| performed |
|---|
| 1973 | The Magic Flute: Der Vogelfänger | | Orchester der Bayerischen Staatsoper, Wolfgang Sawallisch, Walter Berry | 2:39 |
| Symphony no. 9 in D minor, op. 125: (4. cont.) Presto - "O friends, no more these sounds!". Final chorus from Schiller's "Ode to Joy | | Beethoven – Berliner Philharmoniker, Karajan | 17:42 |
| Symphony no. 9 in D minor, op. 125: 1. Allegro ma non troppo, un poco maestoso | | Beethoven – Berliner Philharmoniker, Karajan | 15:30 |
| Symphony no. 9 in D minor, op. 125: 2. Molto vivace | | Beethoven – Berliner Philharmoniker, Karajan | 11:01 |
| Symphony no. 9 in D minor, op. 125: 3. Adagio molto e cantabile | | Beethoven – Berliner Philharmoniker, Karajan | 16:26 |
| Symphony no. 9 in D minor, op. 125: 4. Presto | | Beethoven – Berliner Philharmoniker, Karajan | 6:24 |
| vocals |
|---|
| 1951 | Easter Oratorio (Kommt, eilet und laufet, ihr flüchtigen Füße), BWV249: iv. Recitative (Alto, Soprano, Tenor, Bass): O kalter Männer Sinn | bass vocals | Wiener Kammerorchester, Felix Prohaska | 1:14 |
| 1951 | Easter Oratorio (Kommt, eilet und laufet, ihr flüchtigen Füße), BWV249: vi. Recitative (Tenor, Bass, Alto): Hier ist die Gruft | bass vocals | Wiener Kammerorchester, Felix Prohaska | 1:09 |
| 1951 | Easter Oratorio (Kommt, eilet und laufet, ihr flüchtigen Füße), BWV249: x. Recitative (Bass): Wir sind erfreut | bass vocals | Wiener Kammerorchester, Felix Prohaska | 0:46 |
| 1953-07-27 | Don Giovanni, KV 527: Atto I (Part 1) | bass vocals | Raffaele Arié, Erna Berger, Walter Berry, Anton Dermota, Otto Edelmann, Elisabeth Grümmer, Elisabeth Schwarzkopf, Cesare Siepi, Wiener Philharmoniker, Wilhelm Furtwängler | 1:06:11 |
| 1953-07-27 | Don Giovanni, KV 527: Atto I (Part 2) | bass vocals | Erna Berger, Walter Berry, Anton Dermota, Otto Edelmann, Elisabeth Grümmer, Elisabeth Schwarzkopf, Cesare Siepi, Wiener Philharmoniker, Wilhelm Furtwängler | 30:40 |
| 1953-07-27 | Don Giovanni, KV 527: Atto II (Part 1) | bass vocals | Erna Berger, Walter Berry, Anton Dermota, Otto Edelmann, Elisabeth Grümmer, Elisabeth Schwarzkopf, Cesare Siepi, Wiener Philharmoniker, Wilhelm Furtwängler | 34:13 |
| 1953-07-27 | Don Giovanni, KV 527: Atto II (Part 2) | bass vocals | Raffaele Arié, Erna Berger, Walter Berry, Anton Dermota, Otto Edelmann, Elisabeth Grümmer, Elisabeth Schwarzkopf, Cesare Siepi, Wiener Philharmoniker, Wilhelm Furtwängler | 53:07 |
| 1953 | Aida: Akt I. „Ernste Gefahr versammelt euch” | bass-baritone vocals [Il re] | Walter Berry, Chor des Bayerischen Rundfunks, Josef Gostic, Leonora Lafayette, Karl Ostertag, Georgine von Milinkovic, Symphonieorchester des Bayerischen Rundfunks, Clemens Krauss | 3:15 |
| 1953 | Aida: Akt I. „Zu des Niles heil’gem Ufer” | bass-baritone vocals [Il re] | Walter Berry, Chor des Bayerischen Rundfunks, Gottlob Frick, Josef Gostic, Leonora Lafayette, Karl Ostertag, Georgine von Milinkovic, Symphonieorchester des Bayerischen Rundfunks, Clemens Krauss | 3:06 |
| 1953 | Aida: Akt II. „Doch, du Herr, dem die Macht” | bass-baritone vocals [Il re] | Walter Berry, Chor des Bayerischen Rundfunks, Ferdinand Frantz, Gottlob Frick, Leonora Lafayette, Georgine von Milinkovic, Symphonieorchester des Bayerischen Rundfunks, Clemens Krauss | 3:55 |
| 1953 | Aida: Akt II. „Was seh’ ich, er ist’s, mein Vater!” | bass-baritone vocals [Il re] | Walter Berry, Chor des Bayerischen Rundfunks, Ferdinand Frantz, Gottlob Frick, Leonora Lafayette, Georgine von Milinkovic, Symphonieorchester des Bayerischen Rundfunks, Clemens Krauss | 2:07 |
