“Hail! Bright Cecilia”, Z. 328: IV. “’Tis nature’s voice” | | | | | | | |
A Coy Toy, P. 80 | | | | | | | |
A Dream, P. 75 | | | | | | | |
A Fancy | | | | | | | |
A Fancy, P. 5 | | | | | | | |
A Fancy, P. 6 | | | | | | | |
A Fancy, P. 72 | | | | | | | |
A Fancy, P. 73 | | | | | | | |
A Fantasie for two lutes [The Schoole of Musicke, no. 9] | | | | | | | |
A Fantasie, P. 1a | | | | | | | |
A Gaillard (on a galliard by Daniel Bacheler) for lute in C minor, P. 28 | | | | | | | |
A Galliard (upon Walsingham), P. 31 | | | | | | | |
A Galliard, P. 27 | | | | | | | |
A Galliard, P. 35 | | | | | | | |
A Galliard, P. 82 | | | | | | | |
A Piece Without Title, P. 78 | | | | | | | |
A Pilgrimes Solace: No. 2. Sweete stay a while, why will you rise? | | | | Song | | | |
A Pilgrimes Solace: No. 3. To aske for all thy love, and thy whole heart t'were madnesse | | | | | | | |
A Pilgrimes Solace: No. 4. Love those beames that breede | | | | | | | |
A Pilgrimes Solace: No. 5. Shall I strive with wordes to move | | | | | | | |
A Pilgrimes Solace: No. 6. Were every thought an eye | | | | | | | |
A Toy [The Schoole of Musicke, no. 19] | | | | | | | |
Airs de cour: I. C'est malheur | | | | Madrigal | | | |
Airs de cour: II. Adieu bergère | | | | Madrigal | | | |
Airs de cour: III. Beaux yeux | | | | Madrigal | | | |
Airs de cour: IV. La voilà la nacelle d'amour | | | | Madrigal | | | |
Airs de cour: V. Quelle divinité | | | | Madrigal | | | |
Airs de cour: VI. Si c'est pour mon pucellage | | | | Madrigal | | | |
Almain, P. 51 | | | | | | | |
Aloe, P. 68 | | | | | | | |
Als ick u vinde | | | | | | | |
Amor e gratioso | | | | | | | |
An Almain, P. 49 | | | | | | | |
An Almand, P. 96 | | | | | | | |
An Evening Hymn, Z. 193 "Now that the sun hath veiled his light" | | | | | | | |
Anchor que col partire | | | | Song | | | |
Anchor que col partire | | | | | | | |
Ancient Airs and Dances Suite no. 2: I. Laura soave (Balletto con gagliarda, saltarello e canario) | | | | | | | |
Avertisti faciem | | | | | | | |
Ballet | | | | | | | |
Bergamasca | | | | | | | |
Bonny Sweet Robin, P. 70 | | | | | | | |
Calata Alla Spagnola | | | | | | | |
Can She Excuse, P. 42 | | | | | | | |
Canon for lute | | | | | | | |
Canti di voi le ladi | | | | | | | |
Canzona prima | | | | | | | |
Canzona secunda | | | | | | | |
Capitain Candishe his Galyard, P. 21 | | | | | | | |
Captaine Digorie Piper his Galiard, P. 19 | | | | | | | |
Captaine Digorie Piper his Pavan, P. 8 | | | | | | | |
Chacogne | | | | | | | |
Chi Passa | | | | | | | |
Chi uoleno dir de moy, no. 98 | | | | | | | |
Ciaccona, Op.12 No.20 | | | | | | | |
Clori, Tirsi e Fileno, HWV 96, Seconda Parte: XV. Terzetto: Vivere e non amar, amare e non languir, languire e non penar | | - Jill Feldman, Lorraine Hunt, Drew Minter, Paul O’Dette, Philharmonia Baroque Orchestra, Nicholas McGegan
- Romina Basso, Yetzabel Arias Fernandez, Roberta Invernizzi, Fabio Bonizzoni, La Risonanza
- Philharmonia Baroque Orchestra, Nicholas McGegan
| | | | | |
Come Again, P. 60 | | | | | | | |
Concerto for Lute in D major, RV 93: I. Allegro giusto | | | | | | | |
Concerto for Lute in D major, RV 93: II. Largo | | | | | | | |
Concerto for Lute in D major, RV 93: III. Allegro | | | | | | | |
Concerto for Mandolin in C major, RV 425: I. Allegro | | | | | | | |
Concerto for Mandolin in C major, RV 425: II. Largo | | | | | | | |
Concerto for Mandolin in C major, RV 425: III. Allegro | | |