger (Thomaskantor and organist)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen, Germany (from 1970-01 until 1970-02)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXII. Accompagnato-Rezitativ (Bass) "Der Heiland fällt vor seinem Vater nieder" (in 1970)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:14
23Matthäus-Passion, BWV 244: Teil I, XXIII. Aria (Basso) "Gerne will ich mich bequemen"
bass vocals:
Günther Leib (baritone)
orchestra:
Gewandhausorchester Leipzig
conductor:
Erhard Mauersberger (Thomaskantor and organist)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen, Germany (from 1970-01 until 1970-02)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXIII. Arie (Bass) "Gerne will ich mich bequemen" (in 1970)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach4:24
▼ CD 2
#TitleArtistRatingLength
1Matthäus-Passion, BWV 244: Teil I, XXIV. "Und er kam zu seinen Jüngern" (Evangelista, Jesus)
bass vocals [Jesus]:
Theo Adam (German classical bass-baritone)
tenor vocals [Evangelist]:
Peter Schreier (German tenor and conductor)
orchestra:
Gewandhausorchester Leipzig
conductor:
Erhard Mauersberger (Thomaskantor and organist)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen, Germany (from 1970-01 until 1970-02)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXIV. Rezitativ (Evangelist, Jesus) "Und er kam zu seinen Jüngern" (in 1970)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:41
2Matthäus-Passion, BWV 244: Teil I, XXV. Corale "Was mein Gott will, das g'scheh allzeit"
choir vocals:
Dresdner Kreuzchor and Thomanerchor Leipzig
orchestra:
Gewandhausorchester Leipzig
conductor:
Rudolf Mauersberger (Kreuzkantor and organ player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen, Germany (from 1970-01 until 1970-02)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXV. Choral "Was mein Gott will, das g'scheh allzeit" (in 1970)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 342)
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:17
3Matthäus-Passion, BWV 244: Teil I, XXVI. "Und er kam und fand sie aber schlafend" (Evangelista, Jesus, Judas)
bass vocals [Jesus]:
Theo Adam (German classical bass-baritone)
tenor vocals [Evangelist]:
Peter Schreier (German tenor and conductor)
orchestra:
Gewandhausorchester Leipzig
conductor:
Erhard Mauersberger (Thomaskantor and organist)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen, Germany (from 1970-01 until 1970-02)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXVI. Rezitativ (Evangelist, Jesus) "Und er kam und fand sie aber schlafend" (in 1970)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach2:35
4Matthäus-Passion, BWV 244: Teil I, XXVIIa. Duetto (Soprano, Alto) "So ist mein Jesus nun gefangen" - XXVIIb. Cori "Sind Blitze, sind Donner in Wolken verschwunden?"
alto vocals:
Annelies Burmeister (contralto)
choir vocals:
Dresdner Kreuzchor and Thomanerchor Leipzig
soprano vocals:
Adele Stolte (soprano)
orchestra:
Gewandhausorchester Leipzig
conductor:
Rudolf Mauersberger (Kreuzkantor and organ player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen, Germany (from 1970-01 until 1970-02)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXVII. Arie (Sopran, Alt) und Chor "So ist mein Jesus nun gefangen" - XXVIIb. Cori "Sind Blitze, sind Donner in Wolken verschwunden?" (in 1970)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach5:12
5Matthäus-Passion, BWV 244: Teil I, XXVIII. "Und siehe, einer aus denen, die mit Jesu waren" (Evangelista, Jesus)
bass vocals [Jesus]:
Theo Adam (German classical bass-baritone)
tenor vocals [Evangelist]:
Peter Schreier (German tenor and conductor)
orchestra:
Gewandhausorchester Leipzig
conductor:
Erhard Mauersberger (Thomaskantor and organist)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen, Germany (from 1970-01 until 1970-02)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXVIII. Rezitativ (Evangelist, Jesus) "Und siehe, einer aus denen, die mit Jesu waren" (in 1970)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach3:07
6Matthäus-Passion, BWV 244: Teil I, XXIX. Corale "O Mensch, bewein dein Sünde groß"
choir vocals:
Dresdner Kreuzchor and Thomanerchor Leipzig
orchestra:
Gewandhausorchester Leipzig
conductor:
Rudolf Mauersberger (Kreuzkantor and organ player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen, Germany (from 1970-01 until 1970-02)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXIX. Choral "O Mensch, bewein dein Sünde groß" (in 1970)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach6:24
7Matthäus-Passion, BWV 244: Teil II, XXX. Aria (Alto) "Ach! nun ist mein Jesus hin"
alto vocals:
Annelies Burmeister (contralto)
choir vocals:
Dresdner Kreuzchor and Thomanerchor Leipzig
orchestra:
Gewandhausorchester Leipzig
conductor:
Rudolf Mauersberger (Kreuzkantor and organ player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen, Germany (from 1970-01 until 1970-02)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXX. Arie (Alt) und Chor "Ach! nun ist mein Jesus hin" (in 1970)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach4:16
8Matthäus-Passion, BWV 244: Teil II, XXXI. "Die aber Jesum gegriffen hatten" (Evangelista)
tenor vocals [Evangelist]:
Peter Schreier (German tenor and conductor)
orchestra:
Gewandhausorchester Leipzig
conductor:
Erhard Mauersberger (Thomaskantor and organist)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen, Germany (from 1970-01 until 1970-02)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXI. Rezitativ (Evangelist) "Die aber Jesum gegriffen hatten" (in 1970)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:09
9Matthäus-Passion, BWV 244: Teil II, XXXII. Corale "Mir hat die Welt trüglich gericht'"
choir vocals:
Dresdner Kreuzchor and Thomanerchor Leipzig
orchestra:
Gewandhausorchester Leipzig
conductor:
Rudolf Mauersberger (Kreuzkantor and organ player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen, Germany (from 1970-01 until 1970-02)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXII. Choral "Mir hat die Welt trüglich gericht'" (in 1970)
lyricist:
Adam Reusner
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 213)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:52
10Matthäus-Passion, BWV 244: Teil II, XXXIII. "Und wiewohl viel falsche Zeugen herzutraten" (Evangelista, Testis I/II, Pontifex)
tenor vocals [Evangelist]:
Peter Schreier (German tenor and conductor)
orchestra:
Gewandhausorchester Leipzig
conductor:
Erhard Mauersberger (Thomaskantor and organist)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen, Germany (from 1970-01 until 1970-02)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIII. Rezitativ (Evangelist, 2 Zeugen, Hohepriester) "Und wiewohl viel falsche Zeugen herzutraten" (in 1970)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:15
11Matthäus-Passion, BWV 244: Teil II, XXXIV. Recitativo (Tenore) "Mein Jesus schweigt zu falschen Lügen stille"
tenor vocals:
Hans-Joachim Rotzsch (choral conductor and tenor)
orchestra:
Gewandhausorchester Leipzig
conductor:
Erhard Mauersberger (Thomaskantor and organist)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen, Germany (from 1970-01 until 1970-02)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIV. Accompagnato-Rezitativ (Tenor) "Mein Jesus schweigt zu falschen Lügen stille" (in 1970)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:51
12Matthäus-Passion, BWV 244: Teil II, XXXV. Aria (Tenore) "Geduld! Wenn mich falsche Zungen stechen"
tenor vocals:
Hans-Joachim Rotzsch (choral conductor and tenor)
orchestra:
Gewandhausorchester Leipzig
conductor:
Erhard Mauersberger (Thomaskantor and organist)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen, Germany (from 1970-01 until 1970-02)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXV. Arie (Tenor) "Geduld! Wenn mich falsche Zungen stechen" (in 1970)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach4:08
13Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) - XXXVIb. Cori "Er ist des Todes schuldig" - XXXVIc. "Da speieten sie aus" (Evangelista) - XXXVId. Cori "Weissage uns, Christe"
bass vocals [Jesus]:
Theo Adam (German classical bass-baritone)
tenor vocals [Evangelist]:
Peter Schreier (German tenor and conductor)
orchestra:
Gewandhausorchester Leipzig
conductor:
Erhard Mauersberger (Thomaskantor and organist)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen, Germany (from 1970-01 until 1970-02)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) - XXXVIb. Cori "Er ist des Todes schuldig" - XXXVIc. "Da speieten sie aus" (Evangelista) - XXXVId. Cori "Weissage uns, Christe" (in 1970)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:30
14Matthäus-Passion, BWV 244: Teil II, XXXVII. Corale "Wer hat dich so geschlagen"
choir vocals:
Dresdner Kreuzchor and Thomanerchor Leipzig
orchestra:
Gewandhausorchester Leipzig
conductor:
Rudolf Mauersberger (Kreuzkantor and organ player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen, Germany (from 1970-01 until 1970-02)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVII. Choral "Wer hat dich so geschlagen" (in 1970)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 292)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:03
15Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber saß draussen im Palast" (Evangelista, Ancilla I/II, Petrus) - XXXVIIIb. Coro "Wahrlich, du bist auch einer von denen" - XXXVIIIc. "Da hub er an, sich zu verfluchen" (Evangelista, Petrus)
choir vocals:
Dresdner Kreuzchor and Thomanerchor Leipzig
tenor vocals [Evangelist]:
Peter Schreier (German tenor and conductor)
orchestra:
Gewandhausorchester Leipzig
conductor:
Erhard Mauersberger (Thomaskantor and organist)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen, Germany (from 1970-01 until 1970-02)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber saß draussen im Palast" (Evangelista, Ancilla I/II, Petrus) - XXXVIIIb. Coro "Wahrlich, du bist auch einer von denen" - XXXVIIIc. "Da hub er an, sich zu verfluchen" (Evangelista, Petrus) (in 1970)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:38
16Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott"
alto vocals:
Annelies Burmeister (contralto)
orchestra:
Gewandhausorchester Leipzig
conductor:
Erhard Mauersberger (Thomaskantor and organist) and Rudolf Mauersberger (Kreuzkantor and organ player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen, Germany (from 1970-01 until 1970-02)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott" (in 1970)
orchestrator:
Ton Koopman (conductor, organist and harpsichordist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach7:10
17Matthäus-Passion, BWV 244: Teil II, XL. Corale "Bin ich gleich von dir gewichen"
orchestra:
Gewandhausorchester Leipzig
conductor:
Erhard Mauersberger (Thomaskantor and organist)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen, Germany (from 1970-01 until 1970-02)
recording of:
Matthäus-Passion, BWV 244: Teil II, XL. Choral "Bin ich gleich von dir gewichen" (in 1970)
lyricist:
Johann von Rist
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 361)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:09
18Matthäus-Passion, BWV 244: Teil II, XLIa. "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas) - XLIb. Cori "Was gehet uns das an?" - XLIc. "Und er warf die Silberlinge in den Tempel" (Evangelista, Pontifex I/II)
tenor vocals [Evangelist]:
Peter Schreier (German tenor and conductor)
orchestra:
Gewandhausorchester Leipzig
conductor:
Erhard Mauersberger (Thomaskantor and organist)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen, Germany (from 1970-01 until 1970-02)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIa. "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas) - XLIb. Cori "Was gehet uns das an?" - XLIc. "Und er warf die Silberlinge in den Tempel" (Evangelista, Pontifex I/II) (in 1970)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:52
19Matthäus-Passion, BWV 244: Teil II, XLII. Aria (Basso) "Gebt mir meinen Jesum wieder"
bass vocals:
Günther Leib (baritone)
orchestra:
Gewandhausorchester Leipzig
conductor:
Erhard Mauersberger (Thomaskantor and organist)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen, Germany (from 1970-01 until 1970-02)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLII. Aria (Basso) "Gebt mir meinen Jesum wieder" (in 1970)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach3:21
20Matthäus-Passion, BWV 244: Teil II, XLIII. "Sie hielten aber einen Rat" (Evangelista, Pilatus, Jesus)
bass vocals [Jesus]:
Theo Adam (German classical bass-baritone)
tenor vocals [Evangelist]:
Peter Schreier (German tenor and conductor)
orchestra:
Gewandhausorchester Leipzig