| 1953 | Aida: Akt II. „Wir grüßen in dir den Retter” | bass-baritone vocals [Il re] | Walter Berry, Chor des Bayerischen Rundfunks, Gottlob Frick, Josef Gostic, Symphonieorchester des Bayerischen Rundfunks, Clemens Krauss | 2:02 |
| 1954-03 | Salome: „Jauchze nicht, du Land Palästina” | bass vocals [First Soldier] | Herbert Alsen, Walter Berry, Hans Braun, Anton Dermota, Christel Goltz, Harald Pröglhöf, Else Schürhoff, Wiener Philharmoniker, Clemens Krauss | 2:26 |
| 1954-03 | Salome: „Nach mir wird Einer kommen” | bass vocals [First Soldier] | Herbert Alsen, Walter Berry, Hans Braun, Anton Dermota, Ljubomir Pantscheff, Harald Pröglhöf, Else Schürhoff, Wiener Philharmoniker, Clemens Krauss | 2:37 |
| 1954-03 | Salome: „Siehe, der Herr ist gekommen” | bass vocals [First Soldier] | Herbert Alsen, Walter Berry, Hans Braun, Anton Dermota, Hermann Gallos, Christel Goltz, Harald Pröglhöf, Wiener Philharmoniker, Clemens Krauss | 1:36 |
| 1954-03 | Salome: „Wie schön ist die Prinzessin Salome heute Nacht!” | bass vocals [First Soldier] | Herbert Alsen, Walter Berry, Anton Dermota, Harald Pröglhöf, Else Schürhoff, Wiener Philharmoniker, Clemens Krauss | 2:41 |
| 1954-03 | Salome: „Wo ist Salome?” | bass vocals [First Soldier] | Walter Berry, Margareta Kenney, Julius Patzak, Wiener Philharmoniker, Clemens Krauss | 2:50 |
| 1954-03 | Salome: Segundo Acto: "Wahrhaftig, Herr, es wäre besser" | bass vocals [First Soldier] | Hugo Meyer-Welfing, Walter Berry, Franz Bierbach, Murray Dickie, Margareta Kenney, Kurt Preger, Ludwig Weber, Wiener Philharmoniker, Clemens Krauss | 3:00 |
| 1954-06 | Der Rosenkavalier: Act III. "Bin glücklich über Maßen" | bass-baritone vocals [Ein Polizeikommissar] | Walter Berry, Hilde Güden, Sena Jurinac, Maria Reining, Ludwig Weber, Wiener Philharmoniker, Erich Kleiber | 2:44 |
| 1954-06 | Der Rosenkavalier: Act III. "Halt! Keiner rührt sich!" | bass-baritone vocals [Ein Polizeikommissar] | Walter Berry, Sena Jurinac, Peter Klein, Erich Majkut, Ludwig Weber, Wiener Philharmoniker, Erich Kleiber | 3:15 |
| 1954-06 | Der Rosenkavalier: Act III. "Laß Er nur gut sein" | bass-baritone vocals [Ein Polizeikommissar] | Walter Berry, Hilde Güden, Sena Jurinac, Maria Reining, Ludwig Weber, Wiener Philharmoniker, Erich Kleiber | 6:50 |
| 1954-06 | Der Rosenkavalier: Act III. "Sind desto eher im klaren" | bass-baritone vocals [Ein Polizeikommissar] | Walter Berry, Sena Jurinac, Erich Majkut, Ludwig Weber, Wiener Philharmoniker, Erich Kleiber | 2:29 |
| 1954-06 | Der Rosenkavalier: Act III. "Zur Stelle! Was wird von mir gewünscht?" | bass-baritone vocals [Ein Polizeikommissar] | Walter Berry, Chor der Wiener Staatsoper, Hilde Güden, Erich Majkut, Alfred Poell, Ludwig Weber, Wiener Philharmoniker, Erich Kleiber | 5:09 |
| 1954-08-06 | Don Giovanni: Atto primo, quarta scena. Aria: “Batti, batti, o bel Masetto” (Zerlina) / Recitativo: “Guarda un po’” (Masetto / Don Giovanni / Zerlina) | baritone vocals [Masetto] | Erna Berger, Walter Berry, Cesare Siepi, Wiener Philharmoniker, Wilhelm Furtwängler | 4:52 |
| 1954-08-06 | Don Giovanni: Atto primo, quarta scena. Finale: “Presto, presto, pria ch’ei venga” (Masetto / Zerlina / Don Giovanni / Coro) | baritone vocals [Masetto] | Erna Berger, Walter Berry, Chor der Wiener Staatsoper, Cesare Siepi, Wiener Philharmoniker, Wilhelm Furtwängler | 2:05 |
| 1954-08-06 | Don Giovanni: Atto primo, quarta scena. Finale: “Tra quest’arbori celata” (Zerlina / Don Giovanni / Masetto) | baritone vocals [Masetto] | Erna Berger, Walter Berry, Cesare Siepi, Wiener Philharmoniker, Wilhelm Furtwängler | 2:42 |
