Aida

~ Release by Giuseppe Verdi; Maria Callas, Kurt Baum, Giulietta Simionato, Robert Weede, Nicola Moscona, Orquesta del Palacio de Las Bellas Artes, Guido Picco (see all versions of this release, 1 available)

Tracklist

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▼ CD 1
#TitleArtistRatingLength
1Aida: Atto I: Preludio
orchestra:
Orquesta del Palacio de Las Bellas Artes (on 1950-05-30)
conductor:
Guido Picco (conductor) (on 1950-05-30)
recorded at:
Palacio de Bellas Artes in Ciudad de México, Mexico (on 1950-05-30)
recording of:
Aida: Preludio (standard opening to the opera, ~4min) (on 1950-05-30)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Aida (German lyrics)
part of:
Aida
Giuseppe Verdi3:33
2Aida: Atto I: “Sì, corre voce”
bass vocals [Ramfis]:
Nicola Moscona (operatic bass) (on 1950-05-30)
tenor vocals [Radamès]:
Kurt Baum (tenor) (on 1950-05-30)
orchestra:
Orquesta del Palacio de Las Bellas Artes (on 1950-05-30)
conductor:
Guido Picco (conductor) (on 1950-05-30)
recorded at:
Palacio de Bellas Artes in Ciudad de México, Mexico (on 1950-05-30)
recording of:
Aida: Atto I, scena 1. Introduzione e scena “Sì, corre voce che l’Etiope ardisca” (Ramfis, Radamès) (on 1950-05-30)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi1:47
3Aida: Atto I: “Se quel guerriero” … “Celeste Aida”
tenor vocals [Radamès]:
Kurt Baum (tenor) (on 1950-05-30)
orchestra:
Orquesta del Palacio de Las Bellas Artes (on 1950-05-30)
conductor:
Guido Picco (conductor) (on 1950-05-30)
recorded at:
Palacio de Bellas Artes in Ciudad de México, Mexico (on 1950-05-30)
recording of:
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès) (on 1950-05-30)
composer:
Giuseppe Verdi (Italian opera composer) (in 1871)
librettist:
Antonio Ghislanzoni (in 1870)
part of:
Aida: Atto I
Giuseppe Verdi4:49
4Aida: Atto I: “Quale insolita gioia”
mezzo-soprano vocals [Amneris]:
Giulietta Simionato (mezzo soprano) (on 1950-05-30)
tenor vocals [Radamès]:
Kurt Baum (tenor) (on 1950-05-30)
orchestra:
Orquesta del Palacio de Las Bellas Artes (on 1950-05-30)
conductor:
Guido Picco (conductor) (on 1950-05-30)
recorded at:
Palacio de Bellas Artes in Ciudad de México, Mexico (on 1950-05-30)
recording of:
Aida: Atto I, scena 1. Duetto “Quale insolita gioia nel tuo sguardo!” – “Dessa” (Amneris, Radamès) (on 1950-05-30)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi2:22
5Aida: Atto I: “Dessa!… Ei si turba”
mezzo-soprano vocals [Amneris]:
Giulietta Simionato (mezzo soprano) (on 1950-05-30)
tenor vocals [Radamès]:
Kurt Baum (tenor) (on 1950-05-30)
orchestra:
Orquesta del Palacio de Las Bellas Artes (on 1950-05-30)
conductor:
Guido Picco (conductor) (on 1950-05-30)
recorded at:
Palacio de Bellas Artes in Ciudad de México, Mexico (on 1950-05-30)
recording of:
Aida: Atto I, scena 1. Duetto “Quale insolita gioia nel tuo sguardo!” – “Dessa” (Amneris, Radamès) (on 1950-05-30)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi3:14
6Aida: Atto I: “Alta cagion vi aduna”
bass vocals [Il Re]:
Ignacio Ruffino (operatic bass) (on 1950-05-30)
choir vocals:
Coro del Palacio de las Bellas Artes (on 1950-05-30)
mezzo-soprano vocals [Amneris]:
Giulietta Simionato (mezzo soprano) (on 1950-05-30)
