| arranged |
|---|
| 1861 | Melodisch-Kontrapunktische Studien, op. 137 |
| 1861 | Melodisch-Kontrapunktische Studien, op. 137: Nr. 4. Präludium in E-flat major |
| 1861 | Melodisch-Kontrapunktische Studien, op. 137: Nr. 8. Präludium in D minor |
| 1861 | Melodisch-Kontrapunktische Studien, op. 137: Nr. 9. Präludium in C-sharp minor |
| composed |
|---|
| 1812 | 12 Deutsche Tänze sammt Trios und Coda |
| 1833 | Duo Concertant en Variations Brilliantes |
| 1836-10 | Characteristic Studies, op. 95: No. 5. A Children’s Tale |
| 1841 | Romance et Tarantelle Brillante, op. 101 |
| 1850 – 1851 | Cello Sonata no. 2 in E major, op. 121 |
| 1850 – 1851 | Cello Sonata no. 2 in E major, op. 121: I. Allegro espressivo e appassionato |
| 1850 – 1851 | Cello Sonata no. 2 in E major, op. 121: II. Scherzo. Ballabile. Allegretto quasi Allegro |
| 1850 – 1851 | Cello Sonata no. 2 in E major, op. 121: III. Ballade (in Böhmischer Weise). Andantino |
| 1850 – 1851 | Cello Sonata no. 2 in E major, op. 121: IV. Finale. Allegro vivace, ma non troppo |
| 1856 | Grande Étude de Concert, op. 126 |
| 1936 – 1937 | Characteristic Studies, op. 95 |
| 1936 – 1937 | Characteristic Studies, op. 95: No. 1. Wrath |
| 1936 – 1937 | Characteristic Studies, op. 95: No. 2. Reconciliation |
| 1936 – 1937 | Characteristic Studies, op. 95: No. 3. Contradiction |
| 1936 – 1937 | Characteristic Studies, op. 95: No. 4. Juno |
| 1936 – 1937 | Characteristic Studies, op. 95: No. 5. A Children’s Tale |
| 1936 – 1937 | Characteristic Studies, op. 95: No. 6. Bacchanale |
| 1936 – 1937 | Characteristic Studies, op. 95: No. 7. Affection |
| 1936 – 1937 | Characteristic Studies, op. 95: No. 8. Carnival Scenes “Alla Napolitana’” |
| 1936 – 1937 | Characteristic Studies, op. 95: No. 9. Moonlight on the Sea-Shore |
| 1936 – 1937 | Characteristic Studies, op. 95: No. 10. Terpsichore |
| 1936 – 1937 | Characteristic Studies, op. 95: No. 11. A Dream |
| 1936 – 1937 | Characteristic Studies, op. 95: No. 12. Terror |
| 50 Veränderungen über einen Walzer von Anton Diabelli: Var. XXVI |
| Anticipations of Scotland, op. 75 "A Grand Fantasia" |
| Anticipations of Scotland, op. 75 "A Grand Fantasia": I. Introduction. Adagio ma non troppo |
| Anticipations of Scotland, op. 75 "A Grand Fantasia": II. Kelvin Grove. Andantino con moto |
| Anticipations of Scotland, op. 75 "A Grand Fantasia": III. Auld Robin Gray. Adagio espressivo |
| Anticipations of Scotland, op. 75 "A Grand Fantasia": IV. Lord Moira's Strathspey. Allegro moderato |
| Anticipations of Scotland, op. 75 "A Grand Fantasia": V. Finale. Allegro vivace |
| Cadenza for Beethoven's Piano Concerto no. 3 in C minor (op. 37), Anh. 4/7 |
| Concertante for Flute, Oboe and Orchestra in F major |
| Concertante for Flute, Oboe and Orchestra in F major: I. Adagio patetico |
| Concertante for Flute, Oboe and Orchestra in F major: II. Rondo (Allegretto grazioso) |
| Deux Études, op. 98 |
| Deux Études, op. 98: No. 1. L’Enjouement |
| Deux Études, op. 98: No. 2. L’Ambition |
| Deux Études, op. 105 |
| Deux Études, op. 105: No. 1. Allegro scherzoso |