| 1954-08-06 | Don Giovanni: Atto primo, quarta scena. Recitativo: “Masetto, senti un po’” (Zerlina / Masetto) | baritone vocals [Masetto] | Erna Berger, Walter Berry, Wiener Philharmoniker, Wilhelm Furtwängler | 1:12 |
| 1954-08-06 | Don Giovanni: Atto primo, quinta scena. Finale: “Riposate, vezzose ragazze” (Don Giovanni / Leporello / Masetto / Zerlina) | baritone vocals [Masetto] | Erna Berger, Walter Berry, Otto Edelmann, Cesare Siepi, Wiener Philharmoniker, Wilhelm Furtwängler | 1:27 |
| 1954-08-06 | Don Giovanni: Atto primo, quinta scena. Finale: “Trema, trema, scellerato” (Donna Anna / Zerlina / Donna Elvira / Don Ottavio / Masetto / Don Giovanni / Leporello) | baritone vocals [Masetto] | Erna Berger, Walter Berry, Anton Dermota, Otto Edelmann, Elisabeth Grümmer, Elisabeth Schwarzkopf, Cesare Siepi, Wiener Philharmoniker, Wilhelm Furtwängler | 2:35 |
| 1954-08-06 | Don Giovanni: Atto primo, quinta scena. Finale: “Venite pur avanti” (Leporello / Don Giovanni / Donna Anna / Donna Elvira / Don Ottavio / Masetto / Zerlina) | baritone vocals [Masetto] | Erna Berger, Walter Berry, Anton Dermota, Otto Edelmann, Elisabeth Grümmer, Elisabeth Schwarzkopf, Cesare Siepi, Wiener Philharmoniker, Wilhelm Furtwängler | 4:44 |
| 1954-08-06 | Don Giovanni: Atto primo, terza scena. Aria: “Ho capito, signor sì” (Masetto) | baritone vocals [Masetto] | Walter Berry, Wiener Philharmoniker, Wilhelm Furtwängler | 1:42 |
| 1954-08-06 | Don Giovanni: Atto primo, terza scena. Coro: “Giovinete che fate all’amore” (Zerlina / Coro / Masetto) | baritone vocals [Masetto] | Erna Berger, Walter Berry, Chor der Wiener Staatsoper, Wiener Philharmoniker, Wilhelm Furtwängler | 1:31 |
| 1954-08-06 | Don Giovanni: Atto primo, terza scena. Recitativo: “Manco male, e partita” (Don Giovanni / Leporello / Zerlina / Masetto) | baritone vocals [Masetto] | Erna Berger, Walter Berry, Otto Edelmann, Cesare Siepi, Wiener Philharmoniker, Wilhelm Furtwängler | 2:06 |
| 1954-08-06 | Don Giovanni: Atto secundo, prima scena. Recitativo: “Zitto, lascia ch’io senta!” (Don Giovanni / Masetto / Zerlina) | baritone vocals [Masetto] | Erna Berger, Walter Berry, Cesare Siepi, Wiener Philharmoniker, Wilhelm Furtwängler | 2:04 |
| 1954-08-06 | Don Giovanni: Atto secundo, prima scena. Serenato: “Deh vieni alla finestra” (Don Giovanni) / Recitativo: “V’è gentle anna finestra” (Don Giovanni / Masetto) | baritone vocals [Masetto] | Walter Berry, Cesare Siepi, Wiener Philharmoniker, Wilhelm Furtwängler | 3:07 |
| 1954-08-06 | Don Giovanni: Atto secundo, quinta scena. Epilogo: “Ah dov’è il perfido?” (Donna Elvira / Zerlina / Don Ottavio / Masetto / Donna Anna / Leporello) | baritone vocals [Masetto] | Erna Berger, Walter Berry, Anton Dermota, Otto Edelmann, Elisabeth Grümmer, Elisabeth Schwarzkopf, Wiener Philharmoniker, Wilhelm Furtwängler | 1:47 |
| 1954-08-06 | Don Giovanni: Atto secundo, quinta scena. Epilogo: “Or che tutti, o mio tesoro” (Donna Elvira / Zerlina / Don Ottavio / Masetto / Donna Anna / Leporello) | baritone vocals [Masetto] | Erna Berger, Walter Berry, Anton Dermota, Otto Edelmann, Elisabeth Grümmer, Elisabeth Schwarzkopf, Wiener Philharmoniker, Wilhelm Furtwängler | 2:12 |
| 1954-08-06 | Don Giovanni: Atto secundo, quinta scena. Epilogo: “Questo è il fin” (Donna Elvira / Zerlina / Don Ottavio / Masetto / Donna Anna / Leporello) | baritone vocals [Masetto] | Erna Berger, Walter Berry, Anton Dermota, Otto Edelmann, Elisabeth Grümmer, Elisabeth Schwarzkopf, Wiener Philharmoniker, Wilhelm Furtwängler | 2:08 |