soprano vocals [Aida]:
Maria Callas (soprano) (on 1950-05-30)
tenor vocals [Radamès]:
Kurt Baum (tenor) (on 1950-05-30)
orchestra:
Orquesta del Palacio de Las Bellas Artes (on 1950-05-30)
conductor:
Guido Picco (conductor) (on 1950-05-30)
recorded at:
Palacio de Bellas Artes in Ciudad de México, Mexico (on 1950-05-30)
recording of:
Aida: Atto I, scena 1. Scena e pezzo d’assieme: “Alta cagion v’aduna” … “Il sacro suolo dell'Egitto” (Il Re, Messaggero, Aida, Radamès, Amneris, Ministri, Capitani) (on 1950-05-30)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi3:09
7Aida: Atto I: “Su! del Nilo”
choir vocals:
Coro del Palacio de las Bellas Artes (on 1950-05-30)
mezzo-soprano vocals [Amneris]:
Giulietta Simionato (mezzo soprano) (on 1950-05-30)
soprano vocals [Aida]:
Maria Callas (soprano) (on 1950-05-30)
orchestra:
Orquesta del Palacio de Las Bellas Artes (on 1950-05-30)
conductor:
Guido Picco (conductor) (on 1950-05-30)
recorded at:
Palacio de Bellas Artes in Ciudad de México, Mexico (on 1950-05-30)
recording of:
Aida: Atto II, scena 1. Scena e duetto: “Su! del Nilo al sacro lido” / “Numi pietà” (Amneris, Aida, Coro) (on 1950-05-30)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi2:12
8Aida: Atto I: “Ritorna! Vincitor!”
soprano vocals [Aida]:
Maria Callas (soprano) (on 1950-05-30)
orchestra:
Orquesta del Palacio de Las Bellas Artes (on 1950-05-30)
conductor:
Guido Picco (conductor) (on 1950-05-30)
recorded at:
Palacio de Bellas Artes in Ciudad de México, Mexico (on 1950-05-30)
recording of:
Aida: Atto I, scena 1. Scena: “Ritorna vincitor!” – “E l’amor mio …” – “I sacri nomi di padre, d’amante” (Aida) (on 1950-05-30)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi7:16
9Aida: Atto I: “Immenso Ftha…”
bass vocals [Ramfis]:
Nicola Moscona (operatic bass) (on 1950-05-30)
choir vocals:
Coro del Palacio de las Bellas Artes (on 1950-05-30)
orchestra:
Orquesta del Palacio de Las Bellas Artes (on 1950-05-30)
conductor:
Guido Picco (conductor) (on 1950-05-30)
recorded at:
Palacio de Bellas Artes in Ciudad de México, Mexico (on 1950-05-30)
recording of:
Aida: Atto I, scena 2. Danza sacra delle Sacerdotesse: “Immenso Fthà!…” / “Mortal, diletto ai Numi” (Sacerdotesse, Ramfis, Sacerdoti) (on 1950-05-30)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi8:57
10Aida: Atto I: “Nume, custode e vindice”
bass vocals [Ramfis]:
Nicola Moscona (operatic bass) (on 1950-05-30)
choir vocals:
Coro del Palacio de las Bellas Artes (on 1950-05-30)
soprano vocals [Una sacerdotessa]:
Rosa Rodríguez (1950s operatic soprano) (on 1950-05-30)
tenor vocals [Radamès]:
Kurt Baum (tenor) (on 1950-05-30)
orchestra:
Orquesta del Palacio de Las Bellas Artes (on 1950-05-30)
conductor:
Guido Picco (conductor) (on 1950-05-30)
recorded at:
Palacio de Bellas Artes in Ciudad de México, Mexico (on 1950-05-30)
recording of:
Aida: Atto I, scena 2. Finale I “Nume, custode e vindice” (Ramfis, Radamès, Sacerdoti, Sacerdotesse, Sacerdotessa) (on 1950-05-30)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi4:25
11Aida: Atto II: “Chi mai fra gli inni”
choir vocals:
Coro del Palacio de las Bellas Artes (on 1950-05-30)
mezzo-soprano vocals [Amneris]:
Giulietta Simionato (mezzo soprano) (on 1950-05-30)
