| holds phonographic copyright (℗) for |
---|
| Any Port | | | Danny Elfman | 1:26 |
| Be at Peace | | | James Newton Howard | 3:48 |
| Bennet and Prema | | | James Newton Howard | 2:37 |
| Bennet’s Decision | | | James Newton Howard | 4:05 |
| Concussion | | | James Newton Howard | 3:19 |
| Concussion End Titles | | | James Newton Howard | 2:59 |
| Dr. Bennet Testifies | | | James Newton Howard | 2:25 |
| End Titles | | | Danny Elfman | 3:50 |
| Fire Music | | | Danny Elfman | 1:11 |
| First Calculation | | | Danny Elfman | 1:10 |
| Genie Mopper | | | Danny Elfman | 0:38 |
| Hello Little One | | | James Newton Howard | 1:52 |
| I Am Offended | | | James Newton Howard | 3:39 |
| In the Darkness | | | Lisbeth Scott | 3:51 |
| Jacked Up | | | James Newton Howard | 4:20 |
| Jail | | | Danny Elfman | 1:14 |
| James K. Polk | | | They Might Be Giants | 3:05 |
| Kick Ass Choir | | | Danny Elfman | 1:00 |
| Main Title | | | Danny Elfman | 2:44 |
| Mystery Math | | | Danny Elfman | 2:29 |
| News Conference | | | James Newton Howard | 1:45 |
| No Love Me | | | Danny Elfman | 0:46 |
| Oliver Twist | | | Danny Elfman | 2:01 |
| Prema Followed | | | James Newton Howard | 3:15 |
| Published - Marry Me | | | James Newton Howard | 8:50 |
| Retainer, Part A | | | Danny Elfman | 0:58 |
| Retainer, Part B | | | Danny Elfman | 0:20 |
| Second Shrink | | | Danny Elfman | 1:15 |
| Secret Weapon | | | Danny Elfman | 0:57 |
| Shakespeare | | | James Newton Howard | 1:32 |
| Staring Contest | | | Danny Elfman | 0:51 |
| Strzelczyk Loses It | | | James Newton Howard | 2:00 |
| Strzelczyk Visits Webster | | | James Newton Howard | 1:37 |
| Tell the Truth | | | James Newton Howard | 4:07 |
| Tell You Something | | | Danny Elfman | 0:50 |
| The Head as a Weapon | | | James Newton Howard | 2:23 |
| Them Apples | | | Danny Elfman | 0:58 |
| Theorem | | | Danny Elfman | 0:43 |
| Times Up | | | Danny Elfman | 1:16 |
| We Used to Be Warriors | | | James Newton Howard | 4:30 |
| Webster’s Autopsy | | | James Newton Howard | 2:32 |
| Whose Fault | | | Danny Elfman | 2:36 |
| published |
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| Bad Blood | | | Ministry | 5:00 |
| Can We Still Be Friends? | | | Todd Rundgren | 3:37 |
| The Rainbow | | | Ween | 2:46 |
| published |
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| A Family Thing | | | Charles Gross | |
| Archive Series, Volume No. 3 | | | Iron and Wine | |
| Back Against the Wall | | | Various Artists | |
| Blood on the Dance Floor | Warner-Tamerlane Publishing Corp. | | Michael Jackson | |
| GarciaLive Volume 21: February 13th, 1976 Keystone, Berkeley CA | | | Jerry Garcia Band | |
| It’s Entertainment! | | | Celtic Thunder | |
| Knock, Knock | | | The Hutchens | |
| KUT Live Vol. 9: KUT 90.5 FM | | | Various Artists | |
| Love Me Down 2 | | | Various Artists | |
| Meltdown: The Birth of Fusion | | | Various Artists | |
| Memarie | | | Memarie | |
| Rock ’n’ Roll Fantasy: The Ultimate Rock Album | | | Various Artists | |
| Things Just Ain't the Same: The Dance Mixes | Warner-Tamerlane Publishing Corp. | | Deborah Cox | |
| Timeless Tales (For Changing Times) | | | Joshua Redman | |
| published |
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1960 | You’re Sixteen | | | | |
1963 | Be My Baby | Warner Tamerlane Publishing Corp. | sub | | |
1966 – | When a Man Loves a Woman | | | | |
1970 | Natural Magic | Warner–Tamerlane | | | |
1972 | Carmelita | | | | |
1973 | Feedback on Highway 101 | | | | |
1973 | Join Me in L.A. | | | | |
1973 | Poor Poor Pitiful Me | | | | |
1974 | A Wedding in Cherokee County | | | | |
1974 | Back on My Feet Again | | | | |
1974 | Birmingham | | | | |
1974 | Guilty | | | | |
1974 | Kingfish | | | | |
1974 | Louisiana 1927 | | | | |
1974 | Love Don’t Love Nobody | | | | |
1974 | Marie | | | | |
1974 | Mr. President (Have Pity on the Working Man) | | | | |
1974 | Naked Man | | | | |