| 1954-08-06 | Don Giovanni: Atto secundo, seconda scena. Recitativo: “Di molte faci il lume” (Leporello / Donna Elvira) / Sestetto: “Sola, sola in buio loco” (Donna Elvira / Leporello / Don Ottavio / Donna Anna / Zerlina / Masetto) | baritone vocals [Masetto] | Erna Berger, Walter Berry, Anton Dermota, Otto Edelmann, Elisabeth Grümmer, Elisabeth Schwarzkopf, Wiener Philharmoniker, Wilhelm Furtwängler | 6:24 |
| 1954-08-06 | Don Giovanni: Atto secundo, seconda scena. Recitativo: “Dunque quello sei tu” (Zerlina / Donna Elvira / Don Ottavio / Masetto) / Aria: “Ah, pietà, signori miei!” (Leporello) / Recitativo: “Ferma, perfido, ferma!” (Donna Elvira / Masetto / Zerlina / Don Ottavio) | baritone vocals [Masetto] | Erna Berger, Walter Berry, Anton Dermota, Otto Edelmann, Elisabeth Schwarzkopf, Wiener Philharmoniker, Wilhelm Furtwängler | 3:01 |
| 1954-08-06 | Don Giovanni: Atto secundo, seconda scena. Sestetto: “Mille torbidi pensieri” (Donna Elvira / Leporello / Don Ottavio / Donna Anna / Zerlina / Masetto) | baritone vocals [Masetto] | Erna Berger, Walter Berry, Anton Dermota, Otto Edelmann, Elisabeth Grümmer, Elisabeth Schwarzkopf, Wiener Philharmoniker, Wilhelm Furtwängler | 2:34 |
| 1954-08-07 | Ariadne auf Naxos: Vorspiel. “Hier finden Euer Gnaden die Mamsell Zerbinetta” (Lakai, Offizier, Komponist, Tenor, Perückenmacher, Zerbinetta, Primadonna, Tanzmeister) | bass-baritone vocals [Ein Perückenmacher] | Walter Berry, Franz Bierbach, Hilde Güden, Peter Klein, Georges Müller, Rudolf Schock, Irmgard Seefried, Lisa della Casa, Wiener Philharmoniker, Karl Böhm | 8:52 |
| 1955-05-23 – 1955-05-28 | Die Zauberflöte, K. 620: Act I, "Schnelle Füße, rascher Mut" (Pamina, Papageno) | baritone vocals [Papageno] | Gueden, Lipp, Simoneau, Berry, Wiener Philharmoniker, Böhm | 3:14 |
| 1955-05-23 – 1955-05-28 | Die Zauberflöte, K. 620: Act I, Allegro maestoso "Es lebe Sarastro!" (Pamina, Papageno) | baritone vocals [Papageno] | Gueden, Lipp, Simoneau, Berry, Wiener Philharmoniker, Böhm | 1:53 |
| 1955-05-23 – 1955-05-28 | Die Zauberflöte, K. 620: Act I, Duet "Bei Männern, welche Liebe fühlen" (Pamina, Papageno) | baritone vocals [Papageno] | Gueden, Lipp, Simoneau, Berry, Wiener Philharmoniker, Böhm | 3:24 |
| 1955-05-23 – 1955-05-28 | Die Zauberflöte, K. 620: Act I, Trio "Du feines Täubchen, nur herein" (Pamina, Tamino) | baritone vocals [Papageno] | Gueden, Lipp, Simoneau, Berry, Wiener Philharmoniker, Böhm | 1:47 |
| 1955-05-23 – 1955-05-28 | Die Zauberflöte, K. 620: Act II, "Papagena! Papagena!" (Papageno) | baritone vocals [Papageno] | Gueden, Lipp, Simoneau, Berry, Wiener Philharmoniker, Böhm | 5:10 |
| 1955-05-23 – 1955-05-28 | Die Zauberflöte, K. 620: Act II, Aria "Ein Mädchen oder Weibchen wünscht Papageno sich!" (Papageno) | baritone vocals [Papageno] | Gueden, Lipp, Simoneau, Berry, Wiener Philharmoniker, Böhm | 4:08 |
| 1955-05-23 – 1955-05-28 | Die Zauberflöte, K. 620: Act II, Quintet "Wie? Wie? Wie? Ihr an diesem Schreckensort?" (Papageno, Tamino) | baritone vocals [Papageno] | Gueden, Lipp, Simoneau, Berry, Wiener Philharmoniker, Böhm | 3:38 |
| 1955-05-23 – 1955-05-28 | Die Zauberflöte: "Pa-pa-pa-pa-pa-pa-Papagena!" | baritone vocals [Papageno] | Walter Berry, Konzertvereinigung Wiener Staatsopernchor, Emmy Loose, Wiener Philharmoniker, Karl Böhm | 2:31 |
| 1955-05-23 – 1955-05-28 | La Flûte enchantée, KV 620 : Der Vogelfänger bin ich ja | baritone vocals [Papageno] | Walter Berry, Wiener Philharmoniker, Karl Böhm | 2:30 |