orchestra:
Orquesta del Palacio de Las Bellas Artes (on 1950-05-30)
conductor:
Guido Picco (conductor) (on 1950-05-30)
recorded at:
Palacio de Bellas Artes in Ciudad de México, Mexico (on 1950-05-30)
recording of:
Aida: Atto II, scena 1. Introduzione, scena e coro di donne: “Chi mai fra gl’inni e i plausi” (Schiave, Amneris) (on 1950-05-30)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi2:50
12Aida: Atto II: “Fu la sorte dell’armi”
mezzo-soprano vocals [Amneris]:
Giulietta Simionato (mezzo soprano) (on 1950-05-30)
soprano vocals [Aida]:
Maria Callas (soprano) (on 1950-05-30)
orchestra:
Orquesta del Palacio de Las Bellas Artes (on 1950-05-30)
conductor:
Guido Picco (conductor) (on 1950-05-30)
recorded at:
Palacio de Bellas Artes in Ciudad de México, Mexico (on 1950-05-30)
recording of:
Aida: Atto II, scena 1. Scena e duetto: “Silenzio! Aida verso noi s'avanza” – “Fu la sorte dell’armi a'tuoi funesta” – “Ebben, qual nuovo fremito t'assal, gentile Aida?” (Amneris, Aida) (on 1950-05-30)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi4:05
13Aida: Atto II: “Pietà ti prenda”
mezzo-soprano vocals [Amneris]:
Giulietta Simionato (mezzo soprano) (on 1950-05-30)
soprano vocals [Aida]:
Maria Callas (soprano) (on 1950-05-30)
orchestra:
Orquesta del Palacio de Las Bellas Artes (on 1950-05-30)
conductor:
Guido Picco (conductor) (on 1950-05-30)
recorded at:
Palacio de Bellas Artes in Ciudad de México, Mexico (on 1950-05-30)
recording of:
Aida: Atto II, scena 1. Scena e duetto: “Pietà ti prenda del mio dolor” (Amneris, Aida) (on 1950-05-30)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi4:54
14Aida: Atto II: “Gloria all’Egitto”
choir vocals:
Coro del Palacio de las Bellas Artes (on 1950-05-30)
orchestra:
Orquesta del Palacio de Las Bellas Artes (on 1950-05-30)
conductor:
Guido Picco (conductor) (on 1950-05-30)
recorded at:
Palacio de Bellas Artes in Ciudad de México, Mexico (on 1950-05-30)
recording of:
Aida: Atto II, scena 2. Gran Finale II “Gloria all’Egitto, ad Iside” (Popolo, Sacerdoti) (on 1950-05-30)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi2:35
15Aida: Atto II: Marcia trionfale e Balletto
orchestra:
Orquesta del Palacio de Las Bellas Artes (on 1950-05-30)
conductor:
Guido Picco (conductor) (on 1950-05-30)
recorded at:
Palacio de Bellas Artes in Ciudad de México, Mexico (on 1950-05-30)
recording of:
Aida: Atto II, scena 2. Ballabile (orchestra) (on 1950-05-30)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Akt II
part of:
Aida: Atto II
recording of:
Aida: Atto II, scena 2. Marcia trionfale (orchestra) (Triumphal march, Triumphmarsch) (on 1950-05-30)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Akt II
part of:
Aida: Atto II
Giuseppe Verdi6:28
16Aida: Atto II: “Vieni, o guerriero vindice …”
choir vocals:
Coro del Palacio de las Bellas Artes (on 1950-05-30)
orchestra:
Orquesta del Palacio de Las Bellas Artes (on 1950-05-30)
conductor:
Guido Picco (conductor) (on 1950-05-30)
recorded at:
Palacio de Bellas Artes in Ciudad de México, Mexico (on 1950-05-30)
recording of:
Aida: Atto II, scena 2. “Vieni, o guerriero vindice” (Popolo, Sacerdoti) (on 1950-05-30)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi2:23
