The Rock ’n’ Roll Era: 1957

~ Release by Various Artists (see all versions of this release, 5 available)

Tracklist

CD 1
#TitleArtistRatingLength
1Whole Lotta Shakin' Goin' OnJerry Lee Lewis2:54
2Come Go With Me
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 441)
recording of:
Come Go With Me
publisher:
Joseph M. Averbach
lyricist and composer:
C.E. Quick
publisher:
Fee Bee Music Company and Gil Music Corporation
The Del‐Vikings4.52:40
3I'm Walkin'
phonographic copyright (℗) by:
F. D. & Hunter (publisher) (in 1957)
edit of:
I’m Walking by Fats Domino
part of:
Dave Marsh: The Best of the Top 40 Singles: 1957 (number: 17)
recording of:
I’m Walkin’ (on 1957-01-03)
lyricist and composer:
Antoine Dominique Domino and Dave Bartholomew
publisher:
Cordial MV, EMI Catalogue Partnership, EMI Unart Catalog Inc. and Rolf Budde Musikverlag (aka Budde Music)
Fats Domino52:04
4Keep a Knockin'
baritone saxophone:
Samuel Parker Jr. (US saxophonist) (on 1957-01-16)
bass guitar:
Olsie Robinson (on 1957-01-16)
drums (drum set):
Charles Connor (on 1957-01-16)
guitar:
Nathaniel Douglas (on 1957-01-16)
piano and lead vocals:
Little Richard (on 1957-01-16)
tenor saxophone:
Clifford Burks (on 1957-01-16), Grady Gaines (R & B sax player / bandleader) (on 1957-01-16) and Wilbert Smith (on 1957-01-16)
edit of:
Keep a Knockin' (slate & take 2) by Little Richard
recording of:
Keep A Knockin’ (Little Richard’s version) (on 1957-01-16)
lyricist and composer:
Richard Wayne Penniman (in 1957-01)
publisher:
MCA Music Ltd.
version of:
Keep A-Knockin' an You Can't Get In
Little Richard2:25
5Happy, Happy Birthday Baby
recording of:
Happy, Happy Birthday Baby
writer:
Gilbert Lopez and Margo Sylvia
publisher:
Arc Music Corp. (U.S. rock & blues publisher)
The Tune Weavers2:20
6At the Hop
part of:
Dave Marsh: The Best of the Top 40 Singles: 1957 (number: 28)
recording of:
At the Hop
writer:
John L. Medora, Artie Singer (US songwriter, producer and bandleader) and David White (rock ’n’ roll pianist & songwriter, member of Danny & the Juniors)
publisher:
Sea-Lark Enterprises, Inc., Singular Music and Tristan Music Ltd.
Danny & the Juniors3.52:34
7Wake Up Little Susie
phonographic copyright (℗) by:
Cadence (NYC-based label founded by Archie Bleyer) (in 1957)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1957 (number: 21) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 311)
recording of:
Wake Up Little Susie (in 1957)
writer:
Boudleaux Bryant and Felice Bryant
publisher:
Acuff-Rose Publications, Inc. (BMI), House of Bryant Publications (publisher; do NOT use as release label) and Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC)
The Everly Brothers4.652:02
8Little Bitty Pretty OneThurston Harris2:24
9C.C. Rider
recorded in:
New York, New York, United States (on 1957-01-31)
producer:
Ahmet Ertegun (US American Songwriter, producer) and Jerry Wexler
double bass [bass]:
Lloyd Trotman (US jazz bassist) (on 1957-01-31)
drums (drum set) [drums]:
Panama Francis (US swing jazz drummer) (on 1957-01-31)
guitar:
Al Caiola (on 1957-01-31) and Roy Gaines (on 1957-01-31)
marimba:
Phil Kraus (on 1957-01-31)
piano:
James Harris (piano) (on 1957-01-31)
tenor saxophone:
Gene Barge (on 1957-01-31) and Sam Taylor (US jazz/blues saxophonist 1916-1990) (on 1957-01-31)
background vocals:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1957-01-31)
vocals:
Chuck Willis (on 1957-01-31)
conductor:
Jesse Stone (on 1957-01-31)
arranger:
Jesse Stone
part of:
Dave Marsh: The Best of the Top 40 Singles: 1957 (number: 12) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
C. C. Rider (Chuck Willis version) (on 1957-01-31)
lyricist and composer:
Chuck Willis
publisher:
Chuck Willis Music Co., Tideland Music Publishing Corporation and Unichappell Music, Inc.
version of:
See See Rider Blues
Chuck Willis42:34
10Jim Dandy
recorded in:
New York, New York, United States (on 1955-12-21)
producer:
Ahmet Ertegun (US American Songwriter, producer) and Jerry Wexler
other instruments:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
background vocals:
The Gliders (on 1955-12-21)
lead vocals:
LaVern Baker (US rhythm & blues singer) (on 1955-12-21)
vocals:
LaVern Baker (US rhythm & blues singer)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 344)
recording of:
Jim Dandy (on 1955-12-21)
lyricist and composer:
Lincoln Chase
publisher:
Embassy Music Corporation and Unichappell Music, Inc.
LaVern Baker4.52:14
11Susie-Q
bass:
Sonny Trammell (in 1957)
guitar:
James Burton (guitarist) (in 1957) and Dale Hawkins (in 1957)
membranophone:
Ronnie Lewis (drummer) (in 1957)
background vocals:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1957)
vocals:
Dale Hawkins (in 1957)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1957 (number: 24)
recording of:
Susie Q (in 1957)
lyricist and composer:
Dale Hawkins
additional composer:
Eleanor Broadwater and Stanley Lewis (well known 60s/70s US producer/songwriter)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) and PeerMusic AB
Dale Hawkins32:17
12Great Balls of Fire
producer:
Jack Clement and Sam Phillips (founder of Sun Records) (in 1957)
bass guitar:
Sidney Stokes
drums (drum set):
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
piano:
Jerry Lee Lewis (Rock & Roll pianist, nicknamed “The Killer”) (in 1957-10)
vocals:
Jerry Lee Lewis (Rock & Roll pianist, nicknamed “The Killer”) (in 1957-10)
phonographic copyright (℗) by:
Sun Record Company (in 1957)
edit of:
Great Balls of Fire (chat & master) by Jerry Lee Lewis (Rock & Roll pianist, nicknamed “The Killer”)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1957 (number: 7), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 96) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 242)
recording of:
Great Balls of Fire (in 1957-10)
writer:
Otis Blackwell (American pianist, singer and songwriter) and Jack Hammer (Earl Burroughs, co-wrote Great Balls of Fire)
publisher:
Carlin Music Corporation and Hill & Range Songs, Inc. (publisher)
Jerry Lee Lewis4.41:54
13Little Darlin'
recording of:
Little Darlin’
lyricist and composer:
Maurice Williams (US singer/songwriter, played with The Zodiacs)
publisher:
Campbell Connelly & Co. Ltd. and Excellorec Music
The Diamonds2:09
14Searchin'
recorded in:
Los Angeles, California, United States (on 1957-02-15)
producer:
Leiber and Stoller (songwriting team)
double bass [bass]:
Ralph Hamilton (US jazz/R&B bassist) (on 1957-02-15)
drums (drum set) [drums]:
Jesse Sailes (on 1957-02-15)
guitar:
Adolph Jacobs (on 1957-02-15) and Barney Kessel (on 1957-02-15)
piano:
Mike Stoller (on 1957-02-15)
tenor saxophone:
Gil Bernal (on 1957-02-15)
vocals:
The Coasters (on 1957-02-15), Carl Gardner (on 1957-02-15), Billy Guy (on 1957-02-15), Bobby Nunn (US doo‐wop/R&B bass vocalist) (on 1957-02-15) and Young Jessie (on 1957-02-15)
arranger:
Mike Stoller
recorded at:
Master Recorders in Hollywood, Los Angeles, California, United States (on 1957-02-15)
recording of:
Searchin’ (on 1957-02-15)
lyricist:
Jerry Leiber
composer:
Mike Stoller
publisher:
Carlin Music Corporation, Chappell & Co., Jerry Leiber Music, Mike Stoller Music (ASCAP), Sony/ATV Songs LLC and Tiger (publisher)
The Coasters2:42
15Mr. Lee
recorded in:
New York, New York, United States (on 1957-02-28)
producer:
Ahmet Ertegun (US American Songwriter, producer)
double bass [bass]:
Milt Hinton (on 1957-02-28)
drums (drum set) [drums]:
Joe Marshall (jazz drummer) (on 1957-02-28)
guitar:
Al Caiola (on 1957-02-28) and Allen Hanlon (jazz guitarist) (on 1957-02-28)
piano:
Ray Ellis (US producer, arranger and conductor) (on 1957-02-28)
tenor saxophone:
Jesse Powell (Jazz saxophonist) (on 1957-02-28)
vocals:
The Bobbettes (on 1957-02-28)
conductor:
Reggie Obrecht (on 1957-02-28)
arranger:
Reggie Obrecht
part of:
Dave Marsh: The Best of the Top 40 Singles: 1957 (number: 36)
recording of:
Mr. Lee (on 1957-02-28)
writer:
Reather Dixon, Emma Ruth Pought, Helen Gathers, Jannie Pought and Laura Webb
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Bobbettes42:15
16Over the Mountain, Across the Sea
recording of:
Over the Mountain, Across the Sea
lyricist and composer:
Rex Garvin (until 1957)
Johnnie & Joe2:16
17Peggy Sue
producer:
Norman Petty
bass:
Joe B. Mauldin (on 1957-07-01)
drums (drum set):
Jerry Allison (on 1957-07-01)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-07-01) and Niki Sullivan (on 1957-07-01)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-07-01)