| 1955-06 | Don Giovanni: Atto I. “Batti, batti, o bel Masetto” | bass vocals [Masetto] | Hilde Gueden, Walter Berry, Cesare Siepi, Wiener Philharmoniker, Josef Krips | 4:12 |
| 1955-06 | Don Giovanni: Atto I. “Giovinette, che fate all’amore” | bass vocals [Masetto] | Hilde Gueden, Walter Berry, Wiener Staatsopernchor, Wiener Philharmoniker, Josef Krips | 1:29 |
| 1955-06 | Don Giovanni: Atto I. “Ho capito, signor sì!” | bass vocals [Masetto] | Walter Berry, Wiener Philharmoniker, Josef Krips | 1:31 |
| 1955-06 | Don Giovanni: Atto I. “Maco male, è partita” | bass vocals [Masetto] | Cesare Siepi, Fernando Corena, Hilde Gueden, Walter Berry, Wiener Philharmoniker, Josef Krips | 2:13 |
| 1955-06 | Don Giovanni: Atto I. “Masetto… senti un po’” | bass vocals [Masetto] | Hilde Gueden, Walter Berry, Wiener Philharmoniker, Josef Krips | 1:16 |
| 1955-06 | Don Giovanni: Atto I. “Presto presto pria ch’ei venga” (Masetto) | bass vocals [Masetto] | Walter Berry, Hilde Gueden, Cesare Siepi, Wiener Staatsopernchor, Wiener Philharmoniker, Josef Krips | 4:45 |
| 1955-06 | Don Giovanni: Atto I. “Riposate, vezzose ragazze!” (Don Giovanni) | bass vocals [Masetto] | Cesare Siepi, Fernando Corena, Walter Berry, Hilde Gueden, Suzanne Danco, Lisa della Casa, Anton Dermota, Wiener Philharmoniker, Josef Krips | 9:19 |
| 1955-06 | Don Giovanni: Atto II. “Ah, dov’è il perfido?” (Donna Elvira, Donna Anna, Don Ottavio, Zerlina, Masetto) | bass vocals [Masetto] | Suzanne Danco, Lisa della Casa, Hilde Gueden, Anton Dermota, Walter Berry, Fernando Corena, Wiener Philharmoniker, Josef Krips | 6:23 |
| 1955-06 | Don Giovanni: Atto II. “Ah, pietà, signori miei” (Leporello) | bass vocals [Masetto] | Fernando Corena, Lisa della Casa, Walter Berry, Hilde Gueden, Anton Dermota, Wiener Philharmoniker, Josef Krips | 2:39 |
| 1955-06 | Don Giovanni: Atto II. “Deh! vieni alla finestra” | bass vocals [Masetto] | Cesare Siepi, Walter Berry, Wiener Philharmoniker, Josef Krips | 2:58 |
| 1955-06 | Don Giovanni: Atto II. “Don Giovanni, a cenar teco” (Il Commendatore) | bass vocals [Masetto] | Lisa della Casa, Cesare Siepi, Fernando Corena, Suzanne Danco, Hilde Gueden, Anton Dermota, Walter Berry, Kurt Böhme, Wiener Staatsopernchor, Wiener Philharmoniker, Josef Krips | 7:13 |
| 1955-06 | Don Giovanni: Atto II. “Metà di voi qua vadano” (Don Giovanni) | bass vocals [Masetto] | Cesare Siepi, Walter Berry, Hilde Gueden, Wiener Philharmoniker, Josef Krips | 4:57 |
| 1955-06 | Don Giovanni: Atto II. “Sola, sola, in buio loco” (Donna Elvira) | bass vocals [Masetto] | Lisa della Casa, Fernando Corena, Anton Dermota, Suzanne Danco, Hilde Gueden, Walter Berry, Wiener Philharmoniker, Josef Krips | 8:13 |
| 1955 | Wozzeck, Akt II: "Was die Steine glänzen" | baritone vocals | Walter Berry, Christel Goltz, Orchester der Wiener Staatsoper, Karl Böhm | 5:47 |
| 1956-04-13 – 1956-04-22 | Le nozze di Figaro, K. 492: Atto primo. No. 1 Duettino: “Cinque… dieci… venti… trenta…” (Figaro, Susanna) / Recitativo: “Cosa stai misurando, caro il mio Figaretto?” (Susanna, Figaro) | bass-baritone vocals [Figaro] | Walter Berry, Rita Streich, Karl Pilss, Wiener Symphoniker, Karl Böhm | 3:32 |
| 1956-04-13 – 1956-04-22 | Le nozze di Figaro, K. 492: Atto primo. No. 2 Duettino: “Se a caso Madama la notte ti chiama” (Figaro, Susanna) | bass-baritone vocals [Figaro] | Walter Berry, Rita Streich, Karl Pilss, Wiener Symphoniker, Karl Böhm | 2:39 |