| Deux Études, op. 105: No. 2. Allegro feroce |
| Les Contrastes, op. 115 |
| Les Contrastes, op. 115: I. Andante con moto, ma ben accentuato |
| Les Contrastes, op. 115: II. Fuga. Allegro maestoso |
| Les Contrastes, op. 115: III. Andante religioso |
| Les Contrastes, op. 115: IV. Allegretto |
| Piano Concerto no. 1 in F major, op. 45 |
| Piano Concerto no. 1 in F major, op. 45: I. Allegro maestoso |
| Piano Concerto no. 1 in F major, op. 45: II. Adagio |
| Piano Concerto no. 1 in F major, op. 45: III. Rondo: Allegro vivace |
| Piano Concerto no. 2 in E-flat major, op. 56 |
| Piano Concerto no. 2 in E-flat major, op. 56: I. Allegro moderato |
| Piano Concerto no. 2 in E-flat major, op. 56: II. Adagio |
| Piano Concerto no. 2 in E-flat major, op. 56: III. Allegretto. Tempo di polacca |
| Piano Concerto no. 3 in G minor, op. 58 |
| Piano Concerto no. 3 in G minor, op. 58: I. Allegro moderato |
| Piano Concerto no. 3 in G minor, op. 58: II. Adagio |
| Piano Concerto no. 3 in G minor, op. 58: III. Allegro agitato |
| Piano Concerto no. 4 in E major, op. 64 |
| Piano Concerto no. 4 in E major, op. 64: I. Allegro maestoso |
| Piano Concerto no. 4 in E major, op. 64: II. Adagio |
| Piano Concerto no. 4 in E major, op. 64: III. Rondo. Allegretto - Tempo di marcia |
| Piano Concerto no. 5 in C major, op. 87 |
| Piano Concerto no. 5 in C major, op. 87: I. Allegro moderato |
| Piano Concerto no. 5 in C major, op. 87: II. Adagio non troppo |
| Piano Concerto no. 5 in C major, op. 87: III. Allegro vivace |
| Piano Concerto no. 6 in B-flat major, op. 90 "Fantastique" |
| Piano Concerto no. 6 in B-flat major, op. 90 "Fantastique": I. Allegro con spirito - |
| Piano Concerto no. 6 in B-flat major, op. 90 "Fantastique": II. Andante espressivo - |
| Piano Concerto no. 6 in B-flat major, op. 90 "Fantastique": III. Allegro agitato - |
| Piano Concerto no. 6 in B-flat major, op. 90 "Fantastique": IV. Vivace |
| Piano Concerto no. 7 in C minor, op. 93 "Pathétique" |
| Piano Concerto no. 7 in C minor, op. 93 "Pathétique": I. [] |
| Piano Concerto no. 7 in C minor, op. 93 "Pathétique": II. Allegro agitato - |
| Piano Concerto no. 7 in C minor, op. 93 "Pathétique": III. Allegro con brio |
| Quatre Grandes Études de Concert, op. 111 |
| Quatre Grandes Études de Concert, op. 111: No. 1. Rêverie et Allégresse |
| Quatre Grandes Études de Concert, op. 111: No. 2. Le Carrillon |
| Quatre Grandes Études de Concert, op. 111: No. 3. Tendresse et Exaltation |
| Quatre Grandes Études de Concert, op. 111: No. 4. La Fougue |
| Recollections of Ireland, op. 69 |
| Recollections of Ireland, op. 69: I. Fantasia. Allegro moderato |
| Recollections of Ireland, op. 69: II. The Groves of Blarney. Andante sostenuto espressivo |
| Recollections of Ireland, op. 69: III. Garry Owen. Allegro |
| Recollections of Ireland, op. 69: IV. St Patrick's Day |
| dedicated works |
|---|
| Étude in F minor, MWV U 125 |
| Piano Concerto no. 3 in G major, op. 45 |
| Piano Quintet no. 2 in E major, op. 69 |
| instruments arranged |
|---|
| Melodisch-Kontrapunktische Studien, op. 137: Nr. 1. Präludium in C major |