17Aida: Atto II: “Salvator della Patria”
bass vocals [Il Re]:
Ignacio Ruffino (operatic bass) (on 1950-05-30)
bass vocals [Ramfis]:
Nicola Moscona (operatic bass) (on 1950-05-30)
choir vocals:
Coro del Palacio de las Bellas Artes (on 1950-05-30)
tenor vocals [Radamès]:
Kurt Baum (tenor) (on 1950-05-30)
orchestra:
Orquesta del Palacio de Las Bellas Artes (on 1950-05-30)
conductor:
Guido Picco (conductor) (on 1950-05-30)
recorded at:
Palacio de Bellas Artes in Ciudad de México, Mexico (on 1950-05-30)
recording of:
Aida: Atto II, scena 2. “Salvator della patria” – “Concedi in pria” (Il Re, Radamès, Ramfis, Sacerdoti) (on 1950-05-30)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi8:02
▼ CD 2
#TitleArtistRatingLength
1Aida: Atto II. “Ma tu, o Re, tu signore possente”
baritone vocals [Amonasro]:
Robert Weede (baritone) (on 1950-05-30)
bass vocals [Il Re]:
Ignacio Ruffino (operatic bass) (on 1950-05-30)
bass vocals [Ramfis]:
Nicola Moscona (operatic bass) (on 1950-05-30)
choir vocals:
Coro del Palacio de las Bellas Artes (on 1950-05-30)
mezzo-soprano vocals [Amneris]:
Giulietta Simionato (mezzo soprano) (on 1950-05-30)
soprano vocals [Aida]:
Maria Callas (soprano) (on 1950-05-30)
orchestra:
Orquesta del Palacio de Las Bellas Artes (on 1950-05-30)
conductor:
Guido Picco (conductor) (on 1950-05-30)
recorded at:
Palacio de Bellas Artes in Ciudad de México, Mexico (on 1950-05-30)
recording of:
Aida: Atto II, scena 2. “Che veggo! Egli? Mio padre” / “Anch’io pugnai” / “Quest'assisa ch'io vesto” / “Ma tu, Re, tu signore possente” (Aida, Amneris, Amonasro, Il Re, Schiave, Prigionieri, Ramfis, Sacerdoti, Popolo) (on 1950-05-30)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi3:55
2Aida: Atto II. “O Re… pei sacri Numi”
baritone vocals [Amonasro]:
Robert Weede (baritone) (on 1950-05-30)
bass vocals [Il Re]:
Ignacio Ruffino (operatic bass) (on 1950-05-30)
bass vocals [Ramfis]:
Nicola Moscona (operatic bass) (on 1950-05-30)
choir vocals:
Coro del Palacio de las Bellas Artes (on 1950-05-30)
mezzo-soprano vocals [Amneris]:
Giulietta Simionato (mezzo soprano) (on 1950-05-30)
soprano vocals [Aida]:
Maria Callas (soprano) (on 1950-05-30)
orchestra:
Orquesta del Palacio de Las Bellas Artes (on 1950-05-30)
conductor:
Guido Picco (conductor) (on 1950-05-30)
recorded at:
Palacio de Bellas Artes in Ciudad de México, Mexico (on 1950-05-30)
partial recording of:
Aida: Atto II, scena 2. “O Re, pei sacri Numi” / “Gloria all’Egitto” (Tutti) (on 1950-05-30)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi2:06
3Aida: Atto II. “Gloria all’Egitto”
choir vocals:
Coro del Palacio de las Bellas Artes (on 1950-05-30)
orchestra:
Orquesta del Palacio de Las Bellas Artes (on 1950-05-30)
conductor:
Guido Picco (conductor) (on 1950-05-30)
recorded at:
Palacio de Bellas Artes in Ciudad de México, Mexico (on 1950-05-30)
recording of:
Aida: Atto II, scena 2. Gran Finale II “Gloria all’Egitto, ad Iside” (Popolo, Sacerdoti) (on 1950-05-30)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi4:05
4Aida: Atto III. “O tu che sei d’Osiride”
bass vocals [Ramfis]:
Nicola Moscona (operatic bass) (on 1950-05-30)
choir vocals:
Coro del Palacio de las Bellas Artes (on 1950-05-30)