| 1956-04-13 – 1956-04-22 | Le nozze di Figaro, K. 492: Atto primo. No. 3 Cavatina: “Se vuol ballare, signor Contino” (Figaro) | bass-baritone vocals [Figaro] | Walter Berry, Karl Pilss, Wiener Symphoniker, Karl Böhm | 2:37 |
| 1956-04-13 – 1956-04-22 | Le nozze di Figaro, K. 492: Atto primo. No. 8 Coro: “Giovani liete” (Contadini e contadine) / Recitativo: “Cos’è questa commedia?” (Conte, Figaro, Susanna) | bass-baritone vocals [Figaro] | Walter Berry, Wiener Staatsopernchor, Paul Schöffler, Rita Streich, Karl Pilss, Wiener Symphoniker, Karl Böhm | 3:31 |
| 1956-04-13 – 1956-04-22 | Le nozze di Figaro, K. 492: Atto primo. No. 10 Aria: “Non più andrai” (Figaro) | bass-baritone vocals [Figaro] | Walter Berry, Karl Pilss, Wiener Symphoniker, Karl Böhm | 3:55 |
| 1956-04-13 – 1956-04-22 | Le nozze di Figaro, K. 492: Atto primo. Recitativo: “Evviva!” (Figaro, Susanna, Basilio, Cherubino, Conte) | bass-baritone vocals [Figaro] | Walter Berry, Christa Ludwig, Erich Majkut, Paul Schöffler, Rita Streich, Karl Pilss, Wiener Symphoniker, Karl Böhm | 1:13 |
| 1956-04-13 – 1956-04-22 | Le nozze di Figaro, K. 492: Atto primo. Recitativo: “Or bene, ascolta, e taci” (Susanna, Figaro) | bass-baritone vocals [Figaro] | Walter Berry, Rita Streich, Karl Pilss, Wiener Symphoniker, Karl Böhm | 2:39 |
| 1956-04-13 – 1956-04-22 | Le nozze di Figaro, K. 492: Atto quarto. No. 27 Recitativo ed Aria: “Aprite un po’ quegli occhi” (Figaro) | bass-baritone vocals [Figaro] | Walter Berry, Karl Pilss, Wiener Symphoniker, Karl Böhm | 2:36 |
| 1956-04-13 – 1956-04-22 | Le nozze di Figaro, K. 492: Atto quarto. No. 27 Recitativo ed Aria: “Tutto è disposto” (Figaro) | bass-baritone vocals [Figaro] | Walter Berry, Karl Pilss, Wiener Symphoniker, Karl Böhm | 1:33 |
| 1956-04-13 – 1956-04-22 | Le nozze di Figaro, K. 492: Atto quarto. No. 29 Finale: “Gente, gente, all’armi” … “Questo giorno di tormenti, di capricci e di follia” (Conte, Figaro, Basilio, Antonio, Susanna, Barbarina, Cherubino, Marcellina, Contessa) | bass-baritone vocals [Figaro] | Walter Berry, Karl Dönch, Sena Jurinac, Christa Ludwig, Erich Majkut, Ira Malaniuk, Rosl Schwaiger, Paul Schöffler, Rita Streich, Karl Pilss, Wiener Symphoniker, Karl Böhm | 5:28 |
| 1956-04-13 – 1956-04-22 | Le nozze di Figaro, K. 492: Atto quarto. No. 29 Finale: “Pian pianin le andrò più presso” (Cherubino, Contessa, Conte, Susanna, Figaro) | bass-baritone vocals [Figaro] | Walter Berry, Sena Jurinac, Christa Ludwig, Paul Schöffler, Rita Streich, Karl Pilss, Wiener Symphoniker, Karl Böhm | 5:49 |
| 1956-04-13 – 1956-04-22 | Le nozze di Figaro, K. 492: Atto quarto. No. 29 Finale: “Tutto è tranquillo e placido” … “Pace, pace mio dolce tesoro” (Figaro, Susanna, Conte) | bass-baritone vocals [Figaro] | Walter Berry, Paul Schöffler, Rita Streich, Karl Pilss, Wiener Symphoniker, Karl Böhm | 5:41 |
| 1956-04-13 – 1956-04-22 | Le nozze di Figaro, K. 492: Atto quarto. Recitativo: “Barbarina, cos’hai?” (Figaro, Barbarina) / Recitativo: “Nel padiglione a manca,” ei così disse” … “È Barbarina. Chi va là?” … “Hai i diavoli nel corpo” (Barbarina, Figaro, Basilio, Bartolo) | bass-baritone vocals [Figaro] | Walter Berry, Oskar Czerwenka, Erich Majkut, Rosl Schwaiger, Karl Pilss, Wiener Symphoniker, Karl Böhm | 4:20 |
| 1956-04-13 – 1956-04-22 | Le nozze di Figaro, K. 492: Atto quarto. Recitativo: “Perfida! e in quella forma meco mentia?” (Figaro, Cherubino, Contessa) | bass-baritone vocals [Figaro] | Walter Berry, Sena Jurinac, Christa Ludwig, Karl Pilss, Wiener Symphoniker, Karl Böhm | 0:28 |
