3 Gesänge, op. 42: Nr. 1. Abendständchen | | | | Song | | | |
7 Lieder, op. 62: Nr. 3. Waldesnacht | | | | Song | | | |
A new commandment | | | | | | | |
Acis and Galatea, HWV 49: Act I, no. 9a. Duet "Happy we" (Galatea, Acis) | | | | | | | |
Acis and Galatea, HWV 49: Act I, no. 9b. Choir "Happy we" | | | | | | | |
Aida: Atto II, scena 2. Gran Finale II “Gloria all’Egitto, ad Iside” (Popolo, Sacerdoti) | | - Orchestra del Teatro alla Scala di Milano, Tullio Serafin
- Orchestra del Teatro alla Scala di Milano, Claudio Abbado
- Romano Gandolfi, Coro del Teatro alla Scala di Milano, Nicolaï Ghiaurov, Orchestra del Teatro alla Scala di Milano, Claudio Abbado
- Bulgarian National Choir, Chor Ljubljana, Radio Symphony Orchestra Ljubljana, Sofia Philharmonic Orchestra, Marko Munih, Georgi Robev
- (show 113 more)
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All-night Vigil, op. 44: Svete tihiy | | | | | | | |
All-night Vigil, op. 44: Vzbrannoy voyevode | | | | | | | |
Alto Rhapsody, op. 53 | | - Otto Klemperer - Philharmonia Orchestra
- John Alldis, Janet Baker, Male Voices of the John Alldis Choir, London Philharmonic Orchestra, Sir Adrian Boult
- Christa Ludwig, Wiener Singverein, Wiener Philharmoniker, Karl Böhm
- Jard van Nes, San Francisco Symphony Chorus, San Francisco Symphony, Herbert Blomstedt
- (show 49 more)
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Ave Maria | | | | | | | |
Ave verum corpus, K. 618 | | | | Motet | | | |
Belshazzar’s Feast | | - John Shirley‐Quirk, London Symphony Orchestra Chorus, London Symphony Orchestra, André Previn
- Australian Intervarsity Choral Festival Choir
- Atlanta Symphony Orchestra, Atlanta Symphony Orchestra Chorus, Robert Shaw
- BBC Symphony Chorus, Leeds Festival Chorus, Willard White, BBC Symphony Orchestra, Andrew Davis
- Owen Brannigan, Hoffnung Festival Choral Society, Hoffnung Symphony Orchestra, William Walton
| | Cantata | | | |
Boris Godunov: Prologue. "I am sick at heart" (Coronation Scene) | | | | | | | |
Cantata profana for tenor, baritone, double chorus & orchestra (or piano), Sz. 94, BB 100 "The Enchanted Stags": I. Molto moderato. Once there was an old man | | - Margaret Hillis, John Aler, Chicago Symphony Chorus, John Tomlinson, Chicago Symphony Orchestra, Pierre Boulez
- Atlanta Symphony Orchestra and Chorus, Robert Shaw, Richard Clement, Nathan Gunn, Patricia Nealon, Pamela Elrod, Sean Mayer, William Borland
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Cantata profana for tenor, baritone, double chorus & orchestra (or piano), Sz. 94, BB 100 "The Enchanted Stags": II. Andante. Through forest aroving, hey-yah! | | - Margaret Hillis, John Aler, Chicago Symphony Chorus, John Tomlinson, Chicago Symphony Orchestra, Pierre Boulez
- Atlanta Symphony Orchestra and Chorus, Robert Shaw, Richard Clement, Nathan Gunn, Patricia Nealon, Pamela Elrod, Sean Mayer, William Borland
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Cantata profana for tenor, baritone, double chorus & orchestra (or piano), Sz. 94, BB 100 "The Enchanted Stags": III. Moderato. Once there was an old man | | - Margaret Hillis, John Aler, Chicago Symphony Chorus, John Tomlinson, Chicago Symphony Orchestra, Pierre Boulez
- Atlanta Symphony Orchestra and Chorus, Robert Shaw, Richard Clement, Nathan Gunn, Patricia Nealon, Pamela Elrod, Sean Mayer, William Borland