mezzo-soprano vocals [Amneris]:
Giulietta Simionato (mezzo soprano) (on 1950-05-30)
orchestra:
Orquesta del Palacio de Las Bellas Artes (on 1950-05-30)
conductor:
Guido Picco (conductor) (on 1950-05-30)
recorded at:
Palacio de Bellas Artes in Ciudad de México, Mexico (on 1950-05-30)
recording of:
Aida: Atto III: Introduzione; Preghiera “O tu che sei d’Osiride” (Sancerdotesse, Sacerdoti, Ramfis, Amneris) (on 1950-05-30)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi1:40
5Aida: Atto III. “Qui Radamès verrà”
soprano vocals [Aida]:
Maria Callas (soprano) (on 1950-05-30)
orchestra:
Orquesta del Palacio de Las Bellas Artes (on 1950-05-30)
conductor:
Guido Picco (conductor) (on 1950-05-30)
recorded at:
Palacio de Bellas Artes in Ciudad de México, Mexico (on 1950-05-30)
recording of:
Aida: Atto III: Romanza: “Qui Radamès verrá!” … “O patria mia” (Aida) (on 1950-05-30)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi6:54
6Aida: Atto III. “Cielo! Mio padre!”
baritone vocals [Amonasro]:
Robert Weede (baritone) (on 1950-05-30)
soprano vocals [Aida]:
Maria Callas (soprano) (on 1950-05-30)
orchestra:
Orquesta del Palacio de Las Bellas Artes (on 1950-05-30)
conductor:
Guido Picco (conductor) (on 1950-05-30)
recorded at:
Palacio de Bellas Artes in Ciudad de México, Mexico (on 1950-05-30)
recording of:
Aida: Atto III. Duetto “Ciel! mio padre!” … “A te grave cagion m’adduce” (Aida, Amonasro) (on 1950-05-30)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi3:54
7Aida: Atto III. “Su, dunque! Sorgete”
baritone vocals [Amonasro]:
Robert Weede (baritone) (on 1950-05-30)
soprano vocals [Aida]:
Maria Callas (soprano) (on 1950-05-30)
orchestra:
Orquesta del Palacio de Las Bellas Artes (on 1950-05-30)
conductor:
Guido Picco (conductor) (on 1950-05-30)
recorded at:
Palacio de Bellas Artes in Ciudad de México, Mexico (on 1950-05-30)
recording of:
Aida: Atto III: Duetto: “Rivedrai le foreste imbalsamate” – “In armi ora si desta il popol nostro” – “Padre, a costoro schiava non sono” (Aida, Amonasro) (on 1950-05-30)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi4:14
8Aida: Atto III. “Pur ti riveggo, mia dolce Aida”
soprano vocals [Aida]:
Maria Callas (soprano) (on 1950-05-30)
tenor vocals [Radamès]:
Kurt Baum (tenor) (on 1950-05-30)
orchestra:
Orquesta del Palacio de Las Bellas Artes (on 1950-05-30)
conductor:
Guido Picco (conductor) (on 1950-05-30)
recorded at:
Palacio de Bellas Artes in Ciudad de México, Mexico (on 1950-05-30)
recording of:
Aida: Atto III. Duetto “Pur ti riveggo, mia dolce Aida…” (Radamès, Aida) (on 1950-05-30)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi2:48
9Aida: Atto III. “Fuggiam gli ardori inospiti”
soprano vocals [Aida]:
Maria Callas (soprano) (on 1950-05-30)
tenor vocals [Radamès]:
Kurt Baum (tenor) (on 1950-05-30)
orchestra:
Orquesta del Palacio de Las Bellas Artes (on 1950-05-30)
conductor:
Guido Picco (conductor) (on 1950-05-30)
recorded at:
Palacio de Bellas Artes in Ciudad de México, Mexico (on 1950-05-30)
recording of:
Aida: Atto III: Duetto: “Fuggiam gli ardori inospiti” / “Là, tra foreste vergini” (Aida, Radamès) (on 1950-05-30)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi6:43
10Aida: Atto III. “Di Nàpata le gole!”