| 1956-04-13 – 1956-04-22 | Le nozze di Figaro, K. 492: Atto quarto. Recitativo: “Signora, ella mi disse che Figaro verravvi” (Susanna, Marcellina, Contessa, Figaro) | bass-baritone vocals [Figaro] | Walter Berry, Sena Jurinac, Ira Malaniuk, Rita Streich, Karl Pilss, Wiener Symphoniker, Karl Böhm | 0:43 |
| 1956-04-13 – 1956-04-22 | Le nozze di Figaro, K. 492: Atto secondo. No. 16 Finale: “Signore, di fuori son già i suonatori| … “Ah signore… signor…” – “Cosa è stato?” (Figaro, Conte, Contessa, Susanna, Antonio) | bass-baritone vocals [Figaro] | Walter Berry, Karl Dönch, Sena Jurinac, Paul Schöffler, Rita Streich, Karl Pilss, Wiener Symphoniker, Karl Böhm | 9:09 |
| 1956-04-13 – 1956-04-22 | Le nozze di Figaro, K. 492: Atto secondo. No. 16 Finale: “Voi signor, che giusto siete, ci dovete or ascoltar” (Marcellina, Basilio, Bartolo, Conte, Contessa, Susanna, Figaro) | bass-baritone vocals [Figaro] | Walter Berry, Oskar Czerwenka, Sena Jurinac, Erich Majkut, Ira Malaniuk, Paul Schöffler, Rita Streich, Karl Pilss, Wiener Symphoniker, Karl Böhm | 4:03 |
| 1956-04-13 – 1956-04-22 | Le nozze di Figaro, K. 492: Atto secondo. Recitativo: “Vieni, cara Susanna … Quanto duolmi, Susanna, che questo giovinotto abbia del Conte le stravaganze udite” (Contessa, Susanna, Figaro, Cherubino) | bass-baritone vocals [Figaro] | Walter Berry, Sena Jurinac, Christa Ludwig, Rita Streich, Karl Pilss, Wiener Symphoniker, Karl Böhm | 4:01 |
| 1956-04-13 – 1956-04-22 | Le nozze di Figaro, K. 492: Atto terzo. No. 19 Sestetto: “Riconosci in questo amplesso una madre, amato figlio!” (Marcellina, Figaro, Bartolo, Don Curzio, Conte, Susanna) | bass-baritone vocals [Figaro] | Walter Berry, Oskar Czerwenka, Murray Dickie, Ira Malaniuk, Paul Schöffler, Rita Streich, Karl Pilss, Wiener Symphoniker, Karl Böhm | 5:06 |
| 1956-04-13 – 1956-04-22 | Le nozze di Figaro, K. 492: Atto terzo. No. 23 Finale: “Ecco la marcia, andiamo” … “Amanti costanti, seguaci d’onor” (Figaro, Susanna, Conte, Contessa, 2 contadine, contadini e contadine) | bass-baritone vocals [Figaro] | Walter Berry, Wiener Staatsopernchor, Dorothea Frass, Sena Jurinac, Liselotte Maikl, Paul Schöffler, Rita Streich, Karl Pilss, Wiener Symphoniker, Karl Böhm | 3:11 |
| 1956-04-13 – 1956-04-22 | Le nozze di Figaro, K. 492: Atto terzo. No. 23 Finale: Fandango / “Eh già, solita usanza, le donne ficcan gli aghi in ogni loco” (Conte, Figaro) / “Andate amici!” (Conte) / “Amanti costanti seguaci d’onor” (Contadini e contadine) | bass-baritone vocals [Figaro] | Walter Berry, Wiener Staatsopernchor, Paul Schöffler, Karl Pilss, Wiener Symphoniker, Karl Böhm | 3:08 |
| 1956-04-13 – 1956-04-22 | Le nozze di Figaro, K. 492: Atto terzo. Recitativo: “E perchè fosti meco stamattina sì austera?” (Conte, Susanna, Figaro) | bass-baritone vocals [Figaro] | Walter Berry, Paul Schöffler, Rita Streich, Karl Pilss, Wiener Symphoniker, Karl Böhm | 0:40 |
| 1956-04-13 – 1956-04-22 | Le nozze di Figaro, K. 492: Atto terzo. Recitativo: “Eccovi, o caro amico” (Marcellina, Bartolo, Susanna, Figaro) / Recitativo: “Andiamo, andiam, bel paggio” (Barbarina, Cherubino) | bass-baritone vocals [Figaro] | Walter Berry, Christa Ludwig, Ira Malaniuk, Rosl Schwaiger, Rita Streich, Karl Pilss, Wiener Symphoniker, Karl Böhm | 1:32 |
| 1956-04-13 – 1956-04-22 | Le nozze di Figaro, K. 492: Atto terzo. Recitativo: “Queste sono, Madama, le ragazze del loco” … “Eh cospettaccio! è questi l’uffiziale” … “Signor, Signor… se trattenete tutte queste ragazze, addio feste” (Barbarina, Contessa, Susanna, Antonio, Conte, Cherubino, Figaro) | bass-baritone vocals [Figaro] | Walter Berry, Karl Dönch, Sena Jurinac, Christa Ludwig, Rosl Schwaiger, Paul Schöffler, Rita Streich, Karl Pilss, Wiener Symphoniker, Karl Böhm | 2:47 |
