Black Sands

~ Release group by Bonobo


Release Format Tracks Date Country Label Catalog# Barcode
Black Sands CD 13 Beat Records (Japanese electronic label often re-releasing Western artists albums for the Japanese market) BRC-255 4523132110554
Black Sands 2×12" Vinyl 7 + 5 Ninja Tune ZEN140 5021392584188
Black Sands CD 12 Ninja Tune ZENCD140 5021392584126
Black Sands Digital Media 12 Ninja Tune ZENDNL140 5021392584294


associated singles/EPs: Eyesdown by Bonobo feat. Andreya Triana
Stay the Same by Bonobo feat. Andreya Triana
The Keeper by Bonobo feat. Andreya Triana
remixes: Black Sands Remixed
Discogs: [info]
Wikidata: Q651500 [info]
Wikipedia: en: Black Sands [info]
reviews: [info] [info] [info] [info]

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There was little in Bonobo's first two albums - 2000's Animal Magic and 2003's Dial 'M' For Monkey - to suggest that Simon Green could ever craft anything as grand, expansive and accomplished as Black Sands.

Back then his moniker could almost have referred to his tendency to merely ape other trip hop producers without adding anything substantially individual himself. 2006's Days to Come might have scooped Gilles Peterson's Radio 1 listener's prize for Album of the Year, but even then few would have predicted that four years later Green would have become a one-man Cinematic Orchestra, responsible for an album that can stand alongside Every Day or Ma Fleur as a classic of its genre.

For it's not just a record label that Bonobo shares with Cinematic Orchestra these days. Like Jason Swinscoe, Green has progressed from predominantly sample-based production to more live instrumentation, although Green plays most instruments himself rather than relying on an extended family of musicians. But, more to the point, Green has become equally adept at mastering mysterious and multi-layered atmospheres.

Black Sands' 12 tracks aren't generally as long, interconnected and intricate as those on Cinematic Orchestra albums, but Green does call on a slightly wider range of influences than his contemporaries. So whilst the spiralling, symphonic likes of Animals and the title-track could indeed have come from Every Day, We Could Forever saddles an Afro-inflected guitar and skittish flute to deep sub-bass and Kiara combines Oriental strings with cut-up beats. He's also found an ideal vocalist for his beats in the form of young singer Andreya Triana, who adds the same sort of insouciant elegance to Eyesdown and The Keeper familiar from her work with Mr. Scruff and Flying Lotus, and which bodes well for the pair's further collaborations on Triana's own forthcoming solo album.

But although the parallels with Bonobo's peers are obvious, his fourth album doesn't just sit in their shadows. Rather, it's an inspiring example of how, free of pressure and publicity, he has blossomed into something beautiful at his own pace.