1974 | Rednecks | | | | |
1974 | Rollin' | | | | |
1975 – | Hooked on Your Love | | | | |
1975 – | Let’s Do It Again | | | | |
1975 – | Something He Can Feel | | | | |
1980 | Celebration | | | | |
1980 – | It Used to Be Me | | | | |
1980 – | Slow Fade | | | | |
1981 | Just Say I Love You | | | | |
1982 – | Mystery of Love | | | | |
1982 – | The Woman in Me | | | | |
1984 | Leave It | | | | |
1985 – | Don’t Make Me Wait | | | | |
1985 – ???? | Something Real (Inside Me/Inside You) | | | | |
1985 – ???? | Watching the World | | | | |
1986 | Glory of Love | | | | |
1986 | Matter of the Heart | | | | |
1987 – ???? | Bare My Soul | | | | |
1987 – ???? | Control | | | | |
1987 – ???? | Dust | | | | |
1987 – ???? | Healing Waters | | | | |
1987 – ???? | Man of a Thousand Dances | | | | |
1987 – ???? | Power Over Me | | | | |
1987 – ???? | Stand and Deliver | | | | |
1987 – ???? | The Border | | | | |
1987 – ???? | The Tube | | | | |
1989 | Crazy Love | | | | |
1989 – | Lying to the Moon | | | | |
1989 – ???? | Forever | | | | |
1990 | Hundreds of Tears | | | | |
1990 | I'm Falling in Love | | | | |
1990 | I’ll Be Your Everything | | | | |
1990 – | Ant | | | | |
1990 – | Walkaway Joe | | | | |
1991 | Louisiana 1927 | | | | |
1991 | Save Me | | | | |
1991 | Show Me Your Love | | | | |
1991 – | Forever Isn’t Long Enough | | | | |
1991 – | Missing You Now | | | | |
1991 – | New Love | | | | |
1991 – | None of It Matters | | | | |
1991 – | Now That I Found You | | | | |
1991 – | Save Me | | | | |
1991 – | Steel Bars | | | | |
1991 – | We’re Not Makin’ Love Anymore | | | | |
1991 – | When Goodbye Was a Word | | | | |
1992 | Can't Stop Messin' | | | | |
1992 | Dirty Dog | Warner-Tamerlane Pub. Corp.(BMI) admin. for Ranch Rock Music | | | |
1992 | Don’t Tread on Me | Warner-Tamerlane Pub. Corp.(BMI) admin. for Ranch Rock Music | | | |
1992 | Double Coyote | Warner-Tamerlane Pub. Corp.(BMI) admin. for Ranch Rock Music | | | |
1992 | Fifteen Minutes of Fame | Warner-Tamerlane Pub. Corp.(BMI) admin. for Ranch Rock Music | | | |
1992 | Firefly | Warner-Tamerlane Pub. Corp.(BMI) admin. for Ranch Rock Music | | | |
1992 | Mister Please | Warner-Tamerlane Pub. Corp.(BMI) admin. for Ranch Rock Music | | | |
1992 | Shut Up and Dance | | | | |
1992 | Silence Is Broken | Warner-Tamerlane Pub. Corp.(BMI) admin. for Ranch Rock Music | | | |
1992 | Someone to Believe | Warner-Tamerlane Pub. Corp.(BMI) admin. for Ranch Rock Music | | | |
1992 | This Side of Hell | Warner-Tamerlane Pub. Corp.(BMI) admin. for Ranch Rock Music | | | |
1992 | Uprising | Warner-Tamerlane Pub. Corp.(BMI) admin. for Ranch Rock Music | | | |
1992 | Where You Goin’ Now | Warner-Tamerlane Pub. Corp.(BMI) admin. for Ranch Rock Music | | | |
1992 – | Nearest Distant Shore | | | | |
1992 – | Wrong Side of Memphis | | | | |
1993 | After the Flesh | | | | |
1993 | Darkness | | | | |
1993 | Golgotha Tenement Blues | | | | |
1993 | Milktoast | | | | |
1993 – | Don't Take the Girl | | | | |
1993 – | If I Had Any Pride Left at All | | | | |
1993 – | Strong Enough | | | | |
1993 – | When Love Dies | | | | |
1994 | Away | Warner–Tamerlane Publishing Corp | | | |
1994 | Backslider | Warner–Tamerlane Publishing Corp | | | |
1994 | Happy Face | Warner–Tamerlane Publishing Corp | | | |
1994 | I Burn | Warner–Tamerlane Publishing Corp | | | |
1994 | I Come From the Water | Warner–Tamerlane Publishing Corp | | | |
1994 | Mexican Hairless | Warner–Tamerlane Publishing Corp | | | |
1994 | Mister Love | Warner–Tamerlane Publishing Corp | | | |
1994 | Possum Kingdom | Warner–Tamerlane Publishing Corp | | | |
1994 | Quitter | Warner–Tamerlane Publishing Corp | | | |
1994 | Run In With Dad | Warner–Tamerlane Publishing Corp | | | |
1994 | Two Hearts | | | | |
1994 | Tyler | Warner–Tamerlane Publishing Corp | | | |
1994 | Velvet | Warner–Tamerlane Publishing Corp | | | |
| See all 4,051 relationships |