| 1956-04-13 – 1956-04-22 | Le nozze di Figaro, K. 492: Atto terzo. Recitativo: È decisa la lite. “O pagarla, o sposarla” (Don Curzio, Marcellina, Figaro, Conte, Bartolo) | bass-baritone vocals [Figaro] | Walter Berry, Oskar Czerwenka, Murray Dickie, Ira Malaniuk, Paul Schöffler, Karl Pilss, Wiener Symphoniker, Karl Böhm | 1:34 |
| 1956-10-05 – 1956-10-09 | Vesperae solemnes de confessore C-Dur: Beatus Vir | bass vocals | Wiener Kammerchor, Wiener Symphoniker, Jascha Horenstein | ?:?? |
| 1956-10-05 – 1956-10-09 | Vesperae solemnes de confessore C-Dur: Confitebor | bass vocals | Wiener Kammerchor, Wiener Symphoniker, Jascha Horenstein | ?:?? |
| 1956-10-05 – 1956-10-09 | Vesperae solemnes de confessore C-Dur: Dixit | bass vocals | Wiener Kammerchor, Wiener Symphoniker, Jascha Horenstein | ?:?? |
| 1956-10-05 – 1956-10-09 | Vesperae solemnes de confessore C-Dur: Laudate Dominum | bass vocals | Wiener Kammerchor, Wiener Symphoniker, Jascha Horenstein | ?:?? |
| 1956-10-05 – 1956-10-09 | Vesperae solemnes de confessore C-Dur: Laudate Pueri | bass vocals | Wiener Kammerchor, Wiener Symphoniker, Jascha Horenstein | ?:?? |
| 1956-10-05 – 1956-10-09 | Vesperae solemnes de confessore C-Dur: Magnificat | bass vocals | Wiener Kammerchor, Wiener Symphoniker, Jascha Horenstein | ?:?? |
| 1958-06 | Ariadne auf Naxos: Oper. Ach! Wo war ich? Tot? | baritone vocals [Harlekin] | Gunter Adam, Walter Berry, Liselotte Maikl, Roberta Peters, Leonie Rysanek, Wiener Philharmoniker, Erich Leinsdorf | 2:51 |
| 1958-06 | Ariadne auf Naxos: Oper. Die Dame gibt mit trübem Sinn | baritone vocals [Harlekin] | Gunter Adam, Walter Berry, Murray Dickie, Kurt Equiluz, Roberta Peters, Wiener Philharmoniker, Erich Leinsdorf | 4:29 |
| 1958-06 | Ariadne auf Naxos: Oper. Ein Schönes war: hieß Theseus – Ariadne | baritone vocals [Harlekin] | Gunter Adam, Walter Berry, Mimi Coertse, Kurt Equiluz, Liselotte Maikl, Roberta Peters, Leonie Rysanek, Hilde Rössel-Majdan, Wiener Philharmoniker, Erich Leinsdorf | 8:43 |
| 1958-06 | Ariadne auf Naxos: Oper. Hübsch gepredigt! Aber tauben Ohren! | baritone vocals [Harlekin] | Gunter Adam, Walter Berry, Murray Dickie, Kurt Equiluz, Roberta Peters, Wiener Philharmoniker, Erich Leinsdorf | 7:29 |
| See all 759 relationships |
| performed |
|---|
| Die Schöpfung | | Joseph Haydn; Herbert von Karajan, Berliner Philharmoniker, Walter Berry, Dietrich Fischer‐Dieskau, Gundula Janowitz, Werner Krenn, Christa Ludwig, Fritz Wunderlich, Wiener Singverein | |
| vocals |
|---|
| Der Barbier von Bagdad | bass vocals | Peter Cornelius; Gottlob Frick, Hilde Rössel-Majdan, Rudolf Schock, Alfred Poell, Sena Jurinac, Erich Majkut, Chor der Wiener Staatsoper, Großes Wiener Rundfunkorchester, Heinrich Hollreiser | |
| Der Freischütz (Chor & Orchester der Bayrischen Staatsoper München, feat. conductor: Robert Heger, singers: Anheisser, Weller, Nilsson, Koth, Berry) | | Carl Maria von Weber | |
| Die Zauberflöte | bass-baritone vocals | Mozart; Hilde Güden, Walter Berry, Wilma Lipp, Kurt Böhme, Wiener Philharmoniker, Karl Böhm | |
| Die Zauberflöte: Highlights | baritone vocals | Wolfgang Amadeus Mozart; Böhme, Lipp, Simoneau, Güden, Berry, Wiener Staatsopernchor, Wiener Philharmoniker, Karl Böhm | |
| Don Giovanni | bass-baritone vocals | Wolfgang Amadeus Mozart; New Philharmonia Orchestra, New Philharmonia Chorus, Otto Klemperer | |