phonographic copyright (℗) by:
Geffen Records (in 1957) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (on 1957-07-01)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1957 (number: 5), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 194) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 370)
recording of:
Peggy Sue (from 1957-06-29 until 1957-07-01)
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), McCartney Music, Melody Lane Publications Inc., MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Peermusic (UK) Limited, Southern Music (publisher) and Wren Music Co.
Buddy Holly4.52:31
18School Day
producer:
Leonard & Phil Chess (Legendary US production duo)
drums (drum set):
Fred Below (on 1956-12-15)
guitar:
Chuck Berry (on 1956-12-15) and Hubert Sumlin (Chicago blues guitarist and singer) (on 1956-12-15)
piano:
Johnnie Johnson (on 1956-12-15)
lead vocals:
Chuck Berry (on 1956-12-15)
vocals:
Chuck Berry
phonographic copyright (℗) by:
N2K and Geffen Records (in 2003)
recorded at:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, United States (on 1956-12-15)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1957 (number: 3)
recording of:
School Day (Ring! Ring! Goes the Bell) (on 1956-12-15)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) and Nightlight Music Pty Ltd.
Chuck Berry4.252:43
19Young Blood
recorded in:
Los Angeles, California, United States (on 1957-02-15)
producer:
Leiber and Stoller (songwriting team)
double bass [bass]:
Ralph Hamilton (US jazz/R&B bassist) (on 1957-02-15)
drums (drum set) [drums]:
Jesse Sailes (on 1957-02-15)
guitar:
Barney Kessel (until 1957-02-15) and Adolph Jacobs (on 1957-02-15)
piano:
Mike Stoller (on 1957-02-15)
tenor saxophone:
Gil Bernal (on 1957-02-15)
vocals:
The Coasters (on 1957-02-15), Carl Gardner (on 1957-02-15), Billy Guy (on 1957-02-15), Bobby Nunn (US doo‐wop/R&B bass vocalist) (on 1957-02-15) and Young Jessie (on 1957-02-15)
arranger:
Mike Stoller
recorded at:
Master Recorders in Hollywood, Los Angeles, California, United States (on 1957-02-15)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 414)
recording of:
Young Blood (on 1957-02-15)
lyricist:
Jerry Leiber and Doc Pomus
composer:
Mike Stoller
publisher:
Carlin Music Corporation, Copyright Records, EMI Broadcast Music, Jerry Leiber Music, Mike Stoller Music (ASCAP), Pomus Songs Inc. and Sony/ATV Songs LLC
The Coasters22:23
20Party Doll
recording of:
Party Doll
writer:
Dave Alldred, Jimmy Bowen (producer, rockabilly musician and songwriter), Buddy Knox (US country rocker, of The Rhythm Orchids) and Don Lanier
publisher:
EMI Longitude Music, Music of Stage Three and Patricia Music Publ. Corp.
Buddy Knox2:13
21Short Fat Fannie
bass:
Ted Brinson (on 1957-04-26)
drums (drum set):
Earl Palmer (on 1957-04-26)
guitar:
Rene Hall (on 1957-04-26)
piano:
Leon M. Silby (on 1957-04-26)
tenor saxophone:
Jesse James Jones (on 1957-04-26)
vocals:
Larry Williams (1950s rocker) (on 1957-04-26)
recorded at:
Master Recorders in Hollywood, Los Angeles, California, United States (on 1957-04-26)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1957 (number: 39)
recording of:
Short Fat Fannie (on 1957-04-26)
lyricist and composer:
Lawrence Eugene Williams (1950s rocker) (in 1957)
Larry Williams22:26
22Could This Be MagicThe Dubs2:17

Credits

Release

manufactured in:U.S.A.
art direction:Don Sheldon (creative director Time Life Music)
liner notes:Joe Sasfy
producer:Bill Fry (task: recording producer)
Joe Sasfy (task: recording producer)
mastering:Alan Moy (Canadian mastering engineer, ΔM on runout)
booklet editor:Charles McCardell (production Time Life Music)
artwork:Richard Waldrep (illustrator) (task: cover art)
manufactured by:Warner Special Products
copyrighted (©) by:Time-Life Books Inc. (in 1986)
phonographic copyright (℗) by:Warner Special Products (in 1987)
manufactured for:Time–Life Music
mastered at:Fry Systems in Arlington, Vermont, United States
Discogs:https://www.discogs.com/release/3608604 [info]
ASIN:US: B000FPEP7O [info]

Release group

part of:The Rock 'n' Roll Era (Time-Life Music) (number: 1) (order: 1)
Discogs:https://www.discogs.com/master/404001 [info]