~ Release group by Eminem


Release Format Tracks Date Country Label Catalog# Barcode
Relapse Digital Media 24 [none]
Relapse CD 20 Aftermath Entertainment (US rap) 0602527032160 602527032160
Relapse CD + Digital Media 20 + 2 Aftermath Entertainment (US rap) B0012863-02 602527032160
Relapse CD 20 602527088082 602527088082
Relapse: Refill 2×CD 20 + 7 Aftermath Entertainment (US rap) B0013893-72 0602527293707
Relapse: Refill 2×CD 20 + 7 Aftermath Entertainment (US rap) B0013893-72 0602527293707
Relapse 2×Digital Media 20 + 9 Aftermath Entertainment (US rap)
Relapse 2×12" Vinyl 10 + 10 Aftermath Entertainment (US rap), Goliath Entertainment, Interscope Records, Shady Records (Eminem's US rap label), Web Entertainment B0012863-01 602527056388
Relapse (Deluxe Version) Digital Media 26 Aftermath Entertainment (US rap)
Relapse: Refill Digital Media 7 [no label] (Special purpose label – white labels, self-published releases and other “no label” releases) [none]


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Discogs: [info]
Wikidata: Q245353 [info]
Wikipedia: en: Relapse (Eminem album) [info]
lyrics page: [info] [info]
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reviews: [info]

CritiqueBrainz Reviews

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Since 2004's Encore it's been a difficult five years for Eminem. The rapper's painkiller addiction and reclusive behaviour which followed best friend Proof's murder threatened to end Marshall Mathers' career for good. Given this bleak period and Em's penchant for violent imagery and misanthropic themes, fans may imagine Relapse to be a tough listening experience.

On first song 3AM Dr Dre's slasher-movie score synths mirror Em's tale of murder and amnesia. Lyrically, it's brutally evocative with a Silence Of the Lambs reference and lines like, ''Wake up naked at McDonald's covered in blood again'' and, ''Put the key in my door/bodies laying all over the floor''.

On My Mom the MC who first complained about said parent on 1999 hit My Name Is correctly states ''I know you're tired about hearing about my Mom''. But he continues, ''What kind of Mom wants her son to grow up as an underf**achiever?'' If that profanity seems shoehorned in there's no shortage of it throughout Relapse. It's an angry work.

Insane suggests Mom may have turned a blind eye to abuse from a step-father with the pitch-black couplet: ''One night he walked in and said ''I want my sucked in the shed/ can't I play Teddy Ruxpin instead?''.

Medicine Ball sees Slim Shady mimic paralysed Superman actor Christopher Reeves to say ''Let's breakdance'' amid the sleekest production on the record.

Incongruous single We Made You is the album's only real commercial moment and a hilarious dissection of fame, all Bugsy Malone piano loops, references to Amy Winehouse's marital troubles and sung chorus.

Two rare frivolous tracks, Old Times' Sake and Must Be The Ganja, are serviceable smoking anthems, with the former seeing Dr Dre rap ''If at first you don't succeed, won't hurt to smoke some weed''.

This sixth album from Detroit's superstar is typically uncompromising and full of characteristically spiky humour. Relapse is as honest, funny, assured and well-produced as anyone would expect from Eminem and Dr Dre. The only real fault is evident when comparisons are made. It's a great album but on a musical and emotional level Kanye West's 808s & Heartbreak is undeniably fresher.