conductor:
Erhard Mauersberger (Thomaskantor and organist)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen, Germany (from 1970-01 until 1970-02)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIII. "Sie hielten aber einen Rat" (Evangelista, Pilatus, Jesus) (in 1970)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:19
21Matthäus-Passion, BWV 244: Teil II, XLIV. Corale "Befiehl du deine Wege"
orchestra:
Gewandhausorchester Leipzig
conductor:
Erhard Mauersberger (Thomaskantor and organist)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen, Germany (from 1970-01 until 1970-02)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIV. Choral "Befiehl du deine Wege" (in 1970)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 159)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:17
▼ CD 3
#TitleArtistRatingLength
1Matthäus-Passion, BWV 244: Teil II, XLVa. "Auf das Fest aber hatte der Landpfleger Gewohnheit" (Evangelista, Pilatus, Uxor Pilati, Cori) - XLVb. Cori "Lass ihn kreuzigen"
tenor vocals [Evangelist]:
Peter Schreier (German tenor and conductor)
orchestra:
Gewandhausorchester Leipzig
conductor:
Erhard Mauersberger (Thomaskantor and organist)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen, Germany (from 1970-01 until 1970-02)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVa. "Auf das Fest aber hatte der Landpfleger Gewohnheit" (Evangelista, Pilatus, Uxor Pilati, Cori) - XLVb. Cori "Lass ihn kreuzigen" (in 1970)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:40
2Matthäus-Passion, BWV 244: Teil II, XLVI. Corale "Wie wunderbarlich ist doch diese Strafe"
choir vocals:
Dresdner Kreuzchor and Thomanerchor Leipzig
orchestra:
Gewandhausorchester Leipzig
conductor:
Rudolf Mauersberger (Kreuzkantor and organ player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen, Germany (from 1970-01 until 1970-02)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVI. Choral "Wie wunderbarlich ist doch diese Strafe" (in 1970)
lyricist:
Johann Heermann
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 167)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:02
3Matthäus-Passion, BWV 244: Teil II, XLVII. "Der Landpfleger sagte" (Evangelista, Pilatus)
tenor vocals [Evangelist]:
Peter Schreier (German tenor and conductor)
orchestra:
Gewandhausorchester Leipzig
conductor:
Erhard Mauersberger (Thomaskantor and organist)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen, Germany (from 1970-01 until 1970-02)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVII. "Der Landpfleger sagte" (Evangelista, Pilatus) (in 1970)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:18
4Matthäus-Passion, BWV 244: Teil II, XLVIII. Recitativo (Soprano) "Er hat uns allen wohlgetan"
soprano vocals:
Adele Stolte (soprano)
orchestra:
Gewandhausorchester Leipzig
conductor:
Erhard Mauersberger (Thomaskantor and organist)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen, Germany (from 1970-01 until 1970-02)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVIII. Recitativo (Soprano) "Er hat uns allen wohlgetan" (in 1970)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:20
5Matthäus-Passion, BWV 244: Teil II, XLIX. Aria (Soprano) "Aus Liebe will mein Heiland sterben"
soprano vocals:
Adele Stolte (soprano)
orchestra:
Gewandhausorchester Leipzig
conductor:
Erhard Mauersberger (Thomaskantor and organist)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen, Germany (from 1970-01 until 1970-02)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIX. Aria (Soprano) "Aus Liebe will mein Heiland sterben" (in 1970)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach4:21
6Matthäus-Passion, BWV 244: Teil II, La. "Sie schrieen aber noch mehr" (Evangelista) - Lb. Cori "Lass ihn kreuzigen" - Lc. "Da aber Pilatus sahe" (Evangelista, Pilatus) - Ld. Cori "Sein Blut komme über uns" - Le. "Da gab er ihnen Barrabam los"
tenor vocals [Evangelist]:
Peter Schreier (German tenor and conductor)
orchestra:
Gewandhausorchester Leipzig
conductor:
Erhard Mauersberger (Thomaskantor and organist)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen, Germany (from 1970-01 until 1970-02)
recording of:
Matthäus-Passion, BWV 244: Teil II, La. "Sie schrieen aber noch mehr" (Evangelista) - Lb. Cori "Lass ihn kreuzigen" - Lc. "Da aber Pilatus sahe" (Evangelista, Pilatus) - Ld. Cori "Sein Blut komme über uns" - Le. "Da gab er ihnen Barrabam los" (in 1970)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:09
7Matthäus-Passion, BWV 244: Teil II, LI. Recitativo (Alto) "Erbarm es Gott"
alto vocals:
Annelies Burmeister (contralto)
orchestra:
Gewandhausorchester Leipzig
conductor:
Erhard Mauersberger (Thomaskantor and organist)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen, Germany (from 1970-01 until 1970-02)
recording of:
Matthäus-Passion, BWV 244: Teil II, LI. Recitativo (Alto) "Erbarm es Gott" (in 1970)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:58
8Matthäus-Passion, BWV 244: Teil II, LII. Aria (Alto) "Können Tränen meiner Wangen"
alto vocals:
Annelies Burmeister (contralto)
orchestra:
Gewandhausorchester Leipzig
conductor:
Erhard Mauersberger (Thomaskantor and organist)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen, Germany (from 1970-01 until 1970-02)
recording of:
Matthäus-Passion, BWV 244: Teil II, LII. Aria (Alto) "Können Tränen meiner Wangen" (in 1970)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach6:48
9Matthäus-Passion, BWV 244: Teil II, LIIIa. "Da nahmen die Kriegsknechte" (Evangelista) - LIIIb. Cori "Gegrüsset seist du, Jüdenkönig" - LIIIc. "Und speieten ihn an" (Evangelista)
tenor vocals [Evangelist]:
Peter Schreier (German tenor and conductor)
orchestra:
Gewandhausorchester Leipzig
conductor:
Erhard Mauersberger (Thomaskantor and organist)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen, Germany (from 1970-01 until 1970-02)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIIIa. "Da nahmen die Kriegsknechte" (Evangelista) - LIIIb. Cori "Gegrüsset seist du, Jüdenkönig" - LIIIc. "Und speieten ihn an" (Evangelista) (in 1970)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:05
10Matthäus-Passion, BWV 244: Teil II, LIV. Corale "O Haupt voll Blut und Wunden"
choir vocals:
Dresdner Kreuzchor and Thomanerchor Leipzig
orchestra:
Gewandhausorchester Leipzig
conductor:
Rudolf Mauersberger (Kreuzkantor and organ player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen, Germany (from 1970-01 until 1970-02)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIV. Choral "O Haupt voll Blut und Wunden" (in 1970)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 162)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:48
11Matthäus-Passion, BWV 244: Teil II, LV. "Und da sie ihn verspottet hatten" (Evangelista)
tenor vocals [Evangelist]:
Peter Schreier (German tenor and conductor)
orchestra:
Gewandhausorchester Leipzig
conductor:
Erhard Mauersberger (Thomaskantor and organist)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen, Germany (from 1970-01 until 1970-02)
recording of:
Matthäus-Passion, BWV 244: Teil II, LV. "Und da sie ihn verspottet hatten" (Evangelista) (in 1970)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:50
12Matthäus-Passion, BWV 244: Teil II, LVI. Recitativo (Basso) "Ja freilich will in uns das Fleisch und Blut"
bass vocals:
Günther Leib (baritone)
orchestra:
Gewandhausorchester Leipzig
conductor:
Erhard Mauersberger (Thomaskantor and organist)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen, Germany (from 1970-01 until 1970-02)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVI. Recitativo (Basso) "Ja freilich will in uns das Fleisch und Blut" (in 1970)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:43
13Matthäus-Passion, BWV 244: Teil II, LVII. Aria (Basso) "Komm, süßes Kreuz, so will ich sagen"
bass vocals:
Günther Leib (baritone)
orchestra:
Gewandhausorchester Leipzig
conductor:
Erhard Mauersberger (Thomaskantor and organist)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen, Germany (from 1970-01 until 1970-02)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVII. Aria (Basso) "Komm, süßes Kreuz, so will ich sagen" (in 1970)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach6:04
14Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie an die Stätte kamen" - LVIIIb. Cori "Der du den Tempel Gottes zerbrichst" - LVIIIc. "Desgleichen auch die Hohenpriester" - LVIIId. Cori "Andern hat er geholfen" - LVIIIe. "Desgleichen [...]"