baritone vocals [Amonasro]:
Robert Weede (baritone) (on 1950-05-30)
bass vocals [Ramfis]:
Nicola Moscona (operatic bass) (on 1950-05-30)
mezzo-soprano vocals [Amneris]:
Giulietta Simionato (mezzo soprano) (on 1950-05-30)
soprano vocals [Aida]:
Maria Callas (soprano) (on 1950-05-30)
tenor vocals [Radamès]:
Kurt Baum (tenor) (on 1950-05-30)
orchestra:
Orquesta del Palacio de Las Bellas Artes (on 1950-05-30)
conductor:
Guido Picco (conductor) (on 1950-05-30)
recorded at:
Palacio de Bellas Artes in Ciudad de México, Mexico (on 1950-05-30)
recording of:
Aida: Atto III: Finale III: “Ma dimmi; per qual via” – “Ah no! ti calma, ascoltami” –“Traditor! … Muori! … Arresta, insano” (Aida, Radamès, Amonasro, Amneris, Ramfis) (on 1950-05-30)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi3:37
11Aida: Atto IV. “L’abborita rivale a me sfuggia”
mezzo-soprano vocals [Amneris]:
Giulietta Simionato (mezzo soprano) (on 1950-05-30)
orchestra:
Orquesta del Palacio de Las Bellas Artes (on 1950-05-30)
conductor:
Guido Picco (conductor) (on 1950-05-30)
recorded at:
Palacio de Bellas Artes in Ciudad de México, Mexico (on 1950-05-30)
recording of:
Aida: Atto IV, scena 1: Scena: “L’abborrita rivale a me sfuggia” … “Io l'amo, io l'amo sempre” (Amneris) (on 1950-05-30)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi2:41
12Aida: Atto IV. “Già i sacerdoti adunansi”
mezzo-soprano vocals [Amneris]:
Giulietta Simionato (mezzo soprano) (on 1950-05-30)
tenor vocals [Radamès]:
Kurt Baum (tenor) (on 1950-05-30)
orchestra:
Orquesta del Palacio de Las Bellas Artes (on 1950-05-30)
conductor:
Guido Picco (conductor) (on 1950-05-30)
recorded at:
Palacio de Bellas Artes in Ciudad de México, Mexico (on 1950-05-30)
recording of:
Aida: Atto IV, scena 1: Duetto: “Già i sacerdoti adunansi” – “Ah! Tu deî vivere” – “Misero appien mi festi” – ”Chi ti salva, sciagurato” (Amneris, Radamès) (on 1950-05-30)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi6:29
13Aida: Atto IV. “Ohimè! Morir mi sento”
mezzo-soprano vocals [Amneris]:
Giulietta Simionato (mezzo soprano) (on 1950-05-30)
orchestra:
Orquesta del Palacio de Las Bellas Artes (on 1950-05-30)
conductor:
Guido Picco (conductor) (on 1950-05-30)
recorded at:
Palacio de Bellas Artes in Ciudad de México, Mexico (on 1950-05-30)
recording of:
Aida: Atto IV, scena 1: Scena del giudizio: “Ohimè! morir mi sento!” (Amneris) (on 1950-05-30)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi3:38
14Aida: Atto IV. “Radamès: Tu disertasti”
bass vocals [Ramfis]:
Nicola Moscona (operatic bass) (on 1950-05-30)
choir vocals:
Coro del Palacio de las Bellas Artes (on 1950-05-30)
mezzo-soprano vocals [Amneris]:
Giulietta Simionato (mezzo soprano) (on 1950-05-30)
orchestra:
Orquesta del Palacio de Las Bellas Artes (on 1950-05-30)
conductor:
Guido Picco (conductor) (on 1950-05-30)
recorded at:
Palacio de Bellas Artes in Ciudad de México, Mexico (on 1950-05-30)
