Annotation

"All tracks recorded probably in second half of 1959 at Fine Recording, New York City."
tracks 1-12 original LP issue - What a Diff'rence a Day Makes! Mercury SR 60158
track 13 original cd issue - The Complete Dinah Washington on Mercury, Volume 6 Mercury 838 956-2
track 14 original 45rpm issue - What a Diff'rence a Day Makes / Come On Home Mercury 71435
track 15 original 45rpm issue - It Could Happen to You Mercury 71560

Annotation last modified on 2013-04-26 10:09 UTC.

Tracklist

CD 1
# Title Rating Length
1 I Remember You
2:49
2 I Thought About You
2:35
3 That's All There Is to That
2:20
4 I Won't Cry Anymore
2:22
5 I'm Thru With Love
2:30
6 Cry Me a River
2:31
7 What a Diff'rence a Day Makes
3 2:32
8 Nothing in the World
3:19
9 Manhattan
4:19
10 Time After Time
2:31
11 It's Magic
2:41
12 A Sunday Kind of Love
2:37
13 Time After Time
2:20
14 Come On Home
2:31
15 It Could Happen to You
3:06
16 [studio dialogue]
0:45

Credits

CD 1

drums:
Panama Francis (tracks 1–12)
flute:
Jerome Richardson (tracks 1–12)
guitar:
Kenny Burrell (tracks 1–12)
double bass:
Milt Hinton (tracks 1–12)
piano:
Joe Zawinul (tracks 1–12)
baritone saxophone:
Charles Davis (saxophone player) (tracks 1–12)
arranger:
Belford Hendricks (tracks 1–12)
composer:
Al Frisch (track 4)
María Grever (track 7)
Fud Livingston (track 5)
Matty Malneck (track 5)
Clyde Otis (American songwriter and record producer) (track 3)
Kelly Owens (Organist) (track 3)
Jule Styne (tracks 10–11, 13)
Jimmy Van Heusen (tracks 2, 15)
Arthur Hamilton (track 6)
Richard Rodgers (1925) (track 9)
Victor Schertzinger (1941) (track 1)
conductor:
Belford Hendricks (tracks 1–12)
lead vocals:
Dinah Washington (tracks 1–12)
lyricist:
Stanley Adams (US lyricist & songwriter) (track 7)
Johnny Burke (American lyricist, 1908-1964) (track 15)
Sammy Cahn (tracks 10–11, 13)
Arthur Hamilton (track 6)
Gus Kahn (track 5)
Johnny Mercer (track 2)
Fred Wise (track 4)
Lorenz Hart (1925) (track 9)
Johnny Mercer (1941) (track 1)
performer:
producer:
Clyde Otis (American songwriter and record producer) (tracks 1–12)
writer:
Barbara Belle (track 12)
Brook Benton (track 8)
Juanita Hill (track 14)
Zoe Anita Leonard (track 12)
Clyde Otis (American songwriter and record producer) (track 8)
Louis Prima (track 12)
Stan Rhodes (track 12)
Dinah Washington (track 14)
Belford Hendricks (track 8)
publisher:
Chappell & Co. (track 15)
Chappell/Morris Ltd. (tracks 10, 13)
EMI Music Publishing (do not use as a release label!) (track 7)
Jerry Leiber Music (track 2)
Leeds Music Inc. (track 12)
Maurice Music (track 7)
Sands Music Corp. (tracks 10, 13)
Sony/ATV Harmony (track 15)
Sony/ATV Harmony UK (track 15)
WB Music Corp. (ASCAP) (track 2)
cover recording of:
Time After Time (1959) (track 13)
A Sunday Kind of Love (1959-06 – 1959-08) (track 12)
Cry Me a River (1959-06 – 1959-08) (track 6)
I Remember You (1959-06 – 1959-08) (track 1)
I Thought About You (1959-06 – 1959-08) (track 2)
I Won’t Cry Anymore (1959-06 – 1959-08) (track 4)
I'm Through With Love (1959-06 – 1959-08) (track 5)
It’s Magic (1959-06 – 1959-08) (track 11)
Manhattan (1959-06 – 1959-08) (track 9)
Nothing In the World (1959-06 – 1959-08) (track 8)
That's All There Is to That (1959-06 – 1959-08) (track 3)
Time After Time (1959-06 – 1959-08) (track 10)
What a Diff’rence a Day Made (1959-06 – 1959-08) (track 7)
is the basis for:
Fried Bananas (jazz interpretation of "It Could Happen to You") (track 15)
later parody versions:
It Could Happen to You (Sinatra parody) (track 15)
Time After Time (Friars Club Tribute version) (tracks 10, 13)
later translated versions:
Noir est ta couleur (Cry Me a River) (track 6)
Pleure (track 6)
recording of:
Come On Home (1959) (track 14)
It Could Happen to You (1959) (track 15)
referred to in medleys:
Arenature (track 6)
translated version of:

Release

ASIN: DE: B000AXZCQY [info]