tenor vocals [Evangelist]:
Peter Schreier (German tenor and conductor)
orchestra:
Gewandhausorchester Leipzig
conductor:
Erhard Mauersberger (Thomaskantor and organist)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen, Germany (from 1970-01 until 1970-02)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie an die Stätte kamen" - LVIIIb. Cori "Der du den Tempel Gottes zerbrichst" - LVIIIc. "Desgleichen auch die Hohenpriester" - LVIIId. Cori "Andern hat er geholfen" - LVIIIe. "Desgleichen [...]" (in 1970)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach3:55
15Matthäus-Passion, BWV 244: Teil II, LIX. Recitativo (Alto) "Ach Golgotha"
alto vocals:
Annelies Burmeister (contralto)
orchestra:
Gewandhausorchester Leipzig
conductor:
Erhard Mauersberger (Thomaskantor and organist)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen, Germany (from 1970-01 until 1970-02)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIX. Recitativo (Alto) "Ach Golgotha" (in 1970)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:41
16Matthäus-Passion, BWV 244: Teil II, LX. Aria (Alto) "Sehet, Jesus hat die Hand", Coro "Wohin?"
alto vocals:
Annelies Burmeister (contralto)
choir vocals:
Dresdner Kreuzchor and Thomanerchor Leipzig
orchestra:
Gewandhausorchester Leipzig
conductor:
Erhard Mauersberger (Thomaskantor and organist)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen, Germany (from 1970-01 until 1970-02)
recording of:
Matthäus-Passion, BWV 244: Teil II, LX. Aria (Alto) "Sehet, Jesus hat die Hand", Coro "Wohin?" (in 1970)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach3:42
17Matthäus-Passion, BWV 244: Teil II, LXIa. "Und von der sechsten Stunde an" (Evangelista, Jesus) - LXIb. Coro "Der rufet dem Elias" - LXIc. "Und bald lief einer unter ihnen" (Evangelista) - LXId. Coro "Halt! Lass sehen" - LXIe. "Aber Jesus schriee abermal"
bass vocals [Jesus]:
Theo Adam (German classical bass-baritone)
choir vocals:
Dresdner Kreuzchor and Thomanerchor Leipzig
tenor vocals [Evangelist]:
Peter Schreier (German tenor and conductor)
orchestra:
Gewandhausorchester Leipzig
conductor:
Erhard Mauersberger (Thomaskantor and organist)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen, Germany (from 1970-01 until 1970-02)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIa. "Und von der sechsten Stunde an" (Evangelista, Jesus) - LXIb. Coro "Der rufet dem Elias" - LXIc. "Und bald lief einer unter ihnen" (Evangelista) - LXId. Coro "Halt! Lass sehen" - LXIe. "Aber Jesus schriee abermal" (in 1970)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:43
18Matthäus-Passion, BWV 244: Teil II, LXII. Corale "Wenn ich einmal soll scheiden"
choir vocals:
Dresdner Kreuzchor and Thomanerchor Leipzig
orchestra:
Gewandhausorchester Leipzig
conductor:
Rudolf Mauersberger (Kreuzkantor and organ player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen, Germany (from 1970-01 until 1970-02)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXII. Choral "Wenn ich einmal soll scheiden" (in 1970)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 164)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:54
19Matthäus-Passion, BWV 244: Teil II, LXIIIa. "Und siehe da, der Vorhang im Tempel zerriss" (Evangelista) - LXIIIb. Cori "Wahrlich, dieser ist Gottes Sohn gewesen" - LXIIIc. "Und es waren viel Weiber da" (Evangelista)
tenor vocals [Evangelist]:
Peter Schreier (German tenor and conductor)
orchestra:
Gewandhausorchester Leipzig
conductor:
Erhard Mauersberger (Thomaskantor and organist)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen, Germany (from 1970-01 until 1970-02)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIIIa. "Und siehe da, der Vorhang im Tempel zerriss" (Evangelista) - LXIIIb. Cori "Wahrlich, dieser ist Gottes Sohn gewesen" - LXIIIc. "Und es waren viel Weiber da" (Evangelista) (in 1970)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:57
20Matthäus-Passion, BWV 244: Teil II, LXIV. Recitativo (Basso) "Am Abend, da es kühle war"
bass vocals:
Günther Leib (baritone)
orchestra:
Gewandhausorchester Leipzig
conductor:
Erhard Mauersberger (Thomaskantor and organist)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen, Germany (from 1970-01 until 1970-02)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIV. Recitativo (Basso) "Am Abend, da es kühle war" (in 1970)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:15
21Matthäus-Passion, BWV 244: Teil II, LXV. Aria (Basso) "Mache dich, mein Herze, rein"
bass vocals:
Günther Leib (baritone)
orchestra:
Gewandhausorchester Leipzig
conductor:
Erhard Mauersberger (Thomaskantor and organist)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen, Germany (from 1970-01 until 1970-02)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXV. Aria (Basso) "Mache dich, mein Herze, rein" (in 1970)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach7:18
22Matthäus-Passion, BWV 244: Teil II, LXVIa. "Und Joseph nahm den Leib" (Evangelista) - LXVIb. Cori "Herr, wir haben gedacht" - LXVIc. "Pilatus sprach zu ihnen" (Evangelista, Pilatus)
tenor vocals [Evangelist]:
Peter Schreier (German tenor and conductor)
orchestra:
Gewandhausorchester Leipzig
conductor:
Erhard Mauersberger (Thomaskantor and organist)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen, Germany (from 1970-01 until 1970-02)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIa. "Und Joseph nahm den Leib" (Evangelista) - LXVIb. Cori "Herr, wir haben gedacht" - LXVIc. "Pilatus sprach zu ihnen" (Evangelista, Pilatus) (in 1970)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:53
23Matthäus-Passion, BWV 244: Teil II, LXVII. Recitativo (Soprano, Alto, Tenore, Basso) "Nun ist der Herr zur Ruh gebracht" - Coro "Mein Jesu, gute Nacht"
alto vocals:
Annelies Burmeister (contralto)
bass vocals:
Günther Leib (baritone)
choir vocals:
Dresdner Kreuzchor and Thomanerchor Leipzig
soprano vocals:
Adele Stolte (soprano)
tenor vocals:
Hans-Joachim Rotzsch (choral conductor and tenor)
orchestra:
Gewandhausorchester Leipzig
conductor:
Rudolf Mauersberger (Kreuzkantor and organ player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen, Germany (from 1970-01 until 1970-02)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVII. Recitativo (Soprano, Alto, Tenore, Basso) "Nun ist der Herr zur Ruh gebracht" - Coro "Mein Jesu, gute Nacht" (in 1970)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:34
24Matthäus-Passion, BWV 244: Teil II, LXVIII. Coro "Wir setzen uns mit Tränen nieder"
choir vocals:
Dresdner Kreuzchor and Thomanerchor Leipzig
orchestra:
Gewandhausorchester Leipzig
conductor:
Rudolf Mauersberger (Kreuzkantor and organ player)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen, Germany (from 1970-01 until 1970-02)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIII. Coro "Wir setzen uns mit Tränen nieder" (in 1970)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach6:54

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ASIN:DE: B0007GAFM0 [info]