recording of:
Aida: Atto IV, scena 1. “Radamès! Radamès! Radamès! Tu rivelasti” (Amneris, Ramfis, Sacerdoti) (on 1950-05-30)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi3:47
15Aida: Atto IV. “Sacerdoti: Compiste un delitto”
bass vocals [Ramfis]:
Nicola Moscona (operatic bass) (on 1950-05-30)
choir vocals:
Coro del Palacio de las Bellas Artes (on 1950-05-30)
mezzo-soprano vocals [Amneris]:
Giulietta Simionato (mezzo soprano) (on 1950-05-30)
orchestra:
Orquesta del Palacio de Las Bellas Artes (on 1950-05-30)
conductor:
Guido Picco (conductor) (on 1950-05-30)
recorded at:
Palacio de Bellas Artes in Ciudad de México, Mexico (on 1950-05-30)
recording of:
Aida: Atto IV, scena 1: Scena del giudizio: “A lui vivo, la tomba” / “Sacerdoti: compiste un delitto!” (Amneris, Ramfis, Sacerdoti) (on 1950-05-30)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi3:04
16Aida: Atto IV. “La fatal pietra sovra me si chiuse”
soprano vocals [Aida]:
Maria Callas (soprano) (on 1950-05-30)
tenor vocals [Radamès]:
Kurt Baum (tenor) (on 1950-05-30)
orchestra:
Orquesta del Palacio de Las Bellas Artes (on 1950-05-30)
conductor:
Guido Picco (conductor) (on 1950-05-30)
recorded at:
Palacio de Bellas Artes in Ciudad de México, Mexico (on 1950-05-30)
recording of:
Aida: Atto IV, scena 2: Scena e duetto: “La fatal pietra sovra me si chiuse” – “Presago il core della tua condanna” – “Morir si pura e bella” – “Vedi?... di morte l'angelo” (Radamès, Aida) (on 1950-05-30)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi3:09
17Aida: Atto IV. “Morir! Si pura e bella!”
soprano vocals [Aida]:
Maria Callas (soprano) (on 1950-05-30)
tenor vocals [Radamès]:
Kurt Baum (tenor) (on 1950-05-30)
orchestra:
Orquesta del Palacio de Las Bellas Artes (on 1950-05-30)
conductor:
Guido Picco (conductor) (on 1950-05-30)
recorded at:
Palacio de Bellas Artes in Ciudad de México, Mexico (on 1950-05-30)
recording of:
Aida: Atto IV, scena 2: Scena e duetto: “La fatal pietra sovra me si chiuse” – “Presago il core della tua condanna” – “Morir si pura e bella” – “Vedi?... di morte l'angelo” (Radamès, Aida) (on 1950-05-30)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi3:01
18Aida: Atto IV. “O terra, addio; addio valle di pianti”
choir vocals:
Coro del Palacio de las Bellas Artes (on 1950-05-30)
mezzo-soprano vocals [Amneris]:
Giulietta Simionato (mezzo soprano) (on 1950-05-30)
soprano vocals [Aida]:
Maria Callas (soprano) (on 1950-05-30)
tenor vocals [Radamès]:
Kurt Baum (tenor) (on 1950-05-30)
orchestra:
Orquesta del Palacio de Las Bellas Artes (on 1950-05-30)
conductor:
Guido Picco (conductor) (on 1950-05-30)
recorded at:
Palacio de Bellas Artes in Ciudad de México, Mexico (on 1950-05-30)
recording of:
Aida: Atto IV, scena 2: Finale Ultimo: “O terra addio” (Aida, Radamès, coro, Amneris) (on 1950-05-30)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi5:24