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Carmen : Acte IV. No. 26 « Les voici ! Voici la quadrille ! » (Chœur, les gamins, Escamillo, Carmen, Frasquita, Mercédès) | | - Patrick Criswell, John McCarthy, Ambrosian Singers, George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado
- Maria Callas, Robert Massard, Nadine Sautereau, Orchestre du Théâtre National de l’Opéra de Paris, Georges Prêtre
- Giorgio Lamberti, Graciela Alperyn, Ann Liebeck, Dalia Schaechter, Slovak Philharmonic Chorus, Alan Titus, Slovak Radio Symphony Orchestra, Alexander Rahbari
- Metropolitan Opera Orchestra, Leonard Bernstein
- (show 55 more)
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Carmina Burana: Blanziflor et Helena: XXIV. Ave formosissima | | | | | | | |
Carmina Burana: Fortuna Imperatrix Mundi | | | | | | | |
Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna | | | | | | | |
Carmina Burana: Fortuna Imperatrix mundi: II. Fortuna plango vulnera | | - Ernst Hinreiner, Richard Brünner, Gerda Hartmann, Rudolf Knoll, Salzburg Mozarteum Chorus, The European Philharmonic Orchestra, Salzburg Mozarteum Orchestra, Hymisher Greenburg, Kurt Prestel
- Mozarteum Orchester & Chor Salzburg, Kurt Prestel
- Brighton Festival Chorus, Royal Philharmonic Orchestra, Antal Doráti
- Rundfunk-Sinfonie-Orchester Leipzig, Herbert Kegel
- (show 87 more)
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Carmina Burana: Fortuna Imperatrix mundi: XXV. O Fortuna | | | | | | | |
Carmina Burana: I. Primo vere: III. Veris leta facies | | | | | | | |
Carmina Burana: I. Primo vere: IV. Omnia Sol temperat | | | | | | | |
Carmina Burana: I. Primo vere: V. Ecce gratum | | | | | | | |
Carmina Burana: II. In Taberna: XI. Estuans interius | | | | | | | |
Carmina Burana: II. In Taberna: XII. Olim lacus colueram | | | | | | | |
Carmina Burana: II. In Taberna: XIII. Ego sum abbas | | | | | | | |
Carmina Burana: II. In Taberna: XIV. In taberna quando sumus | | | | | | | |
Carmina Burana: III. Cour d’amours: XIX. Si puer cum puellula | | | | | | | |
Carmina Burana: III. Cour d’amours: XV. Amor volat undique | | | | | | | |
Carmina Burana: III. Cour d’amours: XVI. Dies, nox et omnia | | | | | - Latin
- French, Old (842-ca.1400)
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Carmina Burana: III. Cour d’amours: XVII. Stetit puella | | | | | | | |
Carmina Burana: III. Cour d’amours: XVIII. Circa mea pectora | | | | | - Latin
- German, Middle High (ca.1050-1500)
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Carmina Burana: III. Cour d’amours: XX. Veni, veni, venias | | | | | | | |
Carmina Burana: III. Cour d’amours: XXI. In trutina mentis dubia | | | | | | | |
Carmina Burana: III. Cour d’amours: XXII. Tempus est iocundum | | - Mozarteum Orchester & Chor Salzburg, Kurt Prestel
- Brighton Festival Chorus, Norma Burrowes, John Shirley‐Quirk, Southend Boys’ Choir, Royal Philharmonic Orchestra, Antal Doráti
- Rundfunk-Sinfonie-Orchester Leipzig, Herbert Kegel
- New Philharmonia Chorus, Lucia Popp, Wandsworth School Boys’ Choir, Raymond Wolansky, New Philharmonia Orchestra, Rafael Frühbeck de Burgos
- (show 83 more)
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Carmina Burana: III. Cour d’amours: XXIII. Dulcissime | | | | | | | |
Carmina Burana: Uf dem Anger: IX. (a) Reie | | | | | | | |
Carmina Burana: Uf dem Anger: IX. (b) Swaz hie gat umbe | | | | | - German, Middle High (ca.1050-1500)
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Carmina Burana: Uf dem Anger: IX. (c) Chume, chum, geselle min | | | | | - German, Middle High (ca.1050-1500)
