Appears on releases
# | Title | Length | Track artist | Release title | Release artist | Release group type | Country/Date | Label | Catalog# |
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Official | |||||||||
1.20 | Sposa son disprezzata | 5:54 | Antonio Vivaldi | If You Love Me (Se tu m'ami): 18th-Century Italian Songs | Cecilia Bartoli, György Fischer | Album |
| London Classics (“LONDON” in white uppercase on a blue-over-red rectangular block; until 1999, for US/CA releases only) | 436 267-2 |
1.20 | Ottone in Villa: "Sposa son disprezzata" | 5:53 | Antonio Vivaldi | If You Love Me: Se tu m'ami (BMG club edition) | Cecilia Bartoli | Album |
| London Classics (“LONDON” in white uppercase on a blue-over-red rectangular block; until 1999, for US/CA releases only), BMG Direct Marketing, Inc. (BMG company that owned their direct marketing company/club editions) | 436 267-2, D 100862 |
1.20 | Ottone in Villa: "Sposa son disprezzata" | 5:53 | Antonio Vivaldi | Arie Antiche: Se tu m’ami | Cecilia Bartoli | Album |
| London Records (UK, 1947–98) | 436 267-2 |
1.20 | Ottone in Villa: "Sposa son disprezzata" | 5:54 | Antonio Vivaldi | Arie Antiche: Se tu m'ami | Cecilia Bartoli | Album |
| Decca Classics (“DECCA” in white uppercase on a blue-over-red rectangular block; until 1999, for use outside of North America only) | 436 267-2 |
1.20 | Ottone in Villa: "Sposa son disprezzata" | 5:54 | Antonio Vivaldi | Arie Antiche: Se tu m'ami | Cecilia Bartoli | Album |
| Decca Records | G2 23267 |
Relationships
piano: | György Fischer (pianist and conductor) |
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mezzo-soprano vocals: | Cecilia Bartoli (mezzo-soprano) |
recorded at: | Konzerthaus: Mozart‐Saal in Landstraße, Wien, Austria (from 1990-11 until 1991-07) |
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recording of: | Bajazet, RV 703: Sposa, son disprezzata |
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Related works
Bajazet, RV 703: Sposa, son disprezzata
composer: | Geminiano Giacomelli Antonio Vivaldi (Italian baroque composer and violinist) |
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previously attributed to: | Antonio Vivaldi (Italian baroque composer and violinist) |
part of: | Bajazet, RV 703: Act II |
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is based on: | Merope: Atto III. “Sposa, non mi conosci” (Epitide) |