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Carmina Burana: Uf dem Anger: IX. (d) Swaz hie gat umbe (reprise) | | | | | - German, Middle High (ca.1050-1500)
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Carmina Burana: Uf dem Anger: IX. Reie / Swaz hie gat umbe / Chume, chum, geselle min! / Swaz hie gat umbe | | | | | - German, Middle High (ca.1050-1500)
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Carmina Burana: Uf dem Anger: VI. Tanz | | | | | | | |
Carmina Burana: Uf dem Anger: VII. Floret silva nobilis | | | | | - Latin
- German, Middle High (ca.1050-1500)
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Carmina Burana: Uf dem Anger: VIII. Chramer, gip die varwe mir | | | | | - German, Middle High (ca.1050-1500)
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Carmina Burana: Uf dem Anger: X. Were diu werlt alle min | | | | | - German, Middle High (ca.1050-1500)
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Cavalleria rusticana: “Regina coeli laetare” (Coro) | | - Vittore Veneziani, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
- Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Herbert von Karajan
- Júlia Várady, London Opera Chorus, National Philharmonic Orchestra, Gianandrea Gavazzeni
- Chorus of the Royal Opera House, Covent Garden, Helen Field, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink
- (show 48 more)
| | Aria | | | |
Chichester Psalms: I. Psalm 108 verse 2, Psalm 100. Maestoso ma energico – Allegro molto | | - Camerata Singers, Abraham Kaplan, New York Philharmonic, Leonard Bernstein
- Günther Theuring, Michael Wager, Wiener Jeunesse-Chor, Solist der Wiener Sängerknaben, Israel Philharmonic Orchestra, Leonard Bernstein
- John Bowley, Choir of King’s College, Cambridge, Michael Pearce, Daniel Sladden, Peter Winn, Peter Barley, David Corkhill, Rachel Masters, Stephen Cleobury
- Bournemouth Symphony Orchestra, Bournemouth Symphony Chorus, Marin Alsop
- (show 16 more)
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Chichester Psalms: II. Psalm 23, Psalm 2 verses 1–4. Andante con moto, ma tranquillo – Allegro feroce | | - John Bogart, Camerata Singers, Abraham Kaplan, New York Philharmonic, Leonard Bernstein
- Günther Theuring, Michael Wager, Wiener Jeunesse-Chor, Solist der Wiener Sängerknaben, Israel Philharmonic Orchestra, Leonard Bernstein
- Royal Philharmonic Orchestra, London Symphony Chorus, Richard Hickox
- Bournemouth Symphony Orchestra, Bournemouth Symphony Chorus, Marin Alsop
- (show 15 more)
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Chichester Psalms: III. Psalm 131, Psalm 133 verse 1. Prelude. Sostenuto molto – Peacefully flowing – Lento possible | | - Camerata Singers, Abraham Kaplan, New York Philharmonic, Leonard Bernstein
- Günther Theuring, Wiener Jeunesse-Chor, Solist der Wiener Sängerknaben, Israel Philharmonic Orchestra, Leonard Bernstein
- Royal Philharmonic Orchestra, London Symphony Chorus, Richard Hickox
- Bournemouth Symphony Orchestra, Bournemouth Symphony Chorus, Marin Alsop
- (show 15 more)
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Christ on the Mount of Olives: Hallelujah | | | | Song | | | |
Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: VIf. Choir of Angels "Welten singen Dank und Ehre" | | | | | | | |
Dido and Aeneas, Z. 626: Act III, 37. Ground, Aria and Ritornello “When I am laid in earth” (